Is There a Deleuzian Musical Work? Author(s): Michael Gallope Source: Perspectives of New Music, Vol. 46, No. 2 (SUMMER 2008), pp. 93-129 Published by: Perspectives of New Music Stable URL: http://www.jstor.org/stable/25652390 Accessed: 24-01-2017 00:14 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Perspectives of New Music is collaborating with JSTOR to digitize, preserve and extend access to Perspectives of New Music This content downloaded from 169.234.112.190 on Tue, 24 Jan 2017 00:14:28 UTC All use subject to http://about.jstor.org/terms Is There a Deleuzian Musical Work? Michael Gallope "And in that one moment in time I will feel eternity" ?Whitney Houston, "One Moment in Time" SINCE among THE many WORK different OFcircles French of the musical philosopher avant-garde, a Gillesnew reader Deleuze is so popular to his work might expect to find a full-scale philosophy of music in his books, rife with passionate details. But, upon broadly surveying his work, it is hard not to be a bit disappointed. One usually discovers that, despite Deleuze's incredible ability to touch on nearly every academic discipline in some way or another, his best moments are usually very philosophical.