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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Resultat Catalogue Annoté Internet
Page : 1/85 Résultats de l'exposition de MACON du 01/09/12 1er Groupe 1er Groupe 1er EXCELLENT 12 FREEDOM DU PARC JONAGEOIS CACS - RCACIB LOF : 222022/22837 Tat : 250269604172855 née le 18/10/2010 (BANZAI DU PARC CHIEN DE BERGER BELGE Groenendael JONAGEOIS X U II DU PARC JONAGEOIS) Prod. Mme MURET Corinne Prop. Mme —————————— CLASSE OUVERTE MALES - JUGE M. LARIVE Jean-Claude —————————— GUENEAU Nathalie 2e EXCELLENT 1 ASHLEY DU BOIS DE GEYLIS 2e EXCELLENT 13 GALA DES LOUPS DE LA FORET SACREE RCACS - RCACIB LOF : 048956/05107 Tat : 250269600396973 né le 27/03/2005 (TIKIS DU BOIS DE GEYLIS LOF : 227191 Tat : 250269604372369 née le 23/05/2011 (HARLEY DU SARTY ROUX X X CERES BAICHA) Prod. M. PICART Denis Prop. Mme CORDIER Muriel CARLA-BELLA DU RIBAUDEAU) Prod. Mme ANSIDEI Geneviève Prop. Mme OSEPIAN Mathilde 1er EXCELLENT 2 E'CARBONNE DES ETANGS SAUVAGES CACS - CACIB LOF : 215141/21365 Tat : 2GNC 837 né le 02/11/2009 (VERY GOOD DE BRUNALINES X ————————— CLASSE OUVERTE FEMELLES - JUGE M. LARIVE Jean-Claude ————————— Meilleur de Race BRUME DES ETANGS SAUVAGES) Prod. M. GILLET Serge Prop. M. THIBAUD Marc 1er EXCELLENT 14 ESKILA DU PRAT-DES-LOUPS —————————— CLASSE JEUNE FEMELLES - JUGE M. LARIVE Jean-Claude —————————— RCACS LOF : 211973/21621 Tat : 250269801302137 née le 17/04/2009 (VICKY DU MAS DE CANTEPERDRIX X ANTIOPE DU PRAT-DES-LOUPS) Prod. Mlle CARCOPINO Marie-Line 1er EXCELLENT 3 G. EBENE ARLINDA CHIEF Prop. Mme INFRAY Claudine LOF : 229885 Tat : 250269801712445 née le 08/10/2011 (BALKO DU CLOS DES 2e EXCELLENT GIANA DU DOMAINE DE L'AVENIR Meilleur Jeune AGAPORNIS X CHELSY ARLINDA CHIEF) Prod. -
Der Version DP Festival De Carcassonne 2021.Indd
FESTIVAL DE CARCASSONNE #RetourÀLaScène ZUCCHERO JEAN-LOUIS AUBERT PATRICK BRUEL FRANCIS CABREL CHRISTOPHE MAÉ SUZANE + GRAND CORPS MALADE VITAA & SLIMANE LOUIS CHEDID + ALAIN SOUCHON ANGÉLIQUE KIDJO + CATHERINE RINGER CITÉ MÉDIÉVALE CHANTE LES RITA MITSOUKO JUILLET BLACK M 2021 + LES FRANGINES FRANCIS HUSTER EVGENY KISSIN BORIS BEREZOVSKY BÉJART BALLET Dossier LAUSANNE de Presse www.festivaldecarcassonne.fr #FestiCarca RÉSEAUX : FRANCE BILLET - TICKETMASTER - DIGITICK - FESTICKET - LE BIKINI BAVFW LE FESTIVAL DE CARCASSONNE le Festival de votre été... dans un site unique en France au cœur de la Cité Médiévale ! #RetourÀLaScène Eu égard aux mesures sanitaires liées au COVID-19, la Ville de Carcassonne avait été contrainte d’annuler l’édition 2020 du Festival de Carcassonne. Face à cette décision aussi difficile qu’inédite, l’équipe du Festival s’est rapidement mobilisée et a réussi à reporter la majorité des dates de 2020 sur juillet 2021, pour le plus grand plaisir des spectateurs ! Depuis plusieurs mois, de nombreux scenarii ont été étudiés pour maintenir coûte que coûte l’édition 2021, mais avec toujours pour mot d’ordre : la sécurité ! Conformément aux dernières annonces gouvernementales du mois de mai, le Maire de Carcassonne Gérard Larrat a donc décidé de maintenir l’édition 2021 du Festival de Carcassonne en prenant toutes les mesures nécessaires pour assurer la sécurité des spectateurs dans le respect des règles sanitaires en vigueur. Un maintien nécessaire pour relancer l’économie locale, développer l’attractivité touristique, soutenir le monde de la Culture, notamment les intermittents du spectacle, et offrir à nouveau des moments d’évasion aux Carcassonnais et milliers de touristes présents cet été. -
Unknown Mortal Orchestra Multi-Love
UNKNOWN MORTAL ORCHESTRA MULTI-LOVE Multi-Love The threads of our past never unravel, they hover like invisible webs, occasionally glistening Like Acid Rain due to a sly angle of the sun. On Multi-Love , Unknown Mortal Orchestra frontman and Ur Life One Night multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the Can’t Keep Checking My Phone geometry of desire that occurs when three people align. Where Nielson addressed the pain of Extreme Wealth and Casual being alone on II , Multi-Love takes on the complications of being together. Cruelty The World Is Crowded Multi-Love adds dimensions to the band’s already kaleidoscopic approach, with Nielson Stage or Screen exploring a newfound appreciation for synthesizers. The new songs channel with the spirit of Necessary Evil Puzzles psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing CATALOG #: JAG262 new vocabulary, while Nielson’s vocals reach powerful new heights. “It felt good to be rebelling RELEASE DATE : MAY 26, 2015 against the typical view of what an artists is today, a curator,” he says. “It’s more about being FORMAT: CD/LP/DIGITAL someone who makes things happen in concrete ways. Building old synthesizers and bringing CD BOX LOT: 30 them back to life, creating sounds that aren’t quite like anyone else’s. I think that’s much more LP BOX LOT: 25 subversive.” GENRE: ALTERNATIVE KEY MARKETS: NEW YORK, LOS ANGELES, While legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra PORTLAND, SEATTLE, SAN FRANCISCO, shares the rare quality that makes the genre’s touchstones so vital, constant exploration. -
Immigrant Musicians on the New York Jazz Scene by Ofer Gazit A
Sounds Like Home: Immigrant Musicians on the New York Jazz Scene By Ofer Gazit A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Benjamin Brinner, Chair Professor Jocelyne Guilbault Professor George Lewis Professor Scott Saul Summer 2016 Abstract Sounds Like Home: Immigrant Musicians On the New York Jazz Scene By Ofer Gazit Doctor of Philosophy in Music University of California, Berkeley Professor Benjamin Brinner, Chair At a time of mass migration and growing xenophobia, what can we learn about the reception, incorporation, and alienation of immigrants in American society from listening to the ways they perform jazz, the ‘national music’ of their new host country? Ethnographies of contemporary migrations emphasize the palpable presence of national borders and social boundaries in the everyday life of immigrants. Ethnomusicological literature on migrant and border musics has focused primarily on the role of music in evoking a sense of home and expressing group identity and solidarity in the face of assimilation. In jazz scholarship, the articulation and crossing of genre boundaries has been tied to jazz as a symbol of national cultural identity, both in the U.S and in jazz scenes around the world. While these works cover important aspects of the relationship between nationalism, immigration and music, the role of jazz in facilitating the crossing of national borders and blurring social boundaries between immigrant and native-born musicians in the U.S. has received relatively little attention to date. -
Cover Story Il Songwriter Neozelandese-Americano Ruban
Cover Story Unknown Mortal Orchestra Il songwriter neozelandese-americano Ruban Nielson torna a tre anni di distanza da Multi-Love con il suo lavoro più multi-sound, Sex & Food. Lo abbiamo incontrato a Londra per una colazione chiarificatrice, in cui ci ha raccontato la genesi del suo album “definitivo” 20 / 21 Side A UMO Unknown Mortal Orchestra Testo di Giuseppe Zevolli Fotografie di Neil Krug Settembre 2017: Ruban Nielson, dal 2010 la mente e il volto dietro al progetto Unknown Mortal Orchestra, scrive su Twitter: “E se il mio nuovo album mi piacesse così tanto da Riascoltavo Sex & Food venendo qui e di nuovo non volerlo condividere con il resto di questo mondo non ho potuto fare a meno di pensare che sia il indegno?”. Nielson, un utente piuttosto entusiasta tuo album più vario da un punto di vista sonoro. di Twitter, sapeva che la sua afermazione avrebbe La vedi così anche tu? fatto inarcare qualche sopracciglio. In realtà, la All’inizio ero quasi preoccupato, perché era un po’ provocazione non aveva nulla a che fare con i gusti come se ci fossero tre dischi in uno. Poi, invece, mi dei fan: il suo dubbio riguardava più che altro la è capitato di leggere degli articoli sullo streaming capacità di un disco ispirato e tendenzialmente e su come le playlist che vengono create per i più ottimista come Sex & Food di lasciare il segno in giovani tendono a non seguire regole di genere. Il tempi dificili come i nostri. Che risonanza può più delle volte ruotano attorno a un mood o persino avere una band indie rock oggi? Nielson non teme ai BPM. -
Gainsbourg Eng Last
FIFTY ONE FINE ART PHOTOGRAPHY Fifty One celebrates 10 years with Serge Gainsbourg (1928 - 1991) 5th of June – 31st of July 2010 Où est ma petite amie ? Elle est dans mon Rolleiflex. Where is my girlfriend? She’s dissapeared into my Rolleiflex. Serge Gainsbourg (1928-1991) dreamt of becoming a painter and a movie maker. In both cases he managed to produce only a few lasting works: a few canvases demonstrating his talent for colors and four films, the first of which was entitled after one of his most famous songs Je t’aime moi non plus and would also become the most acclaimed. Though his films were deemed controversial, none of them achieved great success. Yet, one thing is certain; each shot had been contemplated, imagined, composed, and put into scene by a man with the aesthetically attuned eye of a photographer. When reading the filmic scenarios, one is surprised to discover that Gainsbourg alloted more painstaking attention to the perfection of focal points, the lens, to movements of the camera, than to the psychology of the characters – whom, in any case, mostly resembled himself, the tortured artist. On his 1964 album “Gainsbourg Confidentiel”, Serge sings about a photograph he describes in Negative Blues: Où est ma petite amie ? Elle est dans mon Rolleiflex C'était mon premier reflex J'aime la photographie Je revois la petite chérie Posant pour mon Rolleiflex Un p'tit machin en lastex Lui donnait un peu d'esprit Gainsbourg was thus also a photographer, staging a nude Jane Birkin – sometimes even chained to a radiator, for erotic magazines). -
Sommaire Catalogue National Octobre 2011
SOMMAIRE CATALOGUE NATIONAL OCTOBRE 2011 Page COMPACT DISCS Répertoire National ............................................................ 01 SUPPORTS VINYLES Répertoire National ............................................................. 89 DVD / HDDVD / BLU-RAY DVD Répertoire National .................................................... 96 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. NATIONAL 1 ABD AL MALIK Salvatore ADAMO (Suite) Château Rouge Master Serie(MASTER SERIE) 26/11/2010 BARCLAY / BARCLAY 20/08/2009 POLYDOR / POLYDOR (557)CD (899)CD #:GACFCH=ZX]\[V: #:GAAHFD=V^[U[^: Dante Zanzibar + La Part De L'Ange(2 FOR 1) 03/11/2008 BARCLAY / BARCLAY 19/07/2010 POLYDOR / POLYDOR (561)CD (928)2CD #:GAAHFD=VW]\XW: #:GAAHFD=W]ZWYY: Isabelle ADJANI Château Rouge Pull marine(L'ORIGINAL) 14/02/2011 BARCLAY / BARCLAY 08/04/1991 MERCURY / MERCURY (561)CD (949)CD #:GACFCH=[WUZ[Z: #:AECCIE=]Y]ZW\: ADMIRAL T Gibraltar Instinct Admiral 12/06/2006 BARCLAY / BARCLAY 19/04/2010 AZ / AZ (899)CD (557)CD #:GACEJI=X\^UW]: #:GAAHFD=W[ZZW^: Le face à face des coeurs Instinct Admiral(ECOPAK) 02/03/2004 BARCLAY / BARCLAY 20/09/2010 AZ / AZ (606)CD (543)CD #:GACEJI=VX\]^Z: #:GAAHFD=W^XXY]: ADAM & EVE Adam & Eve La Seconde Chance Toucher l'horizon -
An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard. Carol Fuqua Lines Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Lines, Carol Fuqua, "An Introduction to Jacques Leguerney's Settings of the Poetry of Pierre De Ronsard." (2001). LSU Historical Dissertations and Theses. 418. https://digitalcommons.lsu.edu/gradschool_disstheses/418 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
CANTINE LE MIDI... MAIS QUE LEUR FAIRE À DÎNER LE SOIR ? Conseils
Le journal municipal de Montreuil N° 86 n Du 21 novembre au 4 décembre 2019 SALON DU LIVRE DE LA JEUNESSE. 180 000 VISITEURS SONT ATTENDUS Créé en 1984, il complète les actions de la Ville pour encourager la lecture chez les plus jeunes et fête ses 35 ans, avec 3 000 séances de dédicaces et 450 exposants. n P. 22 AU BOUT DU VOYAGE, AUSCHWITZ… À l’initiative de la municipalité, 150 Montreuillois se sont rendus au cœur de l’enfer nazi. n P. 9 CHAMPION DU MONDE DE PLONGEON, GARY CHOISIT MONTREUIL Gary Hunt s’élance de 27 m. Il vit désormais dans notre ville et s’entraîne à Maurice- Thorez. n P.2 www.montreuil.fr Le Montreuillois « S’unir pour réussir » QUI VEUT JOUER LE CANTINE LE MIDI... MAIS QUE LEUR RÔLE DE JOEYSTARR ? FAIRE À DÎNER LE SOIR ? Conseils Comment adapter le repas du soir des enfants qui mangent à la cantine le midi ? Cinq conseils de nos nutritionnistes. n P. 6 Le Café La Pêche accueille le 4 décembre un casting en vue de trouver des acteurs non professionnels pour incarner les deux rappeurs du groupe NTM. n P. 10 UN ABRI ANTI- BOMBARDEMENT SOUS LA PLACE DE LA RÉPUBLIQUE ? La découverte historique a été faite à l’occasion de travaux de rénovation de la place. Explications. n P. 3 Le journal municipal de Montreuil n www.montreuil.fr 02 n LES MONTREUILLOIS À L’HONNEUR Champion du monde de plongeon, Gary Hunt, a choisi Montreuil a piscine Maurice-Thorez en arrière-plan ne doit Lpas vous duper. -
From Guy Warren to Kofi Ghanaba: a Life of Transatlantic (Dis)Connections
Individual Life From Guy Warren to Kofi Ghanaba: A Life of Transatlantic (Dis)Connections Robin D. G. Kelley “ here has never been anybody in the history of Jazz music like me . I am Tto Jazz music what Kwame Nkrumah was to modern African politics.”1 These bold words belong to the late Kofi Ghanaba, the Ghanaian-born drum- mer who pioneered jazz-African fusion music during the era of decolonization. Anyone familiar with Ghanaba and his music, whether as the wise African in Haile Gerima’s celebrated film “Sankofa,” or as the young, dynamic percussion- ist Guy Warren who had taken London, Chicago, and New York by storm in the 1950s, will immediately recognize his legendary hubris. But there is a grain of truth here beyond his conceit. Their lives might be read as parallel stories of two important Ghanaian-born intellectuals whose transatlantic travels between the United States, the United Kingdom, and West Africa profoundly shaped their politics, ideas, and identities. Both men studied at Achimota College in the Gold Coast; both men spent time in the United Kingdom where they encountered an African diasporic community whose politics and art widened their horizons; and both men spent several years in the United States, which they initially envi- sioned as a land of freedom and possibility in an era when the United Kingdom’s imperial fortunes were declining and the so-called American Century was beginning. Nkrumah first arrived in London in 1935, just after Italy invaded Ethiopia. Although he was passing through en route to the United States, Nkrumah fell in with a group of like-minded activists mobilizing against the occupation and demanding that the League of Nations protect Ethiopia’s sovereignty. -
Fonds Charles Koechlin
Fonds Charles KOECHLIN Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Fonds Charles Koechlin Table des matières Documents personnels sur Charles Koechlin .................................................................................. 4 Biographie / Ephémérides ........................................................................................................... 4 Ecrits autobiographiques ............................................................................................................. 4 Ecrits et dossiers de voyages ...................................................................................................... 5 Œuvres de Charles Koechlin ......................................................................................................... 10 Boite 1 : Listes d’œuvres ........................................................................................................... 10 Boite 2 : Ecrits de Ch. Koechlin sur ses œuvres ........................................................................ 10 Ecrits de Charles Koechlin ............................................................................................................ 12 Conférences .............................................................................................................................. 12 Causeries radiophoniques ......................................................................................................... 14 Articles et textes .......................................................................................................................