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March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
A Tribute to Betty Price Thank You, Betty
IMPROVING LIVES THROUGH THE ARTSNEWSLETTER OF THE OKLAHOMA ARTS COUNCIL FALL 2007 Thank You, Betty or 33 years, Betty Price has been the voice of the Oklahoma Arts Council. Recently retired Fas Executive Director, Price has been at the helm of this state agency for most of its existence. We couldn’t think of anyone more eloquent than her good friend, Judge Robert Henry to celebrate Betty and her passionate commitment to Oklahoma and to the arts. We join Judge Henry and countless friends in wishing Betty a long, happy and productive retirement. A Tribute to Betty Price From Judge Robert Henry ur great President John Fitzgerald Kennedy once noted: “To further the appreciation of Oculture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art -- this is one of the fascinating challenges of these days.” Betty Price took that challenge more seriously than any other Oklahoman. And, it is almost impossible to imagine what Oklahoma’s cultural landscape would look like without her gentle, dignified, and incredibly Betty in front of the We Belong to the Land mural by Jeff Dodd. persistent vision. Photo by Keith Rinerson forMattison Avenue Publishing Interim Director. Finally, she was selected by the Council to serve as its Executive Director. Betty, it seems, has survived more Oklahoma governors than any institution except our capitol; she has done it with unparalleled integrity and artistic accomplishment. Betty and Judge Robert Henry during the dedication of the Ada Lois Sipuel Fisher portrait by Mitsuno Reedy. -
Above the Immigration Wall, Walking New York
Above the Immigration Hall, Walking New York Describing the theme of her narrative relief panels mounted on a 300-foot wide space above the immigration booths, sculptor Deborah Masters emphasizes the familiar, as well as the diverse in New York. “I look at New York through a different lens, to show the many aspects that make the city so fantastic,” she said. When passengers reach the third site-specific installation, “Walking New York,” they gaze up at a startling series of 28 reliefs – each measuring 8 feet high by 10 feet wide across a space as wide as the length of a football field. The reliefs are cast in a fiberglass modified gypsum, with a depth of relief of up to six inches and a weight of some 300 pounds each. The panels are vividly painted to show scenes of people riding the subway, working on Wall Street, crossing important bridges like the Brooklyn and Manhattan and enjoying city diversions, such as parks and outdoor restaurants. The large number of murals allowed the artist to reveal the complex layers of the city – the energy generated by a parade, the fatigue of factory workers, the joy of a wedding and the colors of its many ethnic markets. “These are scenes I believe returning New Yorkers will recognize and immediately and visitors will anticipate eagerly,” said Masters. Masters attended Bryn Mawr College, where she studied with Chris Cairns and Peter Agostini, and the New York Studio School, where she studied with George Spaventa, Clement Meadmore, and Nick Carone. Following art school, she spent three years in Italy studying and working on her sculpture. -
The Jamison Galleries Collection
THE JAMISON GALLERIES COLLECTION BETTY W. AND ZEB B. CONLEY PAPERS New Mexico Museum of Art Library and Archives Dates: 1950 - 1995 Extent: 7.33 linear feet Contents Part One. Materials on Artists and Sculptors Part Two. Photographs of Works Part Three. Additional Material Revised 01/11/2018 Preliminary Comments The Jamison Galleries [hereafter referred to simply as “the Gallery”] were located on East Palace Avenue, Santa Fe, from August 1964 until January 1993, at which time it was moved to Montezuma Street. There it remained until December 1997, when it closed its doors forever. Originally owned by Margaret Jamison, it was sold by her in 1974 to Betty W. and Zeb B. Conley. The Library of the Museum of Fine Arts is indebted to the couple for the donation of this Collection. A similar collection was acquired earlier by the Library of the records of the Contemporaries Gallery. Some of the artists who exhibited their works at this Gallery also showed at The Contemporaries Gallery. Included in the works described in this collection are those of several artists whose main material is indexed in their own Collections. This collection deals with the works of a vast array of talented artists and sculptors; and together with The Contemporaries Gallery Collection, they comprise a definitive representation of southwestern art of the late 20th Century. Part One contains 207 numbered Folders. Because the contents of some are too voluminous to be limited to one folder, they have been split into lettered sub-Folders [viz. Folder 79-A, 79-B, etc.]. Each numbered Folder contains material relating to a single artist or sculptor, all arranged — and numbered — alphabetically. -
July 10-16, 2015 202 E
CALENDAR LISTING GUIDELINES •Tolist an eventinPasa Week,sendanemail or press release to [email protected] or [email protected]. •Send material no less than twoweeks prior to the desired publication date. •For each event, provide the following information: time,day,date, venue, venueaddress, ticket prices,web address,phone number,brief description of event(15 to 20 words). •All submissions arewelcome.However,eventsare included in Pasa Week as spaceallows. Thereisnocharge forlistings. •Return of photos and other materials cannotbeguaranteed. • Pasatiempo reservesthe righttopublish received information and photographs on The New Mexican website. •Toadd your eventtoThe New Mexican onlinecalendar,visit santafenewmexican.com and ARTS AND ENTERTAINMENT CALENDAR click on the Calendar tab. •For further information contactPamela Beach, [email protected], July 10-16, 2015 202 E. MarcySt., Santa Fe,NM87501, phone: 505-986-3019, fax: 505-820-0803. •Topurchase alisting in The New Mexican CommunityCalendar,contactClaudia Freeman, [email protected], 505-995-3841 CALENDAR COMPILED BY PAMELA BEACH FRIDAY 7/10 TGIF piano recital First Presbyterian Church of SantaFe, 208 GrantAve. Galleryand Museum Openings Pianist CharlotteRowe, music of Liszt, Brahms, Center for ContemporaryArts and Debussy, 5:30 p.m., donations accepted, 1050 Old PecosTrail,505-982-1338 505-982-8544, Ext. 16. The Implication of Form,architectural photographs In Concert by Hayley Rheagan, reception 5-7 p.m., through Oct. 4. Music at the Museum New MexicoMuseum of Art, 107W.PalaceAve., Counter CultureCafé 505-476-5072 930 Baca St., 505-995-1105 James Hornand KittyJoCreek,5:30-7:30 p.m. Group showofworks by members of Santa Fe on the patio,nocharge. Women in Photography, reception 5:30-7:30 p.m., through July 30. -
UC Santa Barbara Dissertation Template
CORE Metadata, citation and similar papers at core.ac.uk Provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Permalink https://escholarship.org/uc/item/6hz1c8vj Author Wasson, Kai Reed Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Kai Reed Wasson Committee in charge: Professor Sabine Frühstück, Chair Professor ann-elise lewallen Professor Kate McDonald June 2018 The thesis of Kai Reed Wasson is approved. ____________________________________________ Kate McDonald ____________________________________________ ann-elise lewallen ____________________________________________ Sabine Frühstück, Committee Chair June 2018 Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Copyright © 2018 by Kai Reed Wasson iii ACKNOWLEDGEMENTS I have often heard that research projects of considerable length are impossible without the thoughtful input of a host of people. Pursuing this endeavor myself has proven to me that collaboration is absolutely necessary even for a project of this modest magnitude. I would first like to thank my masters committee, Professors Sabine Frühstück, ann- elise lewallen, and Kate McDonald, for bearing with me and providing constructive feedback on such a difficult and sensitive subject. I owe a debt of gratitude for the learning opportunities and financial support afforded to me by UC Santa Barbara’s East Asian Languages and Cultural Studies Department. -
Rock and Roll Exhibit Opens May 1 at the History Center Wanda Jackson
Vol. 40, No. 4 Published monthly by the Oklahoma Historical Society, serving since 1893 April 2009 Rock and Roll exhibit opens May 1 at the History Center Wanda Jackson. Leon Russell. music scene. Tulsa rivals The Flaming Lips. Cain’s Ballroom. other international cities as Zoo Amphitheatre. home to some of the most ac- KOMA. KMOD. complished Rock and Roll and These people, places, and radio stations Pop music artists in the world. just barely skim the surface of the visitor’s Tulsa musicians were in seri- experience in Another Hot Oklahoma Night: ous demand during the 1960s A Rock and Roll Exhibit. and 1970s. The multitalented Another Hot Oklahoma Night will open Leon Russell, drummer Jim Friday, May 1, 2009, to the membership of Keltner, bassist Carl Radle, the Oklahoma Historical Society with a re- and guitarist J. J. Cale collab- ception at 7 p.m. The gala will include the orated with artists such as launching of a special Rock and Roll issue John Lennon, George Harri- of Oklahoma Today magazine. son, Ringo Starr, the Rolling On Saturday, May 2, 2009, the exhibit Stones, Eric Clapton, and Bob will open to the public. That opening will Dylan. These musicians headed a group Radio Stations.” Local record stores such include a full day of shows by Oklahoma that became known as the “Tulsa Sound” as Rainbow Records and Sound Ware- bands and family fun at the History Center. and will be featured, with many more, in house provided albums to music lovers The exhibit will explore the artists, radio the “Artists” section of Another Hot Okla- who would become members of great local stations, personalities, venues, and fans in homa Night. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Abstract Sculptures
Clement Meadmore (Australian-American, b. 1929-d. 2005) Always, 1992 Aluminum and paint Collection Nerman Museum of Contemporary Art, 1994.05 A native of Australia who moved to New York in 1963, Clement Meadmore gained an international reputation for his large-scale abstract sculptures of black-painted metal that combine the pure geometric forms of Minimalism with the twisting, turning, and thrusting forces of Abstract Expressionism. “In my work the forms are geometric,” wrote Meadmore in 1989; “my goal is to make geometry yield an expressive result.” First realized as a 31-inch-high bronze, Always in its large outdoor version was originally meant to stand 14 feet tall. However, after visiting the JCCC site Meadmore decided the sculpture needed to be bigger and he enlarged it to 20 feet at no additional cost to the college. Always is based on the simple module of the cube, extended to form a sleek, continuous volume that rises, bends, and changes direction in a dynamic and unpredictable fashion. With its large masses lifted high and its radiating members penetrating space, Always from certain angles suggests a matchbook whose contents splay this way and that, while from other directions it evokes a pivoting, gesturing human figure. Though resolutely abstract in its geometric structure, Always thus manifests Meadmore’s desire to “transcend geometry.” Clement Meadmore studied industrial design at Royal Melbourne Institute of Technology, Australia from 1948 to 1949. Jesús Bautista Moroles (American, b. 1950-d. 2015) Fountain of Knowledge, -
4Th Q 2017 Newsletter
N E W S L E T T E R www.tsos.org President’s Letter December 4th Quarter issue of 2017 2017 TSOS Newsletter Greetings: Check out the TSOS website at: www.tsos.org where you can find images of sculptures by our new offi- Election of TSOS Officers – two year cers, Tom Gingras and Cari Cabaniss Eggert. Cur- terms: rent Members please check your TSOS website list- I accepted the nomination and election for ing. my second and final term as President. Our new of- ficers are Tom Gringas, Vice President and Cari Ca- Happy Holiday! baniss Eggert, Secretary and Gary Winston has agreed to continue serving as Treasurer. Joe Kenney Email: [email protected] 26th SculptFest April 27-29, 2018: The location of next Sculptfest will be Main Street Round Rock and the Plaza in front of City Hall. Main Street will be closed to traffic in the SculptFest area. Scot Wilkinson, Art and Culture Council of the Arts Round Rock ISD: Director for the City of Round Rock, will provide TSOS accepted an invitation to become a professional management, city resources and adver- Supporting Partner for the RRISD Council of the tising for SculptFest. Clint Howard has agreed to be Arts. The Council is an advisory board that consists the TSOS SculptFest chair for 2018. of community arts partners, arts industry members, Sculpture Purchase: The City of Round Rock has RRISD students, teachers, parents and administra- committed to host SculptFest for a minimum of three tors. The advisory board functions to provide ad- years, and purchase a sculpture for the City Collec- vice, guidance, support and advocacy for the visual tion from an artist exhibiting at SculptFest each year. -
Meadmore Acquisition Final
The Snite Museum of Art acquires major work by sculptor Clement Meadmore (American, born Australia 1929-2005) FOR IMMEDIATE RELEASE January 8, 2020 Notre Dame, IN. There is little doubt that Modern and Contemporary sculpture play a significant role in the collection, and by extension, the persona of the Snite Museum of Art. The collections of both Ivan Meštrović and George Rickey have played definitive roles. Against this backdrop, the Museum is pleased to announce the gift of a major sculpture by Clement Meadmore – one of the most compelling and eagerly sought public sculptors of the second half of the 20th century. Born in Melbourne, Australia, and educated at the Royal Melbourne Institute of Technology, Meadmore began making welded sculptures in the 1950s. He moved to New York City in 1963 to more closely experience the vanguard of Contemporary art. Deeply moved by both Minimalism and its forerunning antithesis, Abstract Expressionism, he forged a career as one of the most distinguished abstract sculptors of his generation. Meadmore is most widely celebrated for his bold statements based on a vocabulary of geometry with a strong emphasis on crisp linear contours and broad planes. Whether working in aluminum, steel, or bronze, he most frequently finished his sculptures with a black patina. For all of the aforementioned, he can be seen in the ambiance of Minimalism. However, his introduction of movement and frequent use of curved forms celebrate his affection for the visual energy of Abstract Expressionism. Upbeat, 1984, coveys the buoyancy of the upright composition of Meadmore’s iconic style. The work and title also convey the sculptor’s life-long interest in music, particularly jazz. -
Genocide, Memory and History
AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH AFTERMATH AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH Aftermath: Genocide, Memory and History © Copyright 2015 Copyright of the individual chapters is held by the chapter’s author/s. Copyright of this edited collection is held by Karen Auerbach. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria, 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/agmh-9781922235633.html Design: Les Thomas ISBN: 978-1-922235-63-3 (paperback) ISBN: 978-1-922235-64-0 (PDF) ISBN: 978-1-876924-84-3 (epub) National Library of Australia Cataloguing-in-Publication entry: Title: Aftermath : genocide, memory and history / editor Karen Auerbach ISBN 9781922235633 (paperback) Series: History Subjects: Genocide. Genocide--Political aspects. Collective memory--Political aspects. Memorialization--Political aspects. Other Creators/Contributors: Auerbach, Karen, editor. Dewey Number: 304.663 CONTENTS Introduction ...............................................