“All Politicians Are Crooks and Liars”
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Nick Cage Direction
craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction. -
Admissions Report Shows Black Student Applications Only 1/3 Of
Dizzee New Heights The Rascal returns: an interview with the man who fixed up, and looks sharp - Page 8 No. 616 The Independent Cambridge Student Newspaper since 1947 Friday February 25, 2005 ll we Bar Admissions report y shows black student Luc applications only 1/3 of national average Sam Richardson there is an increasing emphasis on year. Whilst this week’s admis- the outreach work done by sions figures have shown some TWO YEARS after Varsity first Colleges and Departments in improvement, it is clear that highlighted the scarcity of black educational enrichment, through there is much more to be done to students in Cambridge, there are the provision of masterclasses, encourage black students to still fewer black undergraduates study days and a myriad of excel- apply to Cambridge.” at the University than there are lent online resources.” Pav Akhtar, the NUS’s Black students or academics with the Nikhil Gomes, co-ordinator Students’ Officer, said that surname White. of GEEMA (Group to “When I went to Cambridge Last year’s admissions statistics, Encourage Ethnic Minority from a working class background which were revealed this week, Applications) said that the prob- it was a complete culture shock. show that only 1.4% of students lem with attracting black stu- Black students can often feel iso- who applied to Cambridge were dents to Cambridge lies in the lated”. The BBC documentary black. This is less than a third of perceptions of the University Black Ambition, which followed a the national average, and margin- both nationally and internation- number of black Cambridge stu- ally lower than Oxford. -
The Independent / Suindependent.Com • February 2018 Alternative Rock Band from Salt Lake City Inspired by ‘90S Bands Like Nirvana, Soundgarden, and Foo Fighters
In print February 2018 - Vol. 22, #12 the 1st Friday FREE of each month Online at SUindependent.com PLEASE RECYCLE KANAB BALLOONS AND TUNES ROUNDUP SOARING TO GREATER HEIGHTS - See page 3 ALSO THIS ISSUE: RIRIE-WOODBURY DANCE COMPANY PREMIERS KAYENTA ART FOUNDAtion’s februarY ann carlson’s “elizabeth, the dance” in slc BEST EXPO EVER FEATURES SPRING BREAK STAYCATION, HELICOPTER RIDES, AND MORE SEASON: A MONTH OF VARIETY AND TALENT - See Page 4 - See Page 4 - See Page 5 ruffled some feathers in his short time at his publishing power in a way questionable the helm. Which brings me to the point of to some readers? Sure he does. But again, February 2018 Volume 22, Issue 12 this article here today. that’s the risk I as the publisher of The For many years, I’ve felt like the public Independent have always taken. and our readership has defined us. That’s It is often a difficult task for me to to say that we’ve been seen as a champion defend the musings of any writer or editor of many progressive causes to the point with the simple statement of “free speech,” where The Independent has been labeled but that truly is the defining characteristic “the liberal rag” by its detractors and “the of The Independent far more than anything only local publication I read” by many else. “But why?” many ask me. “How can progressives or those in the counterculture you publish and therefore promote ideas EDITORIAL ............................2 DOWNTOWN SECTION .......12 here in sunny southern Utah. In the last 22 that some find offensive, insensitive, biased, EVENTS ................................3 ALBUM REVIEWS ................14 years we’ve published content of virtually or angry?” Because ideas are simply that. -
10 11 1983 OCR.Pdf
2 THE STUDENT Thursday, 10th November 1983 News · · , Move for Deputy President blocked because of C. of M. vote Who rules the rulers -Students? has some still more worrying Last Thursday the Committee of representatives on the Com ideas, namely that "a General Management made the shock mittee of Management. Ewan Meeting is no place to finalise a decision not to allow constitu Hawthorne, this year's Teviot Row motion like this, as it would tional amendments regarding the House Chairman, explained their probably agree with whatever the creation of a Deputy Presidency to reluctance to accept the plan. be presented to the Annual "This plan would reduce respect Executive proposed. A General General Meeting later this month. fat the union house committees Meeting is good as a forum but not Even though the committee voted and concentrate everything on the for detailed discussion - I think 9-7 in favour of the p)an, a two Deputy President, and I would like that should be left to a smaller thirds majority was required ii the to call for a more effective way of forum who are fully aware of all the plan was to be ratified. Yet the improving the Association. This arguments." need for these changes has been was very much Tony Miles· pet What Mr Hawthorne suggests 1s accepted within the student project - he decided what was nothing less than a complete community for the last two years, Heather Lamont in conflict with Ewan Hawthorne. wrong and the best way to deal abrogation of the democratic with it." process by which our Students' and both the current Union over to this year - only to be The most dramatic of the Mr Hawthorne's statement Association is run, and setting up President Heather Lamont and her stopped in their tracks by a mere proposals is that the post of Union reveals the union houses· worries predecessor Tony Miles were handful of people on the new President should be scrapped, and yet another working party does that the creation of a Union elected by landslide majorities, Committee of Management. -
16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16for16theupandcomingmetrophoenixbandstowatchthisyear8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you. -
Lab Data.Pages
Day 1 The Smiths Alternative Rock 1 6:48 Death Day Dark Wave 1 4:56 The KVB Dark Wave 1 4:11 Suuns Dark Wave 6 35:00 Tropic of Cancer Dark Wave 2 8:09 DIIV Indie Rock 1 3:43 HTRK Indie Rock 9 40:35 TV On The Radio Indie Rock 1 3:26 Warpaint Indie Rock 19 110:47 Joy Division Post-Punk 1 3:54 Lebanon Hanover Post-Punk 1 4:53 My Bloody Valentine Post-Punk 1 6:59 The Soft Moon Post-Punk 1 3:14 Sonic Youth Post-Punk 1 4:08 18+ R&B 6 21:46 Massive Attack Trip Hop 2 11:41 Trip-Hop 11:41 Indie Rock 158:31 R&B 21:46 Post-Punk 22:15 Dark Wave 52:16 Alternative Rock 6:48 Day 2 Blonde Redhead Alternative Rock 1 5:19 Mazzy Star Alternative Rock 1 4:51 Pixies Alternative Rock 1 3:31 Radiohead Alternative Rock 1 3:54 The Smashing Alternative Rock 1 4:26 Pumpkins The Stone Roses Alternative Rock 1 4:53 Alabama Shakes Blues Rock 3 12:05 Suuns Dark Wave 2 9:37 Tropic of Cancer Dark Wave 1 3:48 Com Truise Electronic 2 7:29 Les Sins Electronic 1 5:18 A Tribe Called Quest Hip Hop 1 4:04 Best Coast Indie Pop 1 2:07 The Drums Indie Pop 2 6:48 Future Islands Indie Pop 1 3:46 The Go! Team Indie Pop 1 4:15 Mr Twin Sister Indie Pop 3 12:27 Toro y Moi Indie Pop 1 2:28 Twin Sister Indie Pop 2 7:21 Washed Out Indie Pop 1 3:15 The xx Indie Pop 1 2:57 Blood Orange Indie Rock 6 27:34 Cherry Glazerr Indie Rock 6 21:14 Deerhunter Indie Rock 2 11:42 Destroyer Indie Rock 1 6:18 DIIV Indie Rock 1 3:33 Kurt Vile Indie Rock 1 6:19 Real Estate Indie Rock 2 10:38 The Soft Pack Indie Rock 1 3:52 Warpaint Indie Rock 1 4:45 The Jesus and Mary Post-Punk 1 3:02 Chain Joy Division Post-Punk -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
1 Music Article from a Homeless Street Musician in Nashville to a Top
Music article From a homeless street musician in Nashville to a top-selling artist in Sweden - The remarkable story of Doug Seegers (by J. Granstrom) In the previous newsletter, we covered Jill Johnson’s highly celebrated TV show “Jills veranda (Jill’s Porch)”, where she invites Swedish artists to visit her in Nashville to make music and learn more Seegers with Johnson at the Swedish about different aspects about life in the American TV show “Allsång på Skansen” Deep South. In one of the most popular episodes during the first season of the show in 2014, Johnson and her guest Magnus Carlson - singer of the popular Swedish band “Weeping Willows” which has collaborated with Oasis member Andy Bell on several occasions - met the 62-year old homeless street musician Doug Seegers who was performing on a park bench in Nashville. A street vendor recommended Johnson and Carlson to check out Seegers, and both were immediately impressed by Seeger’s voice. He tells them that he “lives in a place where he doesn’t have to pay rent - under a bridge”, and then brings them out to a church where homeless people are Seegers with Johnson on offered free food and clothes. During the visit, Seegers plays the cover of their joint his own song ”Going Down To The River”, which impressed album “In Tandem” Johnson and Carlson so much that they returned some time later and offered to record the song with Seegers in Johnny Cash’s old studio in Nashville. Seegers became an overnight sensation in Sweden after the episode was broadcast, and “Going Down To The River” was number 1 on the Swedish iTunes charts for 12 consecutive days. -
Download Oxfordshire Music Scene 29 (3.7 Mb Pdf)
ISSUE 29 / JULY 2014 / FREE @omsmagazine INSIDE LEWIS WATSON WOOD & THE PUNT REVIEWED 2014 FESTIVAL GUIDE AUDIOSCOPE ECHO & THE BUNNYMEN AND MORE! GAZ COOMBES helicopters at glastonbury, new album and south park return NEWS news y v l Oxford Oxford is a new three day event for the city, happening i g O over the weekend of 26 to 28 September. The entertainment varies w e r over the weekend, exploring the four corners of the music, arts d n A and culture world. Friday’s theme is film/shows ( Grease sing-along and Alice In Wonderland ), Saturday, a more rock - ’n’roll vibe, with former Supergrass, now solo, mainstay, Gaz Coombes, returning to his old stomping ground, as well as a selection of names from the local and national leftfield like Tunng, Pixel Fix and Dance a la Plage with much more to be announced. Sunday is a free community event involving, so far, Dancin’ Oxford and Museum of Oxford and many more. t Community groups, businesses and sports clubs wishing to t a r P get involved should get in touch via the event website n a i r oxfordoxford.co.uk. Tickets are on sale now via the website SIMPLESIMPLMPLLEE d A with a discounted weekend ticket available to Oxford residents. MINDSMMININDS Audioscope have released two WITH MELANIEMELANMELANIE C albums of exclusives and rarities AND MARCMARC ALMONDALMOND which are available to download right now. Music for a Good Home 3 consists of 31 tracks from internationally known acts including: Amon Tobin, John Parish, Future of the Left, The Original Rabbit Foot Spasm Band, Oli from Stornoway’s Esben & the Witch, Thought Forms, Count Drachma (both pictured) and Aidan Skylarkin’ are all on Chrome Hoof, Tall Firs and many music bill for this year’s Cowley Carnival , now in its 14th year, more. -
An Analysis of English Slang in Music
A “Bit of a Blur”: An Analysis of English Slang in Music Petr Bělej Bachelor Thesis 2015 ABSTRAKT Hlavní náplní této bakalářské práce je překlad čtyř kapitol hudební autobiografie Bit of a Blur od Alexe Jamese, člena kapely Blur, následně doprovázený analýzou slangových výrazů. Práce je rozdělena do teoretické a praktické části. Teoretická část začíná stručným obeznámením s autorem, knihou a kulturním pozadím dané doby. Dále popisuje obecné definice překladu a nabízí porovnání různých druhů překladu s důrazem na jejich formu a význam. Hlavní teoretická část se zaměřuje na lexikální ekvivalenci a slang samotný. Překlad a analýza slangových výrazů se nachází v praktické části práce. Jejím cílem je nahlédnout do průběhu překladatelského procesu. Klíčová slova: překlad, překladatel, ekvivalence, analýza, slang, hudba, Alex James, Blur ABSTRACT The main purpose of this bachelor thesis is the translation of four chapters of music autobiography Bit of a Blur by Alex James, the member of the band Blur, accompanied by the analysis of slang terms. The thesis is divided into two parts, the theoretical and the practical part. The theoretical part begins with a brief introduction of the book, the author, and cultural background. Furthermore, it introduces definitions of translation and offers a comparison of various translation types. The emphasis is put on a form and meaning of translation. The main part of the theory focuses on the problem of lexical equivalence and slang itself. The translation and analysis of slang terms is situated in the practical part of the thesis. The aim of this part is to offer a glimpse into the course of translation process. -
Blur 13 Mp3, Flac, Wma
Blur 13 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 13 Country: Canada Released: 1999 Style: Brit Pop MP3 version RAR size: 1778 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1610 mb Rating: 4.5 Votes: 119 Other Formats: AIFF VOC VOC MP2 TTA WAV RA Tracklist Hide Credits Tender 1 7:40 Choir – London Community Gospel Choir 2 Bugman 4:47 3 Coffee & TV 5:58 4 Swamp Song 4:36 5 1992 5:29 6 B.L.U.R.E.M.I. 2:52 Battle 7 7:43 Drums [Additional] – Jason Cox 8 Mellow Song 3:56 Trailerpark 9 4:26 Producer – Blur 10 Caramel 7:38 11 Trimm Trabb 5:37 12 No Distance Left To Run 3:27 13 Optigan 1 2:34 Companies, etc. Phonographic Copyright (p) – EMI Copyright (c) – EMI Marketed By – S.B.A./GALA Records, Inc. Distributed By – S.B.A./GALA Records, Inc. Licensed From – EMI Music Manufactured By – ООО "Си Ди Клуб" Credits Artwork – Graham Coxon, Hans Jenny, Keith Albarn Bass – Alex James Composed By – James*, Albarn*, Rowntree*, Coxon* Drums – Dave Rowntree Engineer – Jason Cox, John Smith (tracks: 1 to 8, 10 to 13), William Orbit (tracks: 1 to 8, 10 to 13) Engineer [Assistant] – Addi 800, Gerard Navarro, Iain Roberton Guitar – Graham Coxon Lyrics By – Albarn* (tracks: 1, 2, 4 to 13), Coxon* (tracks: 1, 3) Producer – William Orbit (tracks: 1 to 8, 10 to 13) Programmed By [Pro-tools] – Damian LeGassick, Sean Spuehler Vocals – Damon Albarn, Graham Coxon Notes 8 page fold out booklet Barcode and Other Identifiers Barcode (Text): 5 099920 608521 Barcode (Scanned): 5099920608521 Matrix / Runout: 2060852 Mastering SID Code: IFPI LW80 -
Water on Mars Mary Bumblebee
DC533 Lolita Mercury Retrograde Rat Race Dead Again She Calms Me Down Face Down The Harrowing Wind Water On Mars LP/CD/CS Mary Bumblebee Release Date: March 19, 2013 PURLING HISS Water on Mars It takes balls to let Purling Hiss get in your face. Their records are a half-corroded, screaming roar of high-end gui- tars crushed together, obliterating vocals and even drums with their singular assault. Well, if you’ve got balls, get ready to swing ‘em. With Water On Mars, Purling Hiss have broken out of the basement, run through the bedroom and are out in the streets, blasting one of the great guitar albums in the past couple minutes. It’s a tumble of hits and ragers, sewing together nine new Purling Hiss celebration laments out of their usual patches of distortion, singing melodies and unexpected production hoohah — but this time the unexpected part is how the guitars gleam so precisely as they pile upon each other, how they work alongside of the rhythm section rather than avalanching it. And how the songs embody a variety of Hiss-teric moods, from the gutbusting bellow of “Lolita” and “Face Down” through the acoustic flatline of “Dead Again,” the aromatic slide guitars and piano within “She Calms Me Down,” the anthemish surge of “Rat Race” and the wailing march-jam, “Water On Mars.” Water On Mars is Purling Hiss’s first recording outside the fuzzy confines of Mike Polizze’s inner rock utopia, where the first three albums and EP were constructed in solitude with a home-recording setup.