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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Chronicle Monday, October27
COMICS! COMICS! COMICS! SEE PAGE 14! THE CHRONICLE MONDAY, OCTOBER27. 1986« DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL-82, NO. 40 Major speakers can not fund Nobel prize-winning Wiesel By SHANNON MULLEN to make it happen. A person of his stature An effort to bring 1986 Nobel Peace ought to have the backing of more than Prize laureate Elie Wiesel to campus this one group." spring has ended, principally because the "We wanted him to come but we didn't financially strapped Major Speakers have the money," said Major Speakers Committee was unable to help sponsor his chair Elisa Long. The group's budget in appearance. cludes only $1,600 for use in co-sponsor Duke Hillel, a Jewish student group, ing events, she said. asked the committee in September to con Dan Cohen, a member of Hillel who tribute between $4,000 and $6,000 toward made the request to Major Speakers, said the approximately $7,000 fee Wiesel there was little hope of bringing Wiesel to receives for speaking engagements. But campus without substantial support from Major Speakers was already committed to the committee. "[$7,0001 is a relatively appearances this year by Star Trek actor high price tag for a speaker," he said. Leonard Nimoy Nov. 10 and Sen. Gary "Hillel does not have that kind of Hart Jan. 27, and turned down the re funding." quest. Both of those speeches were ar ranged last year and will cost the commit Fischer, too, was doubtful Hillel could tee about $7,000 apiece. come up with enough money from other Wiesel, a survivor of two Nazi concen sources to bring Wiesel here this year. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Singing Accent Americanisation in the Light of Frequency Effects: Lot Unrounding and Price Monophthongisation in Focus
Research in Language, 2018, vol. 16:2 DOI: 10.2478/rela-2018-0008 SINGING ACCENT AMERICANISATION IN THE LIGHT OF FREQUENCY EFFECTS: LOT UNROUNDING AND PRICE MONOPHTHONGISATION IN FOCUS MONIKA KONERT-PANEK University of Warsaw [email protected] Abstract The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chi- square test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation. Keywords: frequency effects, LOT unrounding, popular music, PRICE monophthong- gisation, singing accent, usage-based phonology 1. Introduction The phenomenon of style-shifting involved in pop singing in general and the Americanisation of British singing accent in particular have been investigated from various theoretical perspectives (Trudgill 1983, Simpson 1999, Beal 2009, Gibson and Bell 2012 among others). Depending on the theoretical standpoint, the notions of identity, reference style or default accent have been brought to light and assigned major explanatory power. Trudgill (1983) in his seminal paper on the sociolinguistics of British pop-song pronunciation interprets the emulation of the American accent as a symbolic tribute to the origins of popular music and provides the list of six characteristic features of this stylisation (1), two of which ((1c) and (1d)) are addressed in the present paper. -
Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
A World Record!
TONight’s CONCERT LINE-UP OF SKID ROW EE 7 8 SWEET FRIDAY CYANIDE FR AUG. 7, 2015 ® STURGIS RIDER DAILY Fri 8/7 Sat 8/8 Sun 8/9 A WORLD RecORD! Doug Danger flies into history he undisputed DON’t Miss king of stunt Bob Hansen Award Recipients men? Sure, cer- Page 4 tain names might come to Rat’s Hole Winners mind at that phrase. But since Tyesterday, at 6:03 PM, the only Page 5 name people are mention- 5 Minutes with Michael Lichter ing is Doug Danger. Because that was the time on the clock Page 3 when Danger jumped 22 cars aboard Evel Knievel’s XR-750 Harley-Davidson, a stunt EAGLE 75 Knievel once attempted but Page 12 failed to complete. The feat took place in the amphitheater at the Sturgis STURGIS BUFFALo Chip’s Buffalo Chip as part of the Evel Knievel Thrill Show. Dan- WOLFMAN JACK STAGE ger, who has been performing motorcycle jumps for decades, TONIGHT was inspired by Knievel when he was young and got to know 7 PM ..................SWEET CYANIDE him later in life. Danger 8:30 PM .....................SKID ROW regarded this stunt not as way to best his hero but as a favor, 10:30 PM ...............DEF LEPPARD completing a task for a friend. Danger is fully cognizant of TOMORROW the potential peril of his cho- sen profession and he’s real- 7 PM ............................ NICNOS istic; he knows firsthand the flip side of a successful jump. 8:30 PM ............... ADELITAS WAY But he felt solid and confident 10:30 PM ..........................WAR Continued on Page 2 PAGE 2 STURGIS RIDER DAILY FRIDAY, AUG. -
THE WAYNE' H D.~~I.".P J.-.:.·.~H~ ."
NE?'~.. 8TATE\HI~I:L ~Qi;gi-£*i:ti:;:s"·F" 1500 ~""'sYl\E:BT . ·.....·..·",:'·':i,.\<:" THE WAYNE' H_D.~~i.".p j.-.:.·.~H~ ." . ONE-HUNDRED FIF'TH YEAR' WAYNE. NESRASKA,68787, THURSDAY. JUNE25, f981 THIS ISSUE TWO SECTIONS. 22 PAGES Drug 'Trial Begins for;Owner ofWinsidt!'.":' As the three-cocru, felony-drug. District Court frl." 01 a 27-year-old Wlns.Lde. lavern owner ground Into Its third day Wednesday. -',._--~----< ~ttorn~ .tcc.tho-de'eAse "lid pi osecotlon- Jury Panel: sparred over testimony from a Omaha based state patrolman ~Ith Nebraska State Patrol Investigator Eight MeR, James Avery ~ the man who has testified / /J he helped wrestle Chertes Weible to the ground before handcuffing the defendant during the Dec 19, 1980 drug rOlld - on the Four Women stand, defense attorney Vincent Kirby open ed his cross examination with a barrage of In a two-hour session that all but ex qceattons hausted the Wayne County jury list Otrecunq hiS questtcns et the sergeant's Monday, eight men and four women teaumonv regarding the errest of Weible, were selected as [urors 10 hear Kirby Questioned Avery about his posttton evidence in the state's case against during fhe Winside man's alleged attempt to Charles Weible, 17, Winside. escape the drug bust scene Weible, who Is on ,trial for "hacgc5 fha' «'$vfted -trcm a December drug AVERY, WHO waited al the courthouse raid In Winside, Is a Winside tavern most of Monday and all day Tuesday to owner and the son of Wayne County tesfHy, 'Joel the scene wIth the help 0' special SherUf and Mrs. -
Walcott in 1 Punch KO 10 ^ Tragedy
A RHH: ms\ ': '•' I" WWI W MB Ike, Sugar, Ez Dethroned; Who's Next? THE OHIO J - •••—g * **^*»— \%:*n High st. 10 Poop**** Walcott In 1 Punch KO ^ PITTSBURGH.—Four tune* previously a challenger but taever a winner, ancient Jersey Joe Walcott rewrote THLZ OHIO M VOL. J. Wa. 7 SATURDAY, JULY 28, 1951 COLUMBUS. OHIO boxing'* Cinder*?! I * Story by ocotriog a one-punch seventh •round kayo over Champion Eaaanrl Charles of Cincinnati before a shocked throng of 30,000 fane here at Forbes INEL field Wednesday night. Thus, the up.iet Mtrinir, be . gun with Ike Williams' de* coming in with a hard right m«*e in the lightweight di- hand. VOL. 3, No. 6 Saturday, July 21, 1951 CoJumbae, Ohio vi-tioii. Sugar Ray Robin- Ex fell forward, rolled aon'a fumbling of the mid over and making a dee- dleweight crown m London perate effort to rise, as Tragedy a week aft*o, w tarried over the count reached nine, Sports Gleanings into the heavyweight divi slumped on his face and sion, mo-rt lucrative of the the year's biggest sports lot, and where thi* crazy story was born. Thc kayo •pin of up.net event** will end was recorded at 55 sec no one dares predict. onds of the seventh round. Turpin Gives Boxing Needed Walcott had been refer That's the fight simply. red to by many as "Often a There were no sensational beat man but never a bride," early round exchanges and and along with the Drornot- the finish came as sudden as ers of Wednesday's fight was the surprise with which Shot In Arm In Beating Ray was being ridiculed, by fans it was received. -
GOOD MORNING: 03/29/19 Farm Directionанаvan Trump Report
Tim Francisco <[email protected]> GOOD MORNING: 03/29/19 Farm Direction Van Trump Report 1 message The Van Trump Report <reply@vantrumpreportemail.com> Fri, Mar 29, 2019 at 7:14 AM ReplyTo: Jordan <replyfec01675756d0c7a314_HTML362509461000034501@vantrumpreportemail.com> To: [email protected] "Smooth seas do not make skillful sailors." African proverb FRIDAY, MARCH 29, 2019 1776, Putnam Named Printable Copy or Audio Version Commander of New York Troops On this day in 1776, Morning Summary: Stocks are slightly higher this morning but continue to consolidate General George Washington into the end of the first quarter, where it will post its best start to a new year since appoints Major General Israel 1998. It seems like the bulls are still trying to catch their breath after posting the Putnam commander of the troops in New massive rebound from December. The S&P 500 was up over +12% in the first quarter York. In his new capacity, Putnam was of 2019. We've known for sometime this would be a tough area technically. There's also expected to execute plans for the defense the psychological wave of market participants trying to get off the ride at this level, of New York City and its waterways. A having recouped most of what they lost in late2018. I mentioned many weeks ago, if veteran military man, Putnam had served we made it back to these levels it would get very interesting, as those who took the as a lieutenant in the Connecticut militia tumble would have an opportunity to get out of the market with most of their money during the French and Indian War, where back in their account. -
The Alan Parsons Project Pyramid Mp3, Flac, Wma
The Alan Parsons Project Pyramid mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Pyramid Country: Benelux Released: 1979 Style: Art Rock, Prog Rock MP3 version RAR size: 1713 mb FLAC version RAR size: 1359 mb WMA version RAR size: 1382 mb Rating: 4.1 Votes: 187 Other Formats: ADX MP1 MP3 APE AIFF AU RA Tracklist A1 Voyager 2:24 A2 What Goes Up... 3:31 A3 The Eagle Will Rise Again 4:20 A4 One More River 4:15 A5 Can't Take It With You 5:06 B1 In The Lap Of Gods 5:27 B2 Pyramania 2:45 B3 Hyper-Gamma-Spaces 4:19 B4 Shadow Of A Lonely Man 5:34 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Published By – Woolfsongs Ltd. Published By – Careers Music, Inc. Published By – Irving Music, Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Credits Acoustic Guitar [Acoustic Guitars] – Alan Parsons, David Paton, Ian Bairnson Arranged By [Orchestra And Choir], Conductor [Orchestra And Choir Conducted By] – Andrew Powell Bass – David Paton Chorus Master [Choirmaster] – Bob Howes* Composed By [All Songs] – Alan Parsons, Eric Woolfson Cover, Design – Hipgnosis Drums, Percussion – Stuart Elliot* Electric Guitar [Electric Guitars] – Ian Bairnson Engineer [Assistant Engineers] – Chris Blair, Pat Stapley Engineer [Engineered By] – Alan Parsons Executive-Producer – Eric Woolfson Keyboards – Duncan Mackay, Eric Woolfson Mastered By [Mastering By] – Chris Blair Photography By [Photos] – Hipgnosis , Brimson* Producer [Produced By] – Alan Parsons Vocals – Colin Blunstone, David Paton, Dean Ford, Jack Harris, John Miles, Lenny Zakatek Written-By [All Tracks] – Alan Parsons, Eric Woolfson Notes 12" X 24" insert contains lyrics, credits, and artwork with a poster on the reverse side of the full cover artwork Light blue inner sleeve with no printing. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
28Th GALWAY FILM FLEADH 5-10 JULY 2016
#filmfleadh 28th GALWAY FILM FLEADH 5-10 JULY 2016 TOWN HALL THEATRE, COURTHOUSE SQUARE, GALWAY www.galwayfilmfleadh.com · booking 091 569777 The Arts Council proudly supports film festivals to put audiences in the frame. 28th Galway Film Fleadh 5 – 10 July 2016 We would like to thank the following organisations for their support: Principal Funder Major Sponsors In Association with Supported by booking 091 569777 1 5 – 10 July 2016 Galway Film Fleadh From Sundance to the Galway Film Fleadh… Celebrating Irish Film all over the world A Date for Mad Mary Mom and Me Lost in France Crash and Burn The Young Offenders Bobby Sands: 66 Days Tiger Raid The Land of the Enlightened Moon Dogs www.irishfilmboard.ie 2 www.galwayfilmfleadh.com 28th Galway Film Fleadh 5 – 10 July 2016 Introduction Contents It’s that time of year again, and we are excited to once more showcase Galway as the beating heart of cinema in Ireland. or one week in the summer the entire Irish film industry descends on our Sponsors 1 “Cannes on the Corrib”, alongside filmmakers, talent, financiers and more Introduction 3 Ffrom every corner of the world. They share ideas, collaborate and watch Booking & Merchandise Info 5 films in the uniquely welcoming, intimate and informal atmosphere that only Galway Film Fleadh Map 5 a Galway festival experience could provide. More important, however, are our Day by Day Schedule 6 audiences which come from Galway, all over Ireland, and from almost every Panel Discussions 9 point of the globe, to see the best in new Irish and world cinema.