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A Novelist Explores the Relationship Between Meditative Practice and the Creative Journey
THE YOGA of CREATIVITY A novelist explores the relationship between meditative practice and the creative journey. By Anne Cushman Artwork by Robert Mahon 46 TRICYCLE FA L L 20 1 0 TRICYCLE FA L L 20 1 0 47 couple of years ago, about a month before my first novel was due to be published—and several months into an intensive meditation training program for yoga teachers that I was co-directing at Spirit Rock Meditation Center—I had two startlingly vivid dreams. AThe first: I am gliding and twirling around a roller disco, dressed only in a black velvet bikini and white fur-trimmed rollerblades. When I catch a glimpse of myself in a mirror, my first reaction is delight: “I look totally hot!” Then comes horror: “But what if I run into a Spirit Rock teacher while I’m dressed like this?” The second: My novel in hand, I have gone into therapy with a good friend of mine, a longtime teacher of yoga and Buddhist meditation. The session is held on the edge of a precipitous cliff. As the therapist tries to intervene, my friend and I keep snatching a microphone away from each other, trying to dominate the conversation. But then I tell my friend, with great intensity, “The only purpose of writing is to wake up.” So we hug each other happily and leave to very dramas that spiritual practice is determined to transcend. dreaming—and the popsicle sticks I had hidden in my sock too early in the morning. At the opening lecture, still red-eyed attend a Buddhist yoga conference that is primarily populated by Both dreams posed a vital question, which artists on a spiri- drawer (the way the cooler kids hid vodka dyed green in Scope and blurry-headed from the previous night’s revelry, I heard frolicking topless flamenco dancers. -
The Best-Laid Plans
The Best-Laid Plans A vomiting child in an airport hotel— it wasn’t the vacation she had in mind. ANNE CUSHMAN on the teachings of a trip gone awry. AST WEEKEND I had a spiritual breakthrough while stay- ing with my feverish ten-year-old son at a hotel at the Dallas/ Fort Worth International Airport. Well, okay, so maybe it wasn’t exactly a breakthrough. Maybe it was more of a little crack in the prison walls Lthrough which a ray of moonlight could shine. By prison, of course, I don’t mean our hotel room. We were actually in a very comfortable seventh-floor room with a panoramic view of the runway. That is, un- til Skye threw up all over the rug, at which point we were switched to an identical fourth-floor room with a panoramic view of the parking garage. No, by prison I mean those iron bars of thoughts and beliefs that… well, maybe I should just start this story at the beginning. LATE LAST FALL, I began planning a two-week trip to Guatemala with Skye to study Spanish and live with a Mayan family in a remote mountain village on the shores of Lake Atitlán. I set up our trip through a nonprofit organization run by a youngA merican couple who had made Guatemala their home. The more they told me about what we would experience there, the better it sounded. Our homestay family— Pedro, Gladis, and their three boys—didn’t speak English. We’d learn to make tortillas in Gladis’ wood-fired stove. -
Wednesday Primetime B Grid
SUNDAY MORNING GRID 5/17/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA: Spotlight PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Cycling Tour of California, Stage 8. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Indianapolis 500, Qualifying Day 2. NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Enough ›› (2002) 13 MyNet Paid Program Surf’s Up ››› (2007) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Dynamic Europe: Amsterdam Orphans of the Genocide 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Client ››› (1994) 34 KMEX Paid Program Al Punto (N) Hotel Todo Incluido La Madrecita (1973, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Charlotte’s Web ››› (2006) Julia Roberts. -
Farrar, Straus and Giroux | 6/4/2019 Surprise That Borders Have Become So Porous
Losing Earth A Recent History Nathaniel Rich An instant classic: the most urgent story of our times, brilliantly reframed, beautifully told By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and SCIENCE conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the MCD | 4/9/2019 moral dimensions of our shared plight. 9780374191337 | $25.00 / $32.50 Can. Hardcover with dust jacket | 224 pages 4 Black-and-White Illustrations / Notes on Now expanded into book form, Losing Earth tells the human story of climate Sources | Carton Qty: 28 | 8.3 in H | 5.4 in W change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil MARKETING fuel industry’s coordinated effort to thwart climate policy through disinformation, propaganda, and political influence. The book carries the National review attention Print features and profiles story into the present day, wrestling with the long shadow of our failures and Online features and profiles asking crucial questions about how we make sense of our past, our future, Interest-specific media outreach: environment and ourselves. -
Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland. -
THE PHILOSOPHY of STEVEN SODERBERGH the Philosophy of Popular Culture
THE PHILOSOPHY OF STEVEN SODERBERGH The Philosophy of Popular Culture Th e books published in the Philosophy of Popular Culture series will illuminate and explore philosophical themes and ideas that occur in popular culture. Th e goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. Th is series seeks to publish both established and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophical and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. Series Editor Mark T. Conard, Marymount Manhattan College, NY Books in the Series Th e Philosophy of Stanley Kubrick, edited by Jerold J. Abrams Football and Philosophy, edited by Michael W. Austin Tennis and Philosophy, edited by David Baggett Th e Philosophy of the Coen Brothers, edited by Mark T. Conard Th e Philosophy of Film Noir, edited by Mark T. Conard Th e Philosophy of Martin Scorsese, edited by Mark T. Conard Th e Philosophy of Neo-Noir, edited by Mark T. Conard Th e Philosophy of Horror, edited by Th omas Fahy Th e Philosophy of Th e X-Files, edited by Dean A. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Dalla As-Fort W Anno Worth Fo Ounce Fe Oote Fes Estival S Stival Pa
Contact: Kelsey Guy, Public Relations Manager 214-252-3923 [email protected] Dallas-Fort Worth Foote Festival participants announce festival selections DALLAS (November 19, 2010) – Dallas-Fort Worth arts organizations and cultural institutions participating in the metroplex-wide Foote Festival have announced festival selections and events. The Foote Festival, March 14 – May 1, 2011, will celebrate the life and work of the late award-winning Texas playwright, Horton Foote (March 14, 1916 – March 4, 2009). “Horton Foote is widely considered to be one of the most influential American playwrights, and the most influential Texas playwright of the 20th century,” says Kevin Moriarty, Artistic Director of Dallas Theater Center. “Arts institutions from across the metroplex have come together to create a comprehensive look at Foote’s body of work, which includes theater, film and television. Dallas-Fort Worth area theaters, libraries, museums and educational institutions have selected some of the most widely recognized and acclaimed plays and will create several exciting events to honor a truly legendary man.” Selections include Courtship, The Young Lady of Property, The Dancers (Booker T. Washington High School for the Visual and Performing Arts); The Trip to Bountiful (Contemporary Theatre of Dallas); Dividing the Estate (Dallas Theater Center); readings of A Nightingale, The Dancers and Land of the Astronauts (Flower Mound Performing Arts Theater); 3 FOOTE: AN EVENING OF THREE ONE-ACT PLAYS (Kitchen Dog Theater); The Old Beginning, John Turner Davis (Rotunda Theatre); Talking Pictures (Stage West); The Roads to Home (Theatre Three); Young Man from Atlanta (Uptown Players); The Traveling Lady (WaterTower Theatre) and a staged reading of The Carpetbagger’s Children (WingSpan Theatre Company and One Thirty Productions). -
300-Hour Yoga Teacher Training Program Catalog March 2021
300-Hour Yoga Teacher Training Program Catalog March 2021 – August 2022 MISSION Green Lotus Group, LLC d/b/a Green Lotus Yoga & Healing Center, created its 300-hour program to strengthen and support the foundation yoga teachers earned in their Yoga Alliance RYT 200- hour certification. In this advance-level program Green Lotus continues its commitment to the success of all enrollees in learning the practical application of how yoga contributes to the personal physical and emotional growth and wellness of people from diverse backgrounds, ages, and perspectives. It extends its history of deep support so that each student reaches her/his level of self-reflection, self-inquiry and self-discovery to extend personal transformation and the ability to communicate it. OVERVIEW Green Lotus has been conducting 200-hour teacher training classes since 2008 and in 2013 offered its advanced 300-hour training to its first cohort of students. The 18-month 300-hour curriculum supports teachers seeking deeper enquiry into how yoga – in its many facets of ethics, philosophy, physical movement (asana) and breath work, meditation, Ayurveda, and more – supports overall wellness and well-being. Yoga now can be found not only in yoga centers but also in schools, nursing homes, businesses, treatment facilities, VA and other hospitals, VA clinics, churches, athletic teams – both amateur and professional – and in most walks of life. Green Lotus’s program offers electives to give students the choice to focus on a more vigorous or therapeutic selection of courses. This program which can be completed between 12 and 18 months, fulfills the requirements of the Yoga Alliance 500-hour RYT certification. -
THE BIRD STAME SOCIETY G
. e . .. .. .. .. ... .. ... x;. U . L1 HT . .. YE .. December 1998 .. i . \ . Vol.13 No.2 E 5 1B THE BIRD STAME SOCIETY g II I 1 I EDITORIAL MISCELLANY g Post BIRDPEX . 2 The last five or six issues of "Flight" have been enlivened by the business of BIRDPEX '98 its advance publicity, prospectus, lists of entries and awards, reports and a few pages illustrating a couple of the exhibits. That is just about behind us now, although the second extract from John Fosbery's intriguing display appears in this issue and l'm sure reminiscences from the exhibition will continue to crop up in § the pages of "Flight" for some time to come. David Cox has written a more measured article on the . subject of thematic collecting as a counterweight to my, perhaps provocative, feature in the September . .. .. issue and you will also find an interesting 'new start' in the form of a feature on Chris Gibbins' bird stamps website in these pages. I hope to be able to provide at least occasional features about stamps on the internet. l'm sure that there will be many more goodies from the regular contributors - although none of us can go on for ever - but it would be good now if a few members who have rarely if ever put in a piece did so from time to time. Why not have a go? lt need only be a letter with a query of some kind or drawing attention to something slightly out-of-the-way. But it can easily be rather more - perhaps a short feature on some aspect of your collecting or any extracts from your album or displays that might be . -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.