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SUB Gfittingen 7 217 300 278 2004 A 12894 ft Mantle, a Ve.rs& POEMS in SCOTS for CHILDREN compiled by BETTE BOYD and MICHAEL ELDER National Museums of Scotland C&nt&nts HcMnoiA&d'ge.rine.nts page 5 Bairns The Ballad of Janitor Mackay Picture. Credits 6 Margaret Green 19 Background Tntroc/uctien 7 Helen B Cruickshank ' 21 Snawman J K Annand 21 Ble.tke.rs Schule in June Robert Bain 22 March borrowed frae April The Jeely Piece Song from Chambers Popular Rhymes Adam McNaughtan 24 of Scotland, 1841 page 10 Conscience Walter Wingate 26 AippleTree Traditional 10 Twa-leggit Mice I Saw a Doo Traditional 10 J K Annand 27 The Gundy Man Traditional 11 The Whistle Charles Murray 27 Mince and Tatties J K Annand 11 Breakin Rainbows Tammie Norie (the puffin) Janet Paisley 29 from Shetland 12 Fi'baw in the Street John Smith, Fallow Fine Robert Garioch 30 Anon 12 The Galleon Michael Elder 32 This is the wey the leddies ride Summer Holiday Traditional 13 Lindsay Cole 33 Ah hae a wee dug Anon 14 The Evacuee Jim Blaikie 35 There was a wee bit mousikie Halloween J K Annand 37 Traditional 15 Tatties, Cabbage and Ham Wullie Waggletail (pied wagtail) Jenny S Stewart 37 William Soutar 15 Whit's in There? Traditional 39 Sticks an stanes'll brak ma banes Traditional 16 Matthew, Mark, Luke, John The Tunnel Maurice Lindsay 41 Traditional 16 Bawsy Broon William Soutar 41 Coontit oot The Bogle WD Cocker 43 Helen B Cruickshank 16 The Coming of the Wee Twa wee fishes Anon 17 Malkies Stephen Mulrine 43 The Fause Knicht upon Ballac/s and Battles the Road Traditional 44 Sauchieburn Caroline Bingham 67 The Wee, Wee Man Anon 45 Sherriffmuir Attributed to Rev. Murdoch McLennan 71 B&asti&s The Ballad of Macbeth Doric - Reggae - Spider Rap W D Cocker 72 Sheena Blackhall 48 Bonnie George Campbell The Horny Gollach Anon 48 Anon 76 A Whigmaleerie Sir Patrick Spens William Soutar 49 Traditional ballad 77 Beasties Helen B Cruickshank 49 The Kirk Moose Bauracks Lavinia Derwent 50 A Winter's Song Robert Burns 80 The First Hoolit's Prayer The Lum Hat wantin Ian McFadyen 51 the Croon David Rorie 81 Dandie W D Cocker 52 The Laird o Cockpen The Puddock (the frog) Lady Nairne 82 J M Caie 53 Tammie Treddlefeet The Hen's Lament David Shaw 83 Sheena Blackhall 54 Sea Strain Albert D Mackie 85 The Racing Pigeon There was a Lad Robert Burns 85 Sandy Thomas Ross 55 A Mile an a Bittock The Lost Collie Robert Louis Stevenson 87 W D Cocker 57 The Twa Traivlers 'Glen', A Sheep Dog Sir Donald MacAllister 88 Hilton Brown 57 A Christmas Poem The Moose and the Lion Josephine Neill 89 Robert Stephen 59 The Three Kings Greyfriars Bobby E M Sulley 61 Sir Alexander Gray \ 90 Michael Jimmy Copeland 62 23rd Psalm (ShepherdsVersion) Giraffe Ian Hamilton Finlay 63 Catherine Harvey _ 90 Magnus, daYol Pony/ Auld Lang Syne Robert Burns 91 Magnus, the Christmas Pony (translation) Christine De Luca 64-65 Glossary 93.

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Phd Commentary
Barron, Richard (2021) From text to music: a Scots portfolio. PhD thesis. (commentary) http://theses.gla.ac.uk/82393/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Commentary on PhD Composition Portfolio From text to music: a Scots portfolio Richard Barron School of Culture and Creative Arts College of Arts University of Glasgow Revised June 2021 1 Abstract This portfolio presents seven pieces or sequences of music setting or drawn from texts in Scots; in three of them, parts of the text also use other languages. The pieces are of varying scale, forces and forms. The commentary outlines the range and nature of the texts used and the compositional approaches taken to their use. The musical idioms of the pieces are discussed, as well as their forms and the forces used. The pieces are largely post-tonal and several are influenced by the serialist tradition. The commentary considers the portfolio in the broad context of Scots literature and culture, and notes the international context of three of the pieces.
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University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W.
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This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Study of Hugh MacDiarmid’s In Memoriam James Joyce James Benstead PhD in English Literature University of Edinburgh 2019 Declaration I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgment, the work presented is entirely my own. James Benstead 28 June 2019 Abstract This thesis is a study of the ways in which Hugh MacDiarmid’s long poem In Memo- riam James Joyce incorporates material from various source texts. It argues that In Memoriam’s use of citation is a response to the changing status of English as a global language in the first half of the twentieth century, and that understanding the text in this way facilitates new, holistic understandings of MacDiarmid’s poetic career.
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