Sunset Session All Reitz Reserved Chris Reitz, Violin - Live Looping - Samples
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BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT to EUROPE
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT TO EUROPE KEY SELLING POINTS • First time to ever be reissued on vinyl since original 1996 release on Fader Records • Features original artwork from the official release • Limited edition of 1000 hand-numbered copies DESCRIPTION ARTIST: Blahzay Blahzay In August 1996, a Brooklyn duo consisting of MC Outloud and DJ TITLE: Blah Blah Blah P.F. Cuttin, better known to the world as Blahzay Blahzay, released CATALOG: l-TKR003 “Blah Blah Blah”, their one and only album, on Fader Records. The LABEL: Tuff Kong Records album’s 13 tracks proudly waved the flag of the East, featuring hit GENRE: Hip-Hop single “Danger”, as well as other bangers such as “Pain I Feel”, “Good BARCODE: 659123084215 Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, FORMAT: 2XLP Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The RELEASE: 6/30/2017 combination of PF Cuttin’s polished beats and Outloud’s aggressive LIST PRICE: $31.98 / FB lyrical style made this album a classic for all underground hip-hop heads. TRACKLISTING 1. Intro Twenty-one years after its original release, Blahzay Blahzay have 2. Blah, Blah, Blah teamed up with Italian independent record label Tuff Kong Records 3. Medina’s In Da House to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff 4. Danger - Part 2 (feat. La The Darkman, Smoothe Da Hustler, Kong Records will be releasing the album on 2LP, re-mastered for Trigger Tha Gambler) vinyl and featuring the original artwork, as a limited edition run of 5. -
La Coka Nostra Rolling with Grinspoon Pt.Ii Kiva
WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE DEERHOOF • THE LOCUST • AS Tall AS LIONS • CLUTCH • DAVID CHOE • RJD2 • BUFF MONSTER • NORma JEAN • POT TM MUSIC/ART/POLITICS/CULTURE #009 MUSIC/ART/POLITICS/CULTURE LA COKA NOSTRA ROWDINESS, BEllIGERENCE AND AGGRESSION ROllING WITH GRINSPOON PT.II “WE’RE GOING TO GET AN INJECTION OF A WHOLE NEW ENERGY...” KIVA INVESTORS SEEKING EMOTIONal RETURNS LOOK NO FURTHER WE ARE THE FURY CattlE DECapItatION SIERRA SWAN CLEAR CHANNEL - AMERICAN SODOMITES? USA $3.99 CANADA $4.99 ISSUE 9 WWW.KOTORIMAG.COM TABLE OF CONTENTS LA COKA NOSTRA I’m not knocking anyone else’s shit but hip hop is in a flossy KIVA place and I don’t feel like it’s reflecting the world we’re Investors seeking emotional returns…look no further. 40 living in right now!” 33 CLUTCH BUFF MONSTER “One day in the middle of a show I turned around and looked “The mass appeal of urban inspired or urban related art is 23 behind me and there were two 30 foot penises behind us.” 27 growing every day.” POWER PELLETS: Kotori tells you wutz up! 04 DEERHOOF 14 Satomi educates America on why Asians are so salty WE ARE THE FURY: A HEAD COLD COUldn’t TRIP UP ROCK-N-ROLL 06 THE LOCUST ASPHALT JUNGLE: swallows up Bob Marley 10 20 swarmin’ with their one-liners!! FASHIONABLY SKATEBOARDING: SICK ASS DECKS! 16 SIERRA SWAN 50 super-sexy sultry ssssss! HOW TO MAKE YOUR MUSIC VIDEO 18 SANDBLOOM: ONE CRAZY WHITE BOY WITH A LOT OF SOUL 30 AS TALL AS LIONS 08 Singer Dan Nigro hiccups his way through animal cruelty & the glockenspiel METERMAIDS: DOG POO AND DEMO RAP COLLIDE! 54 FASHION ADVENTURES: Kotori conquers fashion!!! 55 RJD2 47 Ramble John Krohn carves an exciting ‘pop’ path down a road he’s always taken.. -
The Rise of Electronic Dance Music an In-Depth Look at the Current State of EDM
The Rise of Electronic Dance Music An in-depth look at the current state of EDM Kevin Madert 5/7/13 Honors Capstone Prof. Streitmatter Table of Contents: 3 – Waiting for the drop: the meteoric rise of EDM in the new millennium ! 4. Underground to Mainstream !6. Blurring the Line: Cyberpunkers and “Get Laid” !8. Moombahton, U Street Music Hall & D.C.: a case study !10. The business of it all: Tittsworth and U Hall !15. Source list 16 – Selected EDM articles " 16. Listen to Emancipator"s Dusk To Dawn (Review) ! !18. An open letter to the LA Times: Sorry, but EDM isn"t going away (Editorial) !23. Cyberpunkers: The Men Behind the Masks (Interview) !27. Zeds Dead deliver “Bass-Laced” Essential Mix for BBC 1 (Mix Review) !29. Get your neo-soul glitchfunk groove on with Australia"s Cheshire and #The ! Funkd Up" EP (Review) !31. Moonrise Artist Spotlight: Flux Pavilion & Doctor P !33. Markus Schulz gives Echostage a reason to scream (Event Review) !36. Moonrise Artist Interview: Tittsworth !41. It might get louder: Moonrise Festival replaces Starscape as premier DMV ! electronic music festival !Madert 2 Waiting for the drop: The meteoric rise of electronic dance music in the new millennium !WASHINGTON – In 2002, at the age of 15, UK-born Oliver Jones obtained a pirated version of then-popular music production software Fruity Loops and began to construct electronically manufactured beats. Finding inspiration in the underground scene that was U.K. garage, Jones – stage name Skream – soon found himself at the forefront of an entirely new genre of electronic dance music, or “EDM”. -
Business Mixes Business Mixes
BUSINESS MIXES BUSINESS MIXES TABLE OF CONTENTS 0–9 .......................................................................................3 A .............................................................................................3 B .............................................................................................5 C .............................................................................................6 D .............................................................................................8 E ..............................................................................................8 F ..............................................................................................9 H .............................................................................................9 I ............................................................................................. 10 J .............................................................................................11 K ............................................................................................11 L .............................................................................................11 M .......................................................................................... 12 N ........................................................................................... 15 O ........................................................................................... 15 P .......................................................................................... -
A Package Deal: Branding, Technology, and Advertising
A PACKAGE DEAL: BRANDING, TECHNOLOGY, AND ADVERTISING IN MUSIC OF THE 20TH AND 21ST CENTURIES by MARK CHRISTOPHER SAMPLES A DISSERTATION Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2011 DISSERTATION APPROVAL PAGE Student: Mark Christopher Samples Title: A Package Deal: Branding, Technology, and Advertising in Music of the 20th and 21st Centuries This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Music and Dance by: Loren Kajikawa Co-Chair Marian Smith Co-Chair Anne Dhu McLucas Member John Fenn Member Scott Pratt Outside Member and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Mark Christopher Samples iii DISSERTATION ABSTRACT Mark Christopher Samples Doctor of Philosophy School of Music and Dance June 2011 Title: A Package Deal: Branding, Technology, and Advertising in Music of the 20th and 21st Centuries Approved: _______________________________________________ Dr. Loren Kajikawa, Co-Chair Approved: _______________________________________________ Dr. Marian Smith, Co-Chair This dissertation explores the history and influence of branding strategies on the music industry during the 20th and 21st centuries in order to give insight into the commercial ideologies that underlie music commodities and the ideologies of the musicians and companies that make them. The project is organized into four case studies that span the history of recorded music, from pre-1900 phonograph advertising to 21st- century popular music.