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I D II Ill TE 001 549 69 R
DEPARTMENT bF HEALTH, EDUCATION,AND WELFARE OE FORM 6000, 2169 OFFICE OF EDUCATION tillt.;Kt.1-1.)1%Iilr..UIVIC. ERIC ACC. NO. ED 032 316 IS DOCUMENTCOPYRIGHTED? YES NO0 fit CH ACC. NO. P.A.PUBL. DATE. I ESTI\N 71031CREPRODUCTION RELEASE? YES 0 NO i LEVELOF AVAILABILITY I D II Ill TE 001 549 69 R -.... AUTHOR Sohn, David A. Stucker, Melinda . TITLE Film Study in the Elementary School: Grades Kindergartenthrough Eight. A Curriculum Report to the American Film Institute. SOURCE CODEINSTITUTIONSOURCE) J1M25110 SP. AG. CODESPONSORING AGENCY BBB01992 . EDRS PRICE CONTRACT NO. GRANT NO. 1.25;14.60 REPORT. NO. BUREAU NO. AVAILABILITY JOURNAL CITATION DESCRIPTIVE NOTE 290p. DESCRIPTORS *Film Study; *Elementary Grades; *Instructional Aids; *ProgramEvaluation; *Films; Experimental Programs; Audiovisual Aids; Audiovisual Communication;Cartoons; Mass Media; Photography; Sound Effects; Sound Films; Teaching Methods;Teacher. Attitudes; Student Reaction; Student Attitudes IDENTIFIERS I . ABSTRACT The first and major portion of this 'report of ,a film study projectin Evanston, Illinois, lists films selected for use in grades 1-8, together with plotsummaries of varying lengths, special uses for the films, suggested study questionsand activities, sample student responses to questions and assignments,running times, appropriate age levels, and sourceslor ordering the filmt. Theresults of an evaluation of the film program as determined by questionnaires distributed to students and teachers are presented in parts two and three. A briefconclusion on the overall response to the program and the addresses of filmdistributors conclude the publication. (LH) . -... U.S. DEPARTMENT OF HEALTH, EDUCATION d WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. -
**V************************************ Reproductions Supplied by Edits Are the Best That Can Be Made Froa Tae Original Document
D0006661 RESUME ED 166 926 CS 205 566 AUTdOR Spann, Sylvia, El.; Culp, Mary Beth, Ed. TITLE Thematic Units in leaching English and the dumanities. Second Supplement. INsTirurION National Couacil of Teachers of English, Urbana, PUB DATE 30 NOTE 159p. AVAILABLE FRO3 Sational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 53755, $6.50-member, $7.00 non-member). EDRS PRICE SF01/PCO7 Plus Postage. DESCRIPTORS Advertising; Communication Skills; Curriculum Development; *English Instruction; Futures (of Society); History; *Humanities: Justice: Listening Sicills; Logic; Politics; Popular Culture: Resource Units; Schools; Secondary Education; *Teaching Guides; *Thematic Approach; *Units of Study; Writing Instruction; Writing Skills ABSTRACT Tae seven units in this second supplement to "Thematic Units" focus oa communication skills, offering English teachers conteaporary plans for teaching writing, listening, persuasion, and'reasoning. The units were selected for their humanistic approaches to student language learning, combining English instruction with,topics in the humanities. Each unit contains comments from the teacher who developed the unit, an overview of the unit, general obfectives, evaluation methods, daily lesson plans and activities, study guides, resource materials, and other appropriate suggestions and at:dchments. The topics of the units are the school system, logic, nostaigia (studying the popular culture ofa past decade), futurism as a framework for composition instruction, advertising, politics, and law and justice. (RL) ********************************v************************************ Reproductions supplied by EDitS are the best that can be made froa tae original document. *********************************************************************** U S DEPARTMENT OF nEALTN. EDUCATION A TVILITAIIE NTMNAL INSTITUTE OF EDUCATION TmpSDOC UMENT HAS BEEN REPRO. nur.t.,E.A Fl V AS RECEIVED FROM 111 -Admai-i-ka *HI Pf RsON OR ORCAN QAT tON OSI 'GIN- I. -
2014 Media Kit Covers.Indd
2014 MEDIA KIT PRINT | DIGITAL | EVENTS ABOUT THE VOICE OF MEDIA VOL. LV NO. 1 JANUARY 6-12, 2014 Merger MVPs LOOK WHO’S TALKING Thanks to the Internet of Things, we’ve fi nally arrived at the Jetsons age—and we’ll see it all at CES 00_0106_COVER_LO [P].indd 2 1/2/14 6:04 PM MUTUALLYU ASSURED THE VOICE OF MEDIA VOL. LIV NO. 40 NOVEMBER 11-17, 2013 5 353 s YYearsear Online streaming services are threatening to take down LASTNAME N: LINCOLN AGNEWLINCOLN N: SURVIVAL? T the bloated cable model. But success could lead them to IO FIRS kill their primary source of content. How will it all end? : By Sam Thielman ILLUSTRAT PHOTO 1 MONTH ##, #### | ADWEEK ADWEEK | MONTH ##, #### RonRon BergerBerger, formerlyformerly ofof EuroEuro RRSCG,SCG, aandnd hhisis ssonsons CCoryory BergerBerger ((l.)l.) ooff PPereiraereira & OO’Dell’Dell aandnd RRyanyan BBergererger ooff tthehe BBergererger SShop.hop. The Familyy In ccelebratioelebra n of our 35th anniversary, a pportfortfolioio of industry veterans and the sons and ddaughtersaugh to whom they’re passing the torch. THE VOICE OF MEDIA Updated: 6/16/14 PRINT Before you take the deep dive, here’s a peek at what’s ahead in the pages of the magazine First Mover Data Points Portrait The innovators, game changers, decision The latest in media, marketing and A close-up on the new generation of makers on their new jobs and how they got technology through the lens of data. advertising and media stars. from here to there. Trending Topics Accounts in Review Information Diet The hottest trends shaping the world of A weekly roundup of major accounts up Celebrities come clean on their media media, advertising and technology. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Federal Register/Vol. 68, No. 49/Thursday, March 13
11974 Federal Register / Vol. 68, No. 49 / Thursday, March 13, 2003 / Rules and Regulations a designee, and is a thorough review of DEPARTMENT OF TRANSPORTATION LIBRARY OF CONGRESS the case. The formal review determination shall be based on the Saint Lawrence Seaway Development 36 CFR Part 704 information, upon which the initial Corporation determination and/or reconsideration National Film Preservation Board; determination was based, and any 33 CFR Part 401 1994–2002 Films Selected for Inclusion additional information the appealing in the National Film Registry party may submit or OCHAMPUS may [Docket No. SLSDC 2002–13698] AGENCY: National Film Preservation obtain. Board, Library of Congress. (3) Timeliness of formal review RIN 2135–AA15 ACTION: Final rule. determination. The Chief, Office of SUMMARY: The Librarian of Congress is Appeals and Hearings, OCHAMPUS, or Seaway Regulations and Rules: publishing the following list of films a designee normally shall issue the Automatic Identification System formal review determination no later selected from 1994–2002 for inclusion in the National Film Registry in the than 90 days from the date of receipt of AGENCY: Saint Lawrence Seaway Library of Congress pursuant to section the request for formal review by the Development Corporation, DOT. OCHAMPUS. 103 of the National Film Preservation (4) Notice of formal review ACTION: Final rule; correction. Act of 1996. The films are published to determination. The Chief, Office of notify the public of the Librarian’s Appeals and Hearings, OCHAMPUS, or SUMMARY: In the Saint Lawrence Seaway selection of twenty-five films selected in a designee shall issue a written notice Development Corporation (SLSDC) final each of these years deemed to be of the formal review determination to rule amending the Seaway regulations ‘‘culturally, historically or aesthetically the appealing party at his or her last and rules (33 CFR part 401) published significant’’ in accordance with known address. -
National Film Registry
National Film Registry Title Year EIDR ID Newark Athlete 1891 10.5240/FEE2-E691-79FD-3A8F-1535-F Blacksmith Scene 1893 10.5240/2AB8-4AFC-2553-80C1-9064-6 Dickson Experimental Sound Film 1894 10.5240/4EB8-26E6-47B7-0C2C-7D53-D Edison Kinetoscopic Record of a Sneeze 1894 10.5240/B1CF-7D4D-6EE3-9883-F9A7-E Rip Van Winkle 1896 10.5240/0DA5-5701-4379-AC3B-1CC2-D The Kiss 1896 10.5240/BA2A-9E43-B6B1-A6AC-4974-8 Corbett-Fitzsimmons Title Fight 1897 10.5240/CE60-6F70-BD9E-5000-20AF-U Demolishing and Building Up the Star Theatre 1901 10.5240/65B2-B45C-F31B-8BB6-7AF3-S President McKinley Inauguration Footage 1901 10.5240/C276-6C50-F95E-F5D5-8DCB-L The Great Train Robbery 1903 10.5240/7791-8534-2C23-9030-8610-5 Westinghouse Works 1904 1904 10.5240/F72F-DF8B-F0E4-C293-54EF-U A Trip Down Market Street 1906 10.5240/A2E6-ED22-1293-D668-F4AB-I Dream of a Rarebit Fiend 1906 10.5240/4D64-D9DD-7AA2-5554-1413-S San Francisco Earthquake and Fire, April 18, 1906 1906 10.5240/69AE-11AD-4663-C176-E22B-I A Corner in Wheat 1909 10.5240/5E95-74AC-CF2C-3B9C-30BC-7 Lady Helen’s Escapade 1909 10.5240/0807-6B6B-F7BA-1702-BAFC-J Princess Nicotine; or, The Smoke Fairy 1909 10.5240/C704-BD6D-0E12-719D-E093-E Jeffries-Johnson World’s Championship Boxing Contest 1910 10.5240/A8C0-4272-5D72-5611-D55A-S White Fawn’s Devotion 1910 10.5240/0132-74F5-FC39-1213-6D0D-Z Little Nemo 1911 10.5240/5A62-BCF8-51D5-64DB-1A86-H A Cure for Pokeritis 1912 10.5240/7E6A-CB37-B67E-A743-7341-L From the Manger to the Cross 1912 10.5240/5EBB-EE8A-91C0-8E48-DDA8-Q The Cry of the Children 1912 10.5240/C173-A4A7-2A2B-E702-33E8-N -
National Film Registry Titles Listed by Release Date
National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year -
Focus: Film in the English and Language Arts Classroom
DOCUMENT RESUME ED 132 582 CS 203 102 AUTHOR Mullican, James S., Ed. TITLE Focus: Film in the English and Language Arts Classroom. INSTITUTION Indiana Council of Teachers of English, Terre Haute. - PUB DATE 76 NOTE 49p.; The Indiana Council of Teachers of English is an affiliate of the National Council of Teachers of English JOURNAL CIT Indiana English Journal; v10 n2 Entire issue Kin 1975-76 EDRS PRICE MF-$0.83 BC-$2.06 Plus Postage. DESCRIPTORS Creativity; Elementary Secondary Education; *English Curriculum; *English instruction; Filmographies; *Films; *Film Study; *Language Arts; *Visual Literacy ABSTRACT The articles collected in this issue are devoted to the topic of film in the English and language arts classroom. Titles include "Film Study: Some Problems and Approaches" (Judd Chesler), "The Bev Basic Skill: Film" (Harold M. Foster), "Caveat Viewer: Developing Viewing Perceptions" (Edward S. Dermon), "Shreds and Patches: Improvised Textbook" (Dorothy M. Hill), "110 Volt English Teaching" (Jane Bales), "Stimulating Creativity in the Classroom" (Shirley J. Jones), "Films for Children" (Jill P. Hay), "I Basic Library of Short Films: 50 Suggested Titles" (Ken Donelson), "Teleteach and the English Class: An Interview with Lewis Paige Sego" (Raul Rosenthal), and "NCTE Resolution on Promoting Media Literacy, as well as poems by Michael Dougherty, Michael Deeter, and Jill Lee and a call for sanuscripts. (KS) **************************** ***************** ***mow*** Documents acquired by ERIC include many info mal,unpublished * materials not available-from other sources. ERIC makes every-effort-* * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered ankthis'affects the:quality * of the microfiche and hardcopyrreproductions ERIC nakes available * via the ERIC Document Reproduction service (EMS),. -
The New York School the NEW YORK SCHOOL
ANM102 | HISTORY OF GRAPHIC AND WEB DESIGN CHAPTER 19 The New York School THE NEW YORK SCHOOL • European designers, escaping the political climate, immigrated to the United States and became major influences in the American design movement. • European design was fairly theoretical and structured, where American design was pragmatic, intuitive and less formal in its approach to organizing space. • New York was the center of the movement in the 1940s. • Emphasis was placed on the expression of ideas and an open, direct presentation of information. William Pickering, title page for the Book of Common Prayer, 1844. CHAPTER 19: THE NEW YORK SCHOOL 2 LOGO DESIGN Paul Rand • Began his career as a promotional and editorial designer for Apparel Arts, Esquire, Ken, Coronet, and Glass Packer. • Collaborated with copywriter Bill Bernbach becoming the prototype for art/copy teams working together. • Created many of the most recognizable logos seen today. William Pickering, title page for the Book of Common Prayer, 1844. CHAPTER 19: THE NEW YORK SCHOOL 3 POSTER DESIGN Paul Rand • style often reflected entertaining puns and wordplay • played with contrasts: red against green, organic against geometric, cut or torn edges against sharp forms, and textural pattern against white • http://www.paul-rand.com/site/posters/ William Pickering, title page for the Book of Common Prayer, 1844. CHAPTER 19: THE NEW YORK SCHOOL 4 PUBLICATION Paul Rand • Created this cover for Direction magazine, 1940 • red dots are symbolically are interpreted as holiday decorations or blood drops William Pickering, title page for the Book of Common Prayer, 1844. CHAPTER 19: THE NEW YORK SCHOOL 5 PUBLICATION Alvin Lustig • graphic designer, architect, and interior designer • became the visual design research director at Look Magazine • heavily involved with design education and in 1951 helped develop a graduate graphic design program at Yale University William Pickering, title page for the Book of Common Prayer, 1844. -
Nothing Happened
NOTHING HAPPENED A History Susan A. Crane !"#$%&'( )$*+,'-*". /',-- Stanford, California !"#$%&'( )$*+,'-*". /',-- Stanford, California ©2020 by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Names: Crane, Susan A., author. Title: Nothing happened : a history / Susan A. Crane. Description: Stanford, California : Stanford University Press, [2020] | Includes bibliographical references and index. Identifiers: LCCN 2020013808 (print) | LCCN 2020013809 (ebook) | ISBN 9781503613478 (cloth) | ISBN 9781503614055 (epub) Subjects: LCSH: History—Philosophy. | Collective memory. Classification: LCC D16.9 .C73 2020 (print) | LCC D16.9 (ebook) | DDC 901—dc23 LC record available at https://lccn.loc.gov/2020013808 LC ebook record available at https://lccn.loc.gov/2020013809 Cover design: Rob Ehle Cover photos: Historical marker altered from photo (Brian Stansbury) of a plaque commemorating the Trail of Tears, Monteagle, TN, superimposed on photo of a country road (Paul Berzinn). Both via Wikimedia Commons. Text design: Kevin Barrett Kane Typeset at Stanford University Press in 11/15 Mercury Text G1 A mind lively and at ease can do with seeing nothing, and can see nothing that does not answer. J#$, A0-",$, E MMA CONTENTS INTRODUCTION Episodes in a History of Nothing 1 EPISODE 1 Studying How Nothing Happens 21 EPISODE 2 Nothing Is the Way It Was 67 EPISODE 3 Nothing Happened 143 CONCLUSION There Is Nothing Left to Say 217 ACKNOWLEDGMENTS Thanks for Nothing 223 Notes! 227 Index 239 NOTHING HAPPENED Introduction EPISODES IN A HISTORY OF NOTHING !"#$# %&'()"**# +'( ,#**-. -
A Film-Study Firm Indiana Univ., Bloomington. Audio-Visual Center. Audiovisual Ai
DOCUMENT RESUME ED 111 332 IR 002 321 TITLE From "A" to "Yellow Jack"; A Film-Study Firm ColleciiOn. INSTITUTION Indiana Univ., Bloomington. Audio-VisualCenter. PUB DATE 75 NOTE 88p. EDRS PRICE MF-$0.36 HC-$4.43 Plus Postage DESCRIPTORS Audiovisual Aids; *Catalogs; Film Libraries; Film Production; *Film Production Specialists; *Films; *Film Study; Glossaries; *InstructionalMaterials Cente'r-s; Video Tape Recorddn-gs IDENTIFIERS _ *Indiana University Audio Visual Center ABSTRACT Illustrative material in the area of filmstudy available from the Indiana University Audio-VisualCenter is listed and described. Over 250 selected filmsare included, representing experimental films, film classics, historicallyinteresting films, works of recognized directors, and films whichare models of film techniques. Recent film acquisitionsare also described, including featurefilm excerpts from the Teaching FilmCustodians collection .representing the work of recognized Hollywooddirectors. Each entry is summarized and its significance in filmstudy explained; length, color and rental price are given. Entriesare also indexed by subject and by director. A glossary of film terms isappended. (SK) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from othersources. ERIC makes every effort * * to obtain the best copy available. nevertheless,items of marginal * * reproducibility are often encountered and thisaffects the quality * * of the microfiche and hardcopy reproductionsERIC makes available * * via the ERIC Document Reproduction Service (EDRS).EDRS is not * responsible for the quality of the original document.Reproductions * * supplied by EDRS are the best that can be madefrom the original. *****,o**************************************************************** lac "stbos or\ II 1 o Go\\eck\ \0 Genkei Ftoo" I\'A\0-Sod`iP,Nolo.\1\svet.\ \30ve(s\y ioac\a, 1 rOor ,ygg* ,oete II_ PP- .411111.- . -
30'S Sans Serif Fonts, Designed by the Bauhaus. Serif Fonts Considered
TEST REVIEW #3 DESIGN 20 Volkswagen “People’s Car.” Sales in Europe good - due to post war shortages GRAPHICS of gas and materials. 30’s Sans Serif fonts, designed by the Bauhaus. Serif fonts considered holdover from handwriting. Volkswagen -- Sales in US slow: Car’s small size. Peter Behrens -- German architect, designer Unusual appearance directly influenced: Walter Gropius, Mies Van der Rohe, No fins, streamlining, little chrome and Le Corbusier. Lack of power. Concept of total corporate identity through graphics. Connections with Nazi Germany. Apple Logo Witty copy appealed to 60’s generation. First computer firm not using corporate name in identity. Used perceived disadvantages to sell VW’s Decades long dipute with Apple Record, finally settled size (gas mileage, parking, maneuvering). 2006 Lemon campaign - “Our inspectors are picky” No planned obsolescence IBM Improvements for function, not style. Logos: Paul Rand Elliot Noyes: modernized IBM’s design philosophy. TARGET CAMPAIGN -- Kirshenbaum, Bond Charles/Ray Eames: IBM’s company’ films, exhibitions and Goals: Mies van der Rohe, Chicago high rise Dispel belief merchandise same as Wallmart & Kmart Fashion campaign with hardware & housewares. Herb Lubalin Target customers demographic: Most talented type designer of 20th century. 40s, college educated, median income $47,000. Figurative typographer. Copy latest designs -- in stores within 6 months. Founded ITC. Typogram --illustrative use of type and logos ABSOLUT Magazines : One of most effective campaigns of the 20th century. Saturday Evening Post, Eros, Fact & Avant Garde Asserted its superiority. Diffused pomposity with humor. SAUL BASS Sales increase from 1981 to late 90’s =14,900%. Achieved fame in multiple disciplines.