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A REMINDER | from the VA TOLL FREE English Professor
5/Monday, April 22, 1985 A REMINDER | HOW TO GET BETTER FROM THE VA MILEAGE FROM YOUR English Professor Opens Juan s Restaurant DENNIS the MENACE by Hank Keteham CAR... By Erin ODonnell Obey the 55 mph speed Juan Hernandez is in the same frame of limit. \AiHEM I GROW UP I'M mind a.s many seniors this time < if year It's GOMNA BE A V£T£ZAN! time to graduate So that's fust what Her- f nandez said he did Wednesday, April 10, BVBR60Dy TAKES GOOD by celebrating the grand opening of his CARE OF 7HO$£6UYS' own restaurant, Juan's Restaurant. After an eight-year reign as the well known entertainer of Joe T. Garcia s Res- taurant, the English professor at TCI said. It was just time to graduate." Hernandez' "commencement has turned out to be the beginning of a true family affair His mother Mimi Hernandez, who is graduating with a hachelc ir's degree in art from TCI' this May. works in the kitchen where her recipes from Mexico are prepared from scratch. She is also cre- dited with the paintings that decorate the establishment, located in the former Peo- ple's Restaurant building at 6471 Camp H( >wie Juan Hernandez entertains his customers atJuan'sRestaurant Hernandez wasakmgtime Francisco Hernandez, an attorney and entertaineratJoeT. Garcia'sbefore opening bisown restaurant The whole familyis getting Hernandez' father, is joining his son in into the act (PHOTO BY DONNA LEMONS I putting their professions on pause in Spending large amounts of time l.iun real. -
THE THOUSAND-STEP MODEL Or, the Earth As a Peppercorn
THE THOUSAND-STEP MODEL or, The Earth as a Peppercorn Copyright 1989 by Guy Ottewell Universal Workshop PO Box 426 Middleburg, VA 20118-0426 ISBN 0-934546-21-5 [Converted into metric units by Malcolm Coe] This is a classic exercise for visualizing just how BIG our Solar System really is. Both the relative size and spacing of the planets are demonstrated in this outdoor exercise, using a mere peppercorn to represent the size of the Earth. Guy Ottewell has kindly given permission for this electronic presentation of The Thousand-Yard Model; his exercise is presented in its original form, indexed with a few anchors to help you find you way around the large file. Image of the planets courtesy of NASA. Introduction Pacing off the Solar System Additional Notes Beyond the Solar System Numerical Summary Introduction Can you picture the dimensions of the solar system? Probably not, for they are of an order so amazing that it is difficult either to realize or to show them. You may have seen a diagram of the Sun and planets, in a book. Or you may have seen a revolving model of the kind called an orrery (because the first was built for an Earl of Orrery in 1715). But even the largest of such models--such as those that cover the ceilings of the Hayden Planetarium in New York and the Morehead Planetarium at Chapel Hill-are far too small. They omit the three outermost planets, yet still cannot show the remaining ones far enough apart. The fact is that the planets are mighty small and the distances between them are almost ridiculously large. -
How Photojournalism and Iconic Images Affect Public Opinion During Wartime
Capturing War and Bringing It Home: How Photojournalism and Iconic Images Affect Public Opinion During Wartime Item Type text; Electronic Thesis Authors Nielson, Alec Brittney Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 06:47:16 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/146630 Nielson 1 CAPTURING WAR AND BRINGING IT HOME: HOW PHOTOJOURNALISM AND ICONIC IMAGES AFFECT PUBLIC OPINION DURING WARTIME By ALEC BRITTNEY NIELSON ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors degree With Honors in Journalism THE UNIVERSITY OF ARIZONA May 2010 Approved by: _______________________________ Dr. Terry Wimmer School of Journalism Nielson 2 ABSTRACT A historical analysis indicates that photographs taken during wartime affect public opinion. This seems to be especially true in regard to photographs that have gained iconic status. This study examines the relationship between patterns of war coverage and public opinion during the Iraq War. Through a coding system, the study uncovers reoccurring themes in photographs, measures the emotions depicted in the images and counts the graphic images published. The research pays particular attention to the relationship between iconic images and the public’s support, or lack thereof, for the war. While the results of the study were not able support a definitive relationship between public opinion and photographic coverage, they did suggest a potential relationship. -
Natacha Nisic Écho Activités Scolaires, Oct
dossier enseignants 15 octobre 2013 – 26 janvier 2014 Natacha Nisic Écho activités scolaires, oct. 2013-janv. 2014 z visites-conférences pour les classes Avec le Forum des images, Paris 1er Les conférenciers du service éducatif accueillent Parallèlement à la visite de l’exposition « Natacha Nisic. et accompagnent les classes dans la découverte Écho », qui permet d’aborder la question des relations des expositions du Jeu de Paume, tout en favorisant entre image et réalité, les classes peuvent participer à l’observation et la prise de parole des élèves. l’atelier du Forum des images intitulé « Le cinéma, entre Ces visites‑conférences permettent aux publics scolaires réalité et fiction ». En deux séances, par le visionnage de de s’approprier les expositions et les œuvres, d’être films et d’extraits analysés et comparés et à l’aide d’outils en position active devant les images. multimédia, les élèves observent et commentent plusieurs tarif : 80 € approches d’une situation sociale. réservation : 01 47 02 12 41 / [email protected] tarif : 8 € par élève pour les deux séances ; gratuit pour les accompagnateurs ; forfait de 160 € pour les classes de moins de vingt élèves z visite préparée pour les enseignants inscription : 01 44 76 63 44 Le dossier enseignants est présenté à ces derniers lors de la « visite préparée » qui est proposée z parcours spécifiques et annuels au début de chaque exposition. Cette séance Des parcours spécifiques associant plusieurs parcours spécifique de deux heures leur permet de préparer croisés peuvent être conçus en fonction des projets la visite des classes et les axes de travail pour de classe afin de permettre aux élèves de découvrir les élèves. -
BETWEEN the PAGES a Publication of the Friends of the Allen Public Library
BETWEEN THE PAGES A Publication of the Friends of the Allen Public Library July/August 2019 Volume XXI, Issue IV Coming Up at the Library FOL Board Saturday, June 29 through Monday, July 8th, Book Sale Bonanza President—Susan Jackson 10:30 a.m. Friday, July 5, Arts @ APL: Bear-y Good Story Time VP - Patti Voga 3:00 p.m. Thursday, July 11, Arts @ APL: Galaxy Shirts Secretary– Dana Abling 7:30 p.m. Thursday, July 11, “Shoot for the Moon” Treasurer—JJ Grilliette 7:30 p.m. Friday, July 12, Mary Sorensen Jazz Quintet Historian 2:00 p.m. Sunday, July 14, 2019, Calming Calligraphy Sandy Wittsche 7:30 p.m. Thursday, July 25, Last Stand at Khe Sanh: The U.S. Marines in Vietnam Programs and Marketing 7:30 p.m. Friday, July 26, Kenny and the Kasuals Tom Keener 3 p.m. Sunday, July 28, National Buffalo Soldiers Day Community Liaison 7:30 p.m. Thursday, July 11, “Shoot for the Moon” Open 10:30 a.m. Saturday, July 20 , Arts @ APL: Pinch Pots Hospitality 3:00 p.m. Monday, July 29 , Arts @ APL: Kawaii Art Farida Shipchandler 5:30 p.m. Friday, August 2, End of year party for Volunteens Ongoing Book Sale 7:30 p.m. Thursday, August 15, Dear Hippie, I Think We Met at Woodstock Alison McCullough 7:30 p.m. Friday, August 16, Trio Los Vigilantes Membership 7:30 p.m. Thursday, August 22, AMON! the Ultimate Texan Russ and Jo Schenck 7:30 p.m. Saturday, August 24, Skip Pilgrim and the City Lights Band ALLen Reads Kathy Litinas Communications Always forgetting events you want to see? Print this page and stick it on your fridge! open For updates, go to AllenFriends.org -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
CPY Document
COUNCIL FILE NO. (J _ f)& 71 COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _ ì A. Future Street Acceptance. _ ì B. Quitclaim of Easement(s). _ ì C. Dedication of Easement(s). _ ì D. Release of Restriction(s). -l E. Request for Star in Hollywood Walk of Fame. _ ì F. Brass Plaque(s) in San Pedro Sport Walk. _ ì G. Resolution to Vacate or Ordinance submitted in response to Council action. _ ì H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ¡; Council Office of the District ~. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in CounciL. AFTER COUNCIL ACTION: L Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. lOther: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council MAR 0 2 Z007 Ofthe City of Los Angeles Honorable Members: C. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #311 • November 2014 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: CONTRIBUTOR LIMELIGHT: Editor: Angela H. Brown Robin Sessions Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, Alex Springer Junior Editor: Christian Schultz Cassie Anderson, Cassandra Loveless, Ischa B., Janie Senior Staff Writer Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Lindsay Digital Content Coordinator: Henry Glasheen Clark, Raffi Shahinian, Robin Sessions, Zac Freeman Fact Checker: Henry Glasheen Social Media Coordinator: Catie Weimer Copy Editing Team: Alex Cragun, Alexander Distribution Manager: Eric Granato Ortega, Allison Shephard, Christian Schultz, Cody Distro: Andrea Silva, Daniel Alexander, Eric Kirkland, Henry Glasheen, John Ford, Jordan Granato, John Ford, Jordan Deveraux, Julia Sachs, Deveraux, Julia Sachs, Laikwan Waigwa-Stone, Maria Valenzuela, Michael Sanchez, Nancy Maria Valenzuela, Mary E. Duncan, Shawn Soward, Burkhart, Nancy Perkins, Phil Cannon, Ricky Vigil, Traci Grant Ryan Worwood, Tommy Dolph, Tony Bassett, Content Consultants: Jon Christiansen, Xkot Toxsik Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Photo: Chad Kirkland Ortega, Ben Trentelman, Brian Kubarycz, Brinley Lead Designer: Joshua Joye Froelich, Bryer Wharton, Christian Schultz, Cody Design Team: Chad Pinckney, Lenny Riccardi, Hudson, Cody Kirkland, Dean O. Hillis, Gavin Mason Rodrickc, Paul Mason Sheehan, Henry Glasheen, Ischa -
PRIX EUROPA Television Fiction Franz Fuchs
PRIX Television EUROPA Fiction Franz Fuchs - A Patriot 01 Franz Fuchs - Ein Patriot Entering organisation: Österreichischer Rundfunk - ORF Contact: Susanne Spellitz When the terrorist Franz Fuchs committed suicide Email: [email protected] in 2000, it seemed as if Austria had buried a painful chapter of its past. Elisabeth Scharang has taken another Author/s: Elisabeth Scharang look at the case. This programme reveals new facets Director: Elisabeth Scharang that go beyond the actual criminal case. Camera: Helmut Wimmer A feature documentary film, this psychogram of a lone Commissioning editor: Klaus Lintschinger perpetrator interwoven with documentary sequences Production company: epo-film produktionsges.m.b.h. and archival material, becomes the first film to tackle Producer: Dieter Pochlatko this subject comprehensively, questioning the political Co-Producer/s: ORF, Austrian Television Fund, climate in Austria and Europe as well. It is the story Cine Styria Kunst of an exceptionally talented person who ended up becoming a terrorist instead of a nuclear physicist. Length: 89’ Total budget: €1,000,000.- Production format: Super 16 Date of production: September 2007 First broadcast: 20:15, 2 October 2008, ORF Screened on: Monday, 20 October 2008 AUSTRIA Television PRIX Fiction EUROPA 02 The Intruder De Indringer Entering organisation: episode 1/3 Vlaamse Radio- en Televisieomroep - VRT Contact: Franky Audenaerde Tom Vansant, a 40-year-old doctor in Brussels, is Email: [email protected] desperately searching for traces of his daughter Louise who disappeared 18 months ago. In his search, he Author/s: Ward Hulselmans comes across another 16-year-old runaway who left Director: Frank Van Mechelen her hometown in the Ardennes at about the same time Camera: Lou Bergmans as Louise disappeared. -
Être Libre [Cinéma]
La Revue du Ciné-club universitaire, 2018, hors-série Être libre [cinéma] Ciné-club Universitaire Sommaire Édito .............................................................................................. 1 «Quel miracle, cette révolution!» .................................................... 3 Stefano Savona, hôte d’honneur du Festival ................................. 10 Le punk comme liberté d’expression .............................................11 Lech Kowalski, hôte d’honneur du Festival ................................... 18 Captivité et délivrance ................................................................. 19 La passion de la liberté ................................................................ 27 Sixties ......................................................................................... 33 Réinventer le passé ..................................................................... 41 Lucía ou comment filmer l’émancipation ...................................... 47 Ensemble libres ........................................................................... 53 Punishment Park: une dystopie radicale de l’Amérique contemporaine ............................................................................. 59 Films au programme .................................................................... 65 Programme .................................................................................. 77 Édito Jetons les films Jetons les livres, sortons dans la rue (Shûji Terayama, 1971). Ambroise Barras, Fanen Sisbane (Université -
Rules of All the Courts, and a Collection of Statutes Relating to Practice
t • IMAGE EVALUATION TEST TARGET (MT-3) i*Ht m- ff/, / \ *1^^'^Z^^ ^K: CIHM/ICMH CIHM/ICIVIH ^ Microfiche Collection de Series. microfiches. I ) f- . \ • /- *-,^. Canadian Institute for' Historical Micforepreductions / Institut Canadian de micrOreproductions histOriques "-riSi-'-i. fi - 4y \ \ o^ Technical and Bibliographic Notaa/Notaa tachniquaa at bibliographiquaa /^- - The' Instituta has attempted to obtain the best L'Institut a microfilm* la meilleur examplaire ' for< filming. Features of ^original copy available this qu'il Uii a it* possible de se procurer. Les details copy which may be bibliographically unique, do cot exemplaire qui sont pout-itre uniques du alter any bf i'n / which m.ay the images the point de vue bibliographique. qui pouvent modifier reprodiiction. or which may significantly change / una image reproduite, ou qui peuvent exiger une the usual method of filming, are checked balow^ modifiibation dans la mithqdo normals 'de filmage sont indiquis ci-dessous. #• ColOMred covers/ r j Coloured pages/ ^K^ . Gouverture do couledr Pages do couleur "~1 Covers damaged/ Pages damaged/ Couverture endommagie j I Pages en'dommagios Covers r^stbred and/or laminated/ r PAges restoriid and/orand/oi laminated/ Couverture restaurio et/ou pellicula I Pages KP" restauries et/ou pelliculies Cover title missing/ PTI Pages discoloured, I I stained, or foxecfoxed/ Le titre de couverture mar manque Pages dicolories, tachetAes ou piquies. 7 Coloured maps/ ^ r~j Pages detached/ Cartes giographique^ en couletir Pages ditachees Coloured ink (i.e. othor fKan biuejor black)/ QShowthro^gh/ Encre de cd'uleur |i.(|v autre que blaue ou noire) Transparence Coloured plates ,a'hd/or illustratic Quality of print varies/ Planches et/ou,4llustrations en couleur ^ Qualite inigale de I'impression ^ - / ; . -
Nieman Reports Fall 2005 Vol. 59 No. 3
NIEMAN REPORTS THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY VOL. 59 NO. 3 FALL 2005 Five Dollars Covering Indian Country Journalist’s Trade Changing Newspapers, Changing News Comparing National and Local Campaign Coverage Words & Reflections War Photography to Opinion Journalism “… to promote and elevate the standards of journalism” —Agnes Wahl Nieman, the benefactor of the Nieman Foundation. Vol. 59 No. 3 NIEMAN REPORTS Fall 2005 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY Publisher Bob Giles Editor Melissa Ludtke Assistant Editor Lois Fiore Editorial Assistant Sarah Hagedorn Design Editor Diane Novetsky Nieman Reports (USPS #430-650) is published Editorial in March, June, September and December Telephone: 617-496-6308 by the Nieman Foundation at Harvard University, E-Mail Address: One Francis Avenue, Cambridge, MA 02138-2098. [email protected] Subscriptions/Business Internet Address: Telephone: 617-496-2968 www.nieman.harvard.edu E-Mail Address: [email protected] Copyright 2005 by the President and Fellows of Harvard College. Subscription $20 a year, $35 for two years; add $10 per year for foreign airmail. Single copies $5. Second-class postage paid at Boston, Back copies are available from the Nieman office. Massachusetts and additional entries. Please address all subscription correspondence to POSTMASTER: One Francis Avenue, Cambridge, MA 02138-2098 Send address changes to and change of address information to Nieman Reports, P.O. Box 4951, Manchester, NH 03108. P.O. Box 4951, ISSN Number 0028-9817