The Three Musketeers by Ken Ludwig
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The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber . -
SCOREBOARD Basketball
20—MANCHESTER HERALD. Monday. March 4.1991 SCOREBOARD TUESDAY Royd 1-2, Wood 52), Los Angslaa 2-10 (DIvac 24, Alabama 30) dki not play. NExt: vs. (Instigator, fighting), 13:53; Nolan, Qua, rnidor 1-1, Wbrthy 16, EJohnaon 51, ParMna 51, Florida at Naahvll, j, Tsnn, Friday. (fightaig), 13:53; Sokic, Qua (hooking), 1536; Tstiola 51, Scott 06). Foulad out-Nons. 25. Virginia (2310) did not play. NExt va. Hockey Gmis, QuE (charging), 1 6 3 8 Coif Basketball Rabounda—Houston 62 (1-Smith 22), Los An- Wbka ForEst at Chartotts, N C.. Frkfoy. Third PEriod—8 QuEbEc, Hough 10 (Hikoc, galas S3 (Worthy 10). AaaUts—Houaton 13 Sakic), 1362 (pp). 6, QuEbEc, M lEr 4 (Sakic, LOCAL NEWS INSIDE How women’s Top 25 fared Hough), 19:34. PEnaltiEs—JEnnings, Har (Maxwal. tCSmito. F l^ 13), Los AngoIss 24 Doral Open scores NBA standings (EJohnaon 8). Total touls-Houaton 23. Los How IhE AssociatEd PrEss' Top 25 womEn's NHL standings (rougNng), 136; Raglan, QuE, doubla minor Angaiss 20. Tachnicals—Houaton illogal Mam s farEd Sunday: W ALES CO N FER EN CE (rougNng), 136; Brown, Hor (unaportsmaNIkE MIAMI (AP) — Full and partial acor^ Sunday i A m i M C O N FE R E N C E dsfonaa 3, Los Angalaa Bagal datartas. Wordy. P a trick D iv isio n condiict), 239; Qillip QuE (unaportamaNHw during thE lightning-suspEndEd ktorth round of ■ Parkade subdivision approved. AtlMUeDIvtaton 1. Virginia (27-2) lost to dam son 65-62. A— 17,506. 2. Pann StatE (231) did not play. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
LESMAP De Drie Musketiers
DE DRIE MUSKETIERS lesmap Beste leerkracht, Binnenkort woont u met uw klas het OORcollege De drie musketiers van het Antwerp Symphony Orchestra bij. In deze lesmap vindt u alles om van uw leerlingen muzikale helden te maken die goed voorbereid zijn op het concertbezoek waarbij ze kennismaken met de dappere lijfwachten van Lodewijk XIII. Tijdens het concert horen ze de beroemde leuze ‘Eén voor allen, allen voor één’ weerklinken op muziek van de Britse componist Malcolm Arnold. De drie musketiers is een vuistdikke klassieker geschreven door de Franse schrijver Alexandre Dumas. De roman werd voor het eerst als boek gepubliceerd in 1844. Tijdens het OORcollege luisteren de leerlingen naar een nieuwe versie, een fl itsende vertelling perfect op maat van leerlingen van het 3e, 4e en 5e leerjaar. De voorstelling wordt gespeeld door de lijfwachten van theatergroep Lazarus met Joris Van den Brande (spel en tekst), Günther Lesage (spel) en Pieter Genard (spel). Dirk Brossé scherpt alvast het puntje van zijn dirigeerstok om samen met het Antwerp Symphony Orchestra de muzikale uitvoering te verzorgen. Deze lesmap bevat naast achtergrondinformatie en educatieve tips ook nog verschillende uitgewerkte muzische opdrachten die de kinderen stimuleren om zelf actief op zoek te gaan naar de hechte broederschap tussen de musketiers. Ze ontdekken hoe het leven aan het Franse hof vol intriges zat. Werken op een muzische manier is een ideale werkwijze om moeilijke thema’s zoals ‘broederschap, samenhorigheid of macht’ makkelijker te verteren. Na afl oop van de voorstelling kan u dit materiaal ook nog verder gebruiken. Praat met uw leerlingen na over het OORcollege. -
Vendredi 4 Et Samedi 5 Février 2011 À 13 H Vrijdag 4 En Zaterdag 5 Februari 2010 Om 13 U
VENTE PUBLIQUE DE LIVRES ET DE GRAVURES OPENBARE VEILING VAN BOEKEN EN PRENTEN Vendredi 4 et samedi 5 février 2011 à 13 h Vrijdag 4 en zaterdag 5 februari 2010 om 13 u Exposition et vente À LA LIBRAIRIE Ch. de Charleroi 162, 1060 Bruxelles Tentoonstelling en veiling IN DE BOEKHANDEL Charleroisesteenweg 162, 1060 Brussel Exposition : Vendredi 28 et samedi 29 janvier de 10 à 19 h et du lundi 31 janvier au jeudi 3 février de 10 à 19 h Tentoonstelling : Vrijdag 28 en zaterdag 29 januari van 10 tot 19 u en van maandag 31 januari tot donderdag 3 februari van 10 tot 19 u LE LIBRAIRE ALAIN FERRATON Chaussée de Charleroi, 162/8 Ŕ B 1060 Bruxelles Ouvert du mardi au samedi de 10 à 18 h 30 Charleroisesteenweg, 162/8 Ŕ B 1060 Brussel Open van dinsdag tot zaterdag van 10 tot 18 u 30 Phone : 00. 32 (0)2.538.69.17 Ŕ Fax : 00. 32 (0)2.537.46.05 Mail : [email protected] Internet : www.ferraton.be N° 37 J.B. Ansems N° 69 P. C. Hoofts N° 111 J.-Fr. Le Petit N° 223 Abraham de Wicquefort N° 238 Jacques Callot N° 461 P. Denys de Montfort N° 554 Charlie Chaplin N° 658 Alexandre Dumas (Carjat) TABLE DES MATIÈRES PREMIÈRE VACATION : VENDREDI 4 FÉVRIER 2011 À 13 H Manuscrits et livres anciens du 15e au 18e siècle 1-230 Gravures et cartes géographiques anciennes 231-251 Histoire, militaria, voyages (livres édités aux 19e et 20e siècles) 252-331 Journaux anciens 332-341 Belgicana 342-403 Asie Ŕ Afrique : peinture, art, gravure, histoire, ethnographie 404-439 Sciences Ŕ Techniques Ŕ Médecine 440-484 Histoire du livre, de la reliure, de la gravure, bibliographie, -
Read an Excerpt
by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
The Three Musketeers an Adaptation by Jackie Mellor
THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there . -
The Three Musketeers 4 5 by Alexandre Dumas 6
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 The Three Musketeers 4 5 by Alexandre Dumas 6 ELEMENTARY S U M M A R Y hen the young d’Artagnan travels to Paris, he carries Dumas was born in France but his grandfather was a W with him a letter for Captain de Treville of the King’s French nobleman who had emigrated to Santo Domingo musketeers. Despite getting into a fight on the way, (now the Dominican Republic) where he had married a he arrives at the Captain’s house and there meets the three black woman. As a child he loved adventure stories and this men who are to become his firm friends, Athos, Porthos love came through later in his own writing. and Aramis, the three musketeers of the title. But before He first became famous in literary circles with his play their friendship can be confirmed, they each challenge him Henry III and His Court which was first performed in 1829 to to a duel. acclaim. He went on to write over 1200 books, although it Fortunately perhaps, before any of the duels can take must be said that many of these were the result of his place, the four musketeers are faced with men from the writing factory, where writing apprentices worked to flesh Cardinal’s guard and there is a fight which the musketeers out his ideas. Nevertheless, nearly all are clearly the result win. of his imagination and sense of storyline. -
Mousquetaires Du Roy Rulebook
Mousquetaires du Roy A game designed by François Combe & Gilles Lehman – Illustrated by Nériac & Arnaud Demaegd Developed by Cyril Demaegd – FAQ and forum: http://www.ystari.com – English rules editing by W. Eric Martin, BoardgameNews.com Thanks to: Hats off to monsieur Alexandre Dumas! A musketeer’s embrace to Nico, Fabien and Karine, and we cannot forget David and Stéphane, our favorite testers. A big thank you from François to his friends from Réel, Terres Chamanes and Ordalie and a heartfelt dedication to the three Benoîts, to Louis and to Ghislain. A bouquet of kisses from Gilles to Lady Flo and the two small musketeers Oriane and Virgile. Bravo to Céline and Hugo for taking the diamonds back to the Louvre. A friendly hello to Yves Renou and François Haffner. Finally, Ystari dedicates this game with all its heart to the memory of Vincent Moirin, the musketeer who left us far too early. We miss you. Contents of the box ● 1 game board showing plot locations ● 4 individual character cards for the Musketeers ● 5 figurines (Milady and 4 Musketeers) ● 10 special dice (6 blue and 4 red) ● 2 double-sided quest boards ● 70 tokens ● 110 cards Validation token Epic token ● 1 hourglass ● 1 screen ● these rules and the game guide Once upon a time... 1625. D’Artagnan, a young man fresh out of Gascony with ambitions of becoming a musketeer for the King – a “Mousqu- etaire du Roy” – makes the acquaintance of Athos, Aramis, Porthos and the beautiful Constance, linen maid to the Queen. Soon he finds himself at the heart of an adventure with France’s destiny at stake. -
Dossier De Presse De L'exposition
DOSSIER DE PRESSE EXPOSITION 2 avril - 14 juillet 2014 Portrait d’officier de mousquetaire de la 2e compagnie - Paris, musée de l’Armée 5 Éditorial 6 Communiqué de presse 9 Présentation de l’exposition 10 Parcours de l’exposition 21 Angles de visite 22 Multimédias 23 Jeune public 24 Catalogue 26 Cinéma 27 Événements 28 Concerts 29 Conférences 30 Illustrations 32 Partenaires 34 Informations pratiques The Three Musketeers 5 de Rowland V. Lee - 1935 Éditorial - RKO / Collection Patrick Brion ÉDITORIAL Général de division Christian Baptiste Directeur du musée de l’Armée RIEN DE PLUS STIMULANT ET DE PLUS FRUCTUEUX, QUE D’ASSOCIER L’hisTOIRE ET LA LITTÉRATURE POUR EXPLORER NOTRE PASSÉ EN GÉNÉRAL, LES AVENTURES DES MOUSQUETAIRES EN PARTICULIER. Après les expositions récemment consacrées à la paradoxe auquel il ne se trouve qu’une explication : colonisation et à la décolonisation de l’Algérie puis la magie de la littérature en général, de l’œuvre de l’Indochine, ainsi qu’à la conquête de l’Europe d’Alexandre Dumas en particulier mais aussi celle de par Napoléon Ier, une manifestation portant sur les l’imagination de ses lecteurs, dont nous sommes tous. mousquetaires peut surprendre. Et pourtant, il faut à Rien de plus stimulant et de plus fructueux donc, chacune de ces entreprises la même combinaison de que d’associer l’histoire et la littérature pour rigueur, d’inventivité, d’enthousiasme et d’ambition explorer notre passé en général, les aventures des didactique. Les visiteurs de la présente exposition mousquetaires en particulier. La visite de l’exposition, le percevront aussitôt, le but est toujours d’explorer se muera ainsi en un défi permanent : distinguer la l’histoire ; mais, comme le proclame le chansonnier, réalité de la fiction. -
Alexandre Dumas, the Three Musketeers (Chapters 4 and 5)
Alexandre Dumas, The Three Musketeers (Chapters 4 and 5) It is young D’Artagnan’s first day in Paris, having come there in hopes of becoming a Musketeer. While he is visiting the chief Musketeer, Treville, he looks out the window and notices a man who had insulted him a day or two before walking in the street. D’Artagnan bursts out, hoping to fight the man. D’Artagnan, in a state of fury, crossed the antechamber at three bounds, and was darting toward the stairs, which he reckoned upon descending four at a time, when, in his heedless course, he ran head foremost against a Musketeer who was coming out of one of M. de Treville’s private rooms, and striking his shoulder violently, made him utter a cry, or rather a howl. “Excuse me,” said d’Artagnan, endeavoring to resume his course, “excuse me, but I am in a hurry.” Scarcely had he descended the first stair, when a hand of iron seized him by the belt and stopped him. “You are in a hurry?” said the Musketeer, as pale as a sheet. “Under that pretense you run against me! You say, ‘Excuse me,’ and you believe that is sufficient? Not at all, my young man. Do you fancy because you have heard Monsieur de Treville speak to us a little cavalierly today that other people are to treat us as he speaks to us? Undeceive yourself, comrade, you are not Monsieur de Treville.” “My faith!” replied d’Artagnan, recognizing Athos, who, after the dressing performed by the doctor, was returning to his own apartment.