Machiavelli's Reading of Aristotle. a Reassessment
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Quaderni D'italianistica : Revue Officielle De La Société Canadienne
Elio Costa From locus amoris to Infernal Pentecost: the Sin of Brunetto Latini The fame of Brunetto Latini was until recently tied to his role in Inferno 15 rather than to the intrinsic literary or philosophical merit of his own works.' Leaving aside, for the moment, the complex question of Latini's influence on the author of the Commedia, the encounter, and particularly the words "che 'n la mente m' è fìtta, e or m'accora, / la cara e buona imagine paterna / di voi quando nel mondo ad ora ad ora / m'insegnavate come l'uom s'ettema" (82-85) do seem to acknowledge a profound debt by the pilgrim towards the old notary. Only one other figure in the Inferno is addressed with a similar expression of gratitude, and that is, of course, Virgil: Tu se' lo mio maestro e'I mio autore; tu se' solo colui da cu' io tolsi lo bello stilo che m'ha fatto onore. {Inf. 1.85-87) If Virgil is antonomastically the teacher, what facet of Dante's cre- ative personality was affected by Latini? The encounter between the notary and the pilgrim in Inferno 15 is made all the more intriguing by the use of the same phrase "lo mio maestro" (97) to refer to Virgil, silent throughout the episode except for his single utterance "Bene ascolta chi la nota" (99). That it is the poet and not the pilgrim who thus refers to Virgil at this point, when the two magisterial figures, one leading forward to Beatrice and the other backward to the city of strife, conflict and exile, provides a clear hint of tension between "present" and "past" teachers. -
Quintilian and the Jesuit Ratio Studiorum
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1939 Quintilian and the Jesuit Ratio Studiorum Joseph Robert Koch Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Koch, Joseph Robert, "Quintilian and the Jesuit Ratio Studiorum" (1939). Master's Theses. 471. https://ecommons.luc.edu/luc_theses/471 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1939 Joseph Robert Koch ~' ------------------------------------------------. QUINTILIAN AND THE JESUIT RATIO STUDIORUM J by ., Joseph Robert Koch, S.J. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Loyola University. 1939 21- TABLE OF CONTENTS Chapter I Introduction 1 Chapter II Quintilian's Influence on 11 the Renaissance Educators Chapter III Quintilian's Ideal Orator 19 and the Jesuit Eloquentia Perfecta J " Chapter IV The Prelection 28 Chapter V Composition and Imitation 40 Chapter VI Enru.lation 57 Chapter VII Conclusion 69 A' ~J VITA AUCTORIS Joseph Robert Koch, S.J. was born in Cincinnati, Ohio, April 13, 1913. After receiving his elementary education at the Ursuline Academy he entered St. Xavier' High School, CinCinnati, in September, 1926. He grad uated from St. Xavier in June, 1930 and entered the Society of Jesus at Milford, Ohio, in August of th' " same year. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Civic Virtue of Women in Quattrocento Florence A Dissertation Presented by Christine Contrada to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2010 Copyright by Christine Contrada 2010 Stony Brook University The Graduate School Christine Contrada We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Alix Cooper – Dissertation Advisor Associate Professor, History Dr. Joel Rosenthal – Chairperson of Defense Distinguished Professor Emeritus, History Dr. Gary Marker Professor, History Dr. James Blakeley Assistant Professor, History St. Joseph’s College, New York This dissertation is accepted by the Graduate School. Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation The Civic Virtue of Women in Quattrocento Florence by Christine Contrada Doctor of Philosophy in History Stony Brook University 2010 Fifteenth century Florence has long been viewed as the epicenter of Renaissance civilization and a cradle of civic humanism. This dissertation seeks to challenge the argument that the cardinal virtues, as described by humanists like Leonardo Bruni and Matteo Palmieri, were models of behavior that only men adhered to. Elite men and women alike embraced the same civic ideals of prudence, justice, fortitude, and temperance. Although they were not feminists advocating for social changes, women like Alessandra Strozzi, Margherita Datini, and Lucrezia Tornabuoni had a great deal of opportunity to actively support their own interests and the interests of their kin within popular cultural models of civic virtue. -
Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
Thomas Ricklin, « Filosofia Non È Altro Che Amistanza a Sapienza » Nadja
Thomas Ricklin, « Filosofia non è altro che amistanza a sapienza » Abstract: This is the opening speech of the SIEPM world Congress held in Freising in August 2012. It illustrates the general theme of the Congress – The Pleasure of Knowledge – by referring mainly to the Roman (Cicero, Seneca) and the medieval Latin and vernacular tradition (William of Conches, Robert Grosseteste, Albert the Great, Brunetto Latini), with a special emphasis on Dante’s Convivio. Nadja Germann, Logic as the Path to Happiness: Al-Fa-ra-bı- and the Divisions of the Sciences Abstract: Divisions of the sciences have been popular objects of study ever since antiquity. One reason for this esteem might be their potential to reveal in a succinct manner how scholars, schools or entire societies thought about the body of knowledge available at their time and its specific structure. However, what do classifications tell us about thepleasures of knowledge? Occasionally, quite a lot, par- ticularly in a setting where the acquisition of knowledge is considered to be the only path leading to the pleasures of ultimate happiness. This is the case for al-Fa-ra-b-ı (d. 950), who is at the center of this paper. He is particularly interesting for a study such as this because he actually does believe that humanity’s final goal consists in the attainment of happiness through the acquisition of knowledge; and he wrote several treatises, not only on the classification of the sciences as such, but also on the underlying epistemological reasons for this division. Thus he offers excellent insight into a 10th-century theory of what knowledge essentially is and how it may be acquired, a theory which underlies any further discussion on the topic throughout the classical period of Islamic thought. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
Brunetto Latini's Tesoro in Print
David Napolitano Ex Historia 19 David Napolitano1 University of Cambridge Brunetto Latini’s Tesoro in print Brunetto Latini (c. 1220-1294), a Florentine notary, wrote one of the first European encyclopaediae in the vernacular, Li Livres dou Tresor, during an exile in France (1260-1266/7).2 This literary work consists of three books, hence the plural in its title.3 The first book deals with theoretical knowledge. After a brief presentation of the encyclopaedia’s organisational plan this book starts with a discussion of theological matters. Its central section contains a universal history. It continues with physics, cosmology, and geography, and it ends with mechanical arts and a bestiary. The first section of the second book is a translation of Aristotle’s Nichomachean Ethics, while the second part contains a panoply of moral precepts. The third and final book revolves around the art of rhetoric and politics. The Tresor instantly became a bestseller and its fortune extended widely beyond its place of origin. Originally written in the langue d’oïl (Old French) translations into Old Italian, generally referred to as the Tesoro, were quickly produced. The manuscript tradition spanned almost three centuries 1 David Napolitano ([email protected]) is a Ph.D Candidate in History at the University of Cambridge (2011-2014). Under the supervision of Professor David Abulafia he is preparing a thesis, entitled "The professional profile and moral code of conduct of the podestà in thirteenth-century Italy". His academic interest lies primarily in studying the political history of medieval Italy with an emphasis on the functioning of the podestà as a professional city magistrate, the development of a podestà literature, and the nexus between ethics and politics. -
Between Friends Discourses of Power and Desire in the Machiavelli
JOHN M. NAJEMY Between Friends Discourses of Power and Desire in the Machiavelli-Vettori Letters of 1513-1515 PRINCETON LEGACY LIBRARY c."Between friends DISCOURSES OF POWER AND DESIRE IN THE MACHIAVELLI-VETTORI LETTERS OF 1513-1515 John M. Najemy PRINCETON UNIVERSITY PRESS • PRINCETON, NEW JERSEY Copyright © 1993 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Chichester, Wesr Sussex All Rights Reserved Library of Congress Cataloging-in-Publication Data Najemy, John M., 1943- Between friends : discourses of power and desire in the Machiavelli-Vettori letters of 1513-1515 / John M. Najemy. p. cm. Includes bibliographical references and index. ISBN 0-691-03262-9 z. Machiavelli, Niccolo, 1469-1527-Correspondence. 2. Vettori, Francesco, 1474-1539-Correspondence. 3. Italy-Intellectual life-1268-1559. DG738.14.M2A4 1993 320.1'092-dc20 93-9737 CIP This book has been composed in Garamond typeface Princeton University Press books are printed on acid-free paper and meet the guidelines fur permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Printed in the United States of America IO 9 8 7 6 5 4 3 2 Princeton Legacy Library edition 2019 Paperback ISBN: 978-0-691-65522-2 Hardcover ISBN: 978-0-691-65664-9 To the memory of Hans Baron (1900-1988) and Edward P. Morris (1924-1989) ?f CONTENTS ?f Prefac e ix Abbreviations xiii INTRODUCTION : The Letters in Machiavelli -
Renaissance Quarterly Books Received: January–March 2011
Renaissance Quarterly Books Received: January–March 2011 EDITIONS AND TRANSLATIONS: Alexander, Gavin R. Writing after Sidney: The Literary Response to Sir Philip Sidney 1586– 1640. Paperback edition. Oxford: Oxford University Press, 2010. xliv + 380 pp. index. illus. bibl. $55. ISBN: 978–0–19–959112–1. Barbour, Richmond. The Third Voyage Journals: Writing and Performance in the London East India Company, 1607–10. New York: Palgrave Macmillan, 2009. 281 pp. index. append. illus. gloss. bibl. $75. ISBN: 978–0–230–61675–2. Buchanan, George. Poetic Paraphrase of The Psalms of David. Ed. Roger P. H. Green. Geneva: Librairie Droz S.A., 2011. 640 pp. index. append. bibl. $115. ISBN: 978–2–600–01445–8. Campbell, Gordon, and Thomas N. Corns, eds. John Milton: Life, Work, and Thought. Paperback edition. Oxford: Oxford University Press, 2010. xv + 488 pp. index. illus. map. bibl. $24.95. ISBN: 978–0–19–959103–9. Calderini, Domizio. Commentary on Silius Italicus. Travaux d’Humanisme et Renaissance 477. Ed. Frances Muecke and John Dunston. Geneva: Librairie Droz S.A., 2010. 958 pp. index. tbls. bibl. $150. ISBN: 978–2–600–01434–2 (cl), 978–2–600–01434–2 (pbk). Campanella, Tommaso. Selected Philosophical Poems of Tommaso Campanella: A Bilingual Edition. Ed. Sherry L. Roush. Chicago: The University of Chicago Press, 2011. xi + 248 pp. index. bibl. $45. ISBN: 978–0–226–09205–8. Castner, Catherine J., trans. Biondo Flavio’s Italia Illustrata: Text, Translation, and Commentary. Volume 2: Central and Southern Italy. Binghamton: Global Academic Publishing, 2009. xvi + 488 pp. index. illus. map. bibl. $36. ISBN: 978–1–58684–278–9. -
The Present and the History of the Own Time: an Historical Approach
The present and the history of the own time: an historical approach Gonzalo Pasamar Alzuria Universidad de Zaragoza The expression ‘History of the Present’ spans over a diversity of trends different in their political birth, main issues, and historical traditions from which they have derived It is however true that from the nineties onward, the ‘Zeitsgeschichte’, the ‘Contemporary History’, and the ‘Histoire du Temps Present’, quoting only the most noteworthy, have underwent changes, and even have approximated to one another. Born in the period of Cold War, supported by institutions and journals, the disappearance of the Soviet Union and the globalization has obliged them to revise their former approaches, and provided them with new opportunities for research. Nevertheless, these all have coincided in being pioneers in signalling the importance of the twentieth century and recent times by claiming the importance that witnesses, memories, and proximity to events have for historians. Even they have shown highly aware of being breaking with clichés coming from the first generations of professional historians, who ignored the recent times because of an assumed lack of perspective, or influenced by the dictum that ‘history must be about the past’. It is not coincidence that some authors had considered them, beyond designations, as a ‘new history’ (Aróstegui 2004, 19-61). To the members of the French Institute d’ Histoire du Temps Present, for instance, this trend should be regarded as a ‘démarche’, as a way of representing the present in motion; a recent time –the time of the contemporary historian- where events, processes, and memories converge (Tresbitsch 1993, 65). -
MACHIAVELLI and GUICCIARDINI: ANCIENTS and MODERNS J. G. A. Pocock
Canadian Journal of Political and Social Theory/Revue canadienne de thiorie politique et sociale, Vol. 2, No. 3 (Fall/ Automne 1978). MACHIAVELLI AND GUICCIARDINI : ANCIENTS AND MODERNS J. G. A. Pocock This essay's aim' is to examine the contention, put forward by such diverse scholars as Friedrich Meinecke, Leo Strauss and Felix Gilbert, that Machiavelli's thought and that of other Florentines such as Bernardo Rucellai,.marked the start ofthinking about "modern" politics and history . It also attempts to consider the paired terms "ancient" and "modern" - what they may mean and have meant, and how far it has been or may be useful to examine the two Florentines in the context of the relation between antiquity and modernity. Leo Strauss held that we were living in times when modernity had itself become a problem. One might say that the word has always been used to denote a consciously problematical view of the human condition ; but doubtless it was some highly self-confident brand of progressivist or dialectical modernism that Strauss had chiefly in mind. At a much simpler level, we can agree that the concept of modernity always presents a rather obvious problem, that of definition. Must we always mean the same thing? It would not be hard to show that the word modern is what we make of it; its meaning depends largely upon what we choose to place before it. If we ask whether there is a sense in which Machiavelli and Guicciardini have been, or may be, said to mark the beginnings of modern political thinking, the elementary thought should soon occur to us that what preceded them ought to be termed not ancient but medieval. -
Leonardo Da Vinci on Nature Alessandro Nova E Gerhard Wolf Knowledge and Representation
kunsthistorisches institut in florenz kunsthistorisches institut in florenz max-planck-institut max-planck-institut Direttori leonardo da vinci on nature Alessandro Nova e Gerhard Wolf Knowledge and Representation edited by Fabio Frosini and Alessandro Nova Marsilio frank fehrenbach Rather than painting, though, it is music that would represent the tempo- francesca borgo ral structure of nature in the most accurate way. The polyphonic units cre- ated «in un medesimo tempo» mirror the transitoriness of natural objects THE IMPETUS OF BATTLE: perfectly – they are virtual «bodies» whose limbs are united in harmony but VISUALIZING ANTAGONISM IN LEONARDO inevitably doomed to pass and perish («costrette a nascere e morire in uno o più tempi armonici»)50. Painting is different from both nature and music because it virtually eternalizes the temporal existence of things and bodies «in un medesimo tempo». Therefore, it is «piu degna l’opera del pittore che della natura»51, a remarkable statement for a writer who never ceases to celebrate nature as the undisputed «maestra» of painting, the paradigm of human art52. Painting, triggered by the power of nature to impress or imprint its own images in the mind of man, emerges as a «second nature», Comme si les variations des choses lui paraissaient dans le calme trop lentes, an expression of the first nature’s longing to maintain the existence of every il adore les batailles, les tempêtes, le déluge. Il s’est élevé à les voir dans leur product, suspending the fugacity of time. While the first nature struggles ensemble mécanique et à les sentir dans l’indépendance apparente ou la vie de leurs fragments, dans une poignée de sable envolée éperdue, dans l’idée égarée de to overcome death through procreation, pittura «doesn’t have children» chaque combattant où se tord une passion et une douleur intime1.