University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1982 Cuban Women in Popular Culture Mary Jo Deegan University of Nebraska-Lincoln,
[email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Cuban Women in Popular Culture" (1982). Sociology Department, Faculty Publications. 328. http://digitalcommons.unl.edu/sociologyfacpub/328 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Deegan, Mary Jo. 1982b. “Cuban Women in Popular Culture.” SWS Network (Sociologists for Women in Society) 12 (October): 3, 18. Cuban Women in Popular Culture Mary Jo Deegan University of Nebraska-Lincoln Popular culture is, by and large, a There are two origins of Cuban pop disruptive influence on the Cuban goal ular culture: foreign and indigenous. of equality for women. This rather The two major streams of foreign in strong statement is based on a short fluence on Cuban music are from Latin visit to Cuba, but fairly extensive data America and the United States/Wes sources. These include daily bombard tern Europe. The Latin effect is char ment by muzak, two evenings at night acterized by the love ideology. Roman clubs, five Cuban long-playing record tic myths are maintained through albums, three women's magazines and images of traditional love and sex roles.