DJ Muggs Production Discography

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DJ Muggs production discography DJ Muggs production discography. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2012) (Learn how and when to remove this template message). This is a Full length List of Production Credits for DJ Muggs outside of his Cypress Hill, Soul Assassins & "Vs" albums. Contents. 1 Afu Ra. 2 Apathy. 3 Beastie Boys. 4 Big Noyd. 5 Big Red. 15 DJ Muggs. 16 Funkdoobiest. 17 George Micheal.Â DJ Premier discography â” The following list contains songs produced, co produced or remixed by DJ Premier.[1] Contents 1 Production Discography 1.1 1990 1.1.1 Branford Marsalis Quartet Music from Mo â¦ Wikipedia. RZA discography â” Discography for Wu Tang Clan leader RZA.tudio AlbumsInstrumental Albums*2007: The RZA Instrumental Experience oundtracks*1999: *2004: Kill Bill Volume 1 (soundtrack) Kill Bill Volume 2 (soundtrack) *2004: Soul Plane *2004: *2005: Unleashed *2005 â¦ Wikipedia. DJ Khalil discography â” The following is a list of productions by American hip hop and soul producer, DJ Khalil DJ Muggs production discography. From Wikipedia, the free encyclopedia. This is a Full length List of Production Credits for DJ Muggs outside of his Cypress Hill, Soul Assassins & "Vs" albums. YouTube Encyclopedic. 1/5.Â Dj Muggs Presents | The Soul Assassins (Chapter I) | (1997). Cypress hill | IV | (1998) | [full album] + bonus track. L'Orange - Blame The Author (feat. DJ Muggs. They Talk About It, We Live It (Bullworth) (f/ Prodigy, KRS-One, Method Man & Kam). I Know. Rain (f/ Josh Todd ). Niente. Morta. Faded.Â DJ Muggs production discography. Introduction. Afu Ra. Apathy. Beastie Boys. Big Noyd. Big Red. Explore releases and tracks from DJ Muggs at Discogs. Shop for Vinyl, CDs and more from DJ Muggs at the Discogs Marketplace.Â Lawrence Muggerud (born January 28, 1968), better known by his stage name DJ Muggs, is Cypress Hill's DJ and producer. He also produced tracks for Funkdoobiest, House of Pain, Dizzie Rascal, U2, Depeche Mode and more. He is the leader of LA art collective Soul Assassins. DJ Muggs production discography. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2012) (Learn how and when to remove this template message). This is a Full length List of Production Credits for DJ Muggs outside of his Cypress Hill, Soul Assassins & "Vs" albums. Afu Ra. Soul Assassination..

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Wall" COUNTRY Jessica Breaks Top 20
FEBRUARY 25, 2000 ISSUE 2293 THE MOST TRUSTED NAME IN RADIO $PCAIN$1ill "Deliriously wonderful! Twangy Can Country Slow Dance? guitars, rhythmic thump, vocal personality, and a classic of a MUSIC country song. This just might be my favorite single released so far in TOP 40 2000. A star is born!" Faith Causes - /2a6 7C CUen«m Heavy Breathing RHYTHM CROSSOVER Thong Song Exthplodes "flowersi on the wall" COUNTRY Jessica Breaks Top 20 NEWS Tony, Elton "Stunning" In SF Sirius, XM In Joint Venture from the Gets Of '99 Ad $$$ Radio 8.2% forthcoming Mercury Records CO Er Cassette Home of thee Seminar in Radio 44>NASHVILLE swimming in champagne c 2000 Mercury Records From the Publishers of Music Week, MBI and fono visit www.mercurynashville.coin A Miller Freeman Publication praRisaed ericheatherly.com . Fslairayea'drj !da eddy TCoderfss Co,:aae, www.americanradiohistory.com ark. -.ills Kathy .attea Neffi Coty Jafflie I'Neal Eric Heatherly LkA T Terri Clark M Ei,3CLIAY 1-) i ill you experence the future 111. YYlI<COMar 03000 MaRury Records, a Universal Musk Colnpar y www.americanradiohistory.com Tony, Elton Kick Off "Super Thursday" "That was one super Thursdar, That's how one radio programming vi- üesuiueu mu /C13 ,11 ill n lull Llay I GAVIN Seminar 2000, which led off with Tony Bennett delivering a stellar SRO performance at noon at the Hyatt Regency, and Elton John cappine ! -L-ow th' unt"l Riveting with a phennrrrr. just up the h I! -et Fáirmort "Congratulations on yet another successful GAVIN seminar. The panels were riveting, the Internet day was cutting edge, the acts were solid and Bennett Stuns Sir Elton Delivers wonderful.
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Rakim the Militia Ii
The Militia Ii Rakim "A special guest" "It's the militia... It's the militia" This is a conquest, so I suggest you take a rest Or keep a breath, but definitely keep a vest on that chest Rymes I'm packin, just like a thug at a car-jackin' Shoot off your hat when I start cappin, this is no actin G-A-N-G, S-T-A double R And you don't want no trouble up in here, baby pa From the late-night drama, of the New York streets To the hoods of LA, real niggas likin Primo's beats Put suckers on glass, send em, back to class And kick hot shit, so we can stack the Johnny Cash I brought the God, Rakim, lyrically gunning you wanna dash? I got Dub C, from South C, what you doubt me? Travellin through warzones with my infrared microphone In the year One Mill, destroying, enemies chromozones Words burn through flesh, leavin nothing but skeletal You best pay resepect to the legends, boy I'm tellin you, Militia The illest Realest Representin Bringin the rukkus Let it be known The illest Realest Word up It's The Militia; Freddie Foxxx Makin a move, makin a move, who's that nigga thats makin a move? It's the Shadiest rhymin'-back, actin' a motherfucking fool Four-four packers, my jackets ?hittin the tag? saggin, baggin Foot on my rag, mess up a bag, leavin my enemies in bodybags You niggas was crackin, what y'all thought it wasn't gon' happen? Dub C and my East Coast sisters gettin together rappin Gun-clappin, chump smackin, kiss the ring of your highness Look while I'm in New York City, walkin with two of the Brooklyn's finest My two affiliates from the East
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Mash out Posse's Latest Release Keeps It Real Minority Warnings For
PAGE 22 THE RETRIEVER WEEKLY FEATURES October 24, 2000 Mash Out Posse's Latest Release Keeps It Real "We 're the voice of the streets, and The subsequent EP, Handle Ur Bizness, arms and step lightly. we're .not letting that title go anywhere," and the release First Family showed that I pop shots at foes Album Review says Mash Out MOP still knew how .to touch a vein. Soren that don't entice me," -------- Posse's Lil' Fame in Baker of the LA Times reported that MOP, warns Billy Danze in by Jada lokeman the Brooklyn rap besides of course Run D.M.C. and the the opener "Welcome group's fourth and latest release, Warriorz, Beastie Boys, "were the first to enjoy to Brownsville." from Loud Records. · respect in the hip-hop community while Here, a bass line And they haven't gone anywhere. combining rock and rap in tl:ieir music." Of ·ripped from a '70s Despite changes in the industry as well as today's acts that have found success in car chase television the group's own label switch, MOP contin combining hip-hop and rock, namely Limp show is interspersed ues to deliver the hardcore in abundance. Bizkit, Korn and Kid Rock, she observes with a one-handed Although their trademark style of "undilut that "these rockers were beaten to the piano riff and pun~tu ed, unapolegetically underground ·sounds punch by MOP." In this period, they uti ated with a screech for hip hop purists (i-Music)" is difficult to lized less of DJ Premier's vast resources ing carpet bomb justify as responsible music, Warriorz dis and cultivated their own unique sound.
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Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved.
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Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube.
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Rcc the CCCCCD Brown Comes Back Strong, House of Pain Needs to Come Again
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Fort Minor Ft. Apathy, Tak of S.O.B., Bloc Party
Fort Minor ft. Apathy, Tak of S.O.B., Bloc Party [Green Lantern:] ...invasion! [Mike:] Hey Ap, why don't you do the uh the intro on this shit? Apathy: Yo Apathy, Fort Minor, Styles Of Beyond, Demigodz [Mike:] Here we go [Apathy:] Yo, rappers like heavy metal and ghettos Guns, metals and ammos I pistol whip Tony and fuck Meadows Soprano A cat who sells them bugs but tell them thugs They don't know how to carry more heat than welding gloves I walk amongst the gods, keep my head in the clouds Oh we show groupie love, getting head in the crowds Put it in girls mouth blast off like NASA The master of nastiness transform a classy bitch into A little sheen freak sadomasochist Dastardly bastard of rap so disastorous Spitting, healed a cripple like Christ the miraculous And fights my savageness, turns punks, pacifists The police clock Ap like there he go Always on the watch because I use to carry blow Always lock her down but I never marry ho's Barry foes when the flows comes through your stereo [Mike:] Here we go flipping up a predictable verse It's a curse to burst words like turrets on purpose Put the verb like a backhand reject perverse as it is I can't stop and its making me nervous, ok? Get me on a track and I'm cracking Packing up a backpack full of tracks on some CDs Be me, fuck that and not like me To bite me you need to be you times ninety I got schemes and a team so hyped we Get on a scene make a scene on the nightly Say what I mean, whether mean or politely Living the dream in some clean white Nike's Or DC's, I'm not giving a shit Fuck
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Cypress Hill the Hip-Hop Pioneers Are Back in Business and Ready to Rock
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM SPOTLIGHT James Minchin sen dog and B-real cypress hill The hip-hop pioneers are back in business and ready to rock Cypress Hill didn’t intend to wait more than a million records. its 1993 hit so long between albums, but the pioneering “insane in the Brain” crossed over to the pop los angeles rap group had some business top 20. Milestones like these have helped to attend to between 2004’s Till Death Do Cypress Hill make an indelible inﬂuence Us Part and the new Rise Up. among other on hip-hop’s new generation. “when other things, the foursome toured abroad, worked artists tell you, ‘i started rhyming because on solo projects, changed management of you,’ or ‘i started dJing because of you,’ and switched record labels. “we revamped that’s when it means something to me,” everything, and it took longer than we thought sen dog says. “that’s when i pay attention. it would,” says sen dog. “luckily we came that’s when i think, ‘oK, we have done out the other side ready to release a new something important.’” album and take on the world again.” on Rise Up, the band, which since Rise Up features an array of high-proﬁle 1994 has also included percussionist guests, including singer Marc anthony eric Bobo, was more concerned with and guitar heroes slash and tom Morello. re-establishing itself as a musical force. the “there’s a lot of people, especially rock songs came easily—so easily, in fact, that it ’n’ roll people, that want to get down with took the group by surprise.
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Apathy Public Execution
Public Execution Apathy [Verse 1: Celph Titled] I'm an accident just waitin' to happen Plus i'm an insane muthafucka with a hunger pain, To be the first blastin And my gun's a Gatling, forcin' crews to break up And stickin' up rappers when they walkin' outta Jacobs I'm on the block with my dogs, walkin you cats To the depths of Hell, I could have you offed in a snap Lookin awkward at ya rear view See my scope peer though? And hope ya still here to, see your career through Shoulda seen the bullets racin' in Now homicide don't know where the shell casings went Even the finest forensic scientist can't fuck with me Gettin super ugly with a Ruger right in front of me Aimin' it at ya mothers tummy You claim ya carryin' heat? please... Go finance ya hooptie and you'll find that... That's the only time you RE-lease Cuz you ain't never bust a gat, bitch you're bout as ill as a cure Get my finger near a trigger, i'ma spill it for sure Fire repetitive shots, leave you beheaded for not... Respectin' Celph Titled, is you stupid or not? I came thru wildin' on a murder all mission And left you fuckin' dead, like a perverted mortician [chorus cuts] [Verse 2: Esoteric] Cats i've assaulted, call me the high exhaulted Esoterrorist, their cleverest nemesis I'll forever diss these cats, it's effortless Sever their wrist, with this disc on the premises muthafuckas Journalists said there's none better You weak creeps read it and weep like love letters I bring malice We smash ya palace Weave past cats like Steve Nash in Dallas I did ya man a favor by writin' his words When he didn't have the money that my writin' is worth Fuck with Esoteric, you go right in a hearse When you mention dope cats, Seamus Ryan is first Cuz I keep spittin' heat, till i'm dyin' of thirst While you try rehearse, you better tighten your verse Demigodz..
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Meyhem Lauren & Dj Muggs
MEYHEM LAUREN & DJ MUGGS Gems From The Equinox LP COMING SOON KEY SELLING POINTS • Meyhem Lauren is the co-star of “F*** That’s Delicious” on Vice, and one of the hottest MCs in the New York underground • Album is entirely Produced by the legendary DJ Muggs of Cypress Hill • Guest Features Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, and Mr. Muthafuckin’ eXquire DESCRIPTION ARTIST: Meyhem Lauren & DJ Muggs Meyhem Lauren’s Gems From The Equinox is the crown jewel of modern TITLE: Gems From The Equinox NY rap. A future classic soundtracked by legendary producer DJ Muggs CATALOG: cd-SAR001 who has redefined dusty hip-hop production into a polished and dark, LABEL: Soul Assassin Records psychedelic world. The equinox is the one day of the year where day GENRE: Hip-Hop/Rap BARCODE: 659123095020 and night are the exact same length and this is the perspective of FORMAT: CD this album; the equal balance of darkness and the light. The project HOME MARKET: Los Angeles / New York City chronicles the urban decay and wild experiences only to be found in RELEASE: 11/3/2017 the New York underworld from the perspective of an intelligent hoodlum, LIST PRICE: $11.98 / AK Londell Manuver, AKA Meyhem Lauren. Sonic influences from elements of Cypress Hill’s Black Sunday, Mobb Deep’s Hell On The Earth and TRACKLISTING Capone and Noreaga’s The War Report. The album features include the 1. Camel Crush likes of Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, Mr. 2. Street Religion (feat. Roc Marciano) Muthafuckin’ eXquire and more.
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LEGISLATIVE RESOLUTION Mourning the Death of Rapper Keith "Guru" Elam, a Lyrical Icon
LEGISLATIVE RESOLUTION mourning the death of rapper Keith "Guru" Elam, a lyrical icon WHEREAS, It is the sense of this Legislative Body to honor and pay trib- ute to those individuals whose commitment and creative talents have contributed to the entertainment and cultural enrichment of their commu- nity and the entire State of New York; and WHEREAS, Keith "Guru" Elam of Brooklyn, New York, died on Monday, April 19, 2010, at the age of 47; he was an American emcee and member of the hip-hop duo Gang Starr; and WHEREAS, Born Keith Elam in the Roxbury section of Boston, Massachu- setts, on July 17, 1962, he began his career in the mid-1980s as MC Keithy E, but soon switched to Guru which he later turned into the acro- nym (Gifted Unlimited Rhymes Universal); and WHEREAS, Before beginning his rap career in earnest, Guru graduated from Morehouse College in Atlanta, Georgia, in 1983 and later took grad- uate classes at the Fashion Institute of Technology in Manhattan; and WHEREAS, Guru came to be known as one of the formative rappers of the flourishing New York hip-hop scene of the late 1980s and early 1990s; in 1988, after an early version of Gang Starr splintered, Guru met Christo- pher Martin "DJ Premier", a Houston, Texas, transplant to Brooklyn, forming a partnership that would lead to six influential and critically acclaimed albums, two of which, "Moment of Truth" and the hits collection "Full Clip", were certified gold; and WHEREAS, Known for social themes, together, Guru and DJ Premier made archetypal East Coast rap, sharp-edged but
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KEEFUS CIANCIA (Discography)
KEEFUS CIANCIA 1/1/19 (Discography) Recording Album / Project Artist Credit Beyond the Palace Walls Paragon Taxi Piano, Keyboards (1993) Jazz in the Present Tense The Solsonics Keyboards (1993) Bop Gun Ice Cube Keyboards (1993) Fo Life Mack 10 Keyboards (1993) Cool Struttin The Pacific Jazz Alliance Keyboards (1994) Keyboards, Moog Synthesizer, N Gatz We Truss South Central Cartel (1994) Claves Nut-Meg Sez "Bozo the Town" Weapon of Choice Keyboards, Vocals (1994) Clavinet, Fender Rhodes, Moog Back to Reality Jeune (1995) Lead Highperspice Weapon of Choice Keyboards, Vocals (1996) I Am L.V. L.V. Keyboards (1996) Radio Odyssey Various Artists Keyboards (1996) The Jade Vincent Moy Producer, Composer, Musician (1996) Experiment Concepto Sol d'Menta Keyboards (1998) Nutmeg Phantasy Weapon of Choice Keyboards (1998) Whitey Ford Sings the Blues [Clean] Everlast Keyboards, Performer (1998) Another True Fiction Jerry Toback Moog Synthesizer (1999) Eat at Whitey's Everlast Bass, Keyboards, Band (2000) Loud Rocks Various Artists Keyboards (2000) Moog Synthesizer, Claves, You Know, for Kids Hate Fuck Trio (2000) Wurlitzer Synthesizer, Farfisa Organ, The ID Macy Gray (2001) Composer Motherland Natalie Merchant Piano, Keyboards (2001) Stimulated, Vol. 1 Various Artists Keyboards (2001) Diana Priscilla Ahn (2001) Organ, Keyboards, Clavinet, C'mon, C'mon Sheryl Crow (2002) String Samples Keyboards, Producer, Engineer, Soul of John Black The Soul of John Black (2003) Associate Producer Piano, Keyboards, Moog Thousand Kisses Deep Chris Botti (2003) Synthesizer,
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