The Jamison Galleries Collection
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March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
A Tribute to Betty Price Thank You, Betty
IMPROVING LIVES THROUGH THE ARTSNEWSLETTER OF THE OKLAHOMA ARTS COUNCIL FALL 2007 Thank You, Betty or 33 years, Betty Price has been the voice of the Oklahoma Arts Council. Recently retired Fas Executive Director, Price has been at the helm of this state agency for most of its existence. We couldn’t think of anyone more eloquent than her good friend, Judge Robert Henry to celebrate Betty and her passionate commitment to Oklahoma and to the arts. We join Judge Henry and countless friends in wishing Betty a long, happy and productive retirement. A Tribute to Betty Price From Judge Robert Henry ur great President John Fitzgerald Kennedy once noted: “To further the appreciation of Oculture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art -- this is one of the fascinating challenges of these days.” Betty Price took that challenge more seriously than any other Oklahoman. And, it is almost impossible to imagine what Oklahoma’s cultural landscape would look like without her gentle, dignified, and incredibly Betty in front of the We Belong to the Land mural by Jeff Dodd. persistent vision. Photo by Keith Rinerson forMattison Avenue Publishing Interim Director. Finally, she was selected by the Council to serve as its Executive Director. Betty, it seems, has survived more Oklahoma governors than any institution except our capitol; she has done it with unparalleled integrity and artistic accomplishment. Betty and Judge Robert Henry during the dedication of the Ada Lois Sipuel Fisher portrait by Mitsuno Reedy. -
Shapiro Auctions
Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André. -
Nicolai Fechin [1881–1955] This Russian-American Painter Brought His Intensely Creative Spirit and Genius for Portraiture to the American West
WESTERN VISTA PERSPECTIVE: NICOLAI FECHIN [1881–1955] This Russian-American painter brought his intensely creative spirit and genius for portraiture to the American West WRITTEN BY Gussie Fauntleroy In 1895 in the Russian town of Kazan, a trading port and cultural crossroads on the wide Volga River, 13-year-old Nicolai Ivanovich Fechin stood at a crossroads in life. His father was a masterful artisan skilled in woodworking, archi- tecture, painting, gilding and cabinetry, but less adept at business, and the family had to give up their home. Nicolai’s brother and mother were mov- ing to another town to live with the boys’ grandmother, while their father would travel from village to village as an itinerant craftsman. Young Nicolai could have gone with either parent. Instead, he chose a third, and fortuitous, path. That same year, a graduate Self Portrait of the Imperial Academy of Arts in Saint Petersburg had opened a branch school in Oil on Canvas | 10.5 x 9.5 inches Kazan. It offered painting, sculpture, architecture and general education instruction Private collection to youth from families of all means, not only the wealthy. Nicolai, having spent his boyhood happily engaged in drawing and woodcarving in his father’s workshop, decided to stay in Kazan and attend the school. His father proudly approved. With a classmate, the boy moved into a disused house and subsisted on little more than bread, honey and tea while he attended the six-year school. “It was kind of a miraculous piece of providence. Without that school, Fechin would have needed either a patron or money to hire a master to teach him art, which of course his family didn’t have,” says Susan Fisher, director of the Taos Art rtMusuem Museum in New Mexico, which holds a collection of Fechin paintings, most on A aos long-term loan from private collections. -
July 10-16, 2015 202 E
CALENDAR LISTING GUIDELINES •Tolist an eventinPasa Week,sendanemail or press release to [email protected] or [email protected]. •Send material no less than twoweeks prior to the desired publication date. •For each event, provide the following information: time,day,date, venue, venueaddress, ticket prices,web address,phone number,brief description of event(15 to 20 words). •All submissions arewelcome.However,eventsare included in Pasa Week as spaceallows. Thereisnocharge forlistings. •Return of photos and other materials cannotbeguaranteed. • Pasatiempo reservesthe righttopublish received information and photographs on The New Mexican website. •Toadd your eventtoThe New Mexican onlinecalendar,visit santafenewmexican.com and ARTS AND ENTERTAINMENT CALENDAR click on the Calendar tab. •For further information contactPamela Beach, [email protected], July 10-16, 2015 202 E. MarcySt., Santa Fe,NM87501, phone: 505-986-3019, fax: 505-820-0803. •Topurchase alisting in The New Mexican CommunityCalendar,contactClaudia Freeman, [email protected], 505-995-3841 CALENDAR COMPILED BY PAMELA BEACH FRIDAY 7/10 TGIF piano recital First Presbyterian Church of SantaFe, 208 GrantAve. Galleryand Museum Openings Pianist CharlotteRowe, music of Liszt, Brahms, Center for ContemporaryArts and Debussy, 5:30 p.m., donations accepted, 1050 Old PecosTrail,505-982-1338 505-982-8544, Ext. 16. The Implication of Form,architectural photographs In Concert by Hayley Rheagan, reception 5-7 p.m., through Oct. 4. Music at the Museum New MexicoMuseum of Art, 107W.PalaceAve., Counter CultureCafé 505-476-5072 930 Baca St., 505-995-1105 James Hornand KittyJoCreek,5:30-7:30 p.m. Group showofworks by members of Santa Fe on the patio,nocharge. Women in Photography, reception 5:30-7:30 p.m., through July 30. -
Double Vision: Woman As Image and Imagemaker
double vision WOMAN AS IMAGE AND IMAGEMAKER Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern. -------------- Louise Bourgeois HOBART AND WILLIAM SMITH COLLEGES The Davis Gallery at Houghton House Sarai Sherman (American, 1922-) Pas de Deux Electrique, 1950-55 Oil on canvas Double Vision: Women’s Studies directly through the classes of its Woman as Image and Imagemaker art history faculty members. In honor of the fortieth anniversary of Women’s The Collection of Hobart and William Smith Colleges Studies at Hobart and William Smith Colleges, contains many works by women artists, only a few this exhibition shows a selection of artworks by of which are included in this exhibition. The earliest women depicting women from The Collections of the work in our collection by a woman is an 1896 Colleges. The selection of works played off the title etching, You Bleed from Many Wounds, O People, Double Vision: the vision of the women artists and the by Käthe Kollwitz (a gift of Elena Ciletti, Professor of vision of the women they depicted. This conjunction Art History). The latest work in the collection as of this of women artists and depicted women continues date is a 2012 woodcut, Glacial Moment, by Karen through the subtitle: woman as image (woman Kunc (a presentation of the Rochester Print Club). depicted as subject) and woman as imagemaker And we must also remember that often “anonymous (woman as artist). Ranging from a work by Mary was a woman.” Cassatt from the early twentieth century to one by Kara Walker from the early twenty-first century, we I want to take this opportunity to dedicate this see depictions of mothers and children, mythological exhibition and its catalog to the many women and figures, political criticism, abstract figures, and men who have fostered art and feminism for over portraits, ranging in styles from Impressionism to forty years at Hobart and William Smith Colleges New Realism and beyond. -
Rock and Roll Exhibit Opens May 1 at the History Center Wanda Jackson
Vol. 40, No. 4 Published monthly by the Oklahoma Historical Society, serving since 1893 April 2009 Rock and Roll exhibit opens May 1 at the History Center Wanda Jackson. Leon Russell. music scene. Tulsa rivals The Flaming Lips. Cain’s Ballroom. other international cities as Zoo Amphitheatre. home to some of the most ac- KOMA. KMOD. complished Rock and Roll and These people, places, and radio stations Pop music artists in the world. just barely skim the surface of the visitor’s Tulsa musicians were in seri- experience in Another Hot Oklahoma Night: ous demand during the 1960s A Rock and Roll Exhibit. and 1970s. The multitalented Another Hot Oklahoma Night will open Leon Russell, drummer Jim Friday, May 1, 2009, to the membership of Keltner, bassist Carl Radle, the Oklahoma Historical Society with a re- and guitarist J. J. Cale collab- ception at 7 p.m. The gala will include the orated with artists such as launching of a special Rock and Roll issue John Lennon, George Harri- of Oklahoma Today magazine. son, Ringo Starr, the Rolling On Saturday, May 2, 2009, the exhibit Stones, Eric Clapton, and Bob will open to the public. That opening will Dylan. These musicians headed a group Radio Stations.” Local record stores such include a full day of shows by Oklahoma that became known as the “Tulsa Sound” as Rainbow Records and Sound Ware- bands and family fun at the History Center. and will be featured, with many more, in house provided albums to music lovers The exhibit will explore the artists, radio the “Artists” section of Another Hot Okla- who would become members of great local stations, personalities, venues, and fans in homa Night. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
4Th Q 2017 Newsletter
N E W S L E T T E R www.tsos.org President’s Letter December 4th Quarter issue of 2017 2017 TSOS Newsletter Greetings: Check out the TSOS website at: www.tsos.org where you can find images of sculptures by our new offi- Election of TSOS Officers – two year cers, Tom Gingras and Cari Cabaniss Eggert. Cur- terms: rent Members please check your TSOS website list- I accepted the nomination and election for ing. my second and final term as President. Our new of- ficers are Tom Gringas, Vice President and Cari Ca- Happy Holiday! baniss Eggert, Secretary and Gary Winston has agreed to continue serving as Treasurer. Joe Kenney Email: [email protected] 26th SculptFest April 27-29, 2018: The location of next Sculptfest will be Main Street Round Rock and the Plaza in front of City Hall. Main Street will be closed to traffic in the SculptFest area. Scot Wilkinson, Art and Culture Council of the Arts Round Rock ISD: Director for the City of Round Rock, will provide TSOS accepted an invitation to become a professional management, city resources and adver- Supporting Partner for the RRISD Council of the tising for SculptFest. Clint Howard has agreed to be Arts. The Council is an advisory board that consists the TSOS SculptFest chair for 2018. of community arts partners, arts industry members, Sculpture Purchase: The City of Round Rock has RRISD students, teachers, parents and administra- committed to host SculptFest for a minimum of three tors. The advisory board functions to provide ad- years, and purchase a sculpture for the City Collec- vice, guidance, support and advocacy for the visual tion from an artist exhibiting at SculptFest each year. -
Sean Scully: the Art of the Stripe
81319_Dartmouth 12/5/07 9:31 AM Page 1 HOOD MUSEUM OF ART quarterquarter y y DARTMOUTH COLLEGE Winter 2008 CONTENTS 2 Letter from the Director 3 Special Exhibitions 4–5 Sean Scully: The Art of the Stripe 6–7 The Mark Lansburgh Collection 8–9 Calendar of Events 10–11 Passion for Form: Selections of Southeast Asian Art from the MacLean Collection 12 The Year Ahead 13 The Collections 14 Vital Support: More for Members! 15 Museum News Sean Scully, Wall of Light Summer (detail), 2005, oil on canvas. Purchased through the Miriam and Sidney Stoneman Acquisitions Fund; 2006.16 81319_Dartmouth 12/5/07 9:31 AM Page 2 An acting class takes their work outdoors in the Hood's Bedford Courtyard. Photo by Christine MacDonald. HOOD MUSEUM OF ART STAFF Gary Alafat, Security/Buildings Manager LETTER FROM THE DIRECTOR Kristin Bergquist, School and Family Programs Coordinator inter presents a series of exciting exhibitions at the Hood Museum of Art to Juliette Bianco, Assistant Director warm our spirit of imagination and creativity. Sean Scully: The Art of the Amy Driscoll, Assistant Curator of Education Stripe offers a study of the ways a great painter can take seemingly limited Patrick Dunfey, Exhibitions Designer/Preparations W Supervisor subject matter and transform it into an endlessly fruitful lifelong examination. We are indebted to Sean Scully for working so generously to help us engage our audiences Rebecca Fawcett, Registrarial Assistant about the joys of abstract painting and the intricacies of its visual language. This single- Kristin Monahan Garcia, Curatorial Assistant for Academic and Student Programming venue show, presented over the entire upper floor of the museum, offers a color-filled Cynthia Gilliland, Assistant Registrar and expansive journey through the four-decade output of one of the most admired painters of our time. -
A Finding Aid to the Ethel Fisher Papers, 1930-2017, in the Archives of American Art
A Finding Aid to the Ethel Fisher Papers, 1930-2017, in the Archives of American Art Rihoko Ueno 2016 January 15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1939-2014............................................................. 5 Series 2: Correspondence, 1930-2017.................................................................... 6 Series 3: Writings, 1965-2014................................................................................ 10 Series 4: Project Files, 1954-2011........................................................................ -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No.