The Unseen World, and Other Essays
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UC Santa Barbara Dissertation Template
CORE Metadata, citation and similar papers at core.ac.uk Provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Permalink https://escholarship.org/uc/item/6hz1c8vj Author Wasson, Kai Reed Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Kai Reed Wasson Committee in charge: Professor Sabine Frühstück, Chair Professor ann-elise lewallen Professor Kate McDonald June 2018 The thesis of Kai Reed Wasson is approved. ____________________________________________ Kate McDonald ____________________________________________ ann-elise lewallen ____________________________________________ Sabine Frühstück, Committee Chair June 2018 Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Copyright © 2018 by Kai Reed Wasson iii ACKNOWLEDGEMENTS I have often heard that research projects of considerable length are impossible without the thoughtful input of a host of people. Pursuing this endeavor myself has proven to me that collaboration is absolutely necessary even for a project of this modest magnitude. I would first like to thank my masters committee, Professors Sabine Frühstück, ann- elise lewallen, and Kate McDonald, for bearing with me and providing constructive feedback on such a difficult and sensitive subject. I owe a debt of gratitude for the learning opportunities and financial support afforded to me by UC Santa Barbara’s East Asian Languages and Cultural Studies Department. -
THE THOUSAND-STEP MODEL Or, the Earth As a Peppercorn
THE THOUSAND-STEP MODEL or, The Earth as a Peppercorn Copyright 1989 by Guy Ottewell Universal Workshop PO Box 426 Middleburg, VA 20118-0426 ISBN 0-934546-21-5 [Converted into metric units by Malcolm Coe] This is a classic exercise for visualizing just how BIG our Solar System really is. Both the relative size and spacing of the planets are demonstrated in this outdoor exercise, using a mere peppercorn to represent the size of the Earth. Guy Ottewell has kindly given permission for this electronic presentation of The Thousand-Yard Model; his exercise is presented in its original form, indexed with a few anchors to help you find you way around the large file. Image of the planets courtesy of NASA. Introduction Pacing off the Solar System Additional Notes Beyond the Solar System Numerical Summary Introduction Can you picture the dimensions of the solar system? Probably not, for they are of an order so amazing that it is difficult either to realize or to show them. You may have seen a diagram of the Sun and planets, in a book. Or you may have seen a revolving model of the kind called an orrery (because the first was built for an Earl of Orrery in 1715). But even the largest of such models--such as those that cover the ceilings of the Hayden Planetarium in New York and the Morehead Planetarium at Chapel Hill-are far too small. They omit the three outermost planets, yet still cannot show the remaining ones far enough apart. The fact is that the planets are mighty small and the distances between them are almost ridiculously large. -
October 9-13, 2013 Alamo Drafthouse Dfw Videofest.Org 1 Contents
OCTOBER 9-13, 2013 ALAMO DRAFTHOUSE DFW VIDEOFEST.ORG 1 CONTENTS Brought to you By ............................................................................ 2 2013 Board of directors ............................................................... 3 contriButors & sponsors .......................................................... 4 Welcome By Bart Weiss ................................................................. 8 aBout our Jurors ............................................................................10 HBO® Proudly Salutes the texas shoW Jurors .........................................................................16 Kovacs aWard .....................................................................................18 screenings ...........................................................................................20 TH 26 ANNUAL schedule ................................................................................................53 Ben Britt/Kaleta doolin art ..................................................60 DALLAS VIDEOFEST aWard shoW tWeets By Jennifer reeder ......................64 essays .......................................................................................................66 ©2013 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. 406145_VideoFest_AD.indd 1 8/26/13 4:33 PM Dallas VideoFest 26 2 VIDEO ASSOCIATION OF DaLLAS 2013 3 BROUGHT TO YOU BY BOARD OF DIRECTORS Barton Weiss Kelly McNichol Interns vIdeo assocIatIon -
Genocide, Memory and History
AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH AFTERMATH AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH Aftermath: Genocide, Memory and History © Copyright 2015 Copyright of the individual chapters is held by the chapter’s author/s. Copyright of this edited collection is held by Karen Auerbach. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria, 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/agmh-9781922235633.html Design: Les Thomas ISBN: 978-1-922235-63-3 (paperback) ISBN: 978-1-922235-64-0 (PDF) ISBN: 978-1-876924-84-3 (epub) National Library of Australia Cataloguing-in-Publication entry: Title: Aftermath : genocide, memory and history / editor Karen Auerbach ISBN 9781922235633 (paperback) Series: History Subjects: Genocide. Genocide--Political aspects. Collective memory--Political aspects. Memorialization--Political aspects. Other Creators/Contributors: Auerbach, Karen, editor. Dewey Number: 304.663 CONTENTS Introduction ............................................... -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Even in Post-Orange Revolution Ukraine, Election Environment Has
INSIDE:• Election bloc profile: The Socialist Party of Ukraine — page 3. • Hearing focuses on Famine memorial in D.C. — page 4. • Hollywood film industry honors three Ukrainians — page 14. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIV HE KRAINIANNo. 10 THE UKRAINIAN WEEKLY SUNDAY, MARCH 5, 2006 EEKLY$1/$2 in Ukraine Even in post-Orange Revolution Ukraine, Jackson-VanikT GraduationU Coalition W election environment has lingering problems activists meet to define strategy by Natalka Gawdiak Wexler (D- Fla.), and Tim Holden (D- by Zenon Zawada Pa.). Kyiv Press Bureau WASHINGTON – Jackson-Vanik Among those representing the Graduation Coalition representatives met Jackson-Vanik Graduation Coalition KYIV – To protest a Natalia Vitrenko on February 28 on Capitol Hill with were Ambassador William Green Miller, rally in Dnipropetrovsk on January 19, members of the Congressional Ukrainian 18-year-old Liudmyla Krutko brought co-chair of the coalition; Nadia Caucus to work out a definitive strategy with her a blue-and-yellow flag and McConnell, president of the U.S.- to achieve the goal of their campaign to stood across the street. Ukraine Foundation; Mark Levin, execu- graduate Ukraine from the restrictions of Just the sight of the Ukrainian flag tive director of NCSJ; Ihor Gawdiak of the Jackson-Vanik Amendment. was enough to offend the chair of the the Ukrainian American Coordinating The three co-chairs of the Vitrenko Bloc’s oblast headquarters, Council; Michael Bleyzer and Morgan Congressional Ukrainian Caucus, Reps. Serhii Kalinychenko. Williams of SigmaBleyzer; and Dr. Zenia Curt Weldon (R-Pa.), Marcy Kaptur (R- Along with two other men, he alleged- Ohio), and Sander Levin (D-Mich.) were Chernyk and Vera Andryczyk of the ly grabbed Ms. -
PRIX EUROPA Television Fiction Franz Fuchs
PRIX Television EUROPA Fiction Franz Fuchs - A Patriot 01 Franz Fuchs - Ein Patriot Entering organisation: Österreichischer Rundfunk - ORF Contact: Susanne Spellitz When the terrorist Franz Fuchs committed suicide Email: [email protected] in 2000, it seemed as if Austria had buried a painful chapter of its past. Elisabeth Scharang has taken another Author/s: Elisabeth Scharang look at the case. This programme reveals new facets Director: Elisabeth Scharang that go beyond the actual criminal case. Camera: Helmut Wimmer A feature documentary film, this psychogram of a lone Commissioning editor: Klaus Lintschinger perpetrator interwoven with documentary sequences Production company: epo-film produktionsges.m.b.h. and archival material, becomes the first film to tackle Producer: Dieter Pochlatko this subject comprehensively, questioning the political Co-Producer/s: ORF, Austrian Television Fund, climate in Austria and Europe as well. It is the story Cine Styria Kunst of an exceptionally talented person who ended up becoming a terrorist instead of a nuclear physicist. Length: 89’ Total budget: €1,000,000.- Production format: Super 16 Date of production: September 2007 First broadcast: 20:15, 2 October 2008, ORF Screened on: Monday, 20 October 2008 AUSTRIA Television PRIX Fiction EUROPA 02 The Intruder De Indringer Entering organisation: episode 1/3 Vlaamse Radio- en Televisieomroep - VRT Contact: Franky Audenaerde Tom Vansant, a 40-year-old doctor in Brussels, is Email: [email protected] desperately searching for traces of his daughter Louise who disappeared 18 months ago. In his search, he Author/s: Ward Hulselmans comes across another 16-year-old runaway who left Director: Frank Van Mechelen her hometown in the Ardennes at about the same time Camera: Lou Bergmans as Louise disappeared. -
Dante and Giovanni Del Virgilio : Including a Critical Edition of the Text
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/dantegiovannidelOOdantuoft DANTE AND GIOVANNI DEL VIEGILIO. W^ Dante and Giovanni del Virgilio Including a Critical Edition of the text of Dante's " Eclogae Latinae " and of the poetic remains of Giovanni del Virgilio By Philip H. Wicksteed, M.A. and Edmund G. Gardner, M.A. Solatur maesti nunc mea fata senis Westminster Archibald Constable & Company, Ltd. 1902 GLASGOW: PRINTED AT THE UNIVERSITY PRESS BV ROBERT MACLEHOSB AND CO. TO FRANCIS HENRY JONES AND FRANCIS URQUHART. PREFACE. Our original intention was merely to furnish a critical edition, with a translation and commentary, of the poetical correspondence between Dante and Del Virgilio. But a close study of Del Virgilio's poem addressed to Mussato, with a view to the discovery of matter illustrative of his correspondence with Dante, convinced us that Dante students would be glad to be able to read it in its entirety. And when we found ourselves thus including the greater part of Del Virgilio's extant work in our book, the pious act of collecting the rest of his poetic remains naturally sug- gested itself; and so our project took the shape of an edition of Dante's Latin Eclogues and of the poetic remains of Del Virgilio, The inclusion in our work of the Epistle to Mussato made some introductory account of the Paduan poet necessary ; and his striking personality, together with the many resemblances and contrasts between his lot and that of Dante, encouraged us to think that such an account would be acceptable to our readers. -
“The Art of Rita Blitt” by Robert Mcdonald Edited by Donna Stein
Untitled Document “The Art of Rita Blitt” By Robert McDonald Edited by Donna Stein Rita Blitt has been an artist for as long as she can remember. Since she was a child she has had a passion for creating art and for sharing it with others. She recalls her excited anticipation when teachers passed out fresh drawing paper in school, and these creative expectations endure today. Blitt channels her enthusiasm to others via drawings, paintings, and sculptures. Working from intuition as well as intelligence, her experience of making art is both physical and spiritual. She has had a calling and the strength to follow her path. Like novelist Willa Cather, Blitt has discovered that happiness is "to be dissolved into something complete and great," to become "part of something entire." An important source of Blitt's enthusiasm for art was the influence of her grandfather, Isaac Sofnas, a Russian designer of flower embroidery patterns, who lived in New York City. According to Blitt, "My grandfather drew fanciful flowers on the letters he sent. From the time I was a toddler we exchanged drawings. Now I feel my lines continue his." Blitt's father, Herman Copaken, a businessman and part-time inventor, embodied patient determination and self-motivation, which he passed on to his daughter. Blitt's mother, Dorothy Sofnas Copaken, devoted herself to Jewish humanitarian causes. She instilled in her three children an awareness of and caring for the world, which Blitt expresses through art. "My Mom always said, 'Look at the beautiful trees,'" Rita remembers. "I loved drawing trees formed with multiple lines, each emanating from the roots and continuing up through the trunk to become branches and twigs. -
Edmund Burke's German Readers at the End of Enlightenment, 1790-1815 Jonathan Allen Green Trinity Hall, University of Cambridg
Edmund Burke’s German Readers at the End of Enlightenment, 1790-1815 Jonathan Allen Green Trinity Hall, University of Cambridge September 2017 This dissertation is submitted for the degree of Doctor of Philosophy. Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaborations except as declared in the Declaration and specified in the text. All translations, unless otherwise noted or published in anthologies, are my own. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University of similar institution except as declared in the Declaration and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Declaration and specified in the text. It does not exceed the prescribed word limit for the Faculty of History Degree Committee (80,000 words). Statement of Word Count: This dissertation comprises 79,363 words. 1 Acknowledgements Writing this dissertation was a challenge, and I am immensely grateful to the many friends and colleagues who helped me see it to completion. Thanks first of all are due to William O’Reilly, who supervised the start of this research during my MPhil in Political Thought and Intellectual History (2012-2013), and Christopher Meckstroth, who subsequently oversaw my work on this thesis. -
2020 Convention Program.Pdf
aseees Association for Slavic, East European, & Eurasian Studies 2020 ASEEES VIRTUAL CONVENTION Nov. 5-8 • Nov. 14-15 ASSOCIATION FOR SLAVIC, EAST EUROPEAN, & EURASIAN STUDIES 52nd Annual ASEEES Convention November 5-8 and 14-15, 2020 Convention Theme: Anxiety & Rebellion The 2020 ASEEES Annual Convention will examine the social, cultural, and economic sources of the rising anxiety, examine the concept’s strengths and limitations, reconstruct the politics driving anti- cosmopolitan rebellions and counter-rebellions, and provide a deeper understanding of the discourses and forms of artistic expression that reflect, amplify or stoke sentiments and motivate actions of the people involved. Jan Kubik, President; Rutgers, The State U of New Jersey / U College London 2020 ASEEES Board President 3 CONVENTION SPONSORS ASEEES thanks all of our sponsors whose generous contributions and support help to promote the continued growth and visibility of the Association during our Annual Convention and throughout the year. PLATINUM SPONSORS: Cambridge University Press GOLD SPONSOR: East View information Services SILVER SPONSOR: Indiana University, Robert F. Byrnes Russian and East European Institute BRONZE SPONSORS: Baylor University, Modern Languages and Cultures | Communist and Post-Communist Studies by University of California Press | Open Water RUSSIAN SCHOLAR REGISTRATION SPONSOR: The Carnegie Corporation of New York FILM SCREENING SPONSOR: Arizona State University, The Melikian Center: Russian, Eurasian and East European Studies FRIENDS OF ASEEES: -
Indeterminacy …I Think There Are Reasons in Nature Why the Obscure Idea, When Properly Conveyed, Should Be More Affecting Than the Clear
2 Indeterminacy …I think there are reasons in nature why the obscure idea, when properly conveyed, should be more affecting than the clear. It is our ignorance of things that causes all our admiration, and chiefly excites our passions. Knowledge and acquaintance make the most striking causes affect but little. Edmund Burke Particularly the most elevated sensation of music arises from a confused perception of idle or visionary beauty and rapture, which is sufficiently perceivable to fire the imagination, but not clear enough to become an object of knowledge. This shadowy beauty the mind attempts, with a languishing curiosity, to collect into a distinct object of view and comprehension; but it sinks and escapes, like the dissolving ideas of a delightful dream, that are neither within the reach of memory, nor yet totally fled. The noblest charm of music, then, though real and affecting, seems too confused to be collected into a distinct idea. James Usher Introduction Moving from Kant to eighteenth-century Britain, one leaves behind the complex two-way traffic with pure forms, transcendental schemas and categories prefiguring the world of appearances. What one finds here is a world of ideas based on sense-perceptions. In good Lockean fashion, the term ‘idea’ broadly connotes that which the mind perceives in itself, or is an immediate object of perception, thought, or understanding. As Stephen Priest has put it, in the Lockean tradition, ‘idea’ basically “includes not only our notions of a mental image and a concept, but also our notion of an experience. An idea for Locke is any mental content whatsoever.