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THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with Other MUSKETEERS and RED GUARDS Clear a Path Through a Bustling CROWD
EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with other MUSKETEERS and RED GUARDS clear a path through a bustling CROWD. Excitement is in the air. CONSTANCE is amongst the CROWD, accompanied by FLEUR BAUDIN and her friend THERESE DUBOIS. ARAMIS Stand back. They jostle for a good position to see whatever is coming next. THERESE Please, let me through! Meanwhile FATHER LUCA SESTINI leads his horse away from the CROWD, unknown that he is being followed by three THIEVES. EXT. PARIS. STREET. DAY SESTINI pauses to tie up his horse and rest, then starts to take down his luggage from the saddle. Seeing their opportunity the THREE THIEVES push him roughly aside and try to grab the bags from him. SESTINI Help! Please help! Help! He turns and calls into the CROWD. SESTINI (cont'd) Thieves! Thieves! ATHOS and ARAMIS hear his cries as they ride through the CROWD. They glance at each other and nod. ATHOS Make way!! They push their way through the CROWD, climb down off their horses and launch into a sword fight with the THIEVES. EXT. PARIS. STREET. DAY The Royal Carriage continues on its journey through the cheering CROWD with TREVILLE and PORTHOS at the head. (CONTINUED) 2. CONTINUED: The CROWD cheer from either side of the street as the carriage hurries through. MAN God bless you, Your Majesty! EXT. PARIS. STREET. DAY The sword fight between ARAMIS, ATHOS and the three THIEVES continues, even SESTINI has drawn his dagger and fights. One of the THIEVES picks up one of SESTINI’s bags and starts to run off with it. -
Round 5 Round 5 First Half
USABB National Bowl 2015-2016 Round 5 Round 5 First Half (1) Brigade 2506 tried to overthrow this leader but was stymied at Playa Giron. This man took control of his country after leading the 26th of July Movement to overthrow Fulgencio Batista; in that coup, he was assisted by Che Guevara. After nearly a (*) half-century of control, this leader passed power on to his 77-year-old brother, Raul in 2008. The Bay of Pigs invasion sought to overthrow, for ten points, what long-time dictator of Cuba? ANSWER: Fidel Castro (1) This man murdered his brother for leaping over the wall he had built around the Palatine Hill. For ten points each, Name this brother of Remus. ANSWER: Romulus Romulus and Remus were the legendary founder twins of this city. ANSWER: Rome According to legend, Romulus and Remus were abandoned in the Tiber, but washed ashore safely and were protected by this animal until shepherds found and raised them. ANSWER: she-wolf (2) This man made the film Chelsea Girls and filmed his lover sleeping for five hours in his film Sleep. This artist, who was shot by Valerie Solanas, used a fine mesh to transfer ink in order to create portraits of icons like (*) Mao Zedong and Marilyn Monroe. This artist produced silk screens in his studio, \The Factory," and he coined the term “fifteen minutes of fame." For ten points, name this Pop Artist who painted Cambell's soup cans. ANSWER: Andrew \Andy" Warhola, Jr Page 1 USABB National Bowl 2015-2016 Round 5 (2) Two singers who work in this type of location sing \Au fond du temple saint," and Peter Grimes commits suicide in this type of location. -
Cinémagazine 1923 N°29, 20/07/1923
Le Numéro : 1 fr. 3" Année — N" 29 20 Juillet 1923 Organe des Paraît tous "Amis du Cinéma " (jnémagazine les Vendredis PUBLICATION IION./HÉE D'UNI; SUBVENTION DU MINISTÈRE DES AFFAIRES ETRANGÈRES ABONNEMENTS JEAN PASCAL ABONNEMENTS France Un an . .40 fr. Directeur-Rédacteur en Chef Etranger Un an . 50 tr. - Six mois . 22 fr. Bureaux: 3., Rue Hossini, PAKIS (9*). Tél. : Gutnhrg 32-32 — Six mois . 28 fr. UsaBi f «m « — Trois mois. 12 fr. liii Les abonnements partent le 1er de chaque mois — Trois mois 15 fr. Chèque p-stat N° 3O9 08 (l.a publicité est reçue aux Bureaux du Journal) Paiement par mandat-rarle international Usine Jiiiiiiiimiiiiiiiiiiiiiimiiiiiiiiiiiiiiii MMMiiiiiiiiiiiiiiHiiimmiiiiMimMiiiiimiiiiiimiimiiij: Principale SOMMAIRE VJNGENNES" Pa^es ~ E UN ANNIVERSAIRE : SJSVËRIN-'MAKS, par Juan Arroy 7-9 — = QUELQUES FLEURS SUR I.A TOMBE : Maeterlinck cl M" Brion 84 E E SÉVICKIN-MARS ECRIVAIN : Les Paumes pendant la Guerre 85 s E DEUX POÈMES 86 E E « AMES SAUVAGES » (Fragment de la pièce en 4 actes de Séverin-Mars) .... 87 = PAT HE E LES « AMIS DU CINÉMA » AUX STUDIOS GAUMOXT, par Albert Bonneau .... 91 = la négative LES « JUVÉNILES » DE L'ÉCRAN AMÉRICAIN, par Robert Florcy 93 E E SCÉNARIOS : LES RÔDEURS DE [.'AIR (2'' épis.) 96 = E LES GRANDS FILMS : CE PAUVRE Cri feux, par J. de M 97 E E PENDANT QUE L'ON TOURNE « KEAN » 97 E E CE QUE L'ON DIT, par Lucien Doublon 9p E E CINÉMAGAZINË A BARCELONE, par teodo/a de Andreu 96 s — CINÉMAGAZINË A NICE, par P. />' 96 E E CINÉMAGAZINË A ALGER, par P. -
Romantic Hero, Language Arts: 5113.92. INSTITUTION Dade County Public Schools, Miami, Fla
DOCUMENT RESUME ED 087 029 CS 201 015 TITLE Romantic Hero, Language Arts: 5113.92. INSTITUTION Dade County Public Schools, Miami, Fla. PUB DATE 72 NOTE 21p.; Authorized course of instruction for the Quinmester Program EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Course Content; *Course Descriptions; Curriculum Guides; *English Instruction; Language Arts; *Literary Analysis; Novels; Poetry; *Romanticism; Secondary Education; *Teaching Guides; Western Civilization IDENTIFIERS Minicourses; *Quinmester Program ABSTRACT Developed for a high school guinmester unit on the romantic hero, this guide contains teaching strategies for a study of the characteristics of the romantic hero as he appears in various literary selections. Several major literary works are analyzed and discussed in comparison with popular culture heroes, and the portrayal of the romantic hero in the literature of western cultures is traced from the Greek culture to the present. The subject matter includes an identification of the elements of the romantic hero, the problems raised by the romantic hero, and the effects of the romantic hero on the individual today. The guide is arranged according to performance objectives, with appropriate teaching strategies listed under each objective. A list of student and teacher resources (state-adopted textbooks and references) is provided. (RB) S 01.1.4141-11.11.N1 Or111:111.111 I OUCAIION & YVC1.rARE 1`11111CP4.41. INSTIfUIL Of 1.011CA 010N 41 " . 11A III I.* V .101141/A., 1 l'1 .4 , 41 .1.1 1,160.10...4 /A A I ON, A' t. 0 110 1 411'41 0 A. NA, .)4A. # , A. 04 Pr% FOR THE AUTHORIZED COURSEOF INSTRUCTION U N/14 4 rrt C-) CD -i LANGUAGE ARTS cav Romantic Hero r-- ce) 511:1.92 5114. -
Anglo-Dutch Relations, a Political and Diplomatic Analysis of the Years
1 ANGLO-DUTCH RELATIONS A Political and Diplomatic Analysis of the years 1625-1642 ’’Nations have no permanent friends or allies, they only have permanent interests’’ Lord Palmerston Britain’s Prime Minister 1855 and 1859-65 Anton Poot, M.A. Royal Holloway University of London March 2013 Supervised by Professor Pauline Croft, MA (Oxon) DPhil. FSA FRHistS, to be submitted in fulfilment of the degree of Doctor of Philosophy Declaration: I hereby declare that the work presented in this thesis, ANGLO-DUTCH RELATIONS A Political and Diplomatic Analysis of the years 1625-1642 is my own. Signed: Name: Anton Poot Date: 2013 For my wife Jesmond 2 ABSTRACT The aim of this thesis is to analyse Anglo-Dutch relations in this highly volatile period, as perceived and interpreted by both sides, and it also closes the gap between the notable theses of Grayson1 and Groenveld2. On 23 August 1625 Charles I and the Dutch Republic concluded a partnership agreement for joint warfare at sea and a month later a treaty for war against Spain. In December 1625 England, Denmark and the Republic signed treaties to establish the nucleus of an alliance against the Austrian Habsburgs. Charles wanted an active role in continental politics. Also to compel Spain to support his aim to restore his exiled sister Elizabeth and husband Count Elector Frederick V to their Palatinate estates and Frederick to his Electoral dignities in the Empire. The Dutch wanted England as an active partner in their war with Spain. It was a partnership of convenience, with different objectives but with the intention that success would serve the interests of both. -
NASAT 2012 Round 16 Tossups
NASAT 2012 Round 16 Tossups 1. One king of this place, Bera, rebels against the Elamite king Kedorlaomer, but is told that another man “will accept nothing belonging to you, not even a thread or the thong of a sandal.” One former resident of this place leaves it to go to Zoar, protesting that he cannot reach the mountains. After leaving here, one figure fathers Ben-Ammi and Moab after drunkenly having sex with his two daughters in a cave. In this location, two angels visit a man, who protects them from a crowd that wants to have sex with them. While leaving it, one woman looks behind and turns into a pillar of salt. For 10 points, name this wicked city which Lot flees from, which is destroyed by God along with Gomorrah. ANSWER: Sodom 052-12-59-16102 2. This character preemptively creates an alibi for one action by resetting all the clocks at a friend's house. At the beginning of the novel, this character sets off on his yellow horse with a letter of invitation and is knocked out by the companions of the "man from Meung," who becomes his enemy. This character nearly kills the Comte de Wardes on a trip to London with his servant Planchet and later pretends to be Wardes during a tryst, when he discovers the fleur-de-lis branded on a woman's shoulder. This character once comically schedules three duels at noon, 1 PM, and 2 PM, and falls in love with Milady de Winter. A friend of Athos, Aramis, and Porthos, for 10 points, name this Gascon rascal, the protagonist of The Three Musketeers. -
Sidney, Shakespeare, and the Elizabethans in Caroline England
Textual Ghosts: Sidney, Shakespeare, and the Elizabethans in Caroline England Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rachel Ellen Clark, M.A. English Graduate Program The Ohio State University 2011 Dissertation Committee: Richard Dutton, Advisor Christopher Highley Alan Farmer Copyright by Rachel Ellen Clark 2011 Abstract This dissertation argues that during the reign of Charles I (1625-42), a powerful and long-lasting nationalist discourse emerged that embodied a conflicted nostalgia and located a primary source of English national identity in the Elizabethan era, rooted in the works of William Shakespeare, Sir Philip Sidney, John Lyly, and Ben Jonson. This Elizabethanism attempted to reconcile increasingly hostile conflicts between Catholics and Protestants, court and country, and elite and commoners. Remarkably, as I show by examining several Caroline texts in which Elizabethan ghosts appear, Caroline authors often resurrect long-dead Elizabethan figures to articulate not only Puritan views but also Arminian and Catholic ones. This tendency to complicate associations between the Elizabethan era and militant Protestantism also appears in Caroline plays by Thomas Heywood, Philip Massinger, and William Sampson that figure Queen Elizabeth as both ideally Protestant and dangerously ambiguous. Furthermore, Caroline Elizabethanism included reprintings and adaptations of Elizabethan literature that reshape the ideological significance of the Elizabethan era. The 1630s quarto editions of Shakespeare’s Elizabethan comedies The Merry Wives of Windsor, The Taming of the Shrew, and Love’s Labour’s Lost represent the Elizabethan era as the source of a native English wit that bridges social divides and negotiates the ii roles of powerful women (a renewed concern as Queen Henrietta Maria became more conspicuous at court). -
Libeling Painting: Exploring the Gap Between Text and Image in the Critical Discourse on George Villiers, the First Duke of Buckingham
Libeling Painting: Exploring the Gap between Text and Image in the Critical Discourse on George Villiers, the First Duke of Buckingham THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Ivana May Rosenblatt Graduate Program in History of Art The Ohio State University 2009 Master's Examination Committee: Barbara Haeger, Advisor Christian Kleinbub Copyright by Ivana May Rosenblatt 2009 Abstract This paper investigates the imagery of George Villiers, the first Duke of Buckingham, by reinserting it into the visual and material culture of the Stuart court and by considering the role that medium and style played in its interpretation. Recent scholarship on Buckingham‘s imagery has highlighted the oppositional figures in both Rubens‘ and Honthorst‘s allegorical paintings of the Duke, and, picking up on the existence of ―Felton Commended,‖ a libel which references these allegories in relation to illusion, argued dually that Buckingham‘s imagery is generally defensive, a result of his unstable position as royal favorite, and that these paintings consciously presented images of the Duke which explicitly and topically responded to verse libels criticizing him. However, in so doing, this scholarship ignores the gap between written libels and pictorial images and creates a direct dialogue between two media that did not speak directly to each other. In this thesis I strive to rectify these errors by examining a range of pictorial images of Buckingham, considering the different audiences of painting and verse libel and addressing the seventeenth-century understanding of the medium of painting, which defended painterly illusionism and positioned painting as a ritualized language. -
FAMILY Nemacheilidae Regan, 1911
FAMILY Nemacheilidae Regan, 1911 - stone loaches [=Nemachilinae, Adiposiidae, Lefuini, Yunnanilini, Triplophysini] GENUS Aborichthys Chaudhuri, 1913 - hillstream loaches Species Aborichthys boutanensis (McClelland, 1842) - Bolan hillstream loach [=kempi] Species Aborichthys cataracta Arunachalam et al., 2014 - Arunachal hillstream loach Species Aborichthys elongatus Hora, 1921 - Reang hillstream loach Species Aborichthys garoensis Hora, 1925 - Tura hillstream loach Species Aborichthys kempi Chaudhuri, 1913 - Egar hillstream loach Species Aborichthys tikaderi Barman, 1985 - Namdapha hillstream loach Species Aborichthys verticauda Arunchalam et al., 2014 - Ranga hillstream loach Species Aborichthys waikhomi Kosygin, 2012 - Bulbulia stone loach GENUS Acanthocobitis Peters, 1861 - loaches Species Acanthocobitis pavonacea (McClelland, 1839) - pavonacea loach [=longipinnis] GENUS Afronemacheilus Golubtsov & Prokofiev, in Prokofiev, 2009 - stone loaches Species Afronemacheilus abyssinicus (Boulenger, 1902) - Bahardar stone loach Species Afronemacheilus kaffa Prokofiev & Golubtsov, 2013 - kaffa stone loach GENUS Barbatula Linck, 1790 - stone loaches [=Cobites, Orthrias] Species Barbatula altayensis Zhu, 1992 - Kelang stone loach Species Barbatula barbatula (Linnaeus, 1758) - stone loach [=anglicana, blackiana, caucasicus, erythrinna, fuerstenbergii, furstenbergii, hispanica B, hispanica L, markakulensis, parisiensis, taurica, pictava, pironae, vardarensis, variabilis] Species Barbatula conilobus Prokofiev, 2016 - Bogd loach Species Barbatula dgebuadzei -
The Three Musketeers Online
Ku4wb [Download] The Three Musketeers Online [Ku4wb.ebook] The Three Musketeers Pdf Free Alexandre Dumas ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Dumas Alexandre 2016-08-04Original language:English 9.00 x 1.29 x 6.00l, 1.66 #File Name: 1536873535572 pagesThe Three Musketeers | File size: 19.Mb Alexandre Dumas : The Three Musketeers before purchasing it in order to gage whether or not it would be worth my time, and all praised The Three Musketeers: 0 of 0 people found the following review helpful. Dumas' classic is a great swashbuckling storyBy Gary HoggattAlexandre Dumas' 1844 novel The Three Musketeers is the most well-known swashbuckling novel in the genre, and with good reason. This well-deserved classic is a lot of fun, and the adventures of d'Artagnan, Athos, Porthos, and Aramis are very enjoyable. There are a couple of small issues I have with the story, but it's well worth reading.Dumas takes an interesting approach in that our main protagonist, d'Artagnan, is not in fact one of the titular Three Musketeers. Travelling from Gascony to Paris in 1620's France to make his fortune, the young, arrogant, brave, and - fortunately for himself - very capable d'Artagnan ends up friends with Athos, Porthos, and Aramis, and caught in the web of plots surrounding Cardinal Richelieu, King Louis XIII, and the Queen, Anne of Austria. D'Artagnan and each of the Musketeers are an interesting character in their own right, with Athos serious and brooding, Porthos an amusing but deadly fop, and Aramis constantly flirting with taking up the priesthood. -
Read an Excerpt
by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.