DOCSLIB.ORG

Revolutionarywriters on May 1 Questions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Revolutionarywriters on May 1 Questions DAILY WORKER. NEW YORK, FRIDAY, JANUARY IS, 1935' Page 5 ittle Lefty Big Hearted! by del Illll&P / Tue only sill “To stop HE LiSTeN<5 1b AaSo t Find iy rS Vtsk;TEk/ i-ll m - <ce ,\ Change lefts nut) uuciz Wmk* 'H* ' ltRR'OLe * I SeRY OF BROtAUYY/ J impossible for. \ Fl* YriiS RKSHf J Wl \ hunger • iay poverty Questions |H John are with-The Pfgp/lfi 1 r— =—v and is n.R.mi rr W hTion and <sufF£Rin&. “3 me in \ now. i’ll-sendI VEiean-ftou-ib WUBmm&l kT\|l 1 listen Workers r benevolent look U-t) properly care. you a cook on rj and .... - .. see MBPRKFfINNie j. ....i . PERWN6 UNO fiSK. HER £oPPoftTof= ■ Answers jjjg World! Goc ML &ILL By ZO2-T daily MICHAEL GOLD (fORMeHt.YH.R- This department appears on the feature page. All questions should he addressed to "Ques- APHIS Father Coughlin has at last got vTH£ MflC>flMiS"NoY tions and Answers,” c/o Daily Worker, 50 East IN'* Oi>TSeN(*S HER. to the point where he wants to I3th Street, New York City. around • flSSiSTfmr, EDWARD * • have every Communist shot, A. B. Magil - HE 'o Question: Is there equality of pay in the Soviet reports. Norman Thomas is a nice man, ANN &DRLRK'£ INfR^DUC* Union? If there is economic inequality, will net and the good Father says he can work with -ORV REMAPS the better-paid individuals accumulate enough to him, but the Communists are atheists and free- invest for profit?—J. D. lovers, unpatriotic, blood-thirsty monsters, and Answer: In the Soviet Union workers perform Father Coughlin wants their blood for his coffee. different functions, and their pay varies in accord- So now we know what this man of God and Labor Defender Artef Presents ance with their skill and training. But the ex- follower of the meek and lowly Christ really is after. Magnificent Murals by Burck ploitation of the toilers by an enemy class is im- He has never said that he would like any of the Features Herndon Fine Production possible. The workers have abolished the private Wall Street buccaneers shot. He has bellowed many Mooney Interiew ownership of the means of production. Individuals of J Os Gorki Plav cannot own factories, machines, land, etc., and by a mock-heroic attack on the financial wolves Depict Soviet Achievements means of exploit workers. New York, but it was only for the record. This THE LABOR DEFENDER, official this private ownership DOSTIGAYEV, a drama in three money market him- organ of the International Labor humble priest has played the acts Gorki, by The remnants of exploitation that the Soviet Defense, January, 1935, 10 cents. EXHIBITION OF MURALS, by j by Maxim Yiddish self, many personal stakes in the * L. Feinberg; presented by the Union from Czarism are being system- and he has other * * Jacob Burck, Art Students’ inherited Theatre, by Benno business racket. herndon interviews League Gallery, 215 West 57th SOVIET EDUCATION Artef directed atically destroyed. Production is organized and Angelo Street, until January 2«th. Schneider. up Tom Mooney,” is the title of planned satisfy masses, and But to build a mass following today, as Hitler * * * to the needs of the the leading article in the January Reviewed by sentiment not to pile up wealth for the exploiters. The work- well knew, one has to appeal to the of issue of the Labor Defender. Be- Reviewed by LEON ALEXANDER ers are building Socialism wherein sll those factors discontent of the hungry masses. Father Coughlin hind the bars of San Quention j LOUIS LOZOWICK "Recruits” the Artef showed He has prison, where the innocent Mooney 1 that make for class oppression and exploitation will is America’s most capable demagogue. outlines of a proletarian cul- WITHwhat it could do with a play is now spending his eighteenth ’’ disappear. built up his mass-following, by a confused, incoher- year in jail, these two met—Mooney, THEture are assuming definite shape j fa -£s? that required seml-stylized acting with remarkable vigor and direction. Given now a drama ent radical-sounding platform that has dazzled mil- whose name has become the chief and rapidity, j This does not mean that everyone in the Soviet symbol of the frame-up practices In poetry and the novel, in criticism I of phychological realism, they have lions of people of little political experience. Now receives pay. are ac- of the American rulers, and Hern- and the theatre, in graphic art and i created a production that Ls aware Union equal Workers paid he prepares to use this following in a slaughter don, leader of the newest genera- the dance, the revolutionary cul- I of every conflicting mood, even' cording to work performed and according to skill a motivation of character. At the groups tion of fighters, member of an op- tural movement can record achieve- j subtle of the real radicals, only in this coun- the same time, direction and training. The new society carried over with pressed nation whose fate is tied up ments that compare favorably with under the I are deadly earnest about the abolition Schneider, it in its emergence from capitalism the economic, try who in wdth the fate of the working class. the best in contemporary bourgeois ! of Benno they have! culture whose blood is beginning to fashioned an acting company that moral and intellectual birthmarks of the old society of the capitalist system. Herndon tells us, in this article, j '®*r ,1 none in what they had to say to an- run thin with the years. •*4WLfy . is second to its individual from which it sprang, and these are being eradicated m 9 9 one playing. other. It was a momentous inter- In this movement toward a prole- [ M|BP|Pkfe <jgg* and ensemble by the dictatorship of the proletariat. graphic | "Dostigayev” is not so much the Diabolical Plot view. tarian culture the American What is important, however, is that the Soviet The of Herndon, were among the drama of the onrushing revolution case Mooney and artists pioneers. tHT* f V& f jl pays : of the moral and cultural disin- state special attention to poorer-paid and un- HAUPTMANN, accused of kidnapping the Lind- and the cases of two of the nine The work of Minor, Gellert, Grop- fr*-&\ *S* < '.H^Vw xk iMi f '>* as t of a class. However, skilled categories of workers. They are encouraged ** with Scottsboro boys, are now In the per, Ellis, Burck and others, known, tegration bergh baby, after being caught red-handed it plays but little part in every Supreme Court of the United exhibited, reproduced and admired J| ? % Wg though to educate themselves; they have opportu- of his ■•■' the the ransom money hidden in the walls garage, States. tljree cases up on both sides of the Atlantic, is .e.*s* •# •••■'. .c. JM f* \ 2p *&mp «K'‘c"^s^VjSfe the physical action of the play, nity to obtain better jobs, and they never have to These sum in the now bases his defense on the fact that this money the chief struggles of the workers certainly more than a match for revolution is always present j fear the specter of economic insecurity. on the defense front in America, the capitalist cartoonists in minds and in the heartbeats of the given him by Isidore Fisch, a Jewish furrier even batter- like the was during past year. technique alone; as characters, an inescapable, | The better-paid individuals poorer-paid the But besides for their WKfrmM*M£k £ who has since safely died, and who cannot deny these struggles, were 1934 ideology it towers in its assertive, ing torrent before which the world ones elevate their living standards; raise their cul- there in of Dostigayev, industrialist, is grave. literally fighting clarity above the confused the tural level. But there is no place in Soviet eco- the story, therefore, from his hundreds of others. The crumbling. Labor Defender sums up the record hesitant liberalism or time-serving nomy where savings can be used to accumulate are up y„T 's(m3l %i \i. g-. The play takes place In a pro- j The Nazi papers in Germany playing for the year—terror, action, victory. obscurantism of the bourgeois car- profits. Remnants of speculation still exist. These vincial town of White Russia; the this angle as another argument against the Jews. The year 1934 was a year of toonists. time begins with July, 1917, The j are being carefully uprooted, and the workers' and great against par- Their picture of the case is that here is a fearless terror the workers: In painting, however, more collapse of the provisional Kerensky farmers' government constantly watches for any were killed, 25 lynchings 57 strikers ticularly in mural painting, the government has begun; the revolu- j attempt by fragments of the old regime to introduce and superior Nordic, pure as the snows on Mont of over Negroes came to light, 5,000 proletarian artists have thus far not tionary stream rising. any men, is The shadow j capitalist exploitation in form. Blanc, who has been caught in the web of another women and children were ar- been equally successful. Bourgeois of the coming November is already rested activity. private pub- J diabolical Jews’ plotting. for strike institutions, whether or upon Dostigayev and his class. In the Soviet Union the toilers are building a But 1934 w'as also a year of great lic, cannot be expected to lend their It is at such times that the mettle classless Socialist society in which every form of * * • defense for revolutionary painting, One of the series of mural paintings on the Five-Year Plan by struggles, and these the walls of a man and of a class come the exploitation of man by man will have been triumphantly organizations too , Jacob Burck.
Load more

Recommended publications
  • Online Finding
    COLLECTIONS OF CORRESPONDENCE AND MANUSCRIPT DOCUMENTS NAME OF COLLECTION: Joseph FREEMAN Papers SOURCE: Gift of; Joseph Freeman, 1952; Charmion Von Wiegand, 1980; and Anne Feinberg, 1982 & 1983; Purchase 293-7/H/8U SUBJECT: Joseph Freeman's "writings DATES COVERED: ca.1920 - 1965 NUMBER OF ITEMS: ca. 675 STATUS: (check appropriate description) Cataloged: x Listed: x Arranged: Not organized: CONDITION: (give number of vols., boxes, or shelves) Bound: Boxed: o Stored: LOCATION: (Library) Rare Book & Manuscript CALL-NUMBER Ms Coll/J.Freeman RESTRICTIONS ON USE None DESCRIPTION: Correspondence, manuscripts, drawings, documents, photographs, clippings and other printed materials of Joseph Freeman, 1897-19&55 poet, editor, and critic. Joseph Freeman, Columbia University A.B. 1919» was an editor of New Masses from 1926 until 1937 j an editor of The Liberator and of Partisan Review, and also a foreign correspondent for the Chicago Tribune, the New York Herald Tribune, and Tass. He was the author of Never Call Retreat (this manuscript is included in the collection), An American Testament, and other works. He was later in the field of public relations. His wife was Charmion von Wiegand, an abstract painter. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the correspondents are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St.Vincent Millay, and Lincoln Steffens. HR - 12/82; 12/83; 11/8U See attached list of the collection. D3(178)M Joseph. Freeman Papers Box 1 Correspondence 8B misc. Cataloged correspondence & drawings: Anderson, Sherwood Harcourt, Alfred Bodenheim, Maxwell Herbst, Josephine Frey Bourke-White, Margaret Hughes, Langston Brown, Gladys Humphries, Rolfe Caldwell, Erskine Kent, Rockwell Dahlberg, Edward Komroff, Manuel Dehn, Adolph ^Millaf, Edna St.
    [Show full text]
  • The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
    DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons.
    [Show full text]
  • The Courant Sponsored by the Syracuse University Library Associates ISSN 1554-2688
    pecial Collectio n of the S ns Researc lleti h Cen A Bu ter number six spring 2007 THE COUraNT Sponsored by the Syracuse University Library Associates ISSN 1554-2688 Exhibition on the Case of Sacco and Vanzetti Will Be Unveiled for the Fall Semester of 2007 The Special Collections Research Center, as its contri- bution to the university’s Syracuse Symposium with its theme of justice commencing in the fall of 2007, will open an exhibition entitled The Never-Ending Wrong: The Execution of Sacco and Vanzetti based upon its consider- able content documenting the trial of Sacco and Vanzetti and the protests surrounding it. The two Italian anarchists were found guilty of murder in conjunction with an armed robbery in Massachusetts, condemned to death, and execut- ed in 1927. Due to the depth of our holdings in the area of radicalism as it manifested itself in literature and art, we are particularly well prepared to present the wide range of national and international protest that was generated by this sensational trial. As the image on this page attests, critics even likened it to the Salem witchcraft trials of 1692. The core of the exhibition consists of the printed ephem- era that was produced by the Sacco-Vanzetti Defense Committee and the other contemporary progressive orga- Political cartoon entitled Have a Chair! by Fred Ellis. (See nizations that could see only a travesty of justice in the pro- the piece on Ellis on page eight.) This appeared as one of his works published in The Case of Sacco and Vanzetti in Cartoons ceedings.
    [Show full text]
  • Vol. X. No.1 CONTENTS No Rights for Lynchers...• . . • 6
    VoL. X. No.1 CONTENTS JANUARY 2, 19:34 No Rights for Lynchers. • . • 6 The New Republic vs. the Farmers •••••• 22 Roosevelt Tries Silver. 6 Books . .. .. • . • . • 24 Christmas Sell·Out ••••.......••..•.•••• , 7 An Open Letter by Granville Hicks ; Fascism in America, ••..• by John Strachey 8 Reviews by Bill Dunne, Stanley Burn­ shaw, Scott Nearing, Jack Conroy. The Reichstag Trial •• by Leonard L Mins 12 Doves in the Bull Ring .. by John Dos Passos 13 ·John Reed Club Art Exhibition ......... ' by Louis Lozowick 27 Is Pacifism Counter-Revolutionary ••••••• by J, B. Matthews 14 The Theatre •.•••... by William Gardener 28 The Big Hold~Up •••••••••••••••••••.•• 15 The Screen ••••••••••••• by Nathan Adler 28 Who Owns Congress •• by Marguerite Young 16 Music .................. by Ashley Pettis 29 Tom Mooney Walks at Midnight ••.••.•• Cover •••••• , ••••••• by William Gropper by Michael Gold 19 Other Drawinp by Art Young, Adolph The Farmen Form a United Front •••••• Dehn, Louis Ferstadt, Phil Bard, Mardi by Josephine Herbst 20 Gasner, Jacob Burck, Simeon Braguin. ......1'11 VOL, X, No.2 CONTENTS 1934 The Second Five~ Year Plan ........... , • 8 Books •••.•.••.••.•••••••••••••••••.••• 25 Writing and War ........ Henri Barbusse 10 A Letter to the Author of a First Book, by Michael Gold; Of the World Poisons for People ••••••••• Arthur Kallet 12 Revolution, by Granville Hicks; The Union Buttons in Philly ••••• Daniel Allen 14 Will Durant of Criticism, by Philip Rahv; Upton Sinclair's EPIC Dream, "Zafra Libre I" ••.••••..•• Harry Gannes 15 by William P. Mangold. A New Deal in Trusts .••• David Ramsey 17 End and Beginning .• Maxwell Bodenheim 27 Music • , • , •••••••••••••••. Ashley Pettis 28 The House on 16th Street .............
    [Show full text]
  • Diego Rivera and the Left: the Destruction and Recreation of the Rockefeller Center Mural
    Diego Rivera and the Left: The Destruction and Recreation of the Rockefeller Center Mural Dora Ape1 Diego Rivera, widely known for his murals at the Detroit Institute ofArts and the San Francisco Stock Exchange Luncheon Club, became famous nationally and internationally when his mural for the Radio City ofAmerica (RCA) Building at Rockefeller Center in New York City was halted on 9 May 1933, and subsequently destroyed on 10 February 1934. Commissioned at the height of the Depression and on the eve of Hitler's rise to power, Rivera's mural may be read as a response to the world's political and social crises, posing the alternatives for humanity as socialist harmony, represented by Lenin and scenes of celebration from the Soviet state, or capitalist barbarism, depicted through scenes of unemployment, war and "bourgeois decadence" in the form of drinking and gambling, though each side contained ambiguous elements. At the center stood contemporary man, the controller of nature and industrial power, whose choice lay between these two fates. The portrait of Lenin became the locus of the controversy at a moment when Rivera was disaffected with the policies of Stalin, and the Communist Party (CP) opposition was divided between Leon Trotsky and the international Left Opposition on one side, and the American Right Opposition led by Jay Lovestone on the other. In his mural, Rivera presented Lenin as the only historical figure who could clearly symbolize revolutionary political leadership. When he refused to remove the portrait of Lenin and substitute an anonymous face, as Nelson Rockefeller insisted, the painter was summarily dismissed, paid off, and the unfinished mural temporarily covered up, sparking a nationwide furor in both the left and capitalist press.
    [Show full text]
  • Writing Book 2004
    THE IMPACT OF SOUTHERN HERITAGE AND SOCIALIST IDEOLOGY ON THE RHETORICAL STYLE OF MYRA PAGE Laura Northcutt University of North Carolina –Chapel Hill In 1954 Lillian O’Connor published Pioneer Women Orators, in which she details Aristotle’s the - ory of rhetoric and how women carved their own rhetorical sphere out of it. She asserts that the Bill of Rights launched these attempts in the United States and that “it is time they were examined” (98). However, it was not until decades later that many scholars began seriously devoting time to the study of women’s rhetoric. Recent works such as Jacqueline Bacon’s The Humblest May Stand Forth and Cheryl Glenn’s Rhetoric Retold chronicle women’s use of rhetoric and the struggles they have faced in establishing themselves as “capable and influential rhetors” (Bacon 112). My study builds upon this body of important scholarship by exploring the postsuffrage era rhetoric of a woman, Myra Page, who was compelled to reconcile her Southern heritage and socialist ideology. In the process, she further expanded the sphere of women’s rhetoric. Page’s innovative rhetorical style can be seen through her heavy use of logos, as favored by the male leadership of the socialist movement, and the absence of modesty topos associated with Southern femininity. However, she is also able to maintain her Southern femininity through using pathos, which allows her to adhere to the standards of socialist rhetoric. Page’s 1937 article “We Want Our Children,” which addresses the controversial issue of abortion, serves as a useful site for charting her rhetorical acumen.
    [Show full text]
  • American Communists View Mexican Muralism: Critical and Artistic Responses1
    AMERICAN COMMUNISTS VIEW MEXICAN MURALISM: CRITICAL AND ARTISTIC RESPONSES1 Andrew Hemingway A basic presupposition of this essay is 1My thanks to Jay Oles for his helpful cri- that the influence of Mexican muralism ticisms of an earlier version of this essay. on some American artists of the inter- While the influence of Commu- war period was fundamentally related nism among American writers of the to the attraction many of these same so-called "Red Decade" of the 1930s artists felt towards Communism. I do is well-known and has been analysed not intend to imply some simple nec- in a succession of major studies, its essary correlation here, but, given the impact on workers in the visual arts revolutionary connotations of the best- is less well understood and still under- known murals and the well-publicized estimated.3 This is partly because the Marxist views of two of Los Tres Grandes, it was likely that the appeal of this new 2I do not, of course, mean to discount artistic model would be most profound the influence of Mexican muralism on non-lef- among leftists and aspirant revolutionar- tists such as George Biddle and James Michael ies.2 To map the full impact of Mexican Newell. For Biddle on the Mexican example, see his 'Mural Painting in America', Magazine of Art, muralism among such artists would be vol. 27, no. 7, July 1934, pp.366-8; An American a major task, and one I can not under- Artist's Story, Boston, Little, Brown and Company, take in a brief essay such as this.
    [Show full text]
  • New- MASSES •• •• MAY, %9Z6
    NEw- MASSES •• MAY, %9Z6 IS THIS IT? IN THIS ISSUE Is this the magazine our prospectuses THE WRITERS talked about? We are not so sure. This, BABETTE DEUTSCH, winner however, is undoubtedly the editorial which, of this year's "Nation" Poetry Prize, in all our prospectuses, we promised faith­ has published two volumes of poetry. fully not to write. She has recently visited Soviet Russia. As to the magazine, we regard it with ROBERT DlJNN is the author of "Ameri· almost complete detachment and a good deal can Foreign Investments" and co-author with of critical interest, because we didn"t make Sidney Howard of it ourselves. "The Labor Spy." ROBINSON JEFFERS' "Roan Stallion, We merely "discovered"" it. Tamar and Other Poems," published last We were confident that somewhere in year, established him as one of the impor• America a NEW MASSES existed, if only as tant contemporary American poets, He live. a frustrated desire. in Carmel, Calif. To materialize it, all that was needed was WILLIAM CARLOS WILLIAMS is well to make a certain number of prosaic editorial known as physician, modernist, poet and motions. story-writer, and is the author of "In the American Crain... We made the motions, material poured in, and we sent our first issue to the printer. NATHAN ASCH is the author of a collec­ tion of vivid short stories published last Next month we shall make, experimentally, year under the title, "The Office." He slightly different lives motions, and a somewhat in Paris. different NEW MASSES will blossom pro­ fanely on the news-stands in the midst of NORMAN STUDER Ia one of the editors our respectable contemporaries, the whiz­ of the "New Student." bangs,.
    [Show full text]
  • Representations in the Inter-War Years of the American White Working Class by Four Female Authors Paul Ha
    1 The Story Less Told: Representations in the Inter-War Years of the American White Working Class by Four Female Authors Paul Harper A thesis submitted for the degree of MPhil in Literature Department of Literature, Film and Theatre Studies University of Essex March 2017 2 Contents - Abstract p. 4 - 1: Introduction p. 5 Thesis Outline The Authors to be Studied Social and Historical Context - 2: Terminology and Concepts p. 31 Working class Sex and Gender Women’s Writing The Male Gaze Propaganda Propaganda and Art Proletarian Art - 3. Anzia Yezierska p. 55 Yezierska’s Life Yezierska’s Style Yezierska’s Conclusions: An ‘American’ Author: Bread Givers, Arrogant Beggar, and Salome of the Tenements Salome of the Tenements Presentations of Sonya in Salome of the Tenements Conclusion - 4. Fielding Burke p. 95 Burke’s Life Burke’s Style Call Home the Heart and A Stone Came Rolling 3 Presentations of Ishma in Call Home the Heart and A Stone Came Rolling Conclusion - 5. Grace Lumpkin p. 129 Lumpkin’s Life Lumpkin’s Shifting Perspective: Analysis focused on The Wedding and Full Circle Lumpkin’s 1930s Proletarian Novels: A Sign for Cain and To Make My Bread Conclusion - 6. Myra Page p. 173 Page’s Life The Feminist Theme in Page’s ‘Other’ 1930s Novels: Moscow Yankee & Daughter of the Hills Gathering Storm Conclusion - 7. Conclusion p. 209 - Bibliography p. 217 4 Abstract This thesis will study novels written in the interwar years by four female authors: Anzia Yezierska, Fielding Burke, Grace Lumpkin, and Myra Page. While a general overview of these authors’ biographies, writing styles, themes, and approaches to issues surrounding race and religion will be provided, the thesis’ main focuses are as follows: studying the way in which the authors treat gender through their representation of working-class women; exploring the interaction between art and propaganda in their novels; and considering the extent to which their backgrounds and life experiences influence their writing.
    [Show full text]
  • The Trade Union Unity League: American Communists and The
    LaborHistory, Vol. 42, No. 2, 2001 TheTrade Union Unity League: American Communists and the Transitionto Industrial Unionism:1928± 1934* EDWARDP. JOHANNINGSMEIER The organization knownas the Trade UnionUnity League(TUUL) came intoformal existenceat anAugust 1929 conferenceof Communists and radical unionistsin Cleveland.The TUUL’s purposewas to create and nourish openly Communist-led unionsthat wereto be independent of the American Federation ofLabor in industries suchas mining, textile, steeland auto. When the TUUL was created, a numberof the CommunistParty’ s mostexperienced activists weresuspicious of the sectarian logic inherentin theTUUL’ s program. In Moscow,where the creation ofnew unions had beendebated by theCommunists the previous year, someAmericans— working within their establishedAFL unions—had argued furiously against its creation,loudly ac- cusingits promoters ofneedless schism. The controversyeven emerged openly for a time in theCommunist press in theUnited States. In 1934, after ve years ofaggressive butmostly unproductiveorganizing, theTUUL was formally dissolved.After the Comintern’s formal inauguration ofthe Popular Front in 1935 many ofthe same organizers whohad workedin theobscure and ephemeral TUULunions aided in the organization ofthe enduring industrial unionsof the CIO. 1 Historiansof American labor andradicalism have had difculty detectingany legitimate rationale for thefounding of theTUUL. Its ve years ofexistence during the rst years ofthe Depression have oftenbeen dismissed as an interlude of hopeless sectarianism,
    [Show full text]
  • THE RED DECADE by EUGENE LYONS
    THE RED DECADE By EUGENE LYONS THE WE AND DEATH OF SACCOAND v ANZE'ITI Moscow CARRoUSEL Six Sovrsr PLAYS (ed.) WE CoVER THE WoRLn (ed.) AssIGNMENT IN UTOPIA STALIN, CZAR OF Au. THE RusSIAS \ THE RED DECADE The Stalinist Penetration of America ,/ r Eugene Lyons I<! ?~tdi 1 n. ~ ~ 11 __..._,~t..4..i THE BOBBS-MERRILL COMPANY PUBLISHERS INDIANAPOLIS NEW YORK COPYRIGHT, 1941, BY THE BOBBS-MERRILL COMPANY FIRST EDITION PRINTED AND BOUND BY THE COUNTRY LIFE PRESS CORP. G,ARDEN CITY, N. Y., U.S. A. TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION: IN DEFENSE OF RED-BAITING • 9 I THE FIVE AGES OF THE COMMUNIST INTERNATIONAL. 20 II A PARTY Is BoRN • • • • • 29 III BORING FROM WITHIN • • • • 37 IV THE Moscow SoLAR SYSTEM • • 47 v THE AMERICAN PARTY Is PURGED 53 VI A Mn.QUETOAST TAKES COMMAND • 63 VII THE RED DECADE DAWNS • • • 70 VIII FASCISM HAs THE RIGHT OF WAY • 82 IX THE CULT OF RussIA-WoRSHIP. 92 x THE LmERALS INVENT A UTOPIA • • 102 XI APOLOGISTSDo THEIR STUFF • • 114 XII THE RED CULTURAL RENAISSANCE. 128 XIII MoRE PLANETS ARE LAUNCHED • • 141 XIV Moscow Aoor-rs THE TROJAN HoRSE. 158 xv COMMUNISM BECOMES AMERICANISM• 170 XVI THE INCREDIBLEREVOLUTION SPREADS 183 XVII AMERICAN LEAGUE FOR SOVIET w AR MONGERING• 195 XVIII STALIN's CHILDREN'S HoUR IN THE U.SA .. 204 XIX STALIN MUSCLES IN ON AMERICAN LlBOR. • 219 xx RussIAN PURGES AND AMERICAN LIBERALS . 235 XXI HOORAY FOR MURDER! • • • • •• • 246 XXII "FRIENDS OF THE G.P.U." • • • • • 257 XXIII CoCICTAn.s FOR SPANISH DEMOCRACY. 268 XXIV REVOLUTION COMES TO HOLLYWOODAND BROADWAY • 284 xxv AMERICA'S OWN POPULAR FRONT GOVERNMENT 298 XXVI THE TYPEWRITER FRONT • • .
    [Show full text]
  • Engineer Union Toilers Protest Miss Jobless
    DAILY WORKER, NEW YORK, THURSDAY, MARCH 20, 1930 Page Three Just Like Whalen Fascist Legion Pays to Slug Jobless LONDON MEET DEBACLE WORKERS CORRESPONDENCE-FROM THE SHOPS COMMITTEE OF SHOWS HEADLONG RACE 110,000 WIRES TO INTO NEW WORLD WAR NO MORE STARVING, BUT FIGHT, WRITE WASHINGTON Whole Fabric of Fake Peace Meet Falls; Stim- (son Scolded by MacDonald for Trick on Japan NEGRO WORKERS The Jobless Refuse to Starve; WillFight AllImperialist Powers Rush War Preparations; Victimized by Bosses, Landlords, “Charity”, J inc. (Continued from Page One ) Secret “Talks” for Attack on Soviet They Find Out Meaning of Class Struggle Chambers6(MeSts-NewYorkCity v : i we suggest Friday, March 21. Please wire answer.” LONDON, March 19.—There is no as part of the general war prepara- attempts of British imperialism. The They See Their Children Starve, and Realize In elaboration of the delegation’s Five-Power conference. All tions yesterday of the imperialist bandit powers to estimates approved provide for an They Must Organize action Wm. Z. Foster, come to “agreements” for increased expenditure of $89,250,000 for war Kr. Wllli&a B. O’Neill, stated: 466 Islington Avenue, war was smashed on the naval craft alone. While MacDonald “This Senate Committee now in armaments (By a Worker Correspondent.) house in a chair. the charity New Tork Citj spouts peace, does hesitate Still session is making a pretense at in- rock of growing imperialist rivalries. he not to man said that he could go to work, Boon 409 by giving CLEVELAND, Ohio.—Am an un- vestigating unemployment. Nobody MacDonald and Stimson are hang- act for war the imperial- they don’t care how sick we are, ing on to attempt money build ma- employed Negro worker.
    [Show full text]