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Gemma Bovery
presents GEMMA BOVERY A film by Anne Fontaine Based on the graphic novel ‘Gemma Bovery’ by Posy Simmonds 99 min., France. 2014 In French and English with English subtitles Press Materials: http://www.musicboxfilms.com/gemmabovery-press Official Site: http://www.musicboxfilms.com/gemmabovery Music Box Films Marketing & Publicity Distribution Contact: Lisa Trifone: [email protected] Claire Quinn Rebecca Gordon: [email protected] [email protected] 312-508-5360 / 312-508-5362 312-508-5364 NY Publicity LA Publicity Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck: [email protected] Marina Bailey: [email protected] Aimee Morris: [email protected] Sara Tehrani: [email protected] 212-595-2432 323-962-7511 SYNOPSIS In this vibrant seriocomic re-imagining of Flaubert’s literary classic Madame Bovary, life imitates art in uncanny ways when earthy British beauty Gemma Bovery (Gemma Arterton) and her furniture restorer husband Charles (Jason Flemyng) move to a charming ramshackle old farmhouse in the very same Norman village where the novel was written a century earlier. Their welcoming neighbor, local baker and Flaubert expert Martin Joubert (Fabrice Luchini) becomes entranced with Gemma and sets out to be her guide and mentor to her new surroundings. It doesn't take long before he is drawing parallels between the literary and real life woman, while he insinuates himself into her life. As reality sets in on the fantasy of rural French domesticity, the Boverys' marriage begins to fray and Gemma finds herself at loose ends. She soon catches the eye of a handsome young playboy and when her magnetic ex suddenly reappears, she finds herself at a crossroads and seems to be fulfilling Joubert's worst fears that her destiny is linked to that of Flaubert’s doomed heroine. -
The Ocean in the Atlantic: British Experience and Imagination in an Imperial Sea, Ca
The Ocean in the Atlantic: British Experience and Imagination in an Imperial Sea, ca. 1600-1800 Heather Rose Weidner Chino Hills, California BA, Swarthmore College, 2000 MA, University of Virginia, 2002 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia May, 2014 i Table of Contents Abstract ii Acknowledgements iii Abbreviations vi Images vii 1. Introduction: Maritime, Anxious, Godly, and Sociable 1 2. Sing a Song of Shipwrecks 28 3. Between Wind and Water 95 4. Wrecked 166 5. To Aid Poor Sailors 238 6. Conclusion: God speed the barge 303 Appendix 1 315 Appendix 2 322 Bibliography 323 ii Abstract For Britons in the seventeenth and eighteenth centuries, “the Atlantic” was not a field of study -- it was an ocean. In this dissertation I argue for an environmentally minded Atlantic history, one that is conscious of the ocean as both a cultural and a physical presence. The ocean shaped an early modern Atlantic vernacular that was at its essence maritime, godly, anxious and sociable. The ocean was a conduit to empire, so anything Britons imagined about the oceans, they imagined about their empire as well. Britons could never fully master their empire because they could never master the ocean; it was source of anxiety for even the wealthiest merchants. The fear of extremity – of wreck and ruin – kept those who crossed the ocean focused on the three most valuable Atlantic commodities: a sound reputation, accurate information, and the mercy of God. -
L'exemple De Gemma Bovery De Posy Simmonds
Synergies Espagne n° 14 - 2021 p. 25-41 GERFLINTGERFLINT Adapter l’ironie flaubertienne : l’exemple ISSN 1961-9359 de Gemma Bovery de Posy Simmonds ISSN en ligne 2260-6513 Marina Isabel Caballero Muñoz Université de Séville, Espagne [email protected] https://orcid.org/0000-0002-7680-3534 Reçu le 04-11-2020 / Évalué le 12-12-2020 / Accepté le 17-03-2021 Résumé Gustave Flaubert a refusé d’illustrer ses livres tout au long de sa vie ; une attitude qui contraste, paradoxalement, avec les nombreuses occasions où ses œuvres ont été adaptées aux formats graphiques et cinématographiques. Dans l’univers de la narration graphique, nous trouvons Gemma Bovery (2014) de Posy Simmonds, actuel- lement le seul roman graphique inspiré du chef-d’œuvre Madame Bovary (1857) de Gustave Flaubert. L’objectif du présent article est d’étudier l’ironie flaubertienne comme source de l’humour de Posy Simmonds dans Gemma Bovery (2014). D’abord, nous contextualiserons notre étude dans le domaine des adaptations, de la bande dessinée et du roman graphique à partir des ouvrages et des auteurs clés. Ensuite, dans une partie méthodologique, nous essayerons de définir brièvement le concept d’ironie ainsi que les différents concepts qui peuvent la déclencher dans un texte littéraire. Finalement, dans l’analyse proposée, nous étudierons la présence de l’ironie flaubertienne de la forme au contenu de ce roman graphique, afin d’observer également son originalité. Mots-clés : Adaptation, roman graphique, Posy Simmonds, Gemma Bovery, Madame Bovary Adaptar la ironía flaubertiana: el ejemplo de Gemma Bovery de Posy Simmonds Resumen Gustave Flaubert rechazó ilustrar sus libros durante toda su vida. -
What Could Be Better Than a Red 1949 Cosmo Convertible?
Volume 21 Issue 8 Our 20th year August 1, 2021 What could be better than a red 1949 Cosmo Convertible? Why, not much, says Nels Woods, happy owner of this big red beast. My beloved 1949 Lincoln Cosmopolitan convertible has been in my possession for one year now. The story starts, that is, three years prior in 2018. I was a freshman student attending McPherson College for their automotive restoration program. I was 19 at the time and chasing a Welcome to the dream in the field I love, automotive restoration. I felt as if automobiles were more than just a vehicle. Classic cars are history, an essential part of not only American culture but others as well. Northstar News, the My friends and I decided to take a fall trip to the great state of Texas. My grandmother lives in monthly publication of Texas, so I am never opposed to visiting. We arrived and had our fun; then, it was time to visit the Northstar Region grandma. She had mentioned a friend of hers with a classic car collection. I didn't think much of it, but I was curious as to what this collection was. My grandmother drove me over to her friend of the Lincoln and Joseph Hill's house, but his friends knew him as "Mac." Continental Owners The 87-year-old Texan answered the door with a smile, excited to see a young fella inspired Club. We value your by old cars. I had recently been working on my ‘1949 Studebaker 2R-15 pickup truck at the col- lege, which Mac loved to see progress. -
Women and the Communist Party of Canada, 1932-1941, with Specific Reference to the Activism of Dorothy Livesay and Jim Watts
Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts by Nancy Butler A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November 2010 Copyright © Nancy Butler, 2010 ii Abstract This dissertation traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the ‘Third Period’) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats. The CPC’s appropriation and redeployment of bourgeois gender norms facilitated this shift by bolstering the CPC’s claims to political authority and legitimacy. ‘Woman’ and the gendered interests associated with women—such as peace and prices—became important in the CPC’s war against capitalism. What women represented symbolically, more than who and what women were themselves, became a key element of CPC politics in the Depression decade. Through a close examination of the cultural work of two prominent middle-class female members, Dorothy Livesay, poet, journalist and sometime organizer, and Eugenia (‘Jean’ or ‘Jim’) Watts, reporter, founder of the Theatre of Action, and patron of the Popular Front magazine New Frontier, this thesis utilizes the insights of queer theory, notably those of Eve Kosofsky Sedgwick and Judith Butler, not only to reconstruct both the background and consequences of the CPC’s construction of ‘woman’ in the 1930s, but also to explore the significance of the CPC’s strategic deployment of heteronormative ideas and ideals for these two prominent members of the Party. -
Ice Cream Airport and Landing Areas, Carry by Popular Demand We Are Continulbg Tus Special Another Week Dropped Today, Helping Weary Fire Life
FRIDAY, AUGtrST 11, 1961 Averaffe Net Press Run The Weather For tho Weak Ended ForecMt of O. 8. Weather gone 8, 1981 ^ The weekly Friday dances sponsored by the recreation de Tot’s First Drive itsm , ___ ___ _ « I 13,3.30 Clearing, cooler,tonight. Low In About Town partment win be held tonight at Sartor to Train at Chanute mld-60e, Suqday moetly. mmny, the West Side tennis courts from Ends with Crash Member of the Audit cooler, letM humid. High 88 to 86. Mancheider Banmcki, Vateraas 7:30 to 8:30 for youngsters As CAP Cadet^ Then Airman Boreau of Gircalatlon Of WorW War I, will be hoet to a throught 12. and 8:30 to 10:30 Manchester— A City of Village Charm for teen-agers. A three-year-old’s first experi department meeting of the De ence with driving had crashing re partment of Connecticut Sunday Cadet Capt. Richard Sartor of >year the space program has been liiii mghth District Fire Department sults last night The lad only re VOL. LXXX, NO. 266 (TEN PAGES—TV SECHON—SUBURBIA TODAY) lilANCHESTER, CONN., SATURDAY, AUGUST 12, 1961 (Clooaifled Advertteiog on Page 8) PRICE FIVE CENTS at S p.m. at the VPW Poat Home, the Manchester Cadet Squadron of offered. MANCHESTER iilil members who wish to participate Sartor has passed tests on mis-. ceived a bump on the forehead. MAIN STREET Manclieater Green. Barracks and the a v ll Air Patrol will receive auxiliary units throughout the In a parade in Broad Brook will sUes and rocketry conducted by training at the same U.S. -
Preliminary Program Book
PRELIMINARY PROGRAM BOOK Friday - 8:00 AM-12:00 PM A20-100 Status of Lesbian, Gay, Bisexual, Transgender, Intersex, and Queer Persons in the Profession Committee Meeting Patrick S. Cheng, Chicago Theological Seminary, Presiding Friday - 8:00 AM-12:00 PM Friday - 8:00 AM-1:00 PM A20-101 Status of Women in the Profession Committee Meeting Su Yon Pak, Union Theological Seminary, Presiding Friday - 8:00 AM-1:00 PM Friday - 9:00 AM-12:00 PM A20-102 Public Understanding of Religion Committee Meeting Michael Kessler, Georgetown University, Presiding Friday - 9:00 AM-12:00 PM Friday - 9:00 AM-1:00 PM A20-103 Status of Racial and Ethnic Minorities in the Profession Committee Meeting Nargis Virani, New York, NY, Presiding Friday - 9:00 AM-1:00 PM Friday - 9:00 AM-2:00 PM A20-104 International Connections Committee Meeting Amy L. Allocco, Elon University, Presiding Friday - 9:00 AM-2:00 PM Friday - 9:00 AM-5:00 PM A20-105 Regional Coordinators Meeting Susan E. Hill, University of Northern Iowa, Presiding Friday - 9:00 AM-5:00 PM A20-106 THATCamp - The Humanities and Technology Camp Eric Smith, Iliff School of Theology, Presiding John Crow, Florida State University, Presiding Michael Hemenway, Iliff School of Theology/University of Denver, Presiding Theme: THATCampAARSBL2015 Friday - 9:00 AM-5:00 PM Friday - 10:00 AM-1:00 PM A20-107 American Lectures in the History of Religions Committee Meeting Louis A. Ruprecht, Georgia State University, Presiding Friday - 10:00 AM-1:00 PM Friday - 11:00 AM-6:00 PM A20-108 Religion and Media Workshop Ann M. -
Global Cinema
GLOBAL CINEMA Edited by Katarzyna Marciniak, Anikó Imre, and Áine O’Healy The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politi- cally challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nation- alist or hegemonic frameworks. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, dis- tribution, exhibition, study, and teaching of film. Dedicated to global aspects of cinema, this pioneering series combines original perspectives and new method- ological paths with accessibility and coverage. Both “global” and “cinema” remain open to a range of approaches and interpretations, new and traditional. Books pub- lished in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization; it is mindful of reposi- tioning “the global” away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of “globalizing film studies.” Katarzyna Marciniak is a professor of Transnational Studies in the English Depart- ment at Ohio University. Anikó Imre is an associate -
Women at Crossroads: Multi- Disciplinary Perspectives’
ISSN 2395-4396 (Online) National Seminar on ‘Women at Crossroads: Multi- disciplinary Perspectives’ Publication Partner: IJARIIE ORGANISE BY: DEPARTMENT OF ENGLISH PSGR KRISHNAMMAL COLLEGE FOR WOMEN, PEELAMEDU, COIMBATORE Volume-2, Issue-6, 2017 Vol-2 Issue-6 2017 IJARIIE-ISSN (O)-2395-4396 A Comparative Study of the Role of Women in New Generation Malayalam Films and Serials Jibin Francis Research Scholar Department of English PSG College of Arts and Science, Coimbatore Abstract This 21st century is called the era of technology, which witnesses revolutionary developments in every aspect of life. The life style of the 21st century people is very different; their attitude and culture have changed .This change of viewpoint is visible in every field of life including Film and television. Nowadays there are several realty shows capturing the attention of the people. The electronic media influence the mind of people. Different television programs target different categories of people .For example the cartoon programs target kids; the realty shows target youth. The points of view of the directors and audience are changing in the modern era. In earlier time, women had only a decorative role in the films. Their representation was merely for satisfying the needs of men. The roles of women were always under the norms and rules of the patriarchal society. They were most often presented on the screen as sexual objects .Here women were abused twice, first by the male character in the film and second, by the spectators. But now the scenario is different. The viewpoint of the directors as well as the audience has drastically changed .In this era the directors are courageous enough to make films with women as central characters. -
Farrar, Straus and Giroux | 6/4/2019 Surprise That Borders Have Become So Porous
Losing Earth A Recent History Nathaniel Rich An instant classic: the most urgent story of our times, brilliantly reframed, beautifully told By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and SCIENCE conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the MCD | 4/9/2019 moral dimensions of our shared plight. 9780374191337 | $25.00 / $32.50 Can. Hardcover with dust jacket | 224 pages 4 Black-and-White Illustrations / Notes on Now expanded into book form, Losing Earth tells the human story of climate Sources | Carton Qty: 28 | 8.3 in H | 5.4 in W change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil MARKETING fuel industry’s coordinated effort to thwart climate policy through disinformation, propaganda, and political influence. The book carries the National review attention Print features and profiles story into the present day, wrestling with the long shadow of our failures and Online features and profiles asking crucial questions about how we make sense of our past, our future, Interest-specific media outreach: environment and ourselves. -
Capitalism Unchallenged : a Sketch of Canadian Communism, 1939 - 1949
CAPITALISM UNCHALLENGED : A SKETCH OF CANADIAN COMMUNISM, 1939 - 1949 Donald William Muldoon B.A., Simon Fraser University, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of History @ DONALD WILLIAM MULDOON 1977 SIMON FRASER UNIVERSITY February 1977 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Donald William Muldoon Degree: Master of Arts Title of Thesis: Capitalism Unchallenged : A Sketch of Canadian Communism, 1939 - 1949. Examining Committee8 ., Chair~ergan: .. * ,,. Mike Fellman I Dr. J. Martin Kitchen senid; Supervisor . - Dr.- --in Fisher - &r. Ivan Avakumovic Professor of History University of British Columbia PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for mu1 tiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesi s/Di ssertation : Author : (signature) (name) (date) ABSTRACT The decade following the outbreak of war in September 1939 was a remarkable one for the Communist Party of Canada and its successor the Labor Progressive Party. -
Exteinsions of REMARKS FEDERAL FOOLISHNESS Rially Speaking," for His Stations
July 31, 1974 EXTENSIONS OF REMARKS 26187 who is deaf or deaf-blind; to the Committee to the Committee on Interior and Insular corrections in the enrollment of H.R. 69; on Ways and Means. Affa.1rs. ordered to be printed. By Mr. RONCALLO of New York: By Mr. PODELL (for htmself, Mr. By Mr. ANDERSON of California: H.R. 16193. A bill to prohibit certain con WOUT, Mr. RoSENTHAL, Mr. BIAGGI. H. Con. Res. 571. Concurrent resolution filets of interest between financial institu Mrs. CHISHOLM, Mr. CAREY of New for negotiations on the Turkish opium ban; tions and corporations regulated by certain York, Mr. MUBPBY of New York, Mr. to the Committee on Foreign Affairs. agencies of the United States; to the Com RANGEL, Mr. BADILLO, Mr. ADDABBO, ByMr.CAMP: mittee on Banking and Currency. Mr. DELANEY, Miss HOLTZ:-4AN, Mr. H. Con. Res. 572. Concurrent resolution By Mr. SHIPLEY: KocH, Ms. ABZUG, Mr. BINGHAM, and calUng for a domestic summit to develop H.R. 16194. A bill to further the purposes Mr. PEYSER) : a unified plan of action to restore stabllity of the Wilderness Act by designating cer H.R. 16202. A btll to establish tn the De and prosperity to the American economy; to tain lands for inclusion in the National partment of Housing and Urban Develop the Committee on Banking and Currency. Wilderness Preservation System, to provide ment a housing enforcement assistance pro By Mr. McCOLLISTER: for study of certain additional lands for such gram to aid cities and other municipa.l1ttes H. Con. Res. 573.