Mousquetaires Du Roy Rulebook
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THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with Other MUSKETEERS and RED GUARDS Clear a Path Through a Bustling CROWD
EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with other MUSKETEERS and RED GUARDS clear a path through a bustling CROWD. Excitement is in the air. CONSTANCE is amongst the CROWD, accompanied by FLEUR BAUDIN and her friend THERESE DUBOIS. ARAMIS Stand back. They jostle for a good position to see whatever is coming next. THERESE Please, let me through! Meanwhile FATHER LUCA SESTINI leads his horse away from the CROWD, unknown that he is being followed by three THIEVES. EXT. PARIS. STREET. DAY SESTINI pauses to tie up his horse and rest, then starts to take down his luggage from the saddle. Seeing their opportunity the THREE THIEVES push him roughly aside and try to grab the bags from him. SESTINI Help! Please help! Help! He turns and calls into the CROWD. SESTINI (cont'd) Thieves! Thieves! ATHOS and ARAMIS hear his cries as they ride through the CROWD. They glance at each other and nod. ATHOS Make way!! They push their way through the CROWD, climb down off their horses and launch into a sword fight with the THIEVES. EXT. PARIS. STREET. DAY The Royal Carriage continues on its journey through the cheering CROWD with TREVILLE and PORTHOS at the head. (CONTINUED) 2. CONTINUED: The CROWD cheer from either side of the street as the carriage hurries through. MAN God bless you, Your Majesty! EXT. PARIS. STREET. DAY The sword fight between ARAMIS, ATHOS and the three THIEVES continues, even SESTINI has drawn his dagger and fights. One of the THIEVES picks up one of SESTINI’s bags and starts to run off with it. -
FAMILY Nemacheilidae Regan, 1911
FAMILY Nemacheilidae Regan, 1911 - stone loaches [=Nemachilinae, Adiposiidae, Lefuini, Yunnanilini, Triplophysini] GENUS Aborichthys Chaudhuri, 1913 - hillstream loaches Species Aborichthys boutanensis (McClelland, 1842) - Bolan hillstream loach [=kempi] Species Aborichthys cataracta Arunachalam et al., 2014 - Arunachal hillstream loach Species Aborichthys elongatus Hora, 1921 - Reang hillstream loach Species Aborichthys garoensis Hora, 1925 - Tura hillstream loach Species Aborichthys kempi Chaudhuri, 1913 - Egar hillstream loach Species Aborichthys tikaderi Barman, 1985 - Namdapha hillstream loach Species Aborichthys verticauda Arunchalam et al., 2014 - Ranga hillstream loach Species Aborichthys waikhomi Kosygin, 2012 - Bulbulia stone loach GENUS Acanthocobitis Peters, 1861 - loaches Species Acanthocobitis pavonacea (McClelland, 1839) - pavonacea loach [=longipinnis] GENUS Afronemacheilus Golubtsov & Prokofiev, in Prokofiev, 2009 - stone loaches Species Afronemacheilus abyssinicus (Boulenger, 1902) - Bahardar stone loach Species Afronemacheilus kaffa Prokofiev & Golubtsov, 2013 - kaffa stone loach GENUS Barbatula Linck, 1790 - stone loaches [=Cobites, Orthrias] Species Barbatula altayensis Zhu, 1992 - Kelang stone loach Species Barbatula barbatula (Linnaeus, 1758) - stone loach [=anglicana, blackiana, caucasicus, erythrinna, fuerstenbergii, furstenbergii, hispanica B, hispanica L, markakulensis, parisiensis, taurica, pictava, pironae, vardarensis, variabilis] Species Barbatula conilobus Prokofiev, 2016 - Bogd loach Species Barbatula dgebuadzei -
LESMAP De Drie Musketiers
DE DRIE MUSKETIERS lesmap Beste leerkracht, Binnenkort woont u met uw klas het OORcollege De drie musketiers van het Antwerp Symphony Orchestra bij. In deze lesmap vindt u alles om van uw leerlingen muzikale helden te maken die goed voorbereid zijn op het concertbezoek waarbij ze kennismaken met de dappere lijfwachten van Lodewijk XIII. Tijdens het concert horen ze de beroemde leuze ‘Eén voor allen, allen voor één’ weerklinken op muziek van de Britse componist Malcolm Arnold. De drie musketiers is een vuistdikke klassieker geschreven door de Franse schrijver Alexandre Dumas. De roman werd voor het eerst als boek gepubliceerd in 1844. Tijdens het OORcollege luisteren de leerlingen naar een nieuwe versie, een fl itsende vertelling perfect op maat van leerlingen van het 3e, 4e en 5e leerjaar. De voorstelling wordt gespeeld door de lijfwachten van theatergroep Lazarus met Joris Van den Brande (spel en tekst), Günther Lesage (spel) en Pieter Genard (spel). Dirk Brossé scherpt alvast het puntje van zijn dirigeerstok om samen met het Antwerp Symphony Orchestra de muzikale uitvoering te verzorgen. Deze lesmap bevat naast achtergrondinformatie en educatieve tips ook nog verschillende uitgewerkte muzische opdrachten die de kinderen stimuleren om zelf actief op zoek te gaan naar de hechte broederschap tussen de musketiers. Ze ontdekken hoe het leven aan het Franse hof vol intriges zat. Werken op een muzische manier is een ideale werkwijze om moeilijke thema’s zoals ‘broederschap, samenhorigheid of macht’ makkelijker te verteren. Na afl oop van de voorstelling kan u dit materiaal ook nog verder gebruiken. Praat met uw leerlingen na over het OORcollege. -
Vendredi 4 Et Samedi 5 Février 2011 À 13 H Vrijdag 4 En Zaterdag 5 Februari 2010 Om 13 U
VENTE PUBLIQUE DE LIVRES ET DE GRAVURES OPENBARE VEILING VAN BOEKEN EN PRENTEN Vendredi 4 et samedi 5 février 2011 à 13 h Vrijdag 4 en zaterdag 5 februari 2010 om 13 u Exposition et vente À LA LIBRAIRIE Ch. de Charleroi 162, 1060 Bruxelles Tentoonstelling en veiling IN DE BOEKHANDEL Charleroisesteenweg 162, 1060 Brussel Exposition : Vendredi 28 et samedi 29 janvier de 10 à 19 h et du lundi 31 janvier au jeudi 3 février de 10 à 19 h Tentoonstelling : Vrijdag 28 en zaterdag 29 januari van 10 tot 19 u en van maandag 31 januari tot donderdag 3 februari van 10 tot 19 u LE LIBRAIRE ALAIN FERRATON Chaussée de Charleroi, 162/8 Ŕ B 1060 Bruxelles Ouvert du mardi au samedi de 10 à 18 h 30 Charleroisesteenweg, 162/8 Ŕ B 1060 Brussel Open van dinsdag tot zaterdag van 10 tot 18 u 30 Phone : 00. 32 (0)2.538.69.17 Ŕ Fax : 00. 32 (0)2.537.46.05 Mail : [email protected] Internet : www.ferraton.be N° 37 J.B. Ansems N° 69 P. C. Hoofts N° 111 J.-Fr. Le Petit N° 223 Abraham de Wicquefort N° 238 Jacques Callot N° 461 P. Denys de Montfort N° 554 Charlie Chaplin N° 658 Alexandre Dumas (Carjat) TABLE DES MATIÈRES PREMIÈRE VACATION : VENDREDI 4 FÉVRIER 2011 À 13 H Manuscrits et livres anciens du 15e au 18e siècle 1-230 Gravures et cartes géographiques anciennes 231-251 Histoire, militaria, voyages (livres édités aux 19e et 20e siècles) 252-331 Journaux anciens 332-341 Belgicana 342-403 Asie Ŕ Afrique : peinture, art, gravure, histoire, ethnographie 404-439 Sciences Ŕ Techniques Ŕ Médecine 440-484 Histoire du livre, de la reliure, de la gravure, bibliographie, -
Read an Excerpt
by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
The Three Musketeers an Adaptation by Jackie Mellor
THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there . -
The Three Musketeers in the Novel by Alexandre Dumas “The Three Musketeers”
SOCIAL INFLUENCES OF D’ARTAGNAN TOWARD THE THREE MUSKETEERS IN THE NOVEL BY ALEXANDRE DUMAS “THE THREE MUSKETEERS” Rosmaidar1, Dewi Canggih2 Dosen Universitas Bina Darma1, Mahasiswa Universitas Bina Darma2 Jalan Ahmad Yani No.3 Palembang Sur-el: [email protected], [email protected] Abstract: This study is to describe the kinds of social influences of D’Artagnan toward the three musketeers in the Novel “The Three Musketeers”. ”The Three Musketeers” set in seventeenth- century England and France, this classic rip – roaring tale tells of valour, intrigue and love. “The Three Musketeers”, Athos, Porthos and Aramis, and their companion, D’Artagnan, fight and love their way through a series of hair-raising adventures. This study used the descriptive method. The writers used the technique of documentation, where the data were collected from books, dictionaries, and internet.D’Artagnan social influences toward The Three Musketeers are divided into (1) Friendship, (2) Charisma, (3) Reputation, and, (4) Conformity. In charisma effect divided into two subjects (a) Leadership and (b) Power. He has given good and big effect to The Three Musketeers through his social influences. Keywords: The Three Musketeers, D’artagnan, Social Influence Abstrak: Penelitian inibertujuan untuk menggambarkan jenis pengaruh sosial dari D'Artagnan menuju three musketeers dalam Novel “The Three Musketeers”. “The Three Musketeers” diatur dalamabad ketujuh belas Inggris dan Perancis, kisah ini bercerita tentang keberanian, intrik dan cinta. “The Three Musketeers”, Athos, Porthos dan Aramis, dan teman mereka, D'Artagnan, melawan dan mencintai cara mereka melalui serangkaian petualangan yang menegangkan. Penelitian ini menggunakan metode deskriptif. Penulis menggunakan teknik dokumentasi, di mana data dikumpulkan dari buku-buku, kamus, dan internet. -
Man in the Iron Mask Study Guide
Synopsis A swashbuckling action adventure ‘The Man in the Iron Mask’ reunites the legendary Three Musketeers to once again defend the throne of France. When the Musketeers join forces to rescue a mysterious masked prisoner in the infamous Bastille Prison, they reveal a long held secret that could end the King’s reign and destroy their enduring alliance. In a dual role, Leonardo DiCaprio stars as King Louis XIV and ‘The Man in the Iron Mask’. The Three Musketeers are played by John Malkovich (Athos), Gerard Depardieu (Porthos) and Jeremy Irons (Aramis). Gahriel Byrne plays d’Artagnan, the famous Captain of the Musketeers. Director Randall Wallace UK release date March 20, 199R Certificate 12 Running time 132 mins History Now and Then When Alexandre Dumas wrote the stories involving the Musketeers - Athos, Porthos, Aramis and d’Artagnan - there must have been something attractive about the period in which he set his stories. Dumas was looking for a time in history which might have reflected some of the concerns of his own time. He was also looking for stories which would make ‘ripping yarns’. · Is this the same for historians and historical novelists today? Are the periods and subjects that they study simply chosen because they themselves are interested in them or do they have a relevance? Perhaps an ‘echo’ of what is happening in the world today! · What about your history studies? Why do you think you are studying the periods in history that you are? TASKS Look at some of the historical novels that are popular at the moment, for example the Sharpe series. -
Alexandre Dumas, the Three Musketeers (Chapters 4 and 5)
Alexandre Dumas, The Three Musketeers (Chapters 4 and 5) It is young D’Artagnan’s first day in Paris, having come there in hopes of becoming a Musketeer. While he is visiting the chief Musketeer, Treville, he looks out the window and notices a man who had insulted him a day or two before walking in the street. D’Artagnan bursts out, hoping to fight the man. D’Artagnan, in a state of fury, crossed the antechamber at three bounds, and was darting toward the stairs, which he reckoned upon descending four at a time, when, in his heedless course, he ran head foremost against a Musketeer who was coming out of one of M. de Treville’s private rooms, and striking his shoulder violently, made him utter a cry, or rather a howl. “Excuse me,” said d’Artagnan, endeavoring to resume his course, “excuse me, but I am in a hurry.” Scarcely had he descended the first stair, when a hand of iron seized him by the belt and stopped him. “You are in a hurry?” said the Musketeer, as pale as a sheet. “Under that pretense you run against me! You say, ‘Excuse me,’ and you believe that is sufficient? Not at all, my young man. Do you fancy because you have heard Monsieur de Treville speak to us a little cavalierly today that other people are to treat us as he speaks to us? Undeceive yourself, comrade, you are not Monsieur de Treville.” “My faith!” replied d’Artagnan, recognizing Athos, who, after the dressing performed by the doctor, was returning to his own apartment. -
THE THREE MUSKETEERS Character Breakdown Athos: A
THE THREE MUSKETEERS Character Breakdown Athos: A Musketeer in the King's Guard. Brilliant Swordsman. Seeming cold, calculating, and unromantic, he hides a generous and loyal soul under a hardened exterior. Aramis: A Musketeer in the King's Guard. Brilliant Swordsman. Torn between his love of the ladies and his desire to join the priesthood. Swordplay and romance are extensions of his artistry. Portos: A Musketeer in the King's Guard. Brilliant Soldier. Violent and sometimes barbaric he loves his clothes and his drink. D'Artagnan: Youthful. Impetuous. Great with a sword. Comes to Paris to become a Musketeer like his father before him. Quick to act, he doesn't always think things through. This is the story of how he becomes a man. Rochqueforte: The Long and somewhat inept arm of Cardinal Richelieu's law. He is vicious and deadly but buffoonish. Cardinal Richelieu: He is powerful, conniving and crafty and extremely self-serving. He wants to take over France and is getting pretty close to it. His own guard enforces his agenda often in opposition to the King's guard and desires. Louis XIII- King of France- Not a bright bulb. Spoiled, childish, and easily manipulated. Planchet: The oafish servant of the 3M. He is put upon but very loyal and surprisingly handy to have around. Queen of France- Louis's young queen. Her dalliance with Buckingham of England almost sends Europe in to war. Stately and refined and worldly. She knows the Cardinal is up to no good. Milady (Countess de Winter) A beautiful but evil seductress. -
Mousquetaires Du
Mousquetaires du Roy A game designed by François Combe & Gilles Lehman – Illustrated by Frédéric Cérani & Arnaud Demaegd Developed by Cyril Demaegd – FAQ and forum: http://www.ystari.com – English rules editing by W. Eric Martin, BoardgameNews.com Thanks to: Hats off to monsieur Alexandre Dumas! A musketeer’s embrace to Nico, Fabien and Karine, and we cannot forget David and Stéphane, our favorite testers. A big thank you from François to his friends from Réel, Terres Chamanes and Ordalie and a heartfelt dedication to the three Benoîts, to Louis and to Ghislain. A bouquet of kisses from Gilles to Lady Flo and the two small musketeers Oriane and Virgile. Bravo to Céline and Hugo for taking the diamonds back to the Louvre. A friendly hello to Yves Renou and François Haffner. Finally, Ystari dedicates this game with all its heart to the memory of Vincent Moirin, the musketeer who left us far too early. We miss you. Contents of the box ● 1 game board showing plot locations ● 4 individual character cards for the Musketeers ● 5 figurines (Milady and 4 Musketeers) ● 10 special dice (6 blue and 4 red) ● 2 double-sided quest boards ● 70 tokens ● 110 cards Validation token Epic token ● 1 hourglass ● 1 screen ● these rules and the game guide Once upon a time... 1625. D’Artagnan, a young man fresh out of Gascony with ambitions of becoming a musketeer for the King – a “Mousqu- etaire du Roy” – makes the acquaintance of Athos, Aramis, Porthos and the beautiful Constance, linen maid to the Queen. Soon he finds himself at the heart of an adventure with France’s destiny at stake.