American Dante Bibliography for 1967 ANTHONY L
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Quaderni D'italianistica : Revue Officielle De La Société Canadienne
Elio Costa From locus amoris to Infernal Pentecost: the Sin of Brunetto Latini The fame of Brunetto Latini was until recently tied to his role in Inferno 15 rather than to the intrinsic literary or philosophical merit of his own works.' Leaving aside, for the moment, the complex question of Latini's influence on the author of the Commedia, the encounter, and particularly the words "che 'n la mente m' è fìtta, e or m'accora, / la cara e buona imagine paterna / di voi quando nel mondo ad ora ad ora / m'insegnavate come l'uom s'ettema" (82-85) do seem to acknowledge a profound debt by the pilgrim towards the old notary. Only one other figure in the Inferno is addressed with a similar expression of gratitude, and that is, of course, Virgil: Tu se' lo mio maestro e'I mio autore; tu se' solo colui da cu' io tolsi lo bello stilo che m'ha fatto onore. {Inf. 1.85-87) If Virgil is antonomastically the teacher, what facet of Dante's cre- ative personality was affected by Latini? The encounter between the notary and the pilgrim in Inferno 15 is made all the more intriguing by the use of the same phrase "lo mio maestro" (97) to refer to Virgil, silent throughout the episode except for his single utterance "Bene ascolta chi la nota" (99). That it is the poet and not the pilgrim who thus refers to Virgil at this point, when the two magisterial figures, one leading forward to Beatrice and the other backward to the city of strife, conflict and exile, provides a clear hint of tension between "present" and "past" teachers. -
Thomas Ricklin, « Filosofia Non È Altro Che Amistanza a Sapienza » Nadja
Thomas Ricklin, « Filosofia non è altro che amistanza a sapienza » Abstract: This is the opening speech of the SIEPM world Congress held in Freising in August 2012. It illustrates the general theme of the Congress – The Pleasure of Knowledge – by referring mainly to the Roman (Cicero, Seneca) and the medieval Latin and vernacular tradition (William of Conches, Robert Grosseteste, Albert the Great, Brunetto Latini), with a special emphasis on Dante’s Convivio. Nadja Germann, Logic as the Path to Happiness: Al-Fa-ra-bı- and the Divisions of the Sciences Abstract: Divisions of the sciences have been popular objects of study ever since antiquity. One reason for this esteem might be their potential to reveal in a succinct manner how scholars, schools or entire societies thought about the body of knowledge available at their time and its specific structure. However, what do classifications tell us about thepleasures of knowledge? Occasionally, quite a lot, par- ticularly in a setting where the acquisition of knowledge is considered to be the only path leading to the pleasures of ultimate happiness. This is the case for al-Fa-ra-b-ı (d. 950), who is at the center of this paper. He is particularly interesting for a study such as this because he actually does believe that humanity’s final goal consists in the attainment of happiness through the acquisition of knowledge; and he wrote several treatises, not only on the classification of the sciences as such, but also on the underlying epistemological reasons for this division. Thus he offers excellent insight into a 10th-century theory of what knowledge essentially is and how it may be acquired, a theory which underlies any further discussion on the topic throughout the classical period of Islamic thought. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
Brunetto Latini's Tesoro in Print
David Napolitano Ex Historia 19 David Napolitano1 University of Cambridge Brunetto Latini’s Tesoro in print Brunetto Latini (c. 1220-1294), a Florentine notary, wrote one of the first European encyclopaediae in the vernacular, Li Livres dou Tresor, during an exile in France (1260-1266/7).2 This literary work consists of three books, hence the plural in its title.3 The first book deals with theoretical knowledge. After a brief presentation of the encyclopaedia’s organisational plan this book starts with a discussion of theological matters. Its central section contains a universal history. It continues with physics, cosmology, and geography, and it ends with mechanical arts and a bestiary. The first section of the second book is a translation of Aristotle’s Nichomachean Ethics, while the second part contains a panoply of moral precepts. The third and final book revolves around the art of rhetoric and politics. The Tresor instantly became a bestseller and its fortune extended widely beyond its place of origin. Originally written in the langue d’oïl (Old French) translations into Old Italian, generally referred to as the Tesoro, were quickly produced. The manuscript tradition spanned almost three centuries 1 David Napolitano ([email protected]) is a Ph.D Candidate in History at the University of Cambridge (2011-2014). Under the supervision of Professor David Abulafia he is preparing a thesis, entitled "The professional profile and moral code of conduct of the podestà in thirteenth-century Italy". His academic interest lies primarily in studying the political history of medieval Italy with an emphasis on the functioning of the podestà as a professional city magistrate, the development of a podestà literature, and the nexus between ethics and politics. -
Between Friends Discourses of Power and Desire in the Machiavelli
JOHN M. NAJEMY Between Friends Discourses of Power and Desire in the Machiavelli-Vettori Letters of 1513-1515 PRINCETON LEGACY LIBRARY c."Between friends DISCOURSES OF POWER AND DESIRE IN THE MACHIAVELLI-VETTORI LETTERS OF 1513-1515 John M. Najemy PRINCETON UNIVERSITY PRESS • PRINCETON, NEW JERSEY Copyright © 1993 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Chichester, Wesr Sussex All Rights Reserved Library of Congress Cataloging-in-Publication Data Najemy, John M., 1943- Between friends : discourses of power and desire in the Machiavelli-Vettori letters of 1513-1515 / John M. Najemy. p. cm. Includes bibliographical references and index. ISBN 0-691-03262-9 z. Machiavelli, Niccolo, 1469-1527-Correspondence. 2. Vettori, Francesco, 1474-1539-Correspondence. 3. Italy-Intellectual life-1268-1559. DG738.14.M2A4 1993 320.1'092-dc20 93-9737 CIP This book has been composed in Garamond typeface Princeton University Press books are printed on acid-free paper and meet the guidelines fur permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Printed in the United States of America IO 9 8 7 6 5 4 3 2 Princeton Legacy Library edition 2019 Paperback ISBN: 978-0-691-65522-2 Hardcover ISBN: 978-0-691-65664-9 To the memory of Hans Baron (1900-1988) and Edward P. Morris (1924-1989) ?f CONTENTS ?f Prefac e ix Abbreviations xiii INTRODUCTION : The Letters in Machiavelli -
TRANSLATORS WITHOUT BORDERS a Community Translating to Save Lives
The Voice of Interpreters and Translators THE ATA Nov/Dec 2015 Volume XLIV Number 9 CHRONICLE TRANSLATORS WITHOUT BORDERS A Community Translating To Save Lives PEMT Yourself! Don't Leave Money You're Owed on the Table! Beyond Post-Editing: Advances in Interactive Translation Environments Switching from a Laptop to a Tablet: An Interpreter’s Experience A Publication of the American Translators Association CAREERS at the NATIONAL SECURITY AGENCY inspiredTHINKING When in the office, NSA language analysts develop new perspectives NSA has a critical need for individuals with the on the dialect and nuance of foreign language, on the context and following language capabilities: cultural overtones of language translation. • Arabic • Chinese We draw our inspiration from our work, our colleagues and our lives. • Farsi During downtime we create music and paintings. We run marathons • Korean and climb mountains, read academic journals and top 10 fiction. • Russian • Spanish Each of us expands our horizons in our own unique way and makes • And other less commonly taught languages connections between things never connected before. APPLY TODAY At the National Security Agency, we are inspired to create, inspired to invent, inspired to protect. U.S. citizenship is required for all applicants. NSA is an Equal Opportunity Employer and abides by applicable employment laws and regulations. All applicants for employment are considered without regard to age, color, disability, genetic information, national origin, race, religion, sex, sexual orientation, marital status, or status as a parent. Search NSA to Download WHERE INTELLIGENCE GOES TO WORK® 14CNS-10_8.5x11(live_8x10.5).indd 1 9/16/15 10:44 AM Nov/Dec 2015 Volume XLIV CONTENTS Number 9 FEATURES 19 Beyond Post-Editing: Advances in Interactive 9 Translation Environments Translators without Borders: Post-editing was never meant A Community Translating to be the future of machine to Save Lives translation. -
Translation, Reputation, and Authorship in Eighteenth-Century Britain
Translation, Reputation, and Authorship in Eighteenth-Century Britain by Catherine Fleming A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Catherine Fleming 2018 Translation, Reputation, and Authorship in Eighteenth-Century Britain Catherine Fleming Doctor of Philosophy Department of English University of Toronto 2018 Abstract This thesis explores the reputation-building strategies which shaped eighteenth-century translation practices by examining authors of both translations and original works whose lives and writing span the long eighteenth century. Recent studies in translation have often focused on the way in which adaptation shapes the reception of a foreign work, questioning the assumptions and cultural influences which become visible in the process of transformation. My research adds a new dimension to the emerging scholarship on translation by examining how foreign texts empower their English translators, offering opportunities for authors to establish themselves within a literary community. Translation, adaptation, and revision allow writers to set up advantageous comparisons to other authors, times, and literary milieux and to create a product which benefits from the cachet of foreignness and the authority implied by a pre-existing audience, successful reception history, and the standing of the original author. I argue that John Dryden, Alexander Pope, Eliza Haywood, and Elizabeth Carter integrate this legitimizing process into their conscious attempts at self-fashioning as they work with existing texts to demonstrate creative and compositional skills, establish kinship to canonical authors, and both ii construct and insert themselves within a literary canon, exercising a unique form of control over their contemporary reputation. -
Translation and Nation
TRANSLATION AND NATION: THE QUESTION OF IDENTITY IN THE AMERICAN RENAISSANCE A Dissertation by KOHEI FURUYA Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Larry J. Reynolds Committee Members, Richard Golsan David McWhirter Mary Ann O’Farrell Head of Department, Nancy Warren May 2015 Major Subject: English Copyright 2015 Kohei Furuya ABSTRACT This dissertation investigates the significance of translation in the making of American national literature. Translation has played a central role in the formation of American linguistic, literary, cultural, and national identity. The authors of the American Renaissance were multilingual, involved in the cultural task of translation in many different ways. But the importance of translation has been little examined in American literary scholarship, the condition of which has been exclusively monolingual. This study makes clear the following points. First, translation served as an important agency in the building of American national language, literature, and culture. Second, the conception of translation as a means for domesticating foreign influences in antebellum American literary culture was itself a translation of a traditionally European idea of translation since the Renaissance, and more specifically, of the modern German concept of it. Third, despite its ethnocentric, nationalistic, and imperialistic tendency, translation sometimes complicated the identity-formation process. The American Renaissance writers worked in the complex international culture of translation in an age of world literature, a nationalist-cosmopolitan concept that Goethe promoted in the early nineteenth century. Those American authors’ texts often take part in and sometimes come up against the violence of translation, which obliterates the marks of otherness in foreign languages and cultures. -
Claude La Charité: La Rhétorique Épistolaire De Rabelais (Collection «Littérature(S)», Dirigée Par Guy Champagne, Vol
Rhetorical Review 3:1 (February 2005) 1 _____________________________________________________________________________ Claude La Charité: La rhétorique épistolaire de Rabelais (Collection «Littérature(s)», dirigée par Guy Champagne, vol. 21) Québec: Éditions Nota bene, 2003 308 pages (tables; bibliography; appendices with illustrations; index) ISBN: 2-89518-102-0 Price: Can $24.95 Luc Vaillancourt: La lettre familière au XVIe siècle: Rhétorique humaniste de l’épistolaire (Études et essais sur la Renaissance, dirigés par Claude Blum, vol. 42) Paris: Honoré Champion, 2003 464 pages (bibliography; index) ISBN: 2-7453-0801-7 Price: €76 Although published on opposite sides of the Atlantic, the studies of sixteenth-century French letter writing by Claude La Charité, Professor at the Université du Québec à Rimouski, and Luc Vaillancourt, Professor at the Université du Québec à Chicoutimi, have similar structures and goals. These can be explained by their common scholarly mentors and models. They have been associated with the same circles: in Canada, with GARSE-XVI (Groupe d’analyse et de recherche sur l’écriture des femmes au XVIe siècle) led by Diane Desrosiers-Bonin, McGill University, and Jean-Philippe Beaulieu, Université de Montréal, and in France with the Atelier “Langue et littérature du XVIe siècle” led by Mireille Huchon, Université de Paris IV-Sorbonne. The model of both studies may be Jacques Chomarat’s magisterial, two-volume Grammaire et rhétorique chez Érasme (Paris: Les Belles Lettres, 1981), which treats the letter under “Les Genres Oratoires”. Following his examination of Opus de conscribendis epistolis, Chomarat analyzes Erasmus’ own use of the categories the treatise describes in four letters: deliberative, demonstrative, judicial, and familiar. -
Living Currency, Pierre Klossowski, Translated by Vernon Cisney, Nicolae Morar and Daniel
LIVING CURRENCY ALSO AVAILABLE FROM BLOOMSBURY How to Be a Marxist in Philosophy, Louis Althusser Philosophy for Non-Philosophers, Louis Althusser Being and Event, Alain Badiou Conditions, Alain Badiou Infinite Thought, Alain Badiou Logics of Worlds, Alain Badiou Theoretical Writings, Alain Badiou Theory of the Subject, Alain Badiou Key Writings, Henri Bergson Lines of Flight, Félix Guattari Principles of Non-Philosophy, Francois Laruelle From Communism to Capitalism, Michel Henry Seeing the Invisible, Michel Henry After Finitude, Quentin Meillassoux Time for Revolution, Antonio Negri The Five Senses, Michel Serres Statues, Michel Serres Rome, Michel Serres Geometry, Michel Serres Leibniz on God and Religion: A Reader, edited by Lloyd Strickland Art and Fear, Paul Virilio Negative Horizon, Paul Virilio Althusser’s Lesson, Jacques Rancière Chronicles of Consensual Times, Jacques Rancière Dissensus, Jacques Rancière The Lost Thread, Jacques Rancière Politics of Aesthetics, Jacques Rancière Félix Ravaisson: Selected Essays, Félix Ravaisson LIVING CURRENCY Followed by SADE AND FOURIER Pierre Klossowski Edited by Vernon W. Cisney, Nicolae Morar and Daniel W. Smith Bloomsbury Academic An imprint of Bloomsbury Publishing Plc Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc Collection first published in English 2017 © Copyright to the collection Bloomsbury Academic, 2017 Vernon W. Cisney, Nicolae Morar, and Daniel W. Smith have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. -
BRUNETTO LATINI, Livre De Trésor in French, Decorated Manuscript on Paper Western France (Brittany?), C
BRUNETTO LATINI, Livre de Trésor In French, decorated manuscript on paper Western France (Brittany?), c. 1475-1500 i (paper) + 179 + i (paper) folios on paper (with watermarks similar to Briquet no. 2013, “Armoiries: Moucheture d’Hermine”: Beaumont, 1475, Saint-Malo, 1487; similar to Briquet no. 1565, “Armoiries: Une fleur de lis”: Saint-Malo 1494; similar to Briquet no. 15086, “Tête de bœuf”: Plouzané, 1477; similar to Briquet nos. 1526, “Armoiries: Une fleur de lis”: Orléans, 1444, Paris, 1445, Juigné-sur-Loire, 1446, Orléans, 1447-56, Anvers, 1448-49, Chartres, 1453, Lorris, 1455, Châteaudun, 1457 and 1530, “Armoiries: Une fleur de lis”: Tours, 1509, Rillé, 1513), modern foliation in pencil, top outer recto, 1-179, final flyleaf foliated in ink, top outer recto, 180 (collation, i10 ii-xii12 xiii10 xiv-xv12 xvi4 [-4, cancelled with no loss of text]), quire vii signed f in inner lower margin of first recto (f. 71), quires xii and xiv signed a and c in inner lower margins of final versos (ff. 142v, 164v), horizontal catchwords on the inner lower margin (quires iv-viii, x, xiv; partially cropped ff. 70v, 94v, 164v), parchment reinforcement strips pasted in the fold on the inner bifolia of each quire and on the outer bifolia of quires iii-xv, frame-ruled in brown or, in five of the six bifolia in quire vi, red ink (justification, 209-222 x 141-153 mm.), text written in brown ink in a French gothic cursiva script in 28 to 52 long lines per page, guide letters for initials, red rubrics, majuscules stroked in red, names of cited authorities written or underlined in red, 1- to 3-line plain initials alternately in red and blue, 4-line plain red initial (f. -
Brunetto Latino&Q
James T. Chiampi 1 SER BRUNETTO, SCRIBA AND LITTERATO he episode of the damnation of Brunetto Latini-or "Brunetto Latino", as he names himself-is an important moment in Dante's meditation on inscription, a meditation he carries out throughout Tthe Commedia as he elaborates a figured Christian metaphysics in both his narrative and in his addresses to the reader. Most importantly in the Paradiso: there Dante uses inscription to figure the reconciliation of the eudaimonistic with the deontological; that is, having chosen their good- and happiness-as God, the souls of the Just find their reward in forming letters which spell out the divine injunction, "DILIGITE IUSTITIAM.../ QUI IUDICATIS TERRAM..." (Par. XVIII, 91; 93), which is the first verse of the Book of Wisdom, for the edification both of the Pilgrim and the reader1. Perhaps surprisingly, the happiness of the Just is made to reside in their duty and their self-effacement; that is, in the spirit of humble Piccarda, they love their self-effacement. Theirs is a gesture of sublime humility, for Dante has these imagines Dei freely accept their secondary and derived status as copies, which makes their self-awareness both sacrificial and laudative. Put negatively, they thus acknowledge that they are neither the Exemplar nor unique-as if to demonstrate their innocence of pride, the primordial sin. After all, the Poet posits absolute creativity and uniqueness-be it of personhood or of activity-only of God: "Quei che dipinge lì, non ha chi 'l guidi; / ma esso guida, e da lui si rammenta / quella virtù ch'è forma per li nidi" (Par.