Sample File Comte De Rochefort Bought One Hun- the Pins to Her Lover

Total Page:16

File Type:pdf, Size:1020Kb

Sample File Comte De Rochefort Bought One Hun- the Pins to Her Lover The Key to Paris There are several important locations gardens without the company of a plaining to a guard, "Where does she in Paris (see Map B in the booklet's King's Musketeer. as the gardens ad- think I can get five hundred English center). Each is keyed to a number on join the Louvre Palace. Ten guards guineas! Who does she think I am. the the map and in the text below. The take intruders to Richelieu's house Duke of Buckingham?" entries describe each location's im- #6 (01-50%) or de Treville's house 7. Halles Centrales: PCs can find p9rtance. NPCs at these locations #23 (51-100%) for questioning. clothing or food at this flea-market. might possess information useful to If the PCs ask about Constance or There is a 40% chance (per item) they the PCs. Ofcourse. PCs must obtain a Queen Anne's party. the guards sug- can find anything else common to the favorable result on a Direct Action gest trying Jardin des Plantes #18 or era. including 1- 10 swords or pistols. check to discover this information. the Luxembourg House # 19. Neither 8. Hotel de Ville (City Hall): This Make the players use their wits to Constance nor Queen Anne have is the record center of Paris. It is a uncover the information they need. been here today. matter of public record that Milady After all. there's more to time-travel Those who go inside overhear two de Winter holds the deed to Hotel de than brawling in taverns! ladies speaking: "I don't know how Soubise #9. Assume PCs spend a minimum of the Queen dares to have an affair with 9. Hotel de Soubise: This is one hour traveling to and at each an Englishman!" Milady's Home. She is not here, but location they investigate. NPCs pro- "Unthinkable! Still. the Duke of Comte de Rochefort is. He accuses vide only the information described Buckingham is an exceptional the male PC with the lowest Person- in the entry. gentleman." ality score of having an affair with If the information doesn't relate to "My dear, an English shepherd is Milady. and challenges him to a duel. the party's questions. do not reveal it not a gentleman. no matter what (See Part I. NPC statistics for his to them. Simply state nothing at that perfume he wears to mask his stench, stats.) While insulting the PCs. he location would interest them. and I have it on good authority that suggests they join d'Artagnan in the There is a 10% chance per location the King will soon smell the scoun- foulest prison in Paris. (He has heard that the PCs will encounter four Car- drel's scent." that dArtagnan was arrested. but dinal's Guards. These Guards recog- 3. Le Louvre Palace: Two dozen knows nothing else.) nize the PCs as trouble-makers on a guards keep constant watch over the 10. Hotel de Rohan: Le Voleur's roll of 1-5 on ld10. and attempt to King's residence. valet reveals only that his master is detain them. Each guard fights until 4. Porte de St. Martin: Ten of the "away." On a Direct Action result of he has received six or more wounds. Cardinal's Guard watch this gate. C. the valet says Le Voleur is traveling Some entries also refer to different They search all traffic leaving the city. with a lady. He will not invite PCs types of guards. Use the stats below They will say only that they're search- into the house. but will not use force for any type of guard mentioned in ing for an English spy. The PCs are to keep them out. this key. detained here only if Constance If the PCs enter the house. they Bonacieux has asked them to retrieve may find a few menthol cigarette STR 50 DEX 50 AGL 50 the Queen'sSample jewelry. Otherwise. file they butts and a piece of cellophane in Le PER 50 WPR 50 PCN 50 will be questioned and released. PCs Voleur's bedroom. STA 50 Unskilled Melee: 50 passing a general Perception check 1 1. Porte de Bastille (City gate at notice a drawing of a party member the Bastille): See Entry 4. Current stamina: posted in the guardhouse. 12. Palais de Justice (Central Wounds: 5. Bastille: The Bastille holds po- Courthouse): The clerk here may Gdl O(MMKKWKWKKW)O Gd2 O(KKMK)oo(wmo litical prisoners. The Governor of the reveal that last week the Cardinal Gd3 OO(KWKWWWWWKK) Gd4 (XWXWWWWW)O(WW) Bastille reluctantly sees the PCs. He destroyed the record of Milady's im- Skills: Sword 65 (SP): Pistol 65 knows nothing of dArtagnan. and prisonment at Concierge Prison (13). (SP) angrily displays a list of prisoners to He suggests checking there for more prove it. He suggests they check information on Milady. On a Direct Description: Although the guards Concierge Prison # 13. Action result of H or better. he also carry pistols. they use only swords 6. Palais Royale: Richelieu's home says that last week Milady ordered when arresting PCS. is heavily guarded by the Cardinal's the release of a known murderer from Guard. Four guards stand at each the Bastille. LOCATIONS: gate. four at each exterior doorway. 13. Concierge Prison: The clerk and four pass each point on the peri- here allows anyone to examine the 1. Bois de Boulogne: Lovers often meter every three minutes. Two guards public records. Her file indicates only meet in the privacy of these woods. stand beside each doorway inside. that Milady de Winter was branded The groundskeeper does not know Richelieu questions anyone brought with the fleur-de-lis on her right dArtagnan by name. but did see a here. trying to discover who employs shoulder(fortheft). The clerk suggest man of his description get into them and what their goals are. If it checking at the Hotel de Ville #8 for Milady de Winter's carriage. He gladly seems possible, he tries to hire the more information on Milady. He sug- directs the PCs to Hotel de Soubise PCs to spy on the Queen. Richelieu gests visiting Place des Invalides #22 #9. Milady's home. reveals nothing. but as they leave. for information on dArtagnan. 2. Tuileries Gardens: The city PCs passing a general Perception 14. Notre Dame Cathedral: Sev- guards permit no one to enter these check note Comte de Rochefort com- eral priests have seen Cardinal Richelieu meeting with Milady. Treville grows extremely interested if suggests they check there to see what 15. Ile de St. Louis: PCs passing d’Artagnan’s name is mentioned. If she wanted with the weapons. through this residential area over- any of the Three Musketeers ac- 9. Hotel de Soubise: The servants hear two ladies: “The King will con- company the PCs. de Treville angrily here do not know when Milady will front her at the Royal Ball.” explains that they should be with return from her country residence. “It’s high time! An affair with an d’Artagnan. on a mission for his They do not know where the resi- Englishman. If that’s not treason. I mistress. In either case he suggests dence is located. don’t know what is!” that they go to the Luxembourg House 10. Hotel de Rohan: M. Le Voleur’s 16. Hotel de Cluny: A servant may #I9 to find Constance (the Queen valet will say only that Monsieur’s reveal that d’Artagnan meets his and her party have been spending correspondence is being forwarded mistress here. The last time dArtagnan time there of late). to Maison Forte. Any Musketeer was here. he said he had an urgent 24. Bonacieux’s House: If the knows the location of Maison Forte. appointment at Bois de Boulogne #I. PCs are come here from Luxembourg 11. Porte de Bastille: Dozens of On a Direct Action result of H or House. or have investigated at least carts carrying sealed. clanking crates higher. the servant remembers hear- five locations in Paris. go to Part 111. left by this gate today. ing Constance say. “The Queen is in Encounter 2. If they have just begun 12:Palais de Justice: The clerk great danger. my love: I ask you. by the investigation and aren’t coming may take the time to tell the.PCs that the affection you say you bear me. to from Luxembourg House. neither yesterday. Le Voleur filed a writ re- help her.” dArtagnan nor Constance is at home. leasing 35 felons into Le Voleur’s 17. University of Paris (North): The servant suggests that they look custody. There is nothing of interest here. for Constance at Tuileries Gardens 13. Concierge Prison: The war- 18. Jardin des Plantes: A well- #2. den released 35 felons into Le Vol- tended public garden. 25. Porte de St. Denis: See Entry eur‘s custody. They were told to report 19. Luxembourg House: Queen 4. to his house. Anne’s mother resides here. A servant 26. Halles des Vins: PCs may 22. Place des Invalides: Any will volunteer the information (no purchase wines of any type here. guard will reveal that a stranger bear- Direct Action check required) that 27. Church ofthe Madeleine and ing an authorization in Milady’s the Queen Mother‘s lady-in-waiting Graveyard: See Part 111: Encounter name bought several hundred weap- is angry with Richelieu. It seems the 3: Leaving the City. ons recently. He said his next stop Cardinal insulted the Queen Mother was Halles Centrales.
Recommended publications
  • THE THREE MUSKETEERS by Alexandre Dumas
    THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime).
    [Show full text]
  • Read an Excerpt
    by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele­ tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video­ tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
    [Show full text]
  • The Three Musketeers an Adaptation by Jackie Mellor
    THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there .
    [Show full text]
  • Alexandre Dumas
    ALEX ANDRE DUMAS. IN T R O D U C T O RY N O T E S AND F L I S T S O C H A R A C T E R S . B O S T O N L ITTLE BRO N AN D COMPANY. , W , 1 8 9 5 . Co ri ht 1 892 1 8 93 1 89 py g , , 4, BY LITTLE BROW N AND M Y , , CO PAN UNIV E RSITY PRE SS I SO AND ON CAM B RIDG E U . S. A. J OHN W L N S , , C O N T E N T S. N THE TW O DIANA S . INTRODUCTORY OTE LIST OF CHARACT E RS TR D C T HE PAG E OF THE DUKE OF SA VOY . IN O U TORY NOTE LIST OF CHARACTERS D E I N E MARG UERIT E V ALOIS . NTRODUCTORY OT LIST OF LA DAM MONSOREAU I U N E DE . NTROD CTORY OTE LIST OF CHARACT ERS TY- I D TH E FOR FIVE . NTRO UCTORY NOTE LIST OF CHARACTERS E E N TH T HR E M USKE T EERS . INTRODUCTORY OTE LIST OF CHARACTERS TWENTY YEARS AFTER . INTRODUCTORY NOT E LIST OF CHARA CT ERS TH E V M E D E L ICO T BRAG E ONNE . INTRODUCTORY NOTE LIST OF CHARACTERS THE T U IP I BLACK L . NTRO D UCTORY NOTE LIST OF CH ARACT ER S LE C E D’ D N H VALIER HARM ENT AL . INTRO UCTORY OTE LIST OF CHARACT ERS C NEN S 4 O T T .
    [Show full text]
  • The Three Musketeers 4 5 by Alexandre Dumas 6
    Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 The Three Musketeers 4 5 by Alexandre Dumas 6 ELEMENTARY S U M M A R Y hen the young d’Artagnan travels to Paris, he carries Dumas was born in France but his grandfather was a W with him a letter for Captain de Treville of the King’s French nobleman who had emigrated to Santo Domingo musketeers. Despite getting into a fight on the way, (now the Dominican Republic) where he had married a he arrives at the Captain’s house and there meets the three black woman. As a child he loved adventure stories and this men who are to become his firm friends, Athos, Porthos love came through later in his own writing. and Aramis, the three musketeers of the title. But before He first became famous in literary circles with his play their friendship can be confirmed, they each challenge him Henry III and His Court which was first performed in 1829 to to a duel. acclaim. He went on to write over 1200 books, although it Fortunately perhaps, before any of the duels can take must be said that many of these were the result of his place, the four musketeers are faced with men from the writing factory, where writing apprentices worked to flesh Cardinal’s guard and there is a fight which the musketeers out his ideas. Nevertheless, nearly all are clearly the result win. of his imagination and sense of storyline.
    [Show full text]
  • Le Libellio D' AEGIS
    Volume 16 AEGIS le Libellio d’ série spéciale Coronam semaine 6 Il ne formula pas d’idées neuves – peut-être n’en existe-t-il pas. (Borges) Comme le montre ce numéro, les doctorants travaillent durant cette période de confinement, à lire des ouvrages et à rédiger des mémos. Matthieu Battistelli s’est intéressé à deux livres consacrés à l’entreprise libérée, le premier co-écrit par Thierry Weil et Anne-Sophie Dubey, le second coordonné par Laurent Karsenty. Margaux Grall a lu 3 l’ouvrage de Christophe Deshayes Pensées pour soi, empruntées à Achille sur la transformation numérique Hervé Dumez des firmes, Valentine Georget celui 9 de Pascal Latouche sur l’innovation De l’entreprise libérée à la libération des entreprises ouverte. Vincent Bouchet revient sur À propos de deux ouvrages sur l’autonomie des organisations un classique oublié, Corporate Social Matthieu Battistelli Responsiveness de Robert Ackerman 31 et Raymond Bauer. Quand les dirigeants parlent transformation numérique : Camille Toussaint présente la notion, le retour du stratégique complexe, chargée d’espoir mais À propos de La Transformation numérique et les patrons, controversée, de patrimoine commun de Christophe Deshayes de l’Humanité. Margaux Grall Trois personnages peu connus sont 39 évoqués. Deux ne méritent pas L’incubateur corporate et son institutionnalisation l’oubli dans lequel ils sont tombés. À propos de Innovation ouverte de Pascal Latouche Camille Toussaint nous parle de Valentine Georget la figure attachante de Bronisław 57 Piotr Piłsudski, anthropologue trop Le patrimoine commun de l’Humanité méconnu, à la vie fascinante, et Gatien Camille Toussaint de Courtilz de Sandras est à l’origine 65 de l’un des plus beaux livres de la Perspective historique sur les enjeux managériaux de la RSE littérature française.
    [Show full text]
  • El Club Dumas Arturo Pérez-Reverte
    El club Dumas Arturo Pérez-Reverte http://www.librodot.com Librodot El Club Dumas Arturo Pérez-Reverte 2 A Cala, que me puso en el campo de batalla 2 Librodot Librodot El Club Dumas Arturo Pérez-Reverte 3 El fogonazo de luz proyectó la silueta del ahorcado en la pared. Colgaba inmóvil de una lámpara en el centro del salón, y a medida que el fotógrafo se movía a su alrededor, ac- cionando la cámara, la sombra provocada por el flash se recortaba sucesivamente sobre cua- dros, vitrinas con porcelanas, estanterías con libros, cortinas abiertas sobre grandes ventanales tras los que caía la lluvia. El juez instructor era joven. Tenía el pelo escaso, revuelto y aún mojado, como la ga- bardina que conservaba sobre los hombros mientras dictaba las diligencias al secretario que escribía sentado en el sofá, con la máquina portátil sobre una silla. El tecleo punteaba la voz monótona del juez y los comentarios en voz baja de los policías moviéndose por la habitación: -… En pijama, con un batín por encima. El cordón de esa prenda causó la muerte por ahorcamiento. El cadáver tiene las manos atadas en la parte anterior del cuerpo con una corba- ta. Su pie izquierdo conserva puesta una zapatilla y el otro se encuentra desnudo… El juez tocó el pie calzado del muerto y el cuerpo giró un poco, despacio, al extremo del tenso cordón de seda que unía su cuello con el anclaje de la lámpara en el techo. El movi- miento fue de izquierda a derecha, y después en sentido inverso y con más corto recorrido hasta centrarse de nuevo en la postura original, como una aguja imantada que recobrase el norte tras breve oscilación.
    [Show full text]
  • Alexandre Dumas Twenty Years After.Pdf
    Twenty Years After Dumas, Alexandre Published: 1845 Categorie(s): Fiction, Action & Adventure, Historical, Ro- mance Source: http://www.gutenberg.org 1 About Dumas: Alexandre Dumas, père, born Dumas Davy de la Pailleterie (July 24, 1802 – December 5, 1870) was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French au- thors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, and The Man in the Iron Mask were serialized, and he also wrote plays and magazine articles and was a prolific correspondent. Source: Wikipedia Also available on Feedbooks for Dumas: • The Count of Monte Cristo (1845) • The Three Musketeers (1844) • The Man in the Iron Mask (1850) • The Borgias (1840) • Ten Years Later (1848) • The Vicomte of Bragelonne (1847) • The Black Tulip (1850) • Louise de la Valliere (1849) • Ali Pacha (1840) • Murat (1840) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 The Shade of Cardinal Richelieu. In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights.
    [Show full text]
  • Dossier De Presse De L'exposition
    DOSSIER DE PRESSE EXPOSITION 2 avril - 14 juillet 2014 Portrait d’officier de mousquetaire de la 2e compagnie - Paris, musée de l’Armée 5 Éditorial 6 Communiqué de presse 9 Présentation de l’exposition 10 Parcours de l’exposition 21 Angles de visite 22 Multimédias 23 Jeune public 24 Catalogue 26 Cinéma 27 Événements 28 Concerts 29 Conférences 30 Illustrations 32 Partenaires 34 Informations pratiques The Three Musketeers 5 de Rowland V. Lee - 1935 Éditorial - RKO / Collection Patrick Brion ÉDITORIAL Général de division Christian Baptiste Directeur du musée de l’Armée RIEN DE PLUS STIMULANT ET DE PLUS FRUCTUEUX, QUE D’ASSOCIER L’hisTOIRE ET LA LITTÉRATURE POUR EXPLORER NOTRE PASSÉ EN GÉNÉRAL, LES AVENTURES DES MOUSQUETAIRES EN PARTICULIER. Après les expositions récemment consacrées à la paradoxe auquel il ne se trouve qu’une explication : colonisation et à la décolonisation de l’Algérie puis la magie de la littérature en général, de l’œuvre de l’Indochine, ainsi qu’à la conquête de l’Europe d’Alexandre Dumas en particulier mais aussi celle de par Napoléon Ier, une manifestation portant sur les l’imagination de ses lecteurs, dont nous sommes tous. mousquetaires peut surprendre. Et pourtant, il faut à Rien de plus stimulant et de plus fructueux donc, chacune de ces entreprises la même combinaison de que d’associer l’histoire et la littérature pour rigueur, d’inventivité, d’enthousiasme et d’ambition explorer notre passé en général, les aventures des didactique. Les visiteurs de la présente exposition mousquetaires en particulier. La visite de l’exposition, le percevront aussitôt, le but est toujours d’explorer se muera ainsi en un défi permanent : distinguer la l’histoire ; mais, comme le proclame le chansonnier, réalité de la fiction.
    [Show full text]
  • Les Trois Mousquetaires Lavergne ©Luc Du 12 Novembre Au 12 Décembre 2014
    LES CAHIERS Numéro 93 Automne 2014 D’APRÈS L’ŒUVRE D’ALEXANDRE DUMAS ADAPTATION ET MISE EN SCÈNE DE FRÉDÉRIC BÉLANGER UNE PRODUCTION DU THÉÂTRE ADVIENNE QUE POURRA PRÉSENTÉE PAR LE THÉÂTRE DENISE-PELLETIER D’Artagnan et les trois MOUSQUETAIRES Lavergne ©Luc DU 12 novembre au 12 DÉCEMBRE 2014 L’ÉNIGME CAMUS : NOËL 1933 UNE PASSION ALGÉRIENNE DU 3 AU DU 12 AU 20 DÉCEMBRE 2014 29 NOVEMBRE 2014 Idée originale de Chantal Grenier Scénarisation de Texte et mise en scène Dominique Grenier de Jean-Marie Papapietro Mise en scène de Une coproduction du © Catherine Gauthier Jean Turcotte Théâtre de Fortune Une production du en codiffusion avec le Théâtre Exaltemps Théâtre Denise-Pelletier en codiffusion avec le Théâtre Denise-Pelletier L'ÉQUIPE DU SPECTACLE D’ARTAGNAN ET LES TROIS MOUSQUETAIRES D’après l’œuvre d’Alexandre Dumas Adaptation et mise en scène de Frédéric Bélanger Une production du Théâtre Advienne que pourra présentée par le Théâtre Denise-Pelletier Salle Denise-Pelletier Du 12 novembre au 12 décembre 2014 Distribution Direction du Théâtre Advienne que par ordre alphabétique pourra Guillaume Baillargeon ......................................... Athos Direction artistique ........................ Frédéric Bélanger Maude Campeau ....................... Constance Bonacieux Direction générale ................................. Sarah Balleux Louise Cardinal ................... La reine Anne d’Autriche Guillaume Champoux ........................................Aramis Équipe de production – Robin-Joël Cool ..................... Le duc de Buckingham,
    [Show full text]
  • Filmographie Des Œuvres D'alexandre Dumas Père
    FILMOGRAPHIE LES ŒUVRES D’ALEXANDRE DUMAS PERE ADAPTEES A L’ECRAN Constituée par Uwe Jacobs SOMMAIRE ABREVIATIONS page 2 Le chevalier de Maison-Rouge page 2 Le collier de la Reine page 3 Les compagnons de Jéhu page 7 Le comte de Monte-Cristo page 8 La dame de Monsoreau page 24 Les frères corses page 25 Kean page 29 Mémoires d'un médecin page 33 La reine Margot page 34 Robin des bois page 37 Salteador page 38 Souvenirs d'une favorite page 39 La tour de Nesle page 42 Les Trois Mousquetaires-Trilogie- page 46 La Tulipe noire page 76 ABREVIATIONS ESTIMATION (par Uwe Jacobs) DDD : hautement dumasien DD : moyennement dumasien D : médiocrement dumasien sans : non acceptable * : dumasien seulement par le titre DISTRIBUTION P : production producteur, directeur de production, producteur exécutif, éditeur R : réalisateur assistant-réalisateur, direction artistique, direction technique, direction couleurs S : scénario dialogues I : interprètes O : opérateur montage, opérateur cadreur, conseil couleurs, décors, meubles, équipement, technique, costumes, coiffures, maquillage, chorégraphie, escrimeurs, effets spéciaux, script, sons LE CHEVALIER DE MAISON ROUGE 12 Fra. LE CHEVALIER DE MAISON-ROUGE DDD France 1912 P Pathé Frères R Albert Capellani I Marie-Louise Derval M. Dorival M. Escoffier Paul Capellani Henry Krauss Rolla Norman 53 Ital. IL CAVALIERE DI MAISON ROUGE DDD Italie 1953 R Vittorio Cottafavi I Renée Saint-Cyr ........... Marie Antoinette Alfred Adam ......................... Dixmer Yvette Lebobn .............. sa femme Margot Armando Francioli ...... le capitaine Lindey Marcel Perez .............. le gardien Simon Annie Ducaux Jean Desailly LE COLLIER DE LA REINE 09 Fra. LE COLLIER DE LA REINE DDD France 1909 P Meliès/Louis Feuillade 12 Fra.
    [Show full text]
  • La Famille De Bueil.Indd
    1 LITTÉRATURE LA FAMILLE DE BUEIL DANS L’ŒUVRE D’ALEXANDRE DUMAS Philippe LARUS* RÉSUMÉ : Plusieurs membres de la famille de Bueil, dont l’académicien Racan, ont été mis en scène par Dumas dans certains de ses romans y compris dans le plus célèbre d’entre eux, Les Trois Mousquetaires. Après une rapide définition des différents niveaux d’in- tégration de personnages réels dans les fictions dumasiennes, l’étude situe chacun d’eux dans l’œuvre avant de présenter les éléments biographiques collectés à son propos. On découvrira plus particulièrement les vies de deux femmes, toutes deux cousines de Racan, Anne de Bueil, qui possédait le Château du Bois à Neuvy et Jacqueline de Bueil, comtesse de Moret, un temps favorite du roi Henri IV. ABSTRACT: Dumas introduced several members of the de Bueil family, including Racan, a member of the Academy, in some of his novels, as well as in the most famous of them, The Three Musketeers. After rapidly defining the various levels of the incorporation of real individuals in Dumas’s fictions, this study situates each of these people in his work before communicating biographical elements about the character. In particular we will discover the lives of two women, cousins of Racan : Anne de Bueil, the owner of the Château du Bois in Neuvy and Jacqueline de Bueil, the Countess de Moret, who was for a time the mistress of Henri IV. Alexandre Dumas (1802-1870) connaissait-il le petit village de Bueil, situé au nord de la Touraine, dans lequel la famille du même nom, décidant d’y implanter ses sépultures, a, au XIV e siècle, commencé l’édification de * Professeur des écoles et Président de l’association Histoire et Patrimoine de Saint- Christophe-sur-le-Nais (37).
    [Show full text]