CORE COLLECTION: Cds

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CORE COLLECTION: CDs Artist Title Alice Cooper Killer Average White Band Pick Up the Pieces – The Very Best of the Average White Band Beautiful South Choke Tony Bennett The Essential Tony Bennett The Black Eyed Peas Elephunk Burning Spear Marcus Garvey Kate Bush The Kick Inside Michael Chapman Fully Qualified Survivor Kevin Coyne Marjory Razorblade Crowded House Woodface Culture Two Sevens Clash Sandy Denny No More Sad Refrains Dizzee Rascal Tongue N’ Cheek Boy in Da Corner Dr. Feelgood Down By the Jetty Steve Earle Jerusalem Grandmaster Flash The Message Green Day American Idiot Woody Guthrie The Ultimate Collection PJ Harvey Stories From the City, Stories From the Sea Jimi Hendrix Are You Experienced Lauryn Hill The Miseducation of Lauryn Hill Billie Holiday Lady in Satin Whitney Houston The Essential Whitney Houston Janis Joplin Pearl Fela Kuti Best Of Fela Kuti Led Zeppelin Led Zeppelin II Houses of the Holy John Lennon Working Class Hero Lindisfarne Fog on the Tyne Little Feat The Last record Album Manic Street Preachers The Holy Bible Bob Marley Legend: The Best of Bob Marley and the Wailers Dean Martin Dino: The Essential Dean Martin John Mayall Blues Breakers Muse Absolution My Bloody Valentine Loveless Robert Palmer At His Very Best Gram Parsons Grievous Angel Pet Shop Boys Discography Pink Floyd Meddle Prodigy Their Law R.E.M Document Damien Rice O Rolling Stones Beggars Banquet Max Romeo War Ina Babylon Diana Ross The Greatest Diana The Saw Doctors To Win Just Once Simon and Garfunkel Bookends Paul Simon Gracelands Frank Sinatra In the Wee Small Hours Slade Sladest Small Faces Ogden’s Nut Gone Flake The Smiths Meat is Murder Steely Dan Can’t Buy a Thrill Cat Stevens Tea for the Tillerman Teaser and the Firecat Al Stewart Essential On the Border Stone Roses Stone Roses Suede Suede James Taylor Sweet Baby James Wiley Playtime is Over Stevie Wonder Songs in the Key of Life Fulfillingness’ First Finale Neil Young Harvest Moon Soundtrack Saturday Night Fever .

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Nick Cage Direction
craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction.
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Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary
Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage.
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Cat Stevens Debuta En Chile Con Dos Conciertos El Cantautor Británico Yusuf Islam Llega Por Primera Vez a Santiago Para Presentarse En Noviembre
DOMINGO 23 DE JUNIO DE 2013 ESPECTÁCULOS [email protected] C19 KC & The Sunshine Band regresa a Chile La banda realizará cuatro conciertos en el país entre el 5 y el 8 de diciembre en los casinos Enjoy Johansson reemplaza de Antofagasta, Coquimbo, Santiago y Viña del a Samantha Morton Mar. Las entradas van desde los $57 mil. Schwarzenegger en “Her” encabeza filme de zombies La actriz norteamericana Scarlett Johansson El actor austriaco protagonizará la cinta “Maggie”, tomó el rol de Samantha Morton en la nueva de Henry Hobson. Se trata de una producción cinta de Spike Jonze “Her”. Pese a que la pro- postapocalíptica, donde interpretará a un padre “Transformers 4” ducción estaba casi terminada y Morton había que debe proteger a su hija que se convierte en filmado sus escenas, el director señaló que “el zombie. no destruirá Beijing personaje no encajaba y necesitaba a alguien Tras los rumores que circularon en redes diferente”, por lo tanto, asignó el rol a la pro- Helena Bonham Carter, sociales, que indicaban una destrucción de tagonista de “Match point”. “Her” es una de hada madrina diversos íconos de la capital China en la película de ciencia ficción que cuenta, además, cuarta entrega de “Transformers”, los pro- con Joaquin Phoenix, Rooney Mara y Amy La nueva versión de “Cenicienta”, dirigida por ductores de la cinta debieron aclarar que el Adams en el reparto. Kenneth Branagh, confirmó a Helena Bonham rodaje en Beijing no incluye escenas que Carter en el rol de hada madrina. La cinta comienza dañen el patrimonio de la ciudad.
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Admissions Report Shows Black Student Applications Only 1/3 Of
Dizzee New Heights The Rascal returns: an interview with the man who fixed up, and looks sharp - Page 8 No. 616 The Independent Cambridge Student Newspaper since 1947 Friday February 25, 2005 ll we Bar Admissions report y shows black student Luc applications only 1/3 of national average Sam Richardson there is an increasing emphasis on year. Whilst this week’s admis- the outreach work done by sions figures have shown some TWO YEARS after Varsity first Colleges and Departments in improvement, it is clear that highlighted the scarcity of black educational enrichment, through there is much more to be done to students in Cambridge, there are the provision of masterclasses, encourage black students to still fewer black undergraduates study days and a myriad of excel- apply to Cambridge.” at the University than there are lent online resources.” Pav Akhtar, the NUS’s Black students or academics with the Nikhil Gomes, co-ordinator Students’ Officer, said that surname White. of GEEMA (Group to “When I went to Cambridge Last year’s admissions statistics, Encourage Ethnic Minority from a working class background which were revealed this week, Applications) said that the prob- it was a complete culture shock. show that only 1.4% of students lem with attracting black stu- Black students can often feel iso- who applied to Cambridge were dents to Cambridge lies in the lated”. The BBC documentary black. This is less than a third of perceptions of the University Black Ambition, which followed a the national average, and margin- both nationally and internation- number of black Cambridge stu- ally lower than Oxford.
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Liverpool Philharmonic Announces Winner of Christopher Brooks Composition Prize 2018 in Association with the Rushworth Foundatio
Press Release IMMEDIATE: Thursday 12 October 2018 Liverpool Philharmonic Announces Winner of Christopher Brooks Composition Prize 2018 in association with the Rushworth Foundation and Lancashire Sinfonietta Legacy Fund Liverpool Philharmonic is delighted to announce 22-year-old Carmel Smickersgill as the winner of its annual Christopher Brooks Composition Prize in association with The Rushworth Foundation and Lancashire Sinfonietta Legacy Fund Carmel wins a cash prize of £1,000 made possible through the support of the Lancashire Sinfonietta Legacy Fund and The Rushworth Foundation and a year’s complimentary membership of the British Academy of Songwriters, Composers & Authors (BASCA). All three organisations are supporting the competition for a fourth year running. The Christopher Brooks Composition Prize provides Carmel with a unique opportunity over the next year to develop her talent. Carmel will be supported with a bespoke programme of workshops, masterclasses and mentoring sessions from resident and visiting musicians, conductors, composers, performers and other industry professionals associated with Liverpool Philharmonic. Carmel’s year will culminate in her writing a new work for performance by Ensemble 10/10, the Royal Liverpool Philharmonic Orchestra’s new music group, which will be premiered in autumn 2019. Carmel will also develop her composition and teaching practice through access to Liverpool Philharmonic’s programme for children and young people, including Liverpool Philharmonic Youth Company, Youth Orchestra and Choirs, higher education partnerships and the transformative In Harmony Liverpool programme in Everton. Carmel is a composer based in Manchester having recently finished an undergraduate degree in composition with Gary Carpenter at the RNCM. Her music has been performed on Radio 3.
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Slang in American and British Hip-Hop/Rap Song Lyrics
LEXICON Volume 5, Number 1, April 2018, 84-94 Slang in American and British Hip-Hop/Rap Song Lyrics Tessa Zelyana Hidayat*, Rio Rini Diah Moehkardi Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines semantic changes and also the associative patterns of slang, focusing primarily on common topics, i.e., people and drugs. The data were slang terms taken from the lyrics of hip-hop/rap songs sung by four singers, two from the U.S.A and two from the U.K. A total of 105 slang terms were found, 45 of which belong to the people category and 16 to the drugs category in the American hip-hop/rap song lyrics, and in the British hip-hop/rap song lyrics, 26 of which belong to the people category and 18 to the drugs category. Bitch and nigga were found to be the most frequently used slang terms in the people category. In terms of semantic changes, broadening, amelioration, and narrowing were found, and in terms of associative patterns, effect, appearance, way of consuming, constituent, and container associative patterns were found. In addition, a new associative pattern was found, i.e., place of origin. Keywords: associative patterns, people and drugs slang, semantic change, slang. mislead people outside their group. Then, the INTRODUCTION usage of Cant began to slowly develop. Larger “This party is just unreal!” Imagine a person groups started to talk Cant in their daily life. It saying this sentence in the biggest New Year’s Eve was even used for entertainment purposes, such as party in his/her town, with the largest crowd, the in literature.
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Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism.
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Moonshadow: Cat Stevens
1 SONGS: NIVEL INTERMEDIO: MOONSHADOW: CAT STEVENS ESCUELA CENTRO DE AUTOAPRENDIZAJE OFICIAL IDIOMA: INGLÉS DE PRÁCTICA: COMPRENSIÓN ORAL IDIOMAS NIVEL: NIVEL INTERMEDIO OVIEDO MATERIAL: CINTA-CD / CUESTIONARIO / SOLUCIONES TEMA: VOCABULARIO. CONDICIÓN (if … won´t) Moonshadow Moonshadow aatt SStteevveennss YYuussuuff IIssllaamm Cat Stevens was one of the 1970's most popular musical artists. With a string of hit records and sold-out concerts he rocketed to superstardom. His album `Tea For The Tillerman´ is considered to be one of the best of its genre and his name is still a household word. So what happened to him? Why did he leave pop stardom behind? What is he doing now? Cat Stevens was born Stephen Demetre Georgiou on lyJu 21st, 1948 to a Greek Cypriot father and Swedish mother. In the late 60's he had a string of hit records in the UK and he later repeated his success throughout the world with a number of top selling albums including "Tea For The Tillerman" and "Teaser And The Firecat." In 1977 Cat Stevens embraced Islam and became a Muslim. Two years later he changed his name to Yusuf Islam and left the music business as Cat Stevens forever. Why did he become a Muslim? In the late 70's Cat was introduced to Islam by hisbrother David Gordon, who gave him a copy of the Qur'an -the holy book of the Muslims. Cat was immediately impressed by the religion and ultimately adopted it. He later changed his name to Yusuf Islam. He stopped making music because he felt that the life of a pop star was incompatible with the life of a Muslim.
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Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said.
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Mayor's Fund for London Impact Report 2020
HELPING YOUNG LONDONERS GROW IMPACT REPORT 2020 Solicitor OUR IMPACT 2020 AT A GLANCE KITCHEN SOCIAL 336,485 22,637 meals children and young provided people engaged COUNT ON US 8,171 95% children took part in of teachers noticed the Maths Challenges an impact on their pupils’ confidence levels ACCESS ASPIRATION 2,400 1,724 young Londoners employer encounters signed up from including work across 32 schools experience and mock interviews CREATIVITY WORKS 150 75% young people took part expected to move in the programme into employment, education or training 2 3 THE MAYOR’S FUND FOR ENGINEER LONDON The Mayor’s Fund for London is an independent charity championing opportunities for young Londoners from low-income and Black, Asian and minority ethnic backgrounds. We use our campaigning, convening and galvanising power to make the case for investment in opportunities for young people across the capital. Our work raises awareness of the barriers OUR THEORY facing young Londoners, promotes the activities OF CHANGE which best increases their opportunities and brings together the partnerships to Underpinning both our campaigning and make a measurable impact on their lives. charitable activities is our Theory of Change. The Mayor of London, Sadiq Khan, is our patron. This identifies four key outcomes to transform the life-chances of young Londoners: Our charitable activities focus on wellbeing, skills and employment and enterprise. ASPIRATION: a sense of ambition, purpose and self-worth We work with young people aged 4 –24 years, with a focus on those from low-income households ABILITY: development of core skills who are struggling or who are from vulnerable underpinning employment groups.
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Pdf 1-8., Accessed March 2014
THE BIOCULTURAL IMPACT OF ETHNIC HEALTH AND BEAUTY PRODUCT CONSUMPTION AMONG SOUTH FLORIDA JAMAICAN WOMEN By BRITTANY MONIQUE OSBOURNE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 © 2015 Brittany Monique Osbourne To my ancestors and parents ACKNOWLEDGMENTS The following dissertation evolved over the course of five years with the help of many people. I would first like to pay honor and respect to my spiritual compass, my creator, whose love and wisdom guided me along this doctoral path. To my ancestors, both ancient and recently transitioned, I pay homage. No amount of verbal libations can ever truly honor the sacrifices they endured, so the living would not have to know their struggles. In particular, I would like to honor those ancestors who survived the Maafa. Without them, I would not be. I would also like to honor my Jamaican ancestors, particularly my Windward Maroon ancestors of Portland Parish. The legacy of their warrior spirits kept me strong throughout this process, and motivated me to continue the good fight of completing this work. I thank my intellectual ancestress Zora Neale Hurston, who I am very proud to have been directly trained by those who were trained by those who trained her. Her ethnographic and literary works spoke to me, and were always a constant reminder that those of us who are a blend of the fine arts and the social sciences are uniquely positioned to be a transformative voice for the voiceless.
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Rocky Dawuni Straddles the Boundaries Between Africa, the Caribbean and the U.S
I International music star and humanitarian activist Rocky Dawuni straddles the boundaries between Africa, the Caribbean and the U.S. to create an appealing sound that unites generations and cultures. With an easy-going charisma and reputation as a dedicated champion of social causes, Dawuni's infectious grooves and dance-inducing anthems have consistently excited fans across the globe. A galvanizing performer, Dawuni has shared the stage with Stevie Wonder, Peter Gabriel, Jason Mraz, Janelle Monae, John Legend, among many others. Named one of Africa's Top 10 global stars by CNN, he has showcased his talent at prestigious venues such as The Kennedy Center in Washington, D.C. and The Hollywood Bowl in Los Angeles. Dawuni's life began as the child of a cook on a military barracks in Ghana. His father’s innate intelligence and charm helped him quickly rise in his position to become the cook for the base's colonels and generals. During this time, his father – Koytau Dawuni, befriended many high-ranking officers and observed the deep pride they felt in sending their children to school. Dawuni's father began to raise his own children with the same standards, investing heavily in education. The second born of eight siblings, Dawuni excelled at school and eventually his father decided to move him back to their home village where he could immerse in his cultural heritage. As it turned out, Koyatu’s humble employment belied his status as a member of the royal family of the Konkomba tribe, which ruled from a village of Bunbon Nayili in Northern Ghana.
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