The Three Musketeers by Ken Ludwig

Total Page:16

File Type:pdf, Size:1020Kb

The Three Musketeers by Ken Ludwig October 13-15, 2017 The New Hazlett Theater Thanks Three Musketeers for bringing the arts to life. 1-800-345-6040 • treloaronline.com The Jester’s Guild Presents The Three Musketeers By Ken Ludwig Adapted from the novel by Alexandre Dumas First performed by Bristol Old Vic December 2006 Director: Derek Lynch Fight Director: Tonya Lynn Stage Manager: Whitney L. Falba Assistant Stage Manager: Marcus Yeagley Costume Designer: Liz Nalepa Prop Master: Andrew Prentice Lord of the Dance: Addison Whetzel Cast d’Artagnan …...................................................................Ryan Bergman Athos ….................................................................................Dana Babal Aramis ….............................................................................David Lynch Porthos ….......................................................................Adam Rutledge Sabine …...............................................................................Emma Crist Cardinal Richelieu …..........................................John Henry Steelman Milady de Winter …..........................................................Anne Rematt Rochefort …...................................................................Brendan Karras King Louis XIII …....................................................................Jim Falba Queen Anne ….............................................................Tracy Rudzinski Constance Bonacieux ….....................................................Mary Houle Monsieur de Treville/d’Artagnan’s Father….................Bogdan Haiko The Duke of Buckingham …........................................Aaron Beilstein Debris ….................................................................. ....Jonathan Beckas Cardinal’s guard/villager …..........................................Aurora Culwell Program cover designed by Anthony DePietro Set Designed by Alyssa Savatt and Derek Lynch Set constructed by Rod Messersmith and David Dougherty Music designed by Anthony Pezzelle Original music composed by Anthony Pezzelle Cardinal’s Portrait by Leah O’Shea The Jesters’ Guild would like to extend its sincerest thanks to Diane Lynch Michele Lynch Lester Malizia Nate and Megan Delk Marcus Yeagley Joe and Jonathan McIlvenny Freya Conrad Rifaat Bassaly John Wohlgemuth David Croach Ryan Mooney Aaron Cuffman Leon Ziontz Jared Archibald Mark Harris Andrew Ade The New Hazlett Theater Poor Yorick’s Players Front Porch Theater Steel City Shakespeare Pittsburgh Shakespeare in the Park the fourth annual Allegheny Alley Fight a SAFD-sanctioned regional stage combat workshop May 12 & 13, 2018 Find us on Facebook! facebook.com/alleghenyalleyfight [email protected] In memorial of Shaun Rolly For your generosity and for introducing us to many of the people involved in this show We thank you The Jesters’ Guild began as a group of kids who used to like to play act in their back yards in New Castle, Pennsylvania. Many times, this took the form of hitting each other with sticks and imagining they were swords, and imagining the resulting black eyes and fat lips were in no way caused by recklessly hitting each other with sticks and imagining they were swords. We are born artists and storytellers, and through the years, we have learned more and more how to tell our stories. I was almost always the youngest of my group of friends, and I was almost always put in the role of the plucky, aspiring hero among his idols. I was a younger brother. I played Sonic the Hedgehog as Tails, and I totally thought Robin was as cool as Batman. When beginning work on this production of The Three Musketeers, I imagined my childhood friends in the roles of Athos, Porthos, and Aramis, as I joined them – the d’Artagnan of our musketeers. I tried to think: who was our villainous cardinal? What dastardly deeds and nefarious schemes would we have thwarted in our attempts to foil him? As I grew up, these stories have stayed with me, and are reflected in almost everything I write. I have a strong love for imagination and fantasy, and throughout this production, I have met several people along the way who have shared my passions for storytelling, many of whom will be appearing on stage before you tonight. I thank them for their guidance, their help, their patience with me, and all the work they’ve put into this show. I grew up imagining I would be surrounded by my friends on a fantastic adventure, and as we prepare to open this weekend, I have found that that is exactly where I am. Here we are, a group of kids hitting each other with swords and imagining we are the three musketeers. Derek Lynch (Director) Every once in a while, Derek crawls out from under the rock where he lives and tries his hand at some theatrical endeavor. Three Musketeers marks Derek’s directorial debut. He has assisted in directing under the unofficial tutelage of Lester Malizia, as well as pretended he knew what he was talking about in every other theatrical production he’s ever been a part of. He has appeared on stage as Touchstone the clown in As You Like It, Durdles in The Mystery of Edwin Drood, and most notably, Villager #7 in Fiddler on the Roof. Most recently he appeared on stage in The Jesters’ Guild’s production of The Complete Works of William Shakespeare (abridged), which was in 2014. So, it’s been a while. More recently, he had an original short play premiere in the 2016 Pittsburgh New Works Festival. He is an actor, author, playwright, photographer, painter, musician, mime, magician, Ninja Turtles fan, pumpkin artist, snowman architect, and chronic embellisher. He aspires to one day stop aspiring to things, as ambition is quite tiring at times. While he does not take himself seriously in the least, Derek would like everyone to know that the cast and crew of this production have been absolutely wonderful throughout the entire process, and they deserve so much more than just their credits in this program. He would like to thank each and every one of you for coming tonight ... So, if you could please form a single-file line on your way out and proceed toward the exit in an orderly fashion, we can get that taken care of. Production Team Tonya Lynn (Fight Director) is an actor, director, fight director and teaching artist based in Pittsburgh, PA. She has provided fight direction for over eighty productions, in styles ranging from contemporary unarmed combat to medieval swordplay and in genres both comic and tragic for theatre companies and educational institutions throughout the Pittsburgh area and beyond. She has served as resident fight director with Pittsburgh Shakespeare in the Parks for 12 seasons and is the co-founder and resident fight director for Brawling Bard Theatre, a local Pittsburgh Fringe Festival favorite. She has also provided fight choreography for The New Renaissance Theatre Company, Poor Yorick’s Players, Prime Stage Theatre, Pittsburgh Irish and Classical Theatre, and works as a teaching artist for Hope Academy for Music and the Arts, City Theatre, and Pittsburgh Public Theatre, as well as serving as an adjunct professor in theatre at the Community College of Allegheny County South Campus. She received her M.A. in Theatre from the University of Pittsburgh, and has trained with both the International Stuntmens’ Association and the Society of American Fight Directors (SAFD), where she is recognized as an Advanced Actor-Combatant. Tonya annually coordinates the Allegheny Alley Fight, a SAFD-sanctioned regional stage combat workshop that promotes and provides stage combat training for local theatre professionals at all levels of experience. Workshop and project news can be found at: www. eclecticmayhem.com. Whitney L. Falba (Stage Manager) is delighted to bring her proficiency in the ancient arts of logistics and theater management to this Jesters’ Guild production. Recent projects involve relief for Hurricane Harvey students, as well as working with various Pittsburgh non-profits. Other ventures include being the head of Industry, Live Events, and Publicity for local conventions Tekko and Setsucon. She has contributed to various campus productions of The Nutcracker, Play On! and The Vagina Monologues, as well as broadcast War of the Worlds drama on WCAL radio. She looks forward to using her various talents to The Jesters’ Guild in the future. Cast Dana Babal (Athos): Dana recently celebrated his 32nd Shakespeare in the Park production as he continues his quest to direct or act in every Shakespearean play (19 down, 18 to go)! Favorite productions include Hamlet, Man of La Mancha, Henry V, Sweeney Todd, R&G are Dead, The Winter’s Tale, and Jesus Christ Superstar. Dana serves as the Artistic Director for Poor Yorick’s Players and the Technical Director for the Tall Trees Amphitheater. Additionally, you can find him hosting sing-alongs with NonStop Broadway. Dana wishes to thank his wife for her constant support. Jonathan Beckas (DeBris): Jonathan is so excited to be working with the cast and Crew of Three Musketeers. This will be his third show since he graduated from RMU with a Communication degree with a Concentration in Theater. Some of his recent work has been Prince charming in Cinderella, Trainer in Elephant’s Graveyard, Mr Braithwaite/Leslie in Billy Elliot and Tybalt in Romeo and Juliet. Jonathan wants to thank Derek and David for allowing him to be part of this cast and Tonya for allowing him to work under her as fight captain. Aaron Beilstein (Duke of Buckingham) Having started his on and off again relationship with the theater since high school, some
Recommended publications
  • The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
    Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography.........................................
    [Show full text]
  • Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
    13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber .
    [Show full text]
  • SCOREBOARD Basketball
    20—MANCHESTER HERALD. Monday. March 4.1991 SCOREBOARD TUESDAY Royd 1-2, Wood 52), Los Angslaa 2-10 (DIvac 24, Alabama 30) dki not play. NExt: vs. (Instigator, fighting), 13:53; Nolan, Qua, rnidor 1-1, Wbrthy 16, EJohnaon 51, ParMna 51, Florida at Naahvll, j, Tsnn, Friday. (fightaig), 13:53; Sokic, Qua (hooking), 1536; Tstiola 51, Scott 06). Foulad out-Nons. 25. Virginia (2310) did not play. NExt va. Hockey Gmis, QuE (charging), 1 6 3 8 Coif Basketball Rabounda—Houston 62 (1-Smith 22), Los An- Wbka ForEst at Chartotts, N C.. Frkfoy. Third PEriod—8 QuEbEc, Hough 10 (Hikoc, galas S3 (Worthy 10). AaaUts—Houaton 13 Sakic), 1362 (pp). 6, QuEbEc, M lEr 4 (Sakic, LOCAL NEWS INSIDE How women’s Top 25 fared Hough), 19:34. PEnaltiEs—JEnnings, Har (Maxwal. tCSmito. F l^ 13), Los AngoIss 24 Doral Open scores NBA standings (EJohnaon 8). Total touls-Houaton 23. Los How IhE AssociatEd PrEss' Top 25 womEn's NHL standings (rougNng), 136; Raglan, QuE, doubla minor Angaiss 20. Tachnicals—Houaton illogal Mam s farEd Sunday: W ALES CO N FER EN CE (rougNng), 136; Brown, Hor (unaportsmaNIkE MIAMI (AP) — Full and partial acor^ Sunday i A m i M C O N FE R E N C E dsfonaa 3, Los Angalaa Bagal datartas. Wordy. P a trick D iv isio n condiict), 239; Qillip QuE (unaportamaNHw during thE lightning-suspEndEd ktorth round of ■ Parkade subdivision approved. AtlMUeDIvtaton 1. Virginia (27-2) lost to dam son 65-62. A— 17,506. 2. Pann StatE (231) did not play.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • LESMAP De Drie Musketiers
    DE DRIE MUSKETIERS lesmap Beste leerkracht, Binnenkort woont u met uw klas het OORcollege De drie musketiers van het Antwerp Symphony Orchestra bij. In deze lesmap vindt u alles om van uw leerlingen muzikale helden te maken die goed voorbereid zijn op het concertbezoek waarbij ze kennismaken met de dappere lijfwachten van Lodewijk XIII. Tijdens het concert horen ze de beroemde leuze ‘Eén voor allen, allen voor één’ weerklinken op muziek van de Britse componist Malcolm Arnold. De drie musketiers is een vuistdikke klassieker geschreven door de Franse schrijver Alexandre Dumas. De roman werd voor het eerst als boek gepubliceerd in 1844. Tijdens het OORcollege luisteren de leerlingen naar een nieuwe versie, een fl itsende vertelling perfect op maat van leerlingen van het 3e, 4e en 5e leerjaar. De voorstelling wordt gespeeld door de lijfwachten van theatergroep Lazarus met Joris Van den Brande (spel en tekst), Günther Lesage (spel) en Pieter Genard (spel). Dirk Brossé scherpt alvast het puntje van zijn dirigeerstok om samen met het Antwerp Symphony Orchestra de muzikale uitvoering te verzorgen. Deze lesmap bevat naast achtergrondinformatie en educatieve tips ook nog verschillende uitgewerkte muzische opdrachten die de kinderen stimuleren om zelf actief op zoek te gaan naar de hechte broederschap tussen de musketiers. Ze ontdekken hoe het leven aan het Franse hof vol intriges zat. Werken op een muzische manier is een ideale werkwijze om moeilijke thema’s zoals ‘broederschap, samenhorigheid of macht’ makkelijker te verteren. Na afl oop van de voorstelling kan u dit materiaal ook nog verder gebruiken. Praat met uw leerlingen na over het OORcollege.
    [Show full text]
  • Vendredi 4 Et Samedi 5 Février 2011 À 13 H Vrijdag 4 En Zaterdag 5 Februari 2010 Om 13 U
    VENTE PUBLIQUE DE LIVRES ET DE GRAVURES OPENBARE VEILING VAN BOEKEN EN PRENTEN Vendredi 4 et samedi 5 février 2011 à 13 h Vrijdag 4 en zaterdag 5 februari 2010 om 13 u Exposition et vente À LA LIBRAIRIE Ch. de Charleroi 162, 1060 Bruxelles Tentoonstelling en veiling IN DE BOEKHANDEL Charleroisesteenweg 162, 1060 Brussel Exposition : Vendredi 28 et samedi 29 janvier de 10 à 19 h et du lundi 31 janvier au jeudi 3 février de 10 à 19 h Tentoonstelling : Vrijdag 28 en zaterdag 29 januari van 10 tot 19 u en van maandag 31 januari tot donderdag 3 februari van 10 tot 19 u LE LIBRAIRE ALAIN FERRATON Chaussée de Charleroi, 162/8 Ŕ B 1060 Bruxelles Ouvert du mardi au samedi de 10 à 18 h 30 Charleroisesteenweg, 162/8 Ŕ B 1060 Brussel Open van dinsdag tot zaterdag van 10 tot 18 u 30 Phone : 00. 32 (0)2.538.69.17 Ŕ Fax : 00. 32 (0)2.537.46.05 Mail : [email protected] Internet : www.ferraton.be N° 37 J.B. Ansems N° 69 P. C. Hoofts N° 111 J.-Fr. Le Petit N° 223 Abraham de Wicquefort N° 238 Jacques Callot N° 461 P. Denys de Montfort N° 554 Charlie Chaplin N° 658 Alexandre Dumas (Carjat) TABLE DES MATIÈRES PREMIÈRE VACATION : VENDREDI 4 FÉVRIER 2011 À 13 H Manuscrits et livres anciens du 15e au 18e siècle 1-230 Gravures et cartes géographiques anciennes 231-251 Histoire, militaria, voyages (livres édités aux 19e et 20e siècles) 252-331 Journaux anciens 332-341 Belgicana 342-403 Asie Ŕ Afrique : peinture, art, gravure, histoire, ethnographie 404-439 Sciences Ŕ Techniques Ŕ Médecine 440-484 Histoire du livre, de la reliure, de la gravure, bibliographie,
    [Show full text]
  • Read an Excerpt
    by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele­ tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video­ tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
    [Show full text]
  • The Three Musketeers an Adaptation by Jackie Mellor
    THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there .
    [Show full text]
  • The Three Musketeers 4 5 by Alexandre Dumas 6
    Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 The Three Musketeers 4 5 by Alexandre Dumas 6 ELEMENTARY S U M M A R Y hen the young d’Artagnan travels to Paris, he carries Dumas was born in France but his grandfather was a W with him a letter for Captain de Treville of the King’s French nobleman who had emigrated to Santo Domingo musketeers. Despite getting into a fight on the way, (now the Dominican Republic) where he had married a he arrives at the Captain’s house and there meets the three black woman. As a child he loved adventure stories and this men who are to become his firm friends, Athos, Porthos love came through later in his own writing. and Aramis, the three musketeers of the title. But before He first became famous in literary circles with his play their friendship can be confirmed, they each challenge him Henry III and His Court which was first performed in 1829 to to a duel. acclaim. He went on to write over 1200 books, although it Fortunately perhaps, before any of the duels can take must be said that many of these were the result of his place, the four musketeers are faced with men from the writing factory, where writing apprentices worked to flesh Cardinal’s guard and there is a fight which the musketeers out his ideas. Nevertheless, nearly all are clearly the result win. of his imagination and sense of storyline.
    [Show full text]
  • Mousquetaires Du Roy Rulebook
    Mousquetaires du Roy A game designed by François Combe & Gilles Lehman – Illustrated by Nériac & Arnaud Demaegd Developed by Cyril Demaegd – FAQ and forum: http://www.ystari.com – English rules editing by W. Eric Martin, BoardgameNews.com Thanks to: Hats off to monsieur Alexandre Dumas! A musketeer’s embrace to Nico, Fabien and Karine, and we cannot forget David and Stéphane, our favorite testers. A big thank you from François to his friends from Réel, Terres Chamanes and Ordalie and a heartfelt dedication to the three Benoîts, to Louis and to Ghislain. A bouquet of kisses from Gilles to Lady Flo and the two small musketeers Oriane and Virgile. Bravo to Céline and Hugo for taking the diamonds back to the Louvre. A friendly hello to Yves Renou and François Haffner. Finally, Ystari dedicates this game with all its heart to the memory of Vincent Moirin, the musketeer who left us far too early. We miss you. Contents of the box ● 1 game board showing plot locations ● 4 individual character cards for the Musketeers ● 5 figurines (Milady and 4 Musketeers) ● 10 special dice (6 blue and 4 red) ● 2 double-sided quest boards ● 70 tokens ● 110 cards Validation token Epic token ● 1 hourglass ● 1 screen ● these rules and the game guide Once upon a time... 1625. D’Artagnan, a young man fresh out of Gascony with ambitions of becoming a musketeer for the King – a “Mousqu- etaire du Roy” – makes the acquaintance of Athos, Aramis, Porthos and the beautiful Constance, linen maid to the Queen. Soon he finds himself at the heart of an adventure with France’s destiny at stake.
    [Show full text]
  • Dossier De Presse De L'exposition
    DOSSIER DE PRESSE EXPOSITION 2 avril - 14 juillet 2014 Portrait d’officier de mousquetaire de la 2e compagnie - Paris, musée de l’Armée 5 Éditorial 6 Communiqué de presse 9 Présentation de l’exposition 10 Parcours de l’exposition 21 Angles de visite 22 Multimédias 23 Jeune public 24 Catalogue 26 Cinéma 27 Événements 28 Concerts 29 Conférences 30 Illustrations 32 Partenaires 34 Informations pratiques The Three Musketeers 5 de Rowland V. Lee - 1935 Éditorial - RKO / Collection Patrick Brion ÉDITORIAL Général de division Christian Baptiste Directeur du musée de l’Armée RIEN DE PLUS STIMULANT ET DE PLUS FRUCTUEUX, QUE D’ASSOCIER L’hisTOIRE ET LA LITTÉRATURE POUR EXPLORER NOTRE PASSÉ EN GÉNÉRAL, LES AVENTURES DES MOUSQUETAIRES EN PARTICULIER. Après les expositions récemment consacrées à la paradoxe auquel il ne se trouve qu’une explication : colonisation et à la décolonisation de l’Algérie puis la magie de la littérature en général, de l’œuvre de l’Indochine, ainsi qu’à la conquête de l’Europe d’Alexandre Dumas en particulier mais aussi celle de par Napoléon Ier, une manifestation portant sur les l’imagination de ses lecteurs, dont nous sommes tous. mousquetaires peut surprendre. Et pourtant, il faut à Rien de plus stimulant et de plus fructueux donc, chacune de ces entreprises la même combinaison de que d’associer l’histoire et la littérature pour rigueur, d’inventivité, d’enthousiasme et d’ambition explorer notre passé en général, les aventures des didactique. Les visiteurs de la présente exposition mousquetaires en particulier. La visite de l’exposition, le percevront aussitôt, le but est toujours d’explorer se muera ainsi en un défi permanent : distinguer la l’histoire ; mais, comme le proclame le chansonnier, réalité de la fiction.
    [Show full text]
  • Alexandre Dumas, the Three Musketeers (Chapters 4 and 5)
    Alexandre Dumas, The Three Musketeers (Chapters 4 and 5) It is young D’Artagnan’s first day in Paris, having come there in hopes of becoming a Musketeer. While he is visiting the chief Musketeer, Treville, he looks out the window and notices a man who had insulted him a day or two before walking in the street. D’Artagnan bursts out, hoping to fight the man. D’Artagnan, in a state of fury, crossed the antechamber at three bounds, and was darting toward the stairs, which he reckoned upon descending four at a time, when, in his heedless course, he ran head foremost against a Musketeer who was coming out of one of M. de Treville’s private rooms, and striking his shoulder violently, made him utter a cry, or rather a howl. “Excuse me,” said d’Artagnan, endeavoring to resume his course, “excuse me, but I am in a hurry.” Scarcely had he descended the first stair, when a hand of iron seized him by the belt and stopped him. “You are in a hurry?” said the Musketeer, as pale as a sheet. “Under that pretense you run against me! You say, ‘Excuse me,’ and you believe that is sufficient? Not at all, my young man. Do you fancy because you have heard Monsieur de Treville speak to us a little cavalierly today that other people are to treat us as he speaks to us? Undeceive yourself, comrade, you are not Monsieur de Treville.” “My faith!” replied d’Artagnan, recognizing Athos, who, after the dressing performed by the doctor, was returning to his own apartment.
    [Show full text]