28Th GALWAY FILM FLEADH 5-10 JULY 2016
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Marin Conservation League 2015 Annual Report
Protecting Marin Since 1934 2 015 ANNUAL REPORT The mission of the Marin Conservation League is to preserve, protect and enhance the natural assets of Marin County MARIN CONSERVATION LEAGUE 2 015 PRESIDENT’S LETTER AND FINANCIAL STATEMENT I’m proud to STATEMENT OF ACTIVITIES present Marin JANUARY 1 TO DECEMBER 31, 2015 (PREPARED FROM MCL RECORDS) Conservation League’s 2015 Unrestricted Temp. Restricted Board Restricted TOTAL SUPPORT AND REVENUE Operations Special Projects & Legacy of the Land Annual Report. In Dedicated Funds Endowment (LOL) it you’ll find our Support financial results, Membership $95,661 $95,661 a compilation of Contributions $47,367 $6,253 $500 $54,121 our actions and Grants Received $0 $5,100 $5,100 Special Events & Miscellaneous $19,260 $19,260 activities, and a list Total Support $162,288 $11,353 $500 $174,142 of MCL’s supporters. (We wish we had Revenue room to include Interest & Dividend Income $19,133 $33,308 $52,442 Sales of Inventory less costs $27 $27 everyone who contributed in 2015.) Miscellaneous Income $956 $956 Total Revenue $20,116 $0 $33,308 $53,425 Throughout the year, in the effort to fulfill MCL’s mission to preserve and protect Transfers Marin’s natural assets and to impact local LOL Support for Operations $76,173 ($76,173) $0 Net Assets Released from Restrictions $29,316 ($29,316) $0 $0 outcomes, we’ve advocated at stakeholder Total Transfers $105,489 ($29,316) ($76,173) $0 meetings, studied local issues, and tracked and commented on local plans, applications, Total Support, Revenue & Transfers $287,894 ($17,963) ($42,365) $227,566 MEMBERSHIP 95661 33.23% proposed projects, and environmental impact CONTRIBUTIONS 47637 16.54% reports. -
Raft of Incoming, A
Greta Adorni was born in Milan where she graduated in Philosophy and continued her studies with an MA in Curatorial Practices at the Brera Academy. At Birkbeck, she completed her MA in History of Art, which gave her the opportunity to combine philosophical theoretical frameworks with memory and trauma studies. This article is the result of her MA dissertation [email protected] / __________________________________________ This article intends to look at the ways in which three works of art have attempted to deal with the issue of representation and mediation of the refugee crisis. 1 Rather than delving into historical or political discourses surrounding this humanitarian crisis, this article will analyse three works of contemporary art: Fuocoammare (Gianfranco Rosi, 2016), Raft of Lampedusa (Jason deCaires Taylor, 2016) and Incoming (Richard Mosse, 2017) mostly through the spectrum of Professor at UNSW National Institute for Experimental Arts and curator Jill Bennett’s theory of ‘empathic vision’ and ‘transactive art’. Political Philosopher Giorgio Agamben’s notions ‘bare life’ and the ‘Muselmann’ will also be regarded as crucial to an empathic visual engagement with art. These theories have the purpose of injecting new approaches to the idea of ‘breathing through the medium’ as a way of activating representations, and thereby maintaining the meaningfulness of representations of refugees. The three works were selected for their alternative approach to the representation and utilization of the art medium. I will analyse Incoming, a documentary made by Richard Mosse in collaboration with Ben Frost and Trevor Tweeten and screened for the first time at the Curve Gallery, at the Barbican Centre in London from 15 February to 23 April 2017. -
Refugee Filmmaking
Alphaville: Journal of Film and Screen Media no. 18, 2019, pp. 3–11 DOI: https://doi.org/10.33178/alpha.18.01 Refugee Filmmaking Editorial Stephanie Hemelryk Donald, Kaya Davies Hayon, and Lucia Sorbera Figure 1: Production still taken for Mare Nostrum (Rana Kazkaz and Anas Khalaf, 2016). Georges Films, Synéastes Film. Photo credit: Eric Devin. The origins of this issue of Alphaville lie in collaborations between the Forced Migration Research Network (UNSW – University of New South Wales) and the Refugee Council of Australia, and in the inspiration afforded us by international colleagues and guests to Sydney (Fadma Aït Mous), Liverpool (Dennis Del Favero) and Lincoln (Hoda Afshar) universities. We have benefited from these academic alliances and invitations, but we also embrace the widest notion of hospitality, whereby the moment of arrival, the request for assistance and shelter, and subsequent decisions over citizenship and long-term residency are located in a moral environment of welcome and mutual learning. We trace and acknowledge our intellectual relationships here in so far as they have allowed us to articulate an emerging and shared recognition that refugee lived experience stands as the barometer for political civility and social health in our time. © Stephanie Hemelryk Donald, Kaya Davies Hayon, and Lucia Sorbera This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License 4 The challenge of the global collapse into conflict and authoritarianism is stark, and the work of refugee filmmakers and documentarists—and indeed those who use scholarship to draw attention to their efforts—is serious and important. This curated collection of essays, films, reflections and reviews seeks to understand the nature and extent of refugee filmmaking today, and to determine who counts as a refugee filmmaker and why. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
This Film Is a Poem 1,380 Words
This Film is A Poem 1,380 words - by Cynthia Close - published in 2016 in Documentary magazine- Review of the newly remastered Criterion released A Poem is a Naked Person, by Les Blank commissioned by Leon Russell, shot from 1972-74. Blu-Ray edition contains: *90 minute restored feature A Poem is a Naked Person *New conversation between musician Leon Russell and Harrod Blank, Les Blank’s son *Excerpts from a 2013 Q&A with Les Blank *The new documentary, A Film’s Forty-year Journey: The Making of “A Poem is a Naked Person”, 2016 *Out in the Woods, a short documentary by Maureen Gosling *An Essay by critic Kent Jones Why has A Poem is a Naked Person, a film Les Blank considered the greatest he ever made, remained virtually unknown and unseen, until now, over forty years after it was completed? An answer to this question can be found in the newly restored, Criterion released Blu-Ray DVD. It is clear that such a project would never have happened if it were not for the persistence and memory of “being there”, of Harrod Blank, Les Blank’s son. As a young boy, tagging along with his filmmaker dad in the backwaters of 1970’s Oklahoma he drew admiring portraits in magic marker of Leon Russell, the intended subject of his father’s film. It was the year following the release of Mad Dogs and Englishmen, a classic concert film starring Joe Cocker and Russell who at that time was at the peak of his fame. Russell was an accomplished pianist, session musician, and star performer who was in the process of building a top notch studio and music compound ninety minutes outside of Tulsa when he and his then-partner Denny Cordell commissioned Les Blank to make what they may have envisioned as a biopic with Leon Russell at the center. -
The Atlantean Irish: Irelands Oriental and Maritime Heritage Free
FREE THE ATLANTEAN IRISH: IRELANDS ORIENTAL AND MARITIME HERITAGE PDF Bob Quinn | 256 pages | 15 Jan 2006 | The Lilliput Press Ltd | 9781843510246 | English | Dublin, Ireland Atlantean | Irish identity is best understood from a maritime perspective. For eight millennia the island has been a haven for explorers, settlers, colonists, navigators, pirates and traders, absorbing goods and peoples from all points of the compass. Over the past twenty years Bob Quinn has traced archaeological, linguistic, religious and economic connections from Egypt to Arann, from Morocco to Newgrange, from Cairo and Compostela to Carraroe. Taking Conamara sean-nos singing and its Arabic equivalents, and a North African linguistic stratum under the Irish tongue, Quinn marshalls evidence from field archaeology, boat-types, manuscript illuminations, weaving patterns, mythology, literature, art and artefacts to support a challenging thesis that cites, among The Atlantean Irish: Irelands Oriental and Maritime Heritage recent studies of the Irish genome, new mitochondrial DNA analysis in the Atlantic zone from north Iberia to west Scandinavia. The Atlantean Irish is a sumptuously illustrated, exciting, intervention in Irish cultural history. Forcefully debated, and wholly persuasive, it opens up a past beyond Europe, linking Orient to Occident. What began as a personal quest-narrative becomes a category-dissolving intellectual adventure of universal significance. It is a book whose time has arrived. Lilliput Press — July 18, This book revises and expands his thesis. Bob Quinn confronts received knowledge and upends the status quo. Living in a Conamara gaeltacht sincehis adopted locale inspired him to ask two questions that impelled the saga adapted in this update Dublin: The Lilliput Press,20 euro to his work, Atlantean. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Les Blank Und Das Cinéma Vitalité. Mit Filmographie Und Bibliographie 2017
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie 2017 https://doi.org/10.25969/mediarep/12808 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie. Westerkappeln: DerWulff.de 2017 (Medienwissenschaft: Berichte und Papiere 173). DOI: https://doi.org/10.25969/mediarep/12808. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0173_17.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 173, 2017: Les Blank. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff, Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0173_17.pdf. Letzte Änderung: 10.05.2017. Inhalt: Hans J. Wulff: Les Blank und das cinéma vitalité [1] Hans J. Wulff u. Ludger Kaczmarek: Les Blank: Filmografie [4]. Über (und mit) Les Blank [31]. Literatur [32] Les Blank und das cinéma vitalité Les Blank (* 27.11.1935 in Tampa, Florida; † 7.4.2013 in Berkeley, Kalifornien) studierte an der Tulane University in New Orleans Englische Sprache. Unter dem Eindruck des Ingmar-Bergman-Films Det sjunde inseglet (Das siebente Siegel, 1957) begann er eine Ausbildung zum Schauspieler und Dreh- buchautor, bevor er die Filmschule an der University of Southern California besuchte. -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
GOOD MORNING: 03/29/19 Farm Directionанаvan Trump Report
Tim Francisco <[email protected]> GOOD MORNING: 03/29/19 Farm Direction Van Trump Report 1 message The Van Trump Report <reply@vantrumpreportemail.com> Fri, Mar 29, 2019 at 7:14 AM ReplyTo: Jordan <replyfec01675756d0c7a314_HTML362509461000034501@vantrumpreportemail.com> To: [email protected] "Smooth seas do not make skillful sailors." African proverb FRIDAY, MARCH 29, 2019 1776, Putnam Named Printable Copy or Audio Version Commander of New York Troops On this day in 1776, Morning Summary: Stocks are slightly higher this morning but continue to consolidate General George Washington into the end of the first quarter, where it will post its best start to a new year since appoints Major General Israel 1998. It seems like the bulls are still trying to catch their breath after posting the Putnam commander of the troops in New massive rebound from December. The S&P 500 was up over +12% in the first quarter York. In his new capacity, Putnam was of 2019. We've known for sometime this would be a tough area technically. There's also expected to execute plans for the defense the psychological wave of market participants trying to get off the ride at this level, of New York City and its waterways. A having recouped most of what they lost in late2018. I mentioned many weeks ago, if veteran military man, Putnam had served we made it back to these levels it would get very interesting, as those who took the as a lieutenant in the Connecticut militia tumble would have an opportunity to get out of the market with most of their money during the French and Indian War, where back in their account.