Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
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A Deductive Thematic Analysis of Jamaican Maroons
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Sinclair-Maragh, Gaunette; Simpson, Shaniel Bernard Article — Published Version Heritage tourism and ethnic identity: A deductive thematic analysis of Jamaican Maroons Journal of Tourism, Heritage & Services Marketing Suggested Citation: Sinclair-Maragh, Gaunette; Simpson, Shaniel Bernard (2021) : Heritage tourism and ethnic identity: A deductive thematic analysis of Jamaican Maroons, Journal of Tourism, Heritage & Services Marketing, ISSN 2529-1947, International Hellenic University, Thessaloniki, Vol. 7, Iss. 1, pp. 64-75, http://dx.doi.org/10.5281/zenodo.4521331 , https://www.jthsm.gr/?page_id=5317 This Version is available at: http://hdl.handle.net/10419/230516 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ www.econstor.eu Journal of Tourism, Heritage & Services Marketing, Vol. -
Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary
Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage. -
Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Imagination Featuring LEEE JOHN Presents “Police and Thieves” The
Imagination featuring LEEE JOHN presents “Police and Thieves” the film 2018 From “The Do it Right Now campaign” Presenting the Police and Thieves music video, duration (3 mins) and short film (11 mins) the brain child of LEEE JOHN lead vocalist and writer of the group Imagination, inspired by his observations of the challenges facing young people today. His aim, to assist in helping and supporting young people globally to make the right life choices and ultimately achieve their full potential and in turn becoming positive contribu- tors to their communities and society as a whole. The “Do it Right Now “, initiative is a campaign to enhance people to embrace the moment and make the most of life. From the acclaimed album “RET- ROPIA “the music tracks “ Do it Right Now “ and “Police and Thieves “ act as central focus points of a bigger global campaign, which echoes with the message of support and exposure can and WILL change lives. “Real life people selected from the London community have been used to assist us to share this very important message of the ‘Police and Thieves film and video. Their testimonies include their dilemmas, challenges, leading to their own personal triumphs” In the film LEEE JOHN features a mixed group of youngsters, living in and throughout the London community - each with their own individual way of expressing and presenting themselves. Leroy Logan (MBE, PHD Retired Superintendent) appears in the film and video along with other key contributors, each mentoring between the communitiesand policing the youth culture... In this video imagery Leee John also shows examples of positive real life success stories, peoples individual strug- gle’s and triumphs over adversity in helping to provide the audience a clear and first hand insight into the opinions and mind-set of modern ordinary young people in todays society. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Sheffield Children's Hospital Christmas Party, 12Th December 2015
Dronfield Henry Fanshawe School Newspaper: Issue 5, March 2016 Also in this issue: We take a look at the World Book Day fanatics, Presidential Campaigns (including #Kanye2K20), competitions and much more! Sheffield Children’s Hospital Christmas Party, 12th December 2015 A team of year 12 and year 13 students came together along with the staff at DHFS in order to put on a Christmas party event for members of the reconstructive ward at the Sheffield Children’s hospital. The reconstructive surgery is The event was held on the often life changing for DHFS site for over 80 patients children with limb alongside their families. All in discrepancies and all, around 200 people deformities, as well as attended the party, which restricted growth. This event included a disco, tombola and was able to provide happiness a giant minion costume worn to those children who are fetchingly by Spilled ink’s very undergoing a very turbulent own George Vandrill. time in their lives. And what could make those children The event was overall seen as happier than a visit from an incredible success. The Lapland’s very own Chris children were thrilled with Cringle. the party games thrown by The children were able to sit the students and were with everyone’s favourite engrossed with the arts and Christmas character and crafts activities. Many of the 200 attendants discuss the festive season as The children were thrilled by had been involved in well as receiving a goody bag everything that took place at reconstructive surgery at the filled with festive treats. the event. -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper.