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Remarkable Russian Women in Pictures, Prose and Poetry
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 11-2013 Remarkable Russian Women in Pictures, Prose and Poetry Marcelline Hutton [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the European History Commons, European Languages and Societies Commons, Slavic Languages and Societies Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hutton, Marcelline, "Remarkable Russian Women in Pictures, Prose and Poetry" (2013). Zea E-Books. 21. https://digitalcommons.unl.edu/zeabook/21 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Remarkable Russian Women in Pictures, Prose and Poetry N Marcelline Hutton Many Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and ful- filling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while oth- ers sought unsuccessfully but no less desperately to transcend the genera- tions-old restrictions imposed by church, state, village, class, and gender. Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, in- deed, the twentieth century in the West. -
“Superfluous Man” in Russian Literature by Christopher Henry
The Redemption of the “Superfluous Man” in Russian Literature By Christopher Henry Carr B.B.A. University of Michigan, Ann Arbor, 1998 M.A. Middlebury College, 2004 M.A. Brown University, 2012 Dissertation Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Slavic Studies at Brown University PROVIDENCE, RHODE ISLAND May 2016 © Copyright 2016 by Christopher Henry Carr This dissertation by Christopher Henry Carr is accepted in its present form by the Department of Slavic Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_____________ _________________________________ Vladimir Golstein, Advisor Recommended to the Graduate Council Date_____________ _________________________________ Svetlana Evdokimova, Reader Date_____________ _________________________________ Alexander Levitsky, Reader Approved by the Graduate Council Date_____________ _________________________________ Peter M. Weber, Dean of the Graduate School iii VITA Christopher Henry Carr was born in Jackson Heights, New York in 1976. He received a B.B.A. from the University of Michigan in 1998, an M.A. in Russian from Middlebury College in 2004, an M.A. in Slavic Studies from Brown University in 2012, and a Ph.D. in Slavic Studies from Brown University in 2016. Prior to his doctoral studies, Christopher taught English composition and literature several colleges in New York City. During his time at Brown, he has taught the Russian language, served as a teaching assistant for Russian literature courses, and has taught writing courses at Providence College and in Brown’s summer pre-college program. Within the Department of Slavic Studies at Brown, Christopher has co-organized graduate student conferences and colloquia, one of which was funded by a grant from Brown’s Office of International Studies in 2010-11. -
Session 1 – Saturday – 12:00-1:45 Pm
8:00 – 11:40 am East Coast Consortium of Slavic Library Collections - (Meeting) - Foothill I, 2 Midwest Slavic and Eurasian Library Consortium - (Meeting) - Pacific G, 4 Pacific Coast Slavic and East European Library Consortium - (Meeting) - Foothill A, 2 8:00am – 12:00 pm ASEEES Board of Directors Meeting - (Meeting) - Pacific I, 4 8:30 – 11:40 am ASEEES Slavic Digital Humanities - Preconference Workshop - Foothill G1 & G2 (Breakout room), 2 9:30 – 11:30 am Central Asian, Russian and East European Writing Workshop - Pacific C, 4 Chair: Elizabeth Walker, Taylor & Francis Part.: Luca Anceschi, U of Glasgow (UK) Matthew Rendle, U of Exeter (UK) Session 1 – Saturday – 12:00-1:45 pm Association for Women in Slavic Studies - (Meeting) - Sierra F, 5 1-01 Authoritarian Politics in Russia: Regulation, Popular Approval, and Social Policy - Foothill A, 2 Chair: Margaret Hanson, Ohio State U Papers: Dinissa Duvanova, Lehigh U "Post-communist Regulatory State" Noah Buckley, Columbia U / NRU Higher School of Economics (Russia) "Why So Insecure? Popular Approval of Authoritarian Government" Amanda Leigh Zadorian, NRU Higher School of Economics (Russia) "How ‘Rentier' was Russian Social Policy During the Commodity Price Boom?" Disc.: Margaret Hanson, Ohio State U 1-02 Collaboration and Tensions Across Opposite Systems of Belief. Communist Romania's Cultural Relations and Ideological Contention with the West - Foothill B, 2 Chair: Corina Dobos, U of Bucharest (Romania) Papers: Irina Nastasa-Matei, U of Bucharest (Romania) "Academic Exchange Across the -
Strike Out, Right and Left!
http://www.diva-portal.org This is the published version of a paper published in Studies in East European thought. Citation for the original published paper (version of record): Petrov, K. (2019) ‘Strike out, right and left!’: a conceptual-historical analysis of 1860s Russian nihilism and its notion of negation Studies in East European thought https://doi.org/10.1007/s11212-019-09319-4 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71746 Studies in East European Thought https://doi.org/10.1007/s11212-019-09319-4 ‘Strike out, right and left!’: a conceptual‑historical analysis of 1860s Russian nihilism and its notion of negation Kristian Petrov1 © The Author(s) 2019 Abstract The aim of this essay is to synthesize as well as to analyze the conceptual evolu- tion of 1860s Russian nihilism in general and its notion of negation in particular. The fctitious characters that traditionally have been informing the popular notion of “Russian nihilism” mainly refer to an antinihilistic genre. By analyzing nihilism also on the basis of primary sources, the antinihilistic notion of nihilism is nuanced, ena- bling a more comprehensive analysis of the movement’s diferent aspects. -
From the Pastoral to the Grotesque in Late Russian Realism, 1872-1899
From the Pastoral to the Grotesque in Late Russian Realism, 1872-1899 Ani Kokobobo Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Ani Kokobobo All rights reserved ABSTRACT From the Pastoral to the Grotesque in Late Russian Realism, 1872-1899 Ani Kokobobo This dissertation argues that, during the last three decades of the nineteenth-century, at a time when, influenced by Mikhail Bakunin’s philosophies of destruction, Russian revolutionaries called for the annihilation of tsarist Russia, realist novelists turned to the grotesque mode. Whereas works written by Ivan Turgenev, Sergei Aksakov, Ivan Goncharov, and Tolstoy in the 1850s and 1860s had portrayed Russia in positive terms through the lens of an idyllic countryside, three late realist novels, Fyodor Dostoevsky’s Demons [!"#$] (1872), Mikhail Saltykov-Shchedrin’s The Golovlevs [%&#'&() %&*&+*"+$] (1875-1881), and Lev Tolstoy’s Resurrection [,&#-."#"/0"] (1899), used the grotesque to cast a negative look at that same world. I base my definition of the grotesque on studies by Mikhail Bakhtin (Rabelais and His World) and Wolfgang Kayser (The Grotesque in Art and Literature), which describe the grotesque as an estrangement of the familiar. Kayser argues that the grotesque distorts the world as we know it; Bakhtin supplements this definition by suggesting that grotesque estrangement leads to a degradation of the abstract and spiritual to the level of physicality and the body. Working with these definitions I argue that Dostoevsky, Saltykov- Shchedrin, and Tolstoy used devices associated with earlier realism to develop their aesthetic of the grotesque and to depict Russian reality in a grotesque mode. -
The Poetics of Schism: Dostoevsky Translates Hamlet
humanities Article The Poetics of Schism: Dostoevsky Translates Hamlet Arpi Movsesian Comparative Literature Program, University of California, Santa Barbara, CA 93106-4130, USA; [email protected] Received: 26 June 2020; Accepted: 2 September 2020; Published: 12 September 2020 Abstract: F.M. Dostoevsky (1821–1881) never translated Shakespeare’s works into Russian, at least not in the common sense. His fascination, however, with Hamlet and his choices, led him to interrogate the cult of Hamlet in his own culture to better understand the political and philosophical schism of the nineteenth-century Russian intelligentsia, torn between Western and Populist ideals. Translatio, in the broader sense of “carrying over” Hamlet’s character, caught on a threshold, into the Russian context represents an important aspect of Dostoevsky’s re-interpretation of modern ethics. More immediately, this translatio is a call to the “old morality” of the 1840s generation of Russian intellectuals, who rejected notions of rational egoism and of the means justifying the ends. Dostoevsky’s schismatic hero, Rodion Romanovich Raskolnikov in Crime and Punishment, is Dostoevsky’s reimagining of his own culture’s translation of Hamlet that produced extreme and radical forms of Hamlet. Raskolnikov mimics Hamlet’s conscience-stricken personality at war with itself but achieves a more ambiguous ending typical of Dostoevsky’s regenerative paradigm. Keywords: Dostoevsky; Shakespeare; Hamlet; comparative literature; world literature; Russian literature; ethics; translation; Crime and Punishment No, gentlemen of the jury, they have their Hamlets, but we, so far, have only our Karamazovs! —F.M. Dostoevsky, the Brothers Karamazov Dostoevsky was a translator, but not of Shakespeare.1 He read Hamlet (and Shakespeare’s other works) in French translation and in Nikolai Ketcher’s prose and Andrei Kroneberg’s verse translations in Russian, but never in English. -
Sample Pages
About This Volume Rachel Stauffer ,Q WKLV YROXPH *ROGHQ$JH >5XVVLDQ ɡɨɥɨɬɨɣ ɜɟɤ ]RORWRM YHN@ refers to literature in nineteenth-century Russia—an unrivaled, rapidly evolving period of literary development, out of which HPHUJHG VRPH RI WKH PRVW IDPRXV 5XVVLDQ DXWKRUV LQ WKH :HVW Fyodor Dostoevsky, /HY 7ROVWR\ DQG$QWRQ &KHNKRY 7KH PRVW famous Russian poet, indeed Russia’s national poet, Alexander 3XVKNLQ ± OHVVZHOONQRZQLQWKH:HVWVHWWKHWRQHIRU the nineteenth century with his Romantic compositions of verse, LQFOXGLQJ D QRYHO LQ YHUVH >ɪɨɦɚɧ ɜ ɫɬɢɯɚɯ URPDQ Y VWLNKDNK@ which set the course for Russia’s Golden Age of Poetry, occurring GXULQJ WKH ¿UVW KDOI RI WKH QLQHWHHQWK FHQWXU\ 7KH WZR WHUPV Golden Age and Golden Age of Poetry refer to two different, but coinciding, periods in the evolution of Russian literature from the FODVVLFDOKHDYLO\(XURSHDQLQÀXHQFHGOLWHUDWXUHRIWKHHLJKWHHQWK FHQWXU\7KLVYROXPHWUHDWVWKHIRUPHUDOWKRXJKWKHODWWHULVFHUWDLQO\ LPSRUWDQW ZLWKLQ WKH FRQWH[W RI WKH IRUPHU 7KHUH DUH GLIIHULQJ opinions as to when exactly Russia’s Golden Age begins and ends, some believing it to have begun as early as the mid- to late eighteenth century and continued as late as the early twentieth century. For the purposes of this volume, intended as a broad overview for a general audience, we will take a more moderate view: that the Golden Age encompasses the bulk of the nineteenth century, beginning FRQVHUYDWLYHO\ZLWK3XVKNLQDQGFRQWLQXLQJWKURXJK&KHNKRY7KH authors and texts that emerged in Russia’s Golden Age are not only important in and of themselves, -
DOSTOEVSKY at 200 This Page Intentionally Left Blank Dostoevsky at 200 the Novel in Modernity
DOSTOEVSKY AT 200 This page intentionally left blank Dostoevsky at 200 The Novel in Modernity EDITED BY KATHERINE BOWERS AND KATE HOLLAND UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2021 Toronto Buffalo London utorontopress.com Printed in Canada ISBN 978-1-4875-0863-0 (cloth) ISBN 978-1-4875-3865-1 (EPUB) ISBN 978-1-4875-3864-4 (PDF) Library and Archives Canada Cataloguing in Publication Title: Dostoevsky at 200 : the novel in modernity / edited by Katherine Bowers and Kate Holland. Other titles: Dostoevsky at two hundred Names: Bowers, Katherine, editor. | Holland, Kate, editor. Description: Includes bibliographical references and index. Identifiers: Canadiana (print) 20210153849 | Canadiana (ebook) 2021015389X | ISBN 9781487508630 (cloth) | ISBN 9781487538651 (EPUB) | ISBN 9781487538644 (PDF) Subjects: LCSH: Dostoyevsky, Fyodor, 1821–1881 – Criticism and interpretation. | LCSH: Civilization, Modern, in literature. Classification: LCC PG3328.Z6 D6285 2021 | DDC 891.73/3 – dc23 Chapter 9 includes selections from Chloë Kitzinger, “‘A novel needs a hero …’: Dostoevsky’s Realist Character-Systems.” In Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel. Evanston: Northwestern University Press, forthcoming. Courtesy Northwestern University Press. All rights reserved. CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non- commercial No Derivative License. For permission to publish commercial versions please contact University of Toronto Press. University of Toronto Press acknowledges the financial support from the University of Toronto Libraries in making the open access version of this title available. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the Government of Ontario. -
Session 4 – Sunday – 8:00-9:45 Am
Session 4 – Sunday – 8:00-9:45 am 4-01 Foresight Scenarios on Populism: Imagining Central and Eastern European Politics in 2030 - (Roundtable) - Foothill A, 2 Chair: Vello Pettai, U of Tartu (Estonia) Part.: Rachel A Epstein, U of Denver Vello Pettai, U of Tartu (Estonia) Milada Anna Vachudova, UNC at Chapel Hill 4-02 Neoliberalism, Roman Catholicism, and the Collapse of Communism in Eastern Europe - Foothill B, 2 Chair: Lukas Dovern, Stanford U Papers: Piotr H Kosicki, U of Maryland, College Park "Beyond Social Justice: Religion’s Turn to Neoliberalism as a National, East European, and Global Phenomenon" Brian Porter-Szucs, U of Michigan "Catholics, Communists, and Dissidents: Who Was Responsible for Poland’s Austerity Doctrine?" Milosz Wiatrowski, Yale U "‘It's the Economy, Stupid’: The Origins of Shock Therapy and the Formation of Mazowiecki’s Government in 1989" James Ramon Felak, U of Washington "The Pope’s Perspective on Eastern Europe’s Economic Transformation: John Paul II’s June 1991 Visit" Disc.: Johanna K. Bockman, George Mason U 4-03 Diasporic Formations: Identities, Avatars, and Subjectivities in Russian Émigré Culture - Foothill C, 2 Chair: Catherine Ann Ciepiela, Amherst College Papers: Roman Utkin, Wesleyan U "Trans/national Attachments in Russian Berlin: Maxim Gorky and Vladislav Khodasevich Between Exile and Cosmopolitan Tourism" Luke Parker, Colby College "Performing Stardom: Émigré Actresses of the 1920s and ‘30s" Robyn Jensen, UC Berkeley "'The Blank Reverse Side': Exilic Loss and Photography in Brodsky" Disc.: Maria Rubins, U of London (UK) 4-08 Socio-Political Dimensions of Illegal Markets in Post-Soviet Countries - Foothill H, 2 Chair: Todd Foglesong, U of Toronto (Canada) Papers: Alexei Trochev, Nazarbayev U (Kazakhstan) "Judicial Chiefs and Clientelism in Authoritarian Regimes: Evidence from Kazakhstan" Gavin Slade, Nazarbayev U (Kazakhstan) "Governing through Heroin: Prisoner Management of Prison Drug Markets in Kyrgyzstan" Marina Zaloznaya, U of Iowa William M. -
In QUEST of TOLSTOY Studies in Russian and Slavic Literatures, Cultures and History
In QUEST of TOLSTOY Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman Academic Studies Press In QUEST of TOLSTOY Hugh McLean Boston 2008 Library of Congress Cataloging-in-Publication Data McLean, Hugh, 1925– In quest of Tolstoy / Hugh McLean. p. cm. — (Studies in Russian and Slavic literatures, cultures and history) Includes bibliographical references and index. ISBN 978-1-934843-02-4 (hardcover) 1. Tolstoy, Leo, graf, 1828–1910 — Criticism and interpretation. 2. Tolstoy, Leo, graf, 1828–1910 — Infl uence. I. Title. PG3410.M35 2008 891.73’3 — dc22 2008000960 Book design by Yuri Alexandrov Published by Academic Studies Press in 2008 145 Lake Shore Road Brighton, MA 02135, USA pressaacademicstudiespress.com www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Contents Preface . -
Russian Culture at the Crossroads
CULTURE AT THE CROSSROADS PARADOXES OF POSTCOMMUNIST CONSCIOUSNESS edited by Dmitri A? Shalin Intellectual Culture DMITRI N. SHALIN No group cheered louder for Soviet reform, had a bigger stake in pere- stroika, or suffered more in its aftermath than the Russian intelligentsia. Today, nearly a decade after Mikhail Gorbachev unveiled his plan to re- form Soviet society, the mood among Russian intellectuals is decidedly gloomy. "The intelligentsia has carried perestroika on its shoulders," laments Yury Shchekochikhin, a noted commentator. "So why does it feel so forlorn, superfluous, and forgotten?"l Another commentator warns that the intellectual stratum "has become so thin that in three or four years the current genocide against the intelligentsia will surely wipe it out."2 Andrei Bitov, one of the country's finest writers, waxes nostalgic about the Brezhnev era and "the golden years of stagnation when. peo- ple could do something real, like build homes, publish books, and what not.? The frustration and self-doubt afflicting Russian intellectuals today might seem excessive, but they are hardly unprecedented. In the last 150 years or so, every crucial turn in Russian history has touched off a new round of debate about the intelligentsia and its role as the conscience of society and guardian of national culture. This discourse by and about the intelligentsia has shaped the distinct themes, literary props, psychologi- cal traits, and favored political agendas of Russian intellectual culture. Russian intellectual culture shares with its Western counterpart a belief in directed social change and cultural critique as a tool for social reconstruc- tion. East or West, intellectuals produce a "distinctive culture of dis- course,"4 through which they stake their claim to status and income in modern society. -
Turgenev, Dostoevsky, Tolstoy, and Chekhov Professor Liza Knapp Columbia University
THE GIANTS OF RUSSIAN LITERATURE : TURGENEV , D OSTOEVSKY , TOLSTOY , AND CHEKHOV COURSE GUIDE Professor Liza Knapp COLUMBIA UNIVERSITY The Giants of Russian Literature Turgenev, Dostoevsky, Tolstoy, and Chekhov Professor Liza Knapp Columbia University Recorded Books ™ is a trademark of Recorded Books, LLC. All rights reserved. The Giants of Russian Literature: Turgenev, Dostoevsky, Tolstoy, and Chekhov Professor Liza Knapp Executive Producer John J. Alexander Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Matthew Cavnar COURSE GUIDE Editor - James Gallagher Design - Ed White Lecture content ©2006 by Liza Knapp Course guide ©2006 by Recorded Books, LLC 72006 by Recorded Books, LLC Cover image: Leo Tolstoy plowing a field © Clipart.com #UT084 ISBN: 978-1-4281-1294-0 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus The Giants of Russian Literature: Turgenev, Dostoevsky, Tolstoy, and Chekhov About Your Professor ................................................................................................... 4 Introduction ................................................................................................................... 5 Lecture 1 Introduction: Fiction, Love, and Death in the Russian Context ............. 6 Lecture 2 Ivan Turgenev: A Russian Novelist at Home and Abroad; Relations in Fathers and Sons ...........................................................