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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Farrar, Straus and Giroux | 6/4/2019 Surprise That Borders Have Become So Porous
Losing Earth A Recent History Nathaniel Rich An instant classic: the most urgent story of our times, brilliantly reframed, beautifully told By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and SCIENCE conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the MCD | 4/9/2019 moral dimensions of our shared plight. 9780374191337 | $25.00 / $32.50 Can. Hardcover with dust jacket | 224 pages 4 Black-and-White Illustrations / Notes on Now expanded into book form, Losing Earth tells the human story of climate Sources | Carton Qty: 28 | 8.3 in H | 5.4 in W change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil MARKETING fuel industry’s coordinated effort to thwart climate policy through disinformation, propaganda, and political influence. The book carries the National review attention Print features and profiles story into the present day, wrestling with the long shadow of our failures and Online features and profiles asking crucial questions about how we make sense of our past, our future, Interest-specific media outreach: environment and ourselves. -
2007'S Best Albums in Review
KTRU 91.7 FM SPRING 2008 Houston’s Local Artists: 2007’s Best Albums in Review People often say that there isn’t much good music in Linus Pauling Quartet Bring Back The Guns Houston. They are wrong, and getting wronger by the All Things Are Light Dry Futures minute: 2007 was one of the best years for Houston music Camera Obscura Feow! in recent memory. In no particular order, KTRU runs Linus Pauling Quartet reminds us After changing names and winning down 10 of the year’s most notable releases in this quick that barbarians, aliens, malt liquor, 24- three Houston Press Music Awards guide to a banner year in a burgeoning music scene. hour Mexican food, and motorcycles (Best New Act ‘00, Best Indie Rock all lie at the foundation of rock and roll’s ‘03, Best Indie Rock ‘05), Bring Back Jana Hunter hallowed temple. Don’t call it tongue-in-cheek—every the Guns have finally released a full album, and it was There’s No Home track is backed with dead-serious Jimmy Page-grade easily worth the wait. Their guitar-driven sound is Gnomonsong Marshall-stack ass-kicking. Veterans of Houston’s psych heavy but still quick on its feet, framed by constantly Erstwhile Houstonian Jana Hunter, heyday LP4 mix hard rock imagery with utter electrified shifting time signatures, punctuated with guitar hooks an Arlington native who recently mi- competence, the way unpretentious rock was meant to be. that never end like you’d expect. Vocals are strained, grated to Baltimore, is a key player in overdriven. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Radio ARA Visions of the Past 19.03.21 Mam BEN Artist Title CD/LP Label
Radio ARA Visions of the Past 19.03.21 mam BEN Artist Title CD/LP Label NUGENT's (Ted) AMBOY DUKES Sasha Tooth, Fang & Claw Discreet JONES (Wizz) Keep your lamp trimmed and burning The Legendary Me Sunbeam Records BARDENS (Peter) Sweet honey wine Peter Bardens Verve Forecast HUMBLE PIE Desperation As safe as yesterday is Immediate FREE Free me Coffret: Songs of Yesterday Island PASSPORT Hexensabbat Passport Atlantic BLACK SABBATH Black Sabbath Black Sabbath Vertigo ERICKSON (Roky) AND THE ALIENS Night of the Vampire Rocky Erickson and The Aliens CBS ERICKSON (Roky) WITH THE EXPLOSIVES Two headed dog V.A. Live at Raul's Dejadisc ERICKSON (Roky) & LOU ANN BARTON Starry eyes All that may do my Rhyme Trance Syndicate Records 13th FLOOR ELEVATORS Slip inside this house Easter Everywhere International Artists 13th FLOOR ELEVATORS Kingdom of Heaven (is within you) The Psychedelic Sounds of … International Artists COYNE (Kevin) White horse Case History Dandelion Records REID (Terry) Dean River Atlantic WHITE DUCK World (keep on turnin') White Duck UNI Records WHITE DUCK Lonely White Duck UNI Records WHITE DUCK Black-eyed Susan White Duck UNI Records WHITE DUCK No time White Duck UNI Records METHUSALEH Matthew Matthew, Mark, Luke and John Elektra FAITHFUL BREATH Judgement Day Back on my Hill Garden of Delights OUT OF FOCUS Fly bird fly Out of Focus Kuckuck TIGER Long time Tiger Warner Bros. UFO Built for comfort Phenomenon Chrysalis PENTAGRAM Be forewarned Pentagram 1972-1979 Peace Records MARIANI The unknown path Perpetuum Mobile Akarma CREAM We're going wrong Disraeli Gears Polydor McPHEE Southern man McPhee Akarma GALLAGHER (Rory) Do you read me Calling card Chrysalis WAR War is coming The World is a Ghetto United Artists SIEGEL-SCHWALL BAND My Baby thinks I don't love her Say Siegel-Schwall Vanguard LAZAR (Sam) Funky Blues Space flight Argo DOORS Soul kitchen The Doors Elektra AFTER ALL And I will follow After All Gear Fab KANGURU Ras Lila (Prayer of Reincarnation) Dreaming Larrikin Records. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
Roky Erickson Demon Angel : a Day and Night with Roky Erickson Mp3, Flac, Wma
Roky Erickson Demon Angel : A Day And Night With Roky Erickson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Stage & Screen Album: Demon Angel : A Day And Night With Roky Erickson Country: Germany Released: 1994 Style: Soundtrack, Acoustic, Psychedelic Rock MP3 version RAR size: 1481 mb FLAC version RAR size: 1839 mb WMA version RAR size: 1796 mb Rating: 4.4 Votes: 127 Other Formats: VOX MMF MIDI MP1 WAV AA DTS Tracklist Hide Credits Bloody Hammer 1 3:02 Written-By – RK Erickson* Two Headed Dog (Red Temple Prayer) 2 4:15 Written-By – RK Erickson* Night Of The Vampire 3 4:53 Written-By – RK Erickson* Splash #1 4 6:00 Written-By – Clementine Hall, RK Erickson* Cold Night For Alligators 5 4:40 Written-By – RK Erickson* Hungry For Your Love 6 2:57 Written-By – RK Erickson* The Interpreter 7 4:12 Written-By – RK Erickson* Clear Night For Love 8 7:53 Written-By – RK Erickson* Starry Eyes 9 6:18 Written-By – RK Erickson* The Damn' Thing 10 2:39 Written-By – RK Erickson* White Faces 11 2:46 Written-By – RK Erickson* Stand For The Fire Demon 12 4:50 Written-By – RK Erickson* Hungry For Your Love #2 13 4:39 Written-By – RK Erickson* You're Gonna Miss Me 14 4:05 Written-By – RK Erickson* Right Track Now 15 2:48 Written-By – RK Erickson*, Tommy Hall Blowin' In The Wind 16 1:37 Written-By – Bob Dylan Companies, etc. Manufactured By – Pilz Notes Recorded in Austin, Texas Halloween 1984 Barcode and Other Identifiers Barcode: 4015910235110 Matrix / Runout: PILZTXRE1SILZ [ K44161 B ] Other versions Category Artist Title (Format) Label Category Country Year Demon Angel : A Amsterdamned 70024-2, Roky Day And Night With 70024-2, Records, Not US 1999 none Erickson Roky Erickson (CD, none Records/Tapes Album) Related Music albums to Demon Angel : A Day And Night With Roky Erickson by Roky Erickson Roky Erickson - Halloween (Live 1979-1981) Roky Erickson And Evil Hook Wildlife ET. -
Aldersgate Papers
ALDERSGATE PAPERS THEOLOGICAL JOURNAL OF KINGSLEY COLLEGE A Wesleyan Methodist School of Theology and Bible College VOLUME 3 SEPTEMBER 2002 ΧΡΙΣΤΟΣ ΕΝ ΠΑΣΙΝ CONTENTS The Influence of Mysticism on the Spiritual Development of John Wesley Peter Dobson ……………………… 5 The Effects of the Arian Controversy on the Liturgy of the Post-Nicene Church Glen O'Brien ……………………… 21 Passion and the Nature of God: Theology and a Biblical Text Michael Parsons ………………… 27 God's Role in the World: The Informing But Disturbing Depiction of Job Carl Schultz ………………….. 50 Aldersgate Papers, Vol. 3 ALDERSGATE PAPERS Melbourne Kingsley College PO Box 125 Glenroy Vic 3046 © 2002 2 ________________________________________________ CONTRIBUTORS TO THIS NUMBER OF THE JOURNAL ___________________________________________ Peter J. Dobson is an ordained minister in the Wesleyan Methodist Church. He serves as Associate Pastor at the Balwyn Wesleyan Methodist Church in Victoria and as the Assistant District Superintendent in the Southern District of the Wesleyan Methodist Church of Australia. He also holds the position of Assistant National Superintendent for the Wesleyan Methodist Church of Australia. He is a Graduate of Kingsley College (BTh) and the Australian College of Theology (MA Theology). ___________________________________________ Michael Parsons was educated at Leeds University, London Bible College, Spurgeon’s College, and the University of Wales. He completed his Master of Philosophy in the area of Pauline Ethics. His PhD thesis, from Wales, is to be published by Rutherford House, Edinburgh. The working title is Reformation Marriage and it deals with the relationship of husband and wife in the theology of Luther and Calvin. Michael currently teaches Systematic Theology at the Baptist Theological College and at Murdoch University in Perth, Western Australia. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Penn's Picks: Garage/Psych Volume 1
Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Penn's Picks: Garage/Psych Volume 1 With the retro Psych/Garage trend in full effect, I thought it would be fun to kick off the inaugural Penn’s Pick Playlist with a look back to where it all began – the 1960s. Chances are that you’re already familiar with some of the more “mainstream” cuts of the era such as White Rabbit (Jefferson Airplane), The End (The Doors) and Hurdy Gurdy Man (Donovan), but I’m going to take you down the rabbit hole to hear some lesser known gems that stand their own alongside their more mainstream contemporaries. Slip Inside This House (1967): 13th Floor Elevators You can’t mention the word psychedelic without mentioning the 13th Floor Elevators. Formed in Austin, Texas in 1965 and led by the Psych legend Roky Erickson, the Elevators were one of the first, and best, representatives of the genre. Slip Inside This House is a cut from their second album, Easter Everywhere, and stands to this day as one of the true, yet lesser known gems of the era. War & Peace (1969): Alexander “Skip” Spence Following his departure from the ill-fated Moby Grape (there’s a lesson to be learned from releasing too many singles at once!), Alexander “Skip” Spence went into the studio to cut his legendary Oar album just a number of months after being committed to Bellevue following his attempt to cut down his Grape bandmates with an axe while in a delusional state. -
The Golden Dawn
I K N O W W H A T Miss Me,” in particular), the Eleva- overshadowed by the reputations bullshit”). Y O U T H I N K B U T tors used their influence to help of The Elevators, Red Krayola and In the thick of it all Mr. Kinney was secure a deal between IA and their Bubble Puppy. kind enough to give up some of his I T ’ S N O T T R U E brethren in The Golden Dawn, Disillusioned with their label and time and explain, for his part, what An Interview With George resulting in the group’s sole release, the Austin music scene in general, it all meant. The following interview Kinney of The Golden Dawn the 1968 LP Power Plant. Though The Golden Dawn broke up in 1970 took place in a back-corner booth at it had been completed for nearly a and George Kinney left Texas shortly landmark country bar The Broken n July of 2002, a handful of year, IA delayed the release of Power thereafter, only to return for health Spoke in Austin, Texas, early in the Texas musicians and enthusiasts Plant until after the Elevators second reasons in 1978. Since then he evening of August 1, 2002. I put together the first ever Texas full-length, Easter Everywhere, had has maintained a purposely-low Psych Fest, a two-day fund-raising hit shelves, not wanting The Golden profile, performing sporadically and So we’re five days beyond the affair inspired and sanctioned by Dawn to detract from their flagship rarely recording.