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Introduction: Borderlines: Contemporary Scottish Gothic
Notes Introduction: Borderlines: Contemporary Scottish Gothic 1. Caroline McCracken-Flesher, writing shortly before the latter film’s release, argues that it is, like the former, ‘still an outsider tale’; despite the emphasis on ‘Scottishness’ within these films, they could only emerge from outside Scotland. Caroline McCracken-Flesher (2012) The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders (Oxford: Oxford University Press), p. 20. 2. Kirsty A. MacDonald (2009) ‘Scottish Gothic: Towards a Definition’, The Bottle Imp, 6, 1–2, p. 1. 3. Andrew Payne and Mark Lewis (1989) ‘The Ghost Dance: An Interview with Jacques Derrida’, Public, 2, 60–73, p. 61. 4. Nicholas Royle (2003) The Uncanny (Manchester: Manchester University Press), p. 12. 5. Allan Massie (1992) The Hanging Tree (London: Mandarin), p. 61. 6. See Luke Gibbons (2004) Gaelic Gothic: Race, Colonization, and Irish Culture (Galway: Arlen House), p. 20. As Coral Ann Howells argues in a discussion of Radcliffe, Mrs Kelly, Horsley-Curteis, Francis Lathom, and Jane Porter, Scott’s novels ‘were enthusiastically received by a reading public who had become accustomed by a long literary tradition to associate Scotland with mystery and adventure’. Coral Ann Howells (1978) Love, Mystery, and Misery: Feeling in Gothic Fiction (London: Athlone Press), p. 19. 7. Ann Radcliffe (1995) The Castles of Athlin and Dunbayne, ed. Alison Milbank (Oxford: Oxford University Press), p. 3. 8. As James Watt notes, however, Castles of Athlin and Dunbayne remains a ‘derivative and virtually unnoticed experiment’, heavily indebted to Clara Reeves’s The Old English Baron. James Watt (1999) Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764–1832 (Cambridge: Cambridge University Press), p. -
Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Bissonette on Rosner, 'The Anatomy Murders: Being The
H-Law Bissonette on Rosner, 'The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes' Review published on Friday, January 28, 2011 Lisa Rosner. The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes. Philadelphia: University of Pennsylvania Press, 2010. vi + 328 pp. $29.95 (cloth), ISBN 978-0-8122-4191-4. Reviewed by Melissa Bissonette (St. John Fisher College)Published on H-Law (January, 2011) Commissioned by Christopher R. Waldrep The Creepy and Bloodless Crime Spree: Science and Murder in Edinburgh In 1818, Mary Shelley wrote of Victor Frankenstein, a man of pure reason, becoming a star pupil in the study of natural philosophy and physiology. She has her hero bluntly acknowledge that “to examine the causes of life, we must first have recourse to death,” which is found only in “vaults and charnel houses” and amid the “unhallowed damps of the grave” (pp. 79, 82). Though without “superstition” himself, Victor is fully aware of the popular prejudice against the use of corpses; he works at night and in secret. Thus Shelley articulated what was an awkward yoking of knowledge and fear, humanity’s advance and its criminal underbelly, throughout the Enlightenment. Lisa Rosner’s The Anatomy Murders explores that yoking as exemplified by William Burke and William Hare, serial killers of 1828, whose string of murders were motivated by the constant demand, from the schools of anatomy and surgery in Edinburgh, for bodies to study. -
Alasdair Gray and the Postmodern
ALASDAIR GRAY AND THE POSTMODERN Neil James Rhind PhD in English Literature The University Of Edinburgh 2008 2 DECLARATION I hereby declare that this thesis has been composed by me; that it is entirely my own work, and that it has not been submitted for any other degree or professional qualification except as specified on the title page. Signed: Neil James Rhind 3 CONTENTS Title……………………………………….…………………………………………..1 Declaration……………………………….…………………………………………...2 Contents………………………………………………………………………………3 Abstract………………………………….………………………………..…………..4 Note on Abbreviations…………………………………………………………….….6 1. Alasdair Gray : Sick of Being A Postmodernist……………………………..…….7 2. The Generic Blending of Lanark and the Birth of Postmodern Glasgow…….…..60 3. RHETORIC RULES, OK? : 1982, Janine and selected shorter novels………….122 4. Reforming The Victorians: Poor Things and Postmodern History………………170 5. After Postmodernism? : A History Maker………………………………………….239 6. Conclusion: Reading Postmodernism in Gray…………………………………....303 Endnotes……………………………………………………………………………..320 Works Cited………………………………………………………………………….324 4 ABSTRACT The prominence of the term ‘Postmodernism’ in critical responses to the work of Alasdair Gray has often appeared at odds with Gray’s own writing, both in his commitment to seemingly non-postmodernist concerns and his own repeatedly stated rejection of the label. In order to better understand Gray’s relationship to postmodernism, this thesis begins by outlining Gray’s reservations in this regard. Principally, this is taken as the result of his concerns -
Reciprocity in Experimental Writing, Hypertext Fiction, and Video Games
UNDERSTANDING INTERACTIVE FICTIONS AS A CONTINUUM: RECIPROCITY IN EXPERIMENTAL WRITING, HYPERTEXT FICTION, AND VIDEO GAMES. A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 ELIZABETH BURGESS SCHOOL OF ARTS, LANGUAGES AND CULTURES 2 LIST OF CONTENTS Abstract 3 Declaration 4 Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter One: Materially Experimental Writing 30 1.1 Introduction.........................................................................................30 1.2 Context: metafiction, realism, telling the truth, and public opinion....36 1.3 Randomness, political implications, and potentiality..........................53 1.4 Instructions..........................................................................................69 1.41 Hopscotch...................................................................................69 1.42 The Unfortunates........................................................................83 1.43 Composition No. 1......................................................................87 1.5 Conclusion...........................................................................................94 Chapter Two: Hypertext Fiction 96 2.1 Introduction.........................................................................................96 2.2 Hypertexts: books that don’t end?......................................................102 2.3 Footnotes and telling the truth............................................................119 -
The Characters' Response to Social Structures in Alasdair Gray's Lanark
Compliance Versus Defiance: The Characters’ Response to Social Structures in Alasdair Gray’s Lanark and 1982 Janine Markéta Gregorová Palacký University, Olomouc, Czech Republic Abstract The article focuses on two novels by Alasdair Gray, Lanark: A Life in Four Books (1981) and 1982 Janine (1984), in particular on the ways in which the characters are influenced by externally imposed social structures and the attitudes they assume in dealing with them. The adverse workings of official institutions, such as education and employment facilities, are received with compliance on the part of the protagonist in 1982 Janine but meet with resistance from both of the two mirror protagonists in Lanark. In the context of the standing of Scotland within the United Kingdom, institutions represent the interests of the powerful English majority rather than the dependent Scottish minority, and therefore any act of rebellion against them is charged with a subversive potential. Besides the political implications, the article explores the social dimensions of the novels and illustrates by means of individual examples the means used by the powerful to exploit the powerless, as well as the strategies the latter employ to defend themselves. Keywords Alasdair Gray; Lanark; 1982 Janine; politics in literature; sexuality; twentieth-century Scottish literature When Alasdair Gray was asked by an interviewer whether the concern with monstrous institutions recurrent in his writing is a “kind of obstreperousness” springing from “a genetic perturbation” of the author, he replied: My approach to institutional dogma and criteria—let’s call it my approach to institutions—reflects their approach to me. Nations, cities, schools, marketing companies, hospitals, police forces have been made by people for the good of people. -
Typography, Illustration and Narration in Three Novels by Alasdair Gray
Title Page. Typography, Illustration and Narration in Three Novels by Alasdair Gray: Lanark, 1982, Janine and Poor Things. Craig Linwood Bachelor of Arts (Honours) School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy February 2017 Abstract. The impetus of the thesis emerged through an academic interest in how experimental uses of typography and illustration functioned as a method of narration within literature. This was followed by investigations into the use of typography and illustration yielded that while there is a growing field of literary study examining non-linguistic elements within narratives, there are few studies into typography and illustration and how an author utilises and develops them as a method of narration. In light of this, this thesis examines attempts to expand upon the act of narration through the use of typography and illustration in both experimental and common forms. This is focused through Scottish artist Alasdair Gray and three of his novels: Lanark: A Life in Four Books, 1982, Janine and Poor Things. While Gray’s novels are contemporary his use of typography and illustration engages in wider print cultures that facilitated experiment into literature involving the manipulation of typography, illustration and the traditions of narrative. Experimentation in literature from 1650 to 1990, be it through illustration, typography or the composition of narrative, often emerged when printing practice and its product were no longer seen as efficient at communicating to modernising audiences. This act often coincided with larger changes within print cultures that affected laws, politics, the means of distribution, views of design i and methods of distribution. -
1 the New Scottish Renaissance? Scott Hames for Peter Boxall And
The New Scottish Renaissance? Scott Hames for Peter Boxall and Bryan Cheyette (eds), The Oxford History of the Novel in English: Volume 7, British and Irish Fiction Since 1940 (Oxford University Press, 2016) https://global.oup.com/academic/product/the-oxford-history-of-the-novel-in- english-9780198749394?cc=gb&lang=en& In his judicious but untimely survey of the Scottish novel, Francis Russell Hart observed that ‘a distinctive feature of modern Scotland’s literary establishment has been its hostility to, or relative lack of interest in, the novel as a form’ (Hart 1978, p. vii). Poetry was the medium of the nationalist literary renaissance of the 1920s-30s, and its dominant figure, Hugh MacDiarmid, had ‘frankly and influentially expressed the view that the novel is an inferior kind of literary expression, that “prose” is “non- creative”’ (vii.). But from the revivalist perspective the real failing of modern fiction was not generative but recuperative. The territory of the novel was off-limits to cultural revival of MacDiarmid’s kind, being impervious to the willed recovery of latent nationality.1 ‘The trouble with nearly all modern Scottish literature’, he wrote in 1946, is that it deals with the past, with pre-Industrial-Revolution times or with rural areas where ‘the old ways’ to a large extent continue. But as soon as it tackles urban problems and the conditions and prospects of modern life it peters out. This is because we have no writer yet big enough to carry over the independent Scots literary tradition from the bucolic and non-industrialised milieu in which it flourished into the contemporary scene. -
Dead and Buried... for Now the Misdiagnosis of Death In
Southern New Hampshire University Dead and Buried… For Now The Misdiagnosis of Death in Enlightenment England A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Nicole Salomone Collingswood, NJ December, 2018 Copyright © 2018 by Nicole Salomone All Rights Reserved ii Student: Nicole Salomone I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. Student: [Student’s full name] I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. April 23, 2019 __________________________________________ _______________ Capstone Instructor Date April 23, 2019 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract While the concept of the misdiagnosis of death resulting in premature burial sounds like a theme from Hollywood, it was a real circumstance that took place in Western Europe from antiquity through the nineteenth century. Specifically focusing on the England in the eighteenth and early nineteenth centuries, stories of people who had been prematurely diagnosed as dead, prematurely set into their coffin for viewing, and prematurely committed to the grave have been well documented within medical texts, academic books, art, and newspapers articles from the time. These sorts of publications showcased societies awareness of people were being misdiagnosed as dead committed to the earth alive. In response, scholarly physicians began to identify the stages of death with the intent of properly diagnosing people, and only committing those who were absolutely dead to their final resting places. -
UNIVERSITY of CALIFORNIA, SAN DIEGO the Value of a Body
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Value of a Body: Anatomy Lessons in Nineteenth-Century British Literature and Visual Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Lisa Beth Vernoy Committee in charge: Professor Stephanie Jed, Chair Professor Cathy Gere Professor Margaret Loose Professor Kathryn Shevelow Professor Pasquale Verdicchio 2012 The Dissertation of Lisa Beth Vernoy is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION My parents have loved, supported, and believed in me for as long as I can remember. This dissertation is dedicated to them with gratitude and love. iv TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Dedication Page……………………………………………………………………. iv Table of Contents………………………………………………………………….. v List of Tables………………………………………………………………………. vi List of Figures……………………………………………………………………… vii Acknowledgments…………………………………………………………………. ix Vita………………………………………………………………………………… xi Abstract of the Dissertation .………………………………………………………. xii Introduction……………………………………………………………………….. 1 Chapter 1: Regulating Dissection An Introduction to the Anatomy Bills and Act……………………………. 5 Chapter 2: Dissecting Collections Illustrated Bodies and Medical Emotional Detachment in the Eighteenth and Nineteenth Centuries……………………………………………………… 57 Chapter 3: Monstrous Dissection Class Consciousness and the Creation of Monsters in Mary Shelley’s -
(Para)Text in Alasdair Gray's Poor Things
John Carroll University Carroll Collected Masters Essays Theses, Essays, and Senior Honors Projects Spring 2015 THE DECONSTRUCTION OF (PARA)TEXT IN ALASDAIR GRAY’S POOR THINGS Lila Ibrahim John Carroll University, [email protected] Follow this and additional works at: http://collected.jcu.edu/mastersessays Part of the English Language and Literature Commons Recommended Citation Ibrahim, Lila, "THE DECONSTRUCTION OF (PARA)TEXT IN ALASDAIR GRAY’S POOR THINGS" (2015). Masters Essays. 4. http://collected.jcu.edu/mastersessays/4 This Essay is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Essays by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. THE DECONSTRUCTION OF (PARA)TEXT IN ALASDAIR GRAY’S POOR THINGS An Essay Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Lila Ibrahim 2015 In “Archive Fever: A Freudian Impression,” Jacques Derrida asserts that the archive is the place “where things commence ” and “where men and gods command ,” the place “where authority [and] social order are exercised” (9). Alasdair Gray’s Poor Things commences with the fictional discovery of potential archival matter and a desire to “preserve evidence of local culture that was being hustled into the past” (Gray vii).1 Wisam Mansour observes that “for ages the archive has been regarded as the major distinguishing feature for the construction of history, especially for those who work in the academic arena” (41). -
The Poetry of Civic Nationalism: Jackie Kay's 'Bronze Head from Ife'
Article How to Cite: McFarlane, A 2017 The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’. C21 Literature: Journal of 21st-century Writings, 5(2): 5, pp. 1–18, DOI: https://doi.org/10.16995/c21.23 Published: 10 March 2017 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Anna McFarlane, ‘The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’’ (2017) 5(2): 5 C21 Literature: Journal of 21st-century Writings, DOI: https://doi.org/10.16995/c21.23 ARTICLE The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’ Anna McFarlane University of Glasgow, GB [email protected] This article examines the work of the newly-minted Scots makar, Jackie Kay, charting her development as a black Scottish writer committed to the interrogation of identity categories.