DOCSLIB.ORG

Z Em a N Ek -Mü N Ster

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Z Em a N Ek -Mü N Ster Zemanek-Münster www.tribal-art.de Tribal Art Auktion 84 5.November 2016 Würzburg Zemanek-Münster Auktion 84 5 November 2016 Tribal ArtTribal Würzburg Zemanek-Münster 84.Tribal Art (195. Auktion) Zemanek-Münster Würzburg Samstag, 5. November 2016 – 2 – Ansprechpartner / Contact Vorbesichtigung Preview 2. bis 4. November 2016 – 10:00 bis 19:00 Uhr 2nd to 4th of November 2016 – 10:00 am to 7:00 pm 5. November 2016 – 9:00 bis 13:30 Uhr 5th of November 2016 – 9:00 am to 1:30 pm Karin Zemanek-Münster Ernst Zemanek Dr. David Zemanek Auktion Auction Geschäftsführung Geschäftsführung Ethnologe Auktionatorin Auktionator Afrika / Ozeanien Würzburg, Auktionshaus Würzburg, Auction House Auktionator 5. N0vember 2016 – 14:00 Uhr Saturday, 5th of November 2016 – 2:00 pm Hinweis nächste Auktion Be advised next auction Unsere 85. Tribal Art Auktion findet voraussichtlich Our 85th Tribal Art Auction is scheduled for the am 25. Februar 2017 statt 25th of February 2017 Howard Nowes Bren Heymans Petra Felder Master History of Art Repräsentant Belgien/ M.A. Kunstgeschichte Kunstauktionshaus Zemanek-Münster Präkolumbien / Antiken Niederlande Redaktion / Marketing 97070 Würzburg Berater für Ethnographie Hörleingasse 3 - 5 / Schildhof 2 Tel. +49 9 31 1 77 21 Fax. +49 9 31 1 77 36 [email protected] www.tribalart.de Inhaber / Owner Karin Zemanek-Münster e.K. Öffentlich bestellte und vereidigte Kunstauktionatorin Sabine Reis Eva Rübig Nadine Waldmann Repräsentanten / Representatives M.A.Kunstgeschichte Provenienzrecherche M.A. Kunstgeschichte Katalogbearbeitung Online-Redaktion Katalogbearbeitung Belgien & Niederlande Tel. 0032 (0)475 965 220 USA Zemanek-Münster c/o Ancient Art – Art of Eternity 303 East 81st Street, New York City, NY 10028 Impressum Bankverbindung Redaktion / Editor: Petra Felder M.A. IBAN DE06 7905 0000 0000 0366 99 Photos: Thomas Lother & Volker Thomas, Nürnberg klimaneutral natureOffice.com | DE-204-079898 SWIFT (BIC) BYLADEM1SWU Layout: Radke & Selke, Würzburg Print: bonitasprint, Würzburg gedruckt Umschlag/cover: Lot 369, Lot 359 – 2 – – 3 – Inhalt / Content [lot] Philippinen / Philippines .................................................... 1-8 Ghana / Ghana .............................................................241-265 Indonesien / Indonesia .....................................................9-15 Togo / Togo .......................................................................... 266 Nepal / Nepal ....................................................................16-19 Benin / Benin ................................................................ 267-275 Papua-Neuguinea / Papua New Guinea .................. 20-35 Nigeria / Nigeria ..........................................................276-326 Ozeanien / Oceania .........................................................36,37 Sammlung/Collection Wolf Röhricht .....................327-333 Australien / Australia .....................................................38-40 Kameruner Grasland / Cameroon Grasfield ........ 334-340 Sammlung/Collection Poul Mørk ............................... 41-86 Kamerun / Cameroon ..................................................341-351 Sammlung/Collection Alex Wittendorff ................ 87-96 Gabun / Gabon .............................................................352-361 Sammlung/Collection Helga&Hans-J. Müller ...... 97-105 D.R. Kongo / D.R. Congo ............................................362-487 Sudan / Sudan ...............................................................106,107 Angola / Angola ......................................................... 488-491 Westafrika / West Africa ...........................................108-110 Tschad / Chad.......................................................................492 Liberia / Liberia ...............................................................111-120 Äthiopien / Ethiopia .................................................. 493,494 Sierra Leone / Sierra Leone ........................................121-126 Kenia / Kenya .......................................................................495 Guinea / Guinea ............................................................127-129 Ruanda / Ruanda ....................................................... 496-498 Mali / Mali ...................................................................... 130-157 Burundi / Burundi .............................................................. 499 Niger / Niger ..........................................................................158 Tansania / Tanzania .................................................. 500-509 Burkina Faso / Burkina Faso ...................................... 159-174 Kolonialsammlung/ Colonial Collection Kloppe .510-517 Côte d‘Ivoire / Côte d‘Ivoire ......................................175-230 Namibia / Namibia .......................................................518,519 Sammlung/Collection Rolf Christoph Lutz .......... 231-240 Südafrika / South Africa .......................................... 520-524 Hinweis: Mit (*) gekennzeichnete Lose betreffen CITES-pflich- Please note: Some items of this offer can be marked with an tige Objekte bzw. Objekte, die dem Kulturgüterschutzgesetz asterisk (*) . This objects are subject to CITES resp. to the UNESCO (KGS-Gesetz) unterliegen. Für sie gelten andere Exportregeln Cultural Heritage Protection Act. For shipment to a non-EU beim Versand in ein Nicht-EU-Mitgliedsland. member state, export regulations will vary. CITES-pflichtige Objekte erfüllen die Bestimmungen des Art. 2w Objects liable to CITES fullfil the requirements of the european der Verordnung (EG) Nr. 338/97 des Europäischen Rates vom regulation EU 338/97 Art. Art. 2 w, dated 09.12.1996 as well as 09.12.1996 (Antiquitäten aus artengeschützten Materialien) sowie the requirements of the resolution Res. 10.10.10 Rec. CoP 15 die Bestimmungen der Resolution Res.10.10.10 Rev. CoP 15 (http://www.bfn.de – http://www.cites.org). (http://www.bfn.de – http://www.cites.org) Objekte der Offerte stammen ausschließlich von ethnischen All items have been made by the ethnic group and for use in Volksgruppen und sind für die Verwendung innerhalb der Eth- the ethnic group. Figures of the Colon as well as commissened nie gefertigt worden; Objekte der Colon sowie Auftragswerke art works are classified as objects of the early period. Lot 27 sind in die frühe Zeit zu verorten. – 4 – – 5 – PHILIPPINES - BONTOC 1 Helmförmige Kopfbedeckung, um 1900 Holz, braune Patina, seitlich angeschnitzte Ösen zur Anbringung von Schmuck, min. best., Fehlstellen am Rand; zur Jagd und auf Reisen getragen; konnten auch als Behältnis für Wasser oder Speisen verwendet werden. Helmet-shaped headdress, around 1900 wood, brown patina, carved with eyelets for attachment of ornament, slightly dam., missing parts along rim; worn when going away from home for hunting; could be used as containers for water and food as well. H: 11 cm; L: 18,5 cm Provenance Maria Closa, Manila, Philippines (mid 1980‘s) French Collection € 500 - 1.000 PHILIPPINES - BONTOC PHILIPPINES - IFUGAO 2 Figural beschnitzter Pflock, um 1900 4 Hausgottheit „galgawan-en“ Holz, satte mittelbraune Patina, bekrönt von männlicher Figur Holz, schwarzbraune Patina, mar- in „Begräbnishaltung“, min. best. (Basis), Metallsockel kant eingetiefte Mundöffnung, die Figurally carved peg, around 1900 ursprünglich wohl mit einer Kaurimu- wood, rich middle brown patina, crowned by male figure in schel verschlossen war, auf massivem „burial posture“, slightly dam. (base), metal base Sockelblock mit grobem Rillendekor, min. best. (Ohren), Risse, Farbabrieb; H: 33 cm diese Figuren werden beim Bau eines Provenance neuen Hauses geschnitzt; sie werden Maria Closa, Manila, Philippines (mid 1980‘s) geweiht und sollen über häusliche French Collection Aktivitäten wachen und die Kinder beschützen. € 350 - 700 House god „galgawan-en“ wood, blackish brown patina, promi- PHILIPPINES - IFUGAO, LAGAWE AREA nent mouth opening, originally inser- ted cowrie shell missing, rising from 3 Reisgott „bulul“, spätes 19. Jh. massive base with grooved decor, Holz, dunkelbraune Patina, typische Sitzhaltung, markant slightly dam. (ears), cracks, abrasion abgeflachte Kinnpartie, min. besch., Fehlstellen durch Insek- of paint; tenfrass, Risse, leichte Abriebspuren such figures are carved whenever Rice god „bulul“, late 19th century a new house is built. Later they are wood, dark brown patina, characteristic seated, prominent consecrated and kept in the house for flat chin, min. dam., insect caused missing parts, cracks, slight tutelary purposes. They are invoked traces of abrasion to watch over domestic activities and little children. H: 36,5 cm H: 48 cm Provenance Maria Closa, Manila, Philippines (mid 1980‘s) Provenance French Collection Old British Collection € 1.400 - 2.800 € 700 - 1.400 – 6 – – 7 – PHILIPPINES - IFUGAO PHILIPPINES - IFUGAO, HAPAO AREA 5 Behältnis „kopit“, um 1900 7 Schöpfkelle, um 1900 Holz, matte braune Patina, zweiteilig, schmales ovales Be- Holz, dunkelbraune, glänzende Patina, oval eingetiefte Laffe, hältnis mit auskragenden Seiten, der Deckel sichelförmig Griff in Form einer stehenden menschlichen Figur mit durch- eingeschwungen, an den Seiten angearbeitete Ösen zum brochenem Kopfaufsatz, min. besch., leichte Abriebspuren Verschließen mit Schnurmaterial, min. best., Farbabrieb; Ladle, around 1900 als Nackenstütze verwendet. wood, shiny, dark brown patina, oval bowl, handle in form of Container „kopit“, around 1900 a standing human figure with open worked headgear, min.
Load more

Recommended publications
  • Beta Samati: Discovery and Excavation of an Aksumite Town Michael J
    Beta Samati: discovery and excavation of an Aksumite town Michael J. Harrower1,*, Ioana A. Dumitru1, Cinzia Perlingieri2, Smiti Nathan3,Kifle Zerue4, Jessica L. Lamont5, Alessandro Bausi6, Jennifer L. Swerida7, Jacob L. Bongers8, Helina S. Woldekiros9, Laurel A. Poolman1, Christie M. Pohl10, Steven A. Brandt11 & Elizabeth A. Peterson12 The Empire of Aksum was one of Africa’smost influential ancient civilisations. Traditionally, most archaeological fieldwork has focused on the capital city of Aksum, but recent research at the site of Beta Samati has investigated a contempor- aneous trade and religious centre located between AksumandtheRedSea.Theauthorsoutlinethe discovery of the site and present important finds from the initial excavations, including an early basilica, inscriptions and a gold intaglio ring. From daily life and ritual praxis to international trade, this work illuminates the role of Beta Samati as an administrative centre and its signifi- cance within the wider Aksumite world. Keywords: Africa, Ethiopia, Aksum, ancient trade, ancient states 1 Department of Near Eastern Studies, Johns Hopkins University, Gilman 113, 3400 North Charles Street, Balti- more, MD 21218, USA 2 Center for Digital Archaeology, 555 Northgate #270, San Rafael, CA 94903, USA 3 Life Design Lab, Johns Hopkins University, 3400 North Charles Street, Baltimore, MD 21218, USA 4 Archaeology and Heritage Management, P.O. Box 1010, Aksum University, Aksum, Ethiopia 5 Department of Classics, Yale University, 344 College Street, P.O. Box 208266, New Haven, CT 06520,
    [Show full text]
  • Crowcallscrowcalls Sale Prices Good Through June 30, 2021
    Sale 21-3R CrowCallsCrowCalls Sale Prices Good Through June 30, 2021 1.800.786.6210 www.crazycrow.com Hawk Sale Save 15% Heart Hawk Completely hand forged iron head with a tempered steel insert bit featuring the popular weeping heart cut-out design, complete with 19” straight grain hickory handle. 3½” blade. 4934-123-044 Reg. $27.00 Ea $22.95 Ea Extra Hickory Handles 19" Long 4934-121-102 $5.95 Ea 5.35 Ea(3+) A B H & H Steel Tomahawks The H&H is a well-balanced throwing hawk, but also ideal for customizing as a presenta- tion grade pipe-axe. Cast in the lost wax method, it has a smooth, matte finish, but can be highly polished. By drilling a hole in the pipe bowl and in the length of the handle, these can be made to smoke. Our 19” straight grained hickory handle is included, or you can add a beautiful curly maple handle for a presentation piece. A 4934-124-014 Reg. $35.00 Ea Tomahawk-Steel $29.75 Ea B 4934-124-024 Reg. $39.00 Ea Pipe Hawk-Steel $33.15 Ea Brass Smoking Hawk With Steel Insert Bit This classic brass pipe axe is an exact replica of one found along the Blanchard River in Ohio, where they were traded extensively in the early 18th Century. The head and blade are engraved brass, with a heavy steel insert dovetailed into place at the edge of the blade. Complete with hardwood handle drilled for smoking, 19” long. Not for throwing. 4934-331-054 Reg.
    [Show full text]
  • The Gilding Arts Newsletter
    The Gilding Arts Newsletter ...an educational resource for Gold Leaf Gilding CHARLES DOUGLAS GILDING STUDIO Seattle, WA February 8, 2020 Quick Links Gilding Arts Newsletter Quiz! Quick Links And the Winner from the Workshop Registration Form (for January Klimt Question is... mail-in registration only) Congratulations to Gilding Arts Newsletter member A Gilder's Journal Tatyana from Texas for submitting the first correct (Blog) answer to last issue's Klimt Quiz! Tatyana's beautiful Georgian Bay Art artwork and photography can be seen here on Conservation Instagram. The quiz question asked what materials were used to Gilding Studio...on Twitter create some of the raised swirling design Uffizi Gallery elements on Klimt's mural Beethoven Frieze Galleria and what other metal dell'Accademia di Firenze was used in the makeup Portrait of of the gold leaf? Adele Bloch-Bauer I Frye Art Museum Seattle Art Museum As outlined in a paper by Alexandra Matzner for the International Institute for Conservation of Historic Society of Gilders and Artistic Works and based upon conservation treatment of this particular work by Klimt, his areas Metropolitan Museum of Relief were comprised of Chalk and animal glue, of Art the same material we often refer to as Pastiglia, or The Fricke Collection Raised Gesso (Chalk being a form of Calcium Carbonate). The gold leaf was shown to consist of 5% Palace of Versailles copper with the remainder gold. Museo Thyssen- During my recent visit in January to the Neue Galerie Bornemisza during the Winter Quarter Gilding Week I once again studied Gustav Sepp Leaf Products Klimt's Portrait of Adele Bloch-Bauer I, which also exhibits raised gilded design Gilded Planet elements that are likely the same or a similar approach to Join our list the pastiglia technique where gesso is slowly dripped or drawn in a heavy deposit to create a raised effect.
    [Show full text]
  • The European Bronze Age Sword……………………………………………….21
    48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations
    [Show full text]
  • Metals and Metal Products Tariff Schedules of the United States
    251 SCHEDULE 6. - METALS AND METAL PRODUCTS TARIFF SCHEDULES OF THE UNITED STATES SCHEDULE 6. - METALS AND METAL PRODUCTS 252 Part 1 - Metal-Bearing Ores and Other Metal-Bearing Schedule 6 headnotes: Materials 1, This schedule does not cover — Part 2 Metals, Their Alloys, and Their Basic Shapes and Forms (II chemical elements (except thorium and uranium) and isotopes which are usefully radioactive (see A. Precious Metals part I3B of schedule 4); B. Iron or Steel (II) the alkali metals. I.e., cesium, lithium, potas­ C. Copper sium, rubidium, and sodium (see part 2A of sched­ D. Aluminum ule 4); or E. Nickel (lii) certain articles and parts thereof, of metal, F. Tin provided for in schedule 7 and elsewhere. G. Lead 2. For the purposes of the tariff schedules, unless the H. Zinc context requires otherwise — J. Beryllium, Columbium, Germanium, Hafnium, (a) the term "precious metal" embraces gold, silver, Indium, Magnesium, Molybdenum, Rhenium, platinum and other metals of the platinum group (iridium, Tantalum, Titanium, Tungsten, Uranium, osmium, palladium, rhodium, and ruthenium), and precious- and Zirconium metaI a Iloys; K, Other Base Metals (b) the term "base metal" embraces aluminum, antimony, arsenic, barium, beryllium, bismuth, boron, cadmium, calcium, chromium, cobalt, columbium, copper, gallium, germanium, Part 3 Metal Products hafnium, indium, iron, lead, magnesium, manganese, mercury, A. Metallic Containers molybdenum, nickel, rhenium, the rare-earth metals (Including B. Wire Cordage; Wire Screen, Netting and scandium and yttrium), selenium, silicon, strontium, tantalum, Fencing; Bale Ties tellurium, thallium, thorium, tin, titanium, tungsten, urani­ C. Metal Leaf and FoU; Metallics um, vanadium, zinc, and zirconium, and base-metal alloys; D, Nails, Screws, Bolts, and Other Fasteners; (c) the term "meta I" embraces precious metals, base Locks, Builders' Hardware; Furniture, metals, and their alloys; and Luggage, and Saddlery Hardware (d) in determining which of two or more equally specific provisions for articles "of iron or steel", "of copper", E.
    [Show full text]
  • Rules and Options
    Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).
    [Show full text]
  • Cold Steel 1998 Catalog
    Performance Warranty We insist all of our knives deliver When it comes to the blade, these include construction. For handles, we strive to develop We stand behind our knives 100%. We extraordinary performance for their asking profile, thickness, blade geometry, edge the perfect mix of materials and ergonomics to subject them to the highest standards in price. In other words, “they must deliver their geometry, steel and heat treatment. Every one offer the most comfortable secure grip available. the industry and strive to make each one moneyʼs worth”. of these factors is studied in great detail to arrive Above all, we TEST what we make! Rigorous as perfect as possible. In order to achieve this goal, we are vitally at the optimum combination for a specific use. testing is the only way to ensure we get the level Our fixed blade sheath knives have a 5 interested in all the elements that are critical to If the knife is a folder, we concentrate on the of performance we demand. year warranty to the original owner against performance. locking mechanism to ensure the strongest, safest defects in materials or workmanship. Our folding knives are warranted for one year. Please remember ANY knife can be broken Tests of Strength & Sharpness or damaged if subjected to sufficient abuse and that all knives eventually wear out (just The Tanto perforating a steel drum. like your boots) and must be replaced. Critics say that practically any knife can Most of the tests shown here be stabbed through a steel drum... but (Right) Retaining a fine edge while are dangerous and they should unlike other knives, the Tantoʼs point is repeatedly cutting pine (wood) not be duplicated.
    [Show full text]
  • The Sacred City of the Ethiopians, Being a Record of Travel and Research in Abyssinia in 1893
    The sacred city of the Ethiopians, being a record of travel and research in Abyssinia in 1893 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.sip100052 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The sacred city of the Ethiopians, being a record of travel and research in Abyssinia in 1893 Author/Creator Bent, J. Theodore Date 1896 Resource type Books Language English Subject Coverage (spatial) Horn of Africa, Ethiopia, Axum, Eritrea Source Smithsonian Institution Libraries, DT379 .B47 1896X/916.3 B475s Description Contents. I: Arrival in Ethiopia. II: Stay at Asmara. III: Expedition to the monastery of Bizen.
    [Show full text]
  • THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES FFOULKES, B.Litt.Oxon
    GQ>0<J> 1911 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Ubrary NK6606 .F43 1912 The armourer and his craft from the xith C Date iSIORAGE 3 1924 030 681 278 Overs olin a^(Mr;= :3fff=iqfPfr.g^h- r^ n .^ I aAri.^ ^ Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030681278 THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley < 'A w <1-1 K 2; < > o 2 o 2; H ffi Q 2; < w K o w u > w o o w K H H P W THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES FFOULKES, B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & CO. LTD. 36 ESSEX STREET W.G. LONDON Kc tf , First Published in igi2 TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- ment of defensive armour, for this has been more or less fully I discussed in v^orks which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft.
    [Show full text]
  • {PDF EPUB} the Knife Thrower's Bride (Under the Big Top #1) by Angie Troubador the Knife Thrower's Bride (Under the Big Top #1) by Angie Troubador
    Read Ebook {PDF EPUB} The Knife Thrower's Bride (Under the Big Top #1) by Angie Troubador The Knife Thrower's Bride (Under the Big Top #1) by Angie Troubador. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660205232fab05e9 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Knife Thrower Summary Steven Millhauser. Everything you need to understand or teach The Knife Thrower by Steven Millhauser. The Knife Thrower Summary & Study Guide. The Knife Thrower Summary. The knife thrower can be seen as a cult figure for this community, a momentary visitor who incites strange and deeply felt emotions. Like many cult figures, part of his appeal is the offer of an identity of sorts from association with him. He gives out identifying marks that can be used by the receiver as a testament to their belonging somewhere, that they are brave and willing to risk injury for something worth doing.
    [Show full text]
  • Protesters Burn the Woolies
    THE BYRON SHIRE ECHO Advertising & news enquiries: Mullumbimby 02 6684 1777 Byron Bay 02 6685 5222 Fax 02 6684 1719 [email protected] [email protected] seven p19 Available early Tuesday at: entertainment http://www.echo.net.au VOLUME 23 #06 TUESDAY, JULY 15, 2008 22,700 copies every week FADS, FETISHES & FREAKY AFFAIRS Printed on recycled paper Minister Protesters burn the Woolies ‘box’ approves rates rise Michael McDonald NSW local government minister Paul Lynch last Thursday approved Byron Shire Council’s application for an extra 6.22% on the statewide pegged rate of 3.2% for the coming financial year. About 25 NSW councils were successful in getting a rate variation. At its extraordinary meeting last Thursday to set the rate, Council had to defer the matter until later in the day when the Minister’s advice arrived. Councillors then voted unanimously to set the rate and various other charges such as waste management fees. Mayor Jan Barham said the approval of the rate increase is recognition of the strong case put by Council of the need for addi- tional funds to provide services to the community. ‘Council’s submission included letters of support and it is appreci- ated that Byron United were able to provide their support for the rate increase request,’ said Cr Barham in a press release. ‘There are many projects that Council is seeking to An effigy of the Woolworths ‘big box’ goes up in flames at last Saturday’s rally in Mullumbimby. See more photos on our new website at www.echo.net.au inside deliver, but with a low population July Echo Extra in Galleries.
    [Show full text]
  • FEDLINK Preservation Basic Services Ordering
    SOLICITATION, OFFER AND AWARD 1. THIS CONTRACT IS A RATED ORDER UNDER RATING PAGE OF PAGES DPAS (15 CFR 700) 1 115 2. CONTRACT NUMBER 3. SOLICITATION NUMBER 4. TYPE OF SOLICITATION 5. DATE ISSUED 6. REQUISITION/PURCHASE NO. G SEALED BID (IFB) S-LC04017 G NEGOTIATED (RFP) 12/31/2003 7. ISSUED BY CODE 8. ADDRESS OFFER TO (If other than Item 7) The Library of Congress OCGM/FEDLINK Contracts 101 Independence Avenue, S.E. Washington, DC 20540-9414 NOTE: In sealed bid solicitations “offer” and “offeror” mean “bid” and “bidder” SOLICITATION 9. Sealed offers in original and copies for furnishing the supplies or services in the Schedu.le will be received at the place specified in Item 8, or if handcarried, in the depository located in Item 7 until __2pm______ local time __Tues., February 4, 2004_. CAUTION -- LATE Submissions, Modifications, and Withdrawals: See Section L, Provision No. 52.214-7 or 52.215-1. All offers are subject to all terms and conditions contained in this solicitation. 10. FOR A. NAME B. TELEPHONE (NO COLLECT CALLS) C. E-MAIL ADDRESS INFORMATION CALL: Deborah Burroughs AREA CODE NUMBER EXT. [email protected] 202 707-0460 11. TABLE OF CONTENTS ( ) SEC. DESCRIPTION PAGE(S) ( ) SEC. DESCRIPTION PAGE(S) PART I - THE SCHEDULE PART II - CONTRACT CLAUSES A SOLICITATION/CONTRACT FORM 1 I CONTRACT CLAUSES 91-97 B SUPPLIES OR SERVICES AND PRICE/COST 3-23 PART III - LIST OF DOCUMENTS, EXHIBITS AND OTHER ATTACH. C DESCRIPTION/SPECS./WORK STATEMENT 24-77 J LIST OF ATTACHMENTS 98-100 D PACKAGING AND MARKING 78 PART IV - REPRESENTATIONS AND INSTRUCTIONS E INSPECTION AND ACCEPTANCE 79 K REPRESENTATIONS, CERTIFICATIONS 101-108 F DELIVERIES OR PERFORMANCE 80 AND OTHER STATEMENTS OF OFFERORS G CONTRACT ADMINISTRATION DATA 81-89 L INSTRS., CONDS., AND NOTICES TO OFFERORS 109-114 H SPECIAL CONTRACT REQUIREMENTS 90 M EVALUATION FACTORS FOR AWARD 115 OFFER (Must be fully completed by offeror) NOTE: Item 12 does not apply if the solicitation includes the provisions at 52.214-16, Minimum Bid Acceptance Period.
    [Show full text]