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A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un Parlement Dans La Littérature : Politique Et Fiction Écossaise 1979-1999
Revue Française de Civilisation Britannique French Journal of British Studies XIV-1 | 2006 La dévolution des pouvoirs à l'Écosse et au Pays de Galles 1966-1999 A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un parlement dans la littérature : politique et fiction écossaise 1979-1999 David Leishman Electronic version URL: http://journals.openedition.org/rfcb/1175 DOI: 10.4000/rfcb.1175 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Printed version Date of publication: 2 January 2006 Number of pages: 123-136 ISBN: 2–911580–23–0 ISSN: 0248-9015 Electronic reference David Leishman, « A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 », Revue Française de Civilisation Britannique [Online], XIV-1 | 2006, Online since 15 October 2016, connection on 02 May 2019. URL : http://journals.openedition.org/rfcb/1175 ; DOI : 10.4000/rfcb.1175 Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. A Parliament of Novels : the Politics of Scottish Fiction 1979-1999 David LEISHMAN Université de Grenoble 3 The Scottish literary scene enjoyed so great a resurgence at the end of the 20th century that the period has sometimes been termed the second Scottish renaissance.1 After a period of relative moroseness, initially exacerbated by the 1979 referendum result,2 Scottish fiction found a new vitality which can be charted by a number of factors: the strong growth in the number of new novels published;3 the linguistic, narratological and typographic experimentation of authors such as Alasdair Gray, James Kelman or Janice Galloway; the increased critical interest in Scottish letters; the commercial success of authors such as Ian Rankin or Irvine Welsh, who, despite their international popularity, remain distinctively Scottish in terms of orientation or voice. -
Phd Commentary
Barron, Richard (2021) From text to music: a Scots portfolio. PhD thesis. (commentary) http://theses.gla.ac.uk/82393/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Commentary on PhD Composition Portfolio From text to music: a Scots portfolio Richard Barron School of Culture and Creative Arts College of Arts University of Glasgow Revised June 2021 1 Abstract This portfolio presents seven pieces or sequences of music setting or drawn from texts in Scots; in three of them, parts of the text also use other languages. The pieces are of varying scale, forces and forms. The commentary outlines the range and nature of the texts used and the compositional approaches taken to their use. The musical idioms of the pieces are discussed, as well as their forms and the forces used. The pieces are largely post-tonal and several are influenced by the serialist tradition. The commentary considers the portfolio in the broad context of Scots literature and culture, and notes the international context of three of the pieces. -
Alasdair Gray and the Postmodern
ALASDAIR GRAY AND THE POSTMODERN Neil James Rhind PhD in English Literature The University Of Edinburgh 2008 2 DECLARATION I hereby declare that this thesis has been composed by me; that it is entirely my own work, and that it has not been submitted for any other degree or professional qualification except as specified on the title page. Signed: Neil James Rhind 3 CONTENTS Title……………………………………….…………………………………………..1 Declaration……………………………….…………………………………………...2 Contents………………………………………………………………………………3 Abstract………………………………….………………………………..…………..4 Note on Abbreviations…………………………………………………………….….6 1. Alasdair Gray : Sick of Being A Postmodernist……………………………..…….7 2. The Generic Blending of Lanark and the Birth of Postmodern Glasgow…….…..60 3. RHETORIC RULES, OK? : 1982, Janine and selected shorter novels………….122 4. Reforming The Victorians: Poor Things and Postmodern History………………170 5. After Postmodernism? : A History Maker………………………………………….239 6. Conclusion: Reading Postmodernism in Gray…………………………………....303 Endnotes……………………………………………………………………………..320 Works Cited………………………………………………………………………….324 4 ABSTRACT The prominence of the term ‘Postmodernism’ in critical responses to the work of Alasdair Gray has often appeared at odds with Gray’s own writing, both in his commitment to seemingly non-postmodernist concerns and his own repeatedly stated rejection of the label. In order to better understand Gray’s relationship to postmodernism, this thesis begins by outlining Gray’s reservations in this regard. Principally, this is taken as the result of his concerns -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Reciprocity in Experimental Writing, Hypertext Fiction, and Video Games
UNDERSTANDING INTERACTIVE FICTIONS AS A CONTINUUM: RECIPROCITY IN EXPERIMENTAL WRITING, HYPERTEXT FICTION, AND VIDEO GAMES. A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 ELIZABETH BURGESS SCHOOL OF ARTS, LANGUAGES AND CULTURES 2 LIST OF CONTENTS Abstract 3 Declaration 4 Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter One: Materially Experimental Writing 30 1.1 Introduction.........................................................................................30 1.2 Context: metafiction, realism, telling the truth, and public opinion....36 1.3 Randomness, political implications, and potentiality..........................53 1.4 Instructions..........................................................................................69 1.41 Hopscotch...................................................................................69 1.42 The Unfortunates........................................................................83 1.43 Composition No. 1......................................................................87 1.5 Conclusion...........................................................................................94 Chapter Two: Hypertext Fiction 96 2.1 Introduction.........................................................................................96 2.2 Hypertexts: books that don’t end?......................................................102 2.3 Footnotes and telling the truth............................................................119 -
The Characters' Response to Social Structures in Alasdair Gray's Lanark
Compliance Versus Defiance: The Characters’ Response to Social Structures in Alasdair Gray’s Lanark and 1982 Janine Markéta Gregorová Palacký University, Olomouc, Czech Republic Abstract The article focuses on two novels by Alasdair Gray, Lanark: A Life in Four Books (1981) and 1982 Janine (1984), in particular on the ways in which the characters are influenced by externally imposed social structures and the attitudes they assume in dealing with them. The adverse workings of official institutions, such as education and employment facilities, are received with compliance on the part of the protagonist in 1982 Janine but meet with resistance from both of the two mirror protagonists in Lanark. In the context of the standing of Scotland within the United Kingdom, institutions represent the interests of the powerful English majority rather than the dependent Scottish minority, and therefore any act of rebellion against them is charged with a subversive potential. Besides the political implications, the article explores the social dimensions of the novels and illustrates by means of individual examples the means used by the powerful to exploit the powerless, as well as the strategies the latter employ to defend themselves. Keywords Alasdair Gray; Lanark; 1982 Janine; politics in literature; sexuality; twentieth-century Scottish literature When Alasdair Gray was asked by an interviewer whether the concern with monstrous institutions recurrent in his writing is a “kind of obstreperousness” springing from “a genetic perturbation” of the author, he replied: My approach to institutional dogma and criteria—let’s call it my approach to institutions—reflects their approach to me. Nations, cities, schools, marketing companies, hospitals, police forces have been made by people for the good of people. -
Typography, Illustration and Narration in Three Novels by Alasdair Gray
Title Page. Typography, Illustration and Narration in Three Novels by Alasdair Gray: Lanark, 1982, Janine and Poor Things. Craig Linwood Bachelor of Arts (Honours) School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy February 2017 Abstract. The impetus of the thesis emerged through an academic interest in how experimental uses of typography and illustration functioned as a method of narration within literature. This was followed by investigations into the use of typography and illustration yielded that while there is a growing field of literary study examining non-linguistic elements within narratives, there are few studies into typography and illustration and how an author utilises and develops them as a method of narration. In light of this, this thesis examines attempts to expand upon the act of narration through the use of typography and illustration in both experimental and common forms. This is focused through Scottish artist Alasdair Gray and three of his novels: Lanark: A Life in Four Books, 1982, Janine and Poor Things. While Gray’s novels are contemporary his use of typography and illustration engages in wider print cultures that facilitated experiment into literature involving the manipulation of typography, illustration and the traditions of narrative. Experimentation in literature from 1650 to 1990, be it through illustration, typography or the composition of narrative, often emerged when printing practice and its product were no longer seen as efficient at communicating to modernising audiences. This act often coincided with larger changes within print cultures that affected laws, politics, the means of distribution, views of design i and methods of distribution. -
Scots Verse Translation and the Second-Generation Scottish Renaissance
Sanderson, Stewart (2016) Our own language: Scots verse translation and the second-generation Scottish renaissance. PhD thesis https://theses.gla.ac.uk/7541/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Our Own Language: Scots Verse Translation and the Second-Generation Scottish Renaissance Stewart Sanderson Kepand na Sudroun bot our awyn langage Gavin Douglas, Eneados, Prologue 1.111 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow September 2015 Contents Acknowledgements ............................................................................................................................... 2 Abstract .................................................................................................................................................. 3 Introduction: Verse Translation and the Modern Scottish Renaissance ........................................ -
1 the New Scottish Renaissance? Scott Hames for Peter Boxall And
The New Scottish Renaissance? Scott Hames for Peter Boxall and Bryan Cheyette (eds), The Oxford History of the Novel in English: Volume 7, British and Irish Fiction Since 1940 (Oxford University Press, 2016) https://global.oup.com/academic/product/the-oxford-history-of-the-novel-in- english-9780198749394?cc=gb&lang=en& In his judicious but untimely survey of the Scottish novel, Francis Russell Hart observed that ‘a distinctive feature of modern Scotland’s literary establishment has been its hostility to, or relative lack of interest in, the novel as a form’ (Hart 1978, p. vii). Poetry was the medium of the nationalist literary renaissance of the 1920s-30s, and its dominant figure, Hugh MacDiarmid, had ‘frankly and influentially expressed the view that the novel is an inferior kind of literary expression, that “prose” is “non- creative”’ (vii.). But from the revivalist perspective the real failing of modern fiction was not generative but recuperative. The territory of the novel was off-limits to cultural revival of MacDiarmid’s kind, being impervious to the willed recovery of latent nationality.1 ‘The trouble with nearly all modern Scottish literature’, he wrote in 1946, is that it deals with the past, with pre-Industrial-Revolution times or with rural areas where ‘the old ways’ to a large extent continue. But as soon as it tackles urban problems and the conditions and prospects of modern life it peters out. This is because we have no writer yet big enough to carry over the independent Scots literary tradition from the bucolic and non-industrialised milieu in which it flourished into the contemporary scene. -
Friends Newsletter
friends newsletter summer 2017 Note from the Editor: Priscilla Barlow This is my 10th year editing the splendid illustration of books on the Friends of the Argyll Papers Newsletter. newsletter – this being the 20th issue. GUL shelves; just a wee memory jog When I eventually bury my editor’s For the first two years I co-edited with reminding us that not everything is hatchet, I know the newsletter will be in Dr David Fergus. Over these years we digitised - although you might well be safe and creative hands. changed from dashing purple and green reading this online. We continue the now familiar format print to monochrome and eventually Duncan Beaton, who has been a with Friends news, Library news and to full colour; from 4 pages to 8. We Friend for a decade and a committee articles of bibliographical interest and as are currently working with our third member for 3 years, now affords me always we are well illustrated. To all our designer and we progressed from no the luxury of an assistant editor. He is contributors who continue to meet our particular masthead to a book spine, well versed in the intricacies of desktop deadlines, I give my thanks. then a view of the Library and now a publishing and already edits the The Priscilla Barlow: [email protected] The David Murray Book Collecting Prize The David Murray Book Collecting Prize, inaugurated this year, was made available through a generous donation of £500 and was open to all currently matriculated students of the University of Glasgow. An additional £500 was awarded to the winner to help select a new acquisition for Archives and Special Collections. -
Contributors to SSL 43:2
Studies in Scottish Literature Volume 43 | Issue 2 Article 35 12-15-2017 Contributors to SSL 43:2 Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation (2017) "Contributors to SSL 43:2," Studies in Scottish Literature: Vol. 43: Iss. 2, 364–370. Available at: https://scholarcommons.sc.edu/ssl/vol43/iss2/35 This Back Matter is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. NOTES ON CONTRIBUTORS TO SSL 43:2 Timothy C. Baker is Senior Lecturer in Scottish and Contemporary Literature at the University of Aberdeen. He is the author of George Mackay Brown and the Philosophy of Community (2009) and Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition (2014). Forthcoming projects include a study of the relation between animality, suffering, and language in contemporary fiction and another on gender and space in mid-twentieth-century women’s fiction. Jamie Reid Baxter has long been active in scholarship on, and performance of, Renaissance Scottish drama, poetry and music, with a principal research focus is the interaction of religion, politics and culture in Scotland from the 1540s to the 1640s. He is currently completing an edition of the writings of Elizabeth Melville, Lady Culross. Iain Beavan is Keeper of Rare Books, emeritus, University of Aberdeen, and honorary research fellow, School of Critical Studies, University of Glasgow. He contributed to the Edinburgh History of the Book in Scotland, vols. -
Makar's Court
Culture and Sport Committee 2.00pm, Monday, 20 March 2017 Makars’ Court: Proposed Additional Inscriptions Item number Report number Executive/routine Wards All Executive Summary Makars’ Court at the Writers’ Museum celebrates the achievements of Scottish writers. This ongoing project to create a Scottish equivalent of Poets’ Corner at Westminster Abbey was the initiative of the former Culture and Leisure Department, in association with the Saltire Society and Lothian and Edinburgh Enterprise Ltd, as it was then known. It was always the intention that Makars’ Court would grow and develop into a Scottish national literary monument as more writers were commemorated. At its meeting on 10 March 1997 the then Recreation Committee established that the method of selecting writers for commemoration would involve the Writers’ Museum forwarding sponsorship requests for commemorating writers to the Saltire Society, who would in turn make a recommendation to the Council. The Council of the Saltire Society now recommends that two further applications be approved, to commemorate William Soutar (1898-1943) – poet and diarist, and George Campbell Hay (1915-1984) – poet. Links Coalition Pledges P31 Council Priorities CP6 Single Outcome Agreement SO2 Report Makar’s Court: Proposed Additional Inscriptions 1. Recommendations 1.1 It is recommended that the Committee approves the addition of the proposed new inscriptions to Makars’ Court. 2. Background 2.1 Makars’ Court at the Writers’ Museum celebrates the achievements of Scottish writers. This ongoing project to create a Scottish equivalent of Poets’ Corner at Westminster Abbey was the initiative of the former Culture and Leisure Department, in association with the Saltire Society and Lothian and Edinburgh Enterprise Ltd, as it was then known.