EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with Other MUSKETEERS and RED GUARDS Clear a Path Through a Bustling CROWD
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THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Texas Talking Book News Texas State Library and Archives Commission Fall 2013
Texas Talking Book News Texas State Library and Archives Commission Fall 2013 Director’s Report Greetings! Here is the latest news: A new State Librarian: The Texas State Library and Archives Commission welcomed Mark Smith as its new Director and Librarian (popularly known as the State Librarian) on November 1, 2013. Smith is a native of Austin and worked for the agency back in the 1990s. He also has worked for the Texas Library Association and most recently as Vice- President for West Coast operations of Library Systems & Services, LLC (LSSI), in California. Smith is excited to be back in Texas and has great admiration for the Talking Book Program (TBP). He looks forward to working with staff to boost enrollment and to ensure the best possible services. The BARD Mobile App is now available: If you own an Apple iPad, iPhone, or iPod Touch (or have been thinking about acquiring one), you now may download an app from the Apple Store that will allow you to download books and magazines directly from BARD onto your device. The app is free, but you must have an active BARD account in order to use the app. TBP patrons who are using the new app report that they are very happy with it. If you would like to learn more about the BARD Mobile App for Apple devices, please call 1- 800-252-9605 and ask to speak with a BARD technical support staffer; if you would like to sign up for a BARD account, please follow the BARD link from our website (www.texastalkingbooks.org) or go to https://nlsbard.loc.gov to complete a very brief online application. -
FAMILY Nemacheilidae Regan, 1911
FAMILY Nemacheilidae Regan, 1911 - stone loaches [=Nemachilinae, Adiposiidae, Lefuini, Yunnanilini, Triplophysini] GENUS Aborichthys Chaudhuri, 1913 - hillstream loaches Species Aborichthys boutanensis (McClelland, 1842) - Bolan hillstream loach [=kempi] Species Aborichthys cataracta Arunachalam et al., 2014 - Arunachal hillstream loach Species Aborichthys elongatus Hora, 1921 - Reang hillstream loach Species Aborichthys garoensis Hora, 1925 - Tura hillstream loach Species Aborichthys kempi Chaudhuri, 1913 - Egar hillstream loach Species Aborichthys tikaderi Barman, 1985 - Namdapha hillstream loach Species Aborichthys verticauda Arunchalam et al., 2014 - Ranga hillstream loach Species Aborichthys waikhomi Kosygin, 2012 - Bulbulia stone loach GENUS Acanthocobitis Peters, 1861 - loaches Species Acanthocobitis pavonacea (McClelland, 1839) - pavonacea loach [=longipinnis] GENUS Afronemacheilus Golubtsov & Prokofiev, in Prokofiev, 2009 - stone loaches Species Afronemacheilus abyssinicus (Boulenger, 1902) - Bahardar stone loach Species Afronemacheilus kaffa Prokofiev & Golubtsov, 2013 - kaffa stone loach GENUS Barbatula Linck, 1790 - stone loaches [=Cobites, Orthrias] Species Barbatula altayensis Zhu, 1992 - Kelang stone loach Species Barbatula barbatula (Linnaeus, 1758) - stone loach [=anglicana, blackiana, caucasicus, erythrinna, fuerstenbergii, furstenbergii, hispanica B, hispanica L, markakulensis, parisiensis, taurica, pictava, pironae, vardarensis, variabilis] Species Barbatula conilobus Prokofiev, 2016 - Bogd loach Species Barbatula dgebuadzei -
Read an Excerpt
by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
The Three Musketeers an Adaptation by Jackie Mellor
THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there . -
EXT. PARIS. TREE LINED AVENUE. DAY Dawn Mist Lingers in the Air
EXT. PARIS. TREE LINED AVENUE. DAY Dawn mist lingers in the air. D’ARTAGNAN stands at one end, in his shirtsleeves, his sword drawn, a dagger in his other hand. ATHOS, PORTHOS and ARAMIS gather around him. Opposite them is PRIDEUX, his sword at the ready. ARAMIS eyes PRIDEUX with cool respect then pats D’ARTAGNAN on the shoulder. ARAMIS What's the vital thing to remember in a duel? D'ARTAGNAN Honour? PORTHOS cuffs him on the back of the head. PORTHOS Not getting killed. Right, biting, kicking, gouging. It's all good. ATHOS leans in to talk quietly to D’ARTAGNAN. ATHOS You don't have to do this. It's Musketeer business. D'ARTAGNAN I can handle it. He hands ATHOS his glove, ATHOS takes it, steps back and holds it poised. Even before ATHOS drops it to the ground, PRIDEUX launches a furious assault. As PRIDEUX comes at him he spins and cracks his arm at the elbow, making D’ARTAGNAN drop the dagger. D’ARTAGNAN manages a few blows with his sword but, PRIDEUX punches him in the face, sending him sprawling in the dirt, then kicks him in the head. He moves in for the kill but D'ARTAGNAN rallies with an eye- watering kick in the balls. PORTHOS beams proudly and turns to ARAMIS. PORTHOS I taught him that move. (CONTINUED) 2. CONTINUED: D'ARTAGNAN staggers to his feet. Swords clash, early morning sun flashing off the blades. Both men pant for breath, sweating despite the cold. ATHOS watches intently, whilst PORTHOS giggles. -
The Three Musketeers in the Novel by Alexandre Dumas “The Three Musketeers”
SOCIAL INFLUENCES OF D’ARTAGNAN TOWARD THE THREE MUSKETEERS IN THE NOVEL BY ALEXANDRE DUMAS “THE THREE MUSKETEERS” Rosmaidar1, Dewi Canggih2 Dosen Universitas Bina Darma1, Mahasiswa Universitas Bina Darma2 Jalan Ahmad Yani No.3 Palembang Sur-el: [email protected], [email protected] Abstract: This study is to describe the kinds of social influences of D’Artagnan toward the three musketeers in the Novel “The Three Musketeers”. ”The Three Musketeers” set in seventeenth- century England and France, this classic rip – roaring tale tells of valour, intrigue and love. “The Three Musketeers”, Athos, Porthos and Aramis, and their companion, D’Artagnan, fight and love their way through a series of hair-raising adventures. This study used the descriptive method. The writers used the technique of documentation, where the data were collected from books, dictionaries, and internet.D’Artagnan social influences toward The Three Musketeers are divided into (1) Friendship, (2) Charisma, (3) Reputation, and, (4) Conformity. In charisma effect divided into two subjects (a) Leadership and (b) Power. He has given good and big effect to The Three Musketeers through his social influences. Keywords: The Three Musketeers, D’artagnan, Social Influence Abstrak: Penelitian inibertujuan untuk menggambarkan jenis pengaruh sosial dari D'Artagnan menuju three musketeers dalam Novel “The Three Musketeers”. “The Three Musketeers” diatur dalamabad ketujuh belas Inggris dan Perancis, kisah ini bercerita tentang keberanian, intrik dan cinta. “The Three Musketeers”, Athos, Porthos dan Aramis, dan teman mereka, D'Artagnan, melawan dan mencintai cara mereka melalui serangkaian petualangan yang menegangkan. Penelitian ini menggunakan metode deskriptif. Penulis menggunakan teknik dokumentasi, di mana data dikumpulkan dari buku-buku, kamus, dan internet. -
Man in the Iron Mask Study Guide
Synopsis A swashbuckling action adventure ‘The Man in the Iron Mask’ reunites the legendary Three Musketeers to once again defend the throne of France. When the Musketeers join forces to rescue a mysterious masked prisoner in the infamous Bastille Prison, they reveal a long held secret that could end the King’s reign and destroy their enduring alliance. In a dual role, Leonardo DiCaprio stars as King Louis XIV and ‘The Man in the Iron Mask’. The Three Musketeers are played by John Malkovich (Athos), Gerard Depardieu (Porthos) and Jeremy Irons (Aramis). Gahriel Byrne plays d’Artagnan, the famous Captain of the Musketeers. Director Randall Wallace UK release date March 20, 199R Certificate 12 Running time 132 mins History Now and Then When Alexandre Dumas wrote the stories involving the Musketeers - Athos, Porthos, Aramis and d’Artagnan - there must have been something attractive about the period in which he set his stories. Dumas was looking for a time in history which might have reflected some of the concerns of his own time. He was also looking for stories which would make ‘ripping yarns’. · Is this the same for historians and historical novelists today? Are the periods and subjects that they study simply chosen because they themselves are interested in them or do they have a relevance? Perhaps an ‘echo’ of what is happening in the world today! · What about your history studies? Why do you think you are studying the periods in history that you are? TASKS Look at some of the historical novels that are popular at the moment, for example the Sharpe series. -
Mousquetaires Du Roy Rulebook
Mousquetaires du Roy A game designed by François Combe & Gilles Lehman – Illustrated by Nériac & Arnaud Demaegd Developed by Cyril Demaegd – FAQ and forum: http://www.ystari.com – English rules editing by W. Eric Martin, BoardgameNews.com Thanks to: Hats off to monsieur Alexandre Dumas! A musketeer’s embrace to Nico, Fabien and Karine, and we cannot forget David and Stéphane, our favorite testers. A big thank you from François to his friends from Réel, Terres Chamanes and Ordalie and a heartfelt dedication to the three Benoîts, to Louis and to Ghislain. A bouquet of kisses from Gilles to Lady Flo and the two small musketeers Oriane and Virgile. Bravo to Céline and Hugo for taking the diamonds back to the Louvre. A friendly hello to Yves Renou and François Haffner. Finally, Ystari dedicates this game with all its heart to the memory of Vincent Moirin, the musketeer who left us far too early. We miss you. Contents of the box ● 1 game board showing plot locations ● 4 individual character cards for the Musketeers ● 5 figurines (Milady and 4 Musketeers) ● 10 special dice (6 blue and 4 red) ● 2 double-sided quest boards ● 70 tokens ● 110 cards Validation token Epic token ● 1 hourglass ● 1 screen ● these rules and the game guide Once upon a time... 1625. D’Artagnan, a young man fresh out of Gascony with ambitions of becoming a musketeer for the King – a “Mousqu- etaire du Roy” – makes the acquaintance of Athos, Aramis, Porthos and the beautiful Constance, linen maid to the Queen. Soon he finds himself at the heart of an adventure with France’s destiny at stake. -
The Basques and Their Country
THE BASQUES AND THEIR COUNTRY ILLU8TRATBD I P.i S. ORMOND I’ Í :-.: ";-^-:-:iM-- '/: m ^ . :' • Î, • in'-/-! 1 .^' ; Sv,.v-,- -''•-, '-I.-','iv'í¡'--'í^''':^ ' - /• »/■ fT ' - y . •'•.■■ V- »•V ' - . •* <*u . • . • r.l-'.%V. i • ^ s . - f r ' .' ^ í - í ' ■ W : ■k .> .** / ' Ä' '^.f : w‘ ' •« tíÁ V.’ . ' - - r*. # ». * .. « V •* ir í « II « .V m. ** -- I-. .',.v_ s/» *• . •V. *‘ .4 . , i -f # 1 ^ ' >>t/ .. * fc *'V y U * ' Í- / si* — • / • i-*.' i' . .;; " V i THE BASQUES AND THEIR COUNTRY PM SS QFTNIOffS OF FIRST BDmON. “'nM puma« Mody . , n*nk • BiaayHiM i s í w t M)à «xMl»lv» raadn«. ItU acO aalatifis teoJi.ior tt mO «bx«nfe tfsv«lkn i* Oe Basque ccnsKiy t» k«ap (tetr «>*• cfMB. —/Mm Lit " It fivn Oe pncnil rwdar fut Uau IsieraailM abovt iha co«atr7 an« Ita geaple *b.c¿ «)D fwáCT « «oioARi b m n d csctnim iMo tba M#fc6ce#fcoe4 «o «mb ioiar* Mtre«.'’— ITmÍ C tmi ntU t í * AJMfctlicr ae» «nd fBUnatHtg.' — Ch*ta0t TfttmM ÈMfpfmi SdOtm. H. THE BASQUES AND THEIR COUNTRY DEALING CHIEFLY WITH THE FRENCH PROVINCES ILLUSTRATED BY P. S. ORMOND •BCOKD SDITIOM (kfVJSSP) ALL RIGHTS RSSERVED LONDON : SIMPKIN, MARSHALL, HAMILTON, KENT & CO., LIMITED 1926 F i r n E 4Ì H ^ . ^ 9>S Sftond B dtli^ (rfvw i) . J p a € M«d* »od Prinwd io C rv t ficitaiB b f Badar ft T ia w r Lcd., F m sc tB 4 L o D d c A CONTENTS CH *P. P A M 9 I H I 5T 081CA1. Norma— I. -
The Three Musketeers and the Queen's Gambit Adventure
The Three Musketeers and the Queen’s Gambit A Fantasy Imperium Adventure By George Anderson For ORIGINS 2008 Adventure Synopsis In this adventure the Musketeers are charged to escort Constance Bonacieux, Lady in Waiting to the Queen while she delivers an important personal message on behalf of the Queen to Duke Jean Louis de Nogaret de la Valette. Naturally, the Musketeers are to be found drinking and wenching. While Constance is retrieving the Musketeers a tavern brawl fight breaks out. The Musketeers eventually begin the journey. The first stop is a small way station just as the Musketeers are getting thirsty. At the way station the Musketeers find bandits plying their trade and in the act of stealing a necklace from the beautiful daughter of the innkeeper. If they intervene she (and her father) will be ever so grateful. In either event, they enjoy a night of carousing (or rest) before departing the next day. As they are assembling to leave, a patrol of the Cardinal’s Men spots them and gives chase! Naturally if they aided the innkeeper’s daughter the day before, they will drag a cart across the road just in time to give the Musketeers a head start. The Musketeers continue their journey which takes them through a dark wood. In the wood they encounter a sizeable patrol, but they find a cave to hide in. If they explore the cave, the will find an ugly giant living there, though if they make the attempt they can befriend him. The Cardinal’s men will eventually begin to explore the cave. -
Alexandre Dumas, the Three Musketeers (Chapters 4 and 5)
Alexandre Dumas, The Three Musketeers (Chapters 4 and 5) It is young D’Artagnan’s first day in Paris, having come there in hopes of becoming a Musketeer. While he is visiting the chief Musketeer, Treville, he looks out the window and notices a man who had insulted him a day or two before walking in the street. D’Artagnan bursts out, hoping to fight the man. D’Artagnan, in a state of fury, crossed the antechamber at three bounds, and was darting toward the stairs, which he reckoned upon descending four at a time, when, in his heedless course, he ran head foremost against a Musketeer who was coming out of one of M. de Treville’s private rooms, and striking his shoulder violently, made him utter a cry, or rather a howl. “Excuse me,” said d’Artagnan, endeavoring to resume his course, “excuse me, but I am in a hurry.” Scarcely had he descended the first stair, when a hand of iron seized him by the belt and stopped him. “You are in a hurry?” said the Musketeer, as pale as a sheet. “Under that pretense you run against me! You say, ‘Excuse me,’ and you believe that is sufficient? Not at all, my young man. Do you fancy because you have heard Monsieur de Treville speak to us a little cavalierly today that other people are to treat us as he speaks to us? Undeceive yourself, comrade, you are not Monsieur de Treville.” “My faith!” replied d’Artagnan, recognizing Athos, who, after the dressing performed by the doctor, was returning to his own apartment.