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The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber . -
SCOREBOARD Basketball
20—MANCHESTER HERALD. Monday. March 4.1991 SCOREBOARD TUESDAY Royd 1-2, Wood 52), Los Angslaa 2-10 (DIvac 24, Alabama 30) dki not play. NExt: vs. (Instigator, fighting), 13:53; Nolan, Qua, rnidor 1-1, Wbrthy 16, EJohnaon 51, ParMna 51, Florida at Naahvll, j, Tsnn, Friday. (fightaig), 13:53; Sokic, Qua (hooking), 1536; Tstiola 51, Scott 06). Foulad out-Nons. 25. Virginia (2310) did not play. NExt va. Hockey Gmis, QuE (charging), 1 6 3 8 Coif Basketball Rabounda—Houston 62 (1-Smith 22), Los An- Wbka ForEst at Chartotts, N C.. Frkfoy. Third PEriod—8 QuEbEc, Hough 10 (Hikoc, galas S3 (Worthy 10). AaaUts—Houaton 13 Sakic), 1362 (pp). 6, QuEbEc, M lEr 4 (Sakic, LOCAL NEWS INSIDE How women’s Top 25 fared Hough), 19:34. PEnaltiEs—JEnnings, Har (Maxwal. tCSmito. F l^ 13), Los AngoIss 24 Doral Open scores NBA standings (EJohnaon 8). Total touls-Houaton 23. Los How IhE AssociatEd PrEss' Top 25 womEn's NHL standings (rougNng), 136; Raglan, QuE, doubla minor Angaiss 20. Tachnicals—Houaton illogal Mam s farEd Sunday: W ALES CO N FER EN CE (rougNng), 136; Brown, Hor (unaportsmaNIkE MIAMI (AP) — Full and partial acor^ Sunday i A m i M C O N FE R E N C E dsfonaa 3, Los Angalaa Bagal datartas. Wordy. P a trick D iv isio n condiict), 239; Qillip QuE (unaportamaNHw during thE lightning-suspEndEd ktorth round of ■ Parkade subdivision approved. AtlMUeDIvtaton 1. Virginia (27-2) lost to dam son 65-62. A— 17,506. 2. Pann StatE (231) did not play. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
The Webfooter
August 2016 Happy Trails of the Wild, Wild West Cowboy King Roy Rogers – Honorary Grand Marshal – 1954 Rose Festival Grand Floral Parade. Happy Trails of the Wild, Wild West – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Happy Trails of the Wild, Wild West For more than three decades, the western genre dominated what we saw on the silver screen. We grew up with western movie stars like John Wayne, Gene Autry, Roy Rogers, Audie Murphy, Randolph Scott and many more. Western actor Bob Steele was born Robert Adrian Bradbury on January 23, 1907 in Portland, Oregon, into a vaudeville family. After about ten years of touring, the family settled in Hollywood, California, where his father soon found work in the movies, first as an actor and later as a director. Bradbury actually directed John Wayne in more westerns than any other director, albeit low-budget ones. By 1920, Robert Bradbury hired his son Bob and Bob's twin brother, Bill (1907–1971), as juvenile leads for a series of adventure movies titled The Adventures of Bob and Bill. Steele's career began to take off for good in 1927, when he was hired by production company Film Booking Offices of America (FBO) to star in a series of westerns. Renamed Bob Steele at FBO, he soon made a name for himself by working for almost every film studio, including Monogram, Supreme, Tiffany, Syndicate, Republic (including several films of the Three Mesquiteers series) and Producers Releasing Corporation (PRC) (including the initial films of their "Billy the Kid" series), plus he had a role in an adaptation of John Steinbeck's novel, Of Mice and Men in 1939. -
Best B-Westerns-2
B-Western Round Up Best of the best Hollywood series westerns with Cowboy Stars. Roy Rogers Red River Valley (1941) with Gabby Hayes, Gale Storm and Pat Brady. Roy helps ranchers raise money to build a reservoir but loses it to a gambler through a crooked stock deal. The Song of Texas (1943) with Pat Brady. Roy entertains at a children's hospital. Big stagecoach race. Heldorado (1946) with Gabby Hayes and Dale Evans. Roy is guard at Boulder Dam, who helps celebrate Las Vegas’ H2eldorado festival while capturing racketeers with the local casinos. Roll On Texas Moon (1946) with Gabby Hayes and Dale Evans. Roy tries to prevent a range war between cattlemen and sheepherders. Springtime in the Sierras (1947, color) with Andy Devine, Roy Barcroft and Jane Frazee. A THE THREE MESQUITEERS gang headed by evil Stephanie Bachelor is Popular Republic Pictures series with a trio of slaughtering game out of season. heroes -- Robert Livingstone, Ray Corrigan, Max Terhune and his ventriloquist dummy! Bells of San Angelo (1947, color) with Dale Evans, Andy Devine. Along the Mexican border, Ghost Town Gold (1936) The Three Mesquiteers Roy joins Western novelist Dale in a search for try to recover gold stolen by a gang in its effort to smugglers. They discover a silver mine. ruin the banker/mayor. GENE AUTRY Riders of the Whistling Skull (1937) A The Big Show (1936) At the Texas Centennial in supernatural western! The Three Mesquiteers Dallas Gene confuses two girls by being himself and accompany an archeological expedition to a lost his own movie stunt double. -
Musketeer, in Uniform, During the Late 17Th Century (When Louis XIV Was King of France)
THE REAL D'ARTAGNAN 0. THE REAL D'ARTAGNAN - Story Preface 1. PROTESTANT REFORMATION and FRANCE 2. EVE of a MASSACRE 3. ST. BARTHOLOMEW'S DAY MASSACRE 4. AN UNTIMELY DEATH 5. CARDINAL RICHELIEU 6. RICHELIEU and the HUGUENOTS 7. LORD BUCKINGHAM 8. SIEGE of LA ROCHELLE 9. THE DEATH of BUCKINGHAM 10. THE REAL D'ARTAGNAN 11. REAL EXPLOITS of D'ARTAGNAN Musketeers, like D’Artagnan, were part of an elite group of extremely good soldiers. Despite their wide popularity in modern culture—likely thanks to Alexander Dumas and his prolific writing—the real musketeers were all about the advanced weapon they used ... the flintlock musket. When the King’s guard received these muskets, Louis XIII changed their name from the King's Carabineers to the King's Musketeers. This image depicts a Musketeer, in uniform, during the late 17th century (when Louis XIV was King of France). It is from Louis XIV's Army, by Chatrand Rene, Osprey Publishing, LTD., London (1988). Online, via Madame Bonamcieux's Cavalier Page. Musketeers of the King (mousquetaire du roi in French) were named after the firearms (muskets) they wielded, although they are best remembered for their swashbuckling exploits. Because they were an elite force, led by the King himself, it was difficult to become a musketeer. D’Artagnan—a main character in The Three Musketeers (the novel by Alexandre Dumas)—learned that fact firsthand. Was D’Artagnan, the fictional musketeer, a real person? Turns out the answer is "Yes." Born (sometime between 1610-1620) in his family’s chateau (which today is located in the village of Lupiac), his name was Charles de Batz-Castelmore d’Artagnan. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
Big Spy Country: Film and the U.S.-Canada Borderlands During The
49th Parallel, Vol. 29 (Summer 2012) Brégent-Heald ISSN: 1753-5794 (online) Big Spy Country: Film and the U.S.-Canada Borderlands during the Second World War Dominique Brégent-Heald* Memorial University of Newfoundland I see a long straight line athwart a continent: no chain of forts, or deep flowing river or mountain range, but a line drawn by men upon a map nearly a century ago, accepted with a handshake and kept ever since. A boundary which divides nations yet marks their friendly meeting ground: The 49th parallel, the only undefended frontier in the world.1 So begins the 1941 feature film 49th Parallel, actualised by the renowned director- writer team of Michael Powell and Emeric Pressburger, and produced by the British Ministry of Information, which was responsible for the preparation and dissemination of materials to uphold civilian morale. The filmmakers designed this cross-border thriller as a way to inform the U.S. public of the dangers that a seemingly distant Nazi regime posed to their way of life. At a time when the United States officially remained neutral regarding the overseas hostilities, the film served as an effective piece of propaganda. Meanwhile, between 1939 and 1943, Hollywood had also been producing alarmist films set in the U.S.-Canada borderlands that dealt with the looming Nazi menace in North * Dominique Brégent-Heald is an associate professor of history at the Memorial University of Newfoundland. She can be contacted at [email protected]. 1 49th Parallel, Vol. 29 (Summer 2012) Brégent-Heald ISSN: 1753-5794 (online) America. Although small in number, these motion pictures represent a compelling wartime film cycle. -
Hollywood Movie Surveyors: the “R” Rated Version (A) (L) (N) (S) (V) – but NO (D) !?!
Hollywood Movie Surveyors: The “R” Rated Version (A) (L) (N) (S) (V) – BUT NO (D) !?! John F. BROCK, Australia Key words: SUMMARY Amongst my first collection of movies in which surveying scenes were contained, there were only two which contained content which in any way could be construed as sexy or violent. However, of subsequent findings which have come to my attention the same wholesome predominance certainly cannot be declared, as lewd scenes of voyeurism, sex and nudity, along with abundant violence, are featuring in much greater proportion. Even though one scene is graphically savage resulting in the grisly demise of the geological surveyor, others tend towards the melodramatic and quite unbelievable when surveyors or their assistants are seen using the theodolite as a defensive weapon or employing survey marker stakes to crack over the heads of rival surveying teams. In two of the movies, the surveying instrument is utilised to spy upon unknowing victims who have very few, if any, clothes upon their person, thus portraying the users in quite an unsavoury manner. On the lighter side of this brand new collection of Hollywood surveying footage we even see Secret Agent 007 encouraged to inspect the survey marks on an oil pipeline set out, by his voluptuous femme fatale, Electra, in “The World Is Not Enough”, more surveyors having their hats shot off in another “Duke” classic, and surveys of plant roots in a community garden in an episode of “Dharma and Greg”. All in all, this is yet another fantastic collage of surveying in the immortal traditions of Hollywood entertainment, but may I suggest that children be suitably screened from access to this naughty but nice sequel of saucy silver screen surveying !! Now cover the eyes and ears of the children, the squeamish and the prudish, and sit back, and occasionally on the edge of your seats, for a very adult viewing of surveying in Hollywood movies … and enjoy – very much !! TS 24 – Different Perspectives to Surveying 1/15 John F. -
The Three Musketeers by Ken Ludwig
October 13-15, 2017 The New Hazlett Theater Thanks Three Musketeers for bringing the arts to life. 1-800-345-6040 • treloaronline.com The Jester’s Guild Presents The Three Musketeers By Ken Ludwig Adapted from the novel by Alexandre Dumas First performed by Bristol Old Vic December 2006 Director: Derek Lynch Fight Director: Tonya Lynn Stage Manager: Whitney L. Falba Assistant Stage Manager: Marcus Yeagley Costume Designer: Liz Nalepa Prop Master: Andrew Prentice Lord of the Dance: Addison Whetzel Cast d’Artagnan …...................................................................Ryan Bergman Athos ….................................................................................Dana Babal Aramis ….............................................................................David Lynch Porthos ….......................................................................Adam Rutledge Sabine …...............................................................................Emma Crist Cardinal Richelieu …..........................................John Henry Steelman Milady de Winter …..........................................................Anne Rematt Rochefort …...................................................................Brendan Karras King Louis XIII …....................................................................Jim Falba Queen Anne ….............................................................Tracy Rudzinski Constance Bonacieux ….....................................................Mary Houle Monsieur de Treville/d’Artagnan’s Father….................Bogdan -
Missouri Digital Heritage Hosted Collections
- ' , - - '. ENTERTAINMENT PULLOUT Editor's Note: AH events and are" movies Lee Ruth. 9 p.m. to 1 subject to last minute changes. Please call Gladstone's. to verify listings. a.m. Wed.. Missouri Hell Band, 9 p.m. to 1 a.m. Thurs. through Sat., 3111 Business 63 South. : MOVIES Good Time Country, The Good-timer- s, M08 iMnMM WMMnm 9 p.m. to 1 a.m Sat., RD 4. MSA. Films: Help, 8 p.m." tonight Ranch House Lounge and Dart Straw Dogs, 8 p.m. Wed.. Both Room, Roust About, 9 p.m. to -- 1 . "free, Jesse Aud., University. a.m. Wed.. Thurs., Adam Gold University Films: Red River, 8 p.m. and Brothers Image, 9 p.m. to 1 tonight, Ellis Aud. a.m. Fri., Sat., 3304 Clark Lane. Memling Painter 61 Bruges and Spats Baxter's. Tom Edwards, 9 Ancient Peruvian, noon Wed., p.m. to 1 a.m. Wed.. Crossroads Bambi, 4 p.m. Thurs., Assembly West Shopping Center. Room. Danie! Boone Regional T.W. Chumley's. Bass Ave. Boys. 8 Library. Both free. p.m. to 12 a.m. tonight. 9 p.m. to 1 a.m. Thurs.; Tom Edwards. 9 MSA Films: Animal House, 7 and p.m. to 1 a.m. Tues.; Mean 9:30 p.m. Fri, Moonraker, 7 and Mother Frog, 9 p.m. to 1 a.m. 9:30 p.m. Sat. Both films, Jesse Sat., 119 South 7th. Aud., University. Tickets 75 ..cents at Memorial Union ticket SPORTS -- window or$1 . atJoor.r. wSscapeprHjlographsbyOiiverSchuchsiare iS41.;G), John Belushi, 7 and 9 SAizzou Basketball vs.