DOCSLIB.ORG

University of Florida Thesis Or Dissertation Formatting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University of Florida Thesis Or Dissertation Formatting WOVEN HISTORY: RAFFIA CLOTH IN THE KONGO By CARLEE S. FORBES A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2013 1 © 2013 Carlee S. Forbes 2 To my family and teachers who have shown me the joy of learning 3 ACKNOWLEDGMENTS This thesis project grew out of the opportunity that I have had for the past year to work on a collaborative project, entitled Kongo Across the Waters, between the Harn Museum and the Royal Museum for Central Africa in Tervuren, Belgium. I would like to express my sincerest gratitude to these two institutions, their staff, and especially to our curators for allowing me to take part in this project and participate in this research process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 6 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION ...................................................................................................... 9 Art in the Kongo Kingdom ....................................................................................... 10 Organization ........................................................................................................... 19 2 STUDYING KONGO ART ....................................................................................... 22 Perceptions of Kongo Art ........................................................................................ 22 Three Case Studies ................................................................................................ 28 3 PRESTIGE AND COSMOLOGIES: A KONGO TEXTILE COMPARISON .............. 39 Production and Embellishment Processes .............................................................. 41 Role of Raffia Textiles in Kongo society.................................................................. 46 Conclusion .............................................................................................................. 56 4 CHANGING TRADE PATTERNS AND MAT DESIGN ............................................ 69 Roles of Raffia Textiles: the Decline of Velvet Textiles ........................................... 70 Roles of Raffia Textiles: Mats as Status Symbols and Spiritual markers ................ 74 The Introduction of Figurative Motifs ....................................................................... 78 5 CONCLUSION ........................................................................................................ 88 LIST OF REFERENCES ............................................................................................... 91 BIOGRAPHICAL SKETCH ............................................................................................ 98 5 LIST OF FIGURES Figure page 1-1 Images of mats in Kongo life from Dapper (1668) .............................................. 21 2-1 Burning of Fetishes, Theodore and Israel DeBry, 1598, engraving .................... 38 3-1 Embroidery cloth with geometric design ............................................................. 57 3-2 Pile technique: detail of mpu............................................................................... 57 3-3 Raffia mat ........................................................................................................... 58 3-4 Stepped pattern .................................................................................................. 58 3-5 Warp and weft manipulation. .............................................................................. 59 3-6 Kongo Mats with figurative imagery . .................................................................. 61 3-7 Geometric mat .................................................................................................... 61 3-8 Figurative mats ................................................................................................... 62 3-9 Female with child. ............................................................................................... 62 3-10 Women’s scarification ......................................................................................... 63 3-11 Ivory horn............................................................................................................ 63 3-12 Ivory scepter ....................................................................................................... 64 3-13 Mpu. ................................................................................................................... 64 3-14 Mats with funerary scenes .................................................................................. 65 3-15 Mat with funerary scene. .................................................................................... 65 3-16 Niombo mummy bundle, photograph. ................................................................. 66 3-17 Mat details: bottles .............................................................................................. 66 3-18 Mat details: human figures ................................................................................. 67 3-19 Images of leopard objects in Kongo art. ............................................................. 68 4-1 Images of mats in Kongo life. Cavazzi, “Queen Nzinga, Kingdom of Kongo, Meeting with the Portuguese,” 1690. .................................................................. 85 6 4-2 Images of mats in Kongo life. Dennett, “Maloango Pongo Falls Sick (from a sketch by the author),” 1887 ............................................................................... 85 4-3 Images of mats in Kongo Life. Dybowski, “Le malade devra en guérir...(D'après un croquis.),” 1893 ................................................................... 86 4-4 Early mummy bundle practice (ca 1787) ............................................................ 86 4-5 1912 Yombe Grave with raffia mat at European textile. ..................................... 87 4.6 Ntadi figure. ........................................................................................................ 87 4-7 Wooden grave sculpture ..................................................................................... 87 7 Abstract of Thesis Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Arts WOVEN HISTORY: RAFFIA CLOTH IN THE KONGO By Carlee S. Forbes May 2013 Chair: Victoria L. Rovine Major: Art History This thesis compares two types of raffia textiles from the former Kongo Kingdom region: sixteenth-century raffia textiles that feature intricate geometric motifs and nineteenth-century mats of the same medium that use both figurative and geometric designs. Ms. Forbes brings forth a rarely discussed collection of mats from the Royal Museum for Central Africa in Tervuren, Belgium that she discovered during her research for the upcoming Kongo Across the Waters exhibition at the Harn Museum of Art. She questions the introduction of figuration on the mats and proposes a combination of factors that may have contributed to this shift. These factors include: the role of raffia textiles as markers of status, the effects of the introduction of European imported cloth, the role of raffia mats in funerals, and the opportunities for artistic innovation. 8 CHAPTER 1 INTRODUCTION …in this kingdom of the Congo they produce cloths from palm fibers with velvet like decoration, of such beauty that better ones are not made in Italy. In no other part of Guinea is there a country where they are able to weave these clothes as in this kingdom of Congo. — Duarte Pacheco Pereira, Esmeraldo de Situ Orbis (1505-8)1 Early European encounters with the Kingdom of the Kongo, as described in this quotation from a Portuguese explorer, show a great admiration for the refined Kongolese textiles. These fine textiles are currently held in numerous European private and museum collections. Another group of Kongo raffia products, mats, are much less prevalent in museum collections, but they are no less impressive. These mats date from the early 20th century and into the present. The mats feature geometric patterns characteristic of many Kongo arts in addition to incorporating figurative designs. These mats are rarely discussed in scholarship, overlooked for their older, finer counterparts. Examining the stylistic changes that occurred between the production of the early velvet textiles and these early 20th century mats reveals the significance of these mats and became the basis of this project. A comparison between the earliest Kongo textiles held in museums and the collection of Royal Museum for Central Africa (RMCA) mats forms the core of this study. The raffia used to create both types of objects offers a basis for comparison. The materials may be similar, but the two types of objects differ in their production techniques and iconography. The velvet textiles are made of fine fibers that permit 1 From Duarte Pacheco Pereira. Esmeraldo de Situ Orbis 1505-1508. Translated and Quoted in African Art and Artefacts by Ezio Bassani, 279. 9 weavers to create very detailed and intricate geometric patterns.2 The mats are woven of larger raffia strips and feature a mixture of geometric
Load more

Recommended publications
  • UNIVERSIDADE DO ESTADO DA BAHIA - UNEB DEPARTAMENTO DE EDUCAÇÃO - DEDC/CAMPUS I PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO E CONTEMPORANEIDADE - Ppgeduc
    1 UNIVERSIDADE DO ESTADO DA BAHIA - UNEB DEPARTAMENTO DE EDUCAÇÃO - DEDC/CAMPUS I PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO E CONTEMPORANEIDADE - PPGEduc MILLE CAROLINE RODRIGUES FERNANDES DE ANGOLA À NILO PEÇANHA: TRAÇOS DA TRAJETÓRIA HISTÓRICA E DA RESISTÊNCIA CULTURAL DOS POVOS KONGO/ANGOLA NA REGIÃO DO BAIXO SUL Salvador 2020 2 MILLE CAROLINE RODRIGUES FERNANDES DE ANGOLA À NILO PEÇANHA: TRAÇOS DA TRAJETÓRIA HISTÓRICA E DA RESISTÊNCIA CULTURAL DOS POVOS KONGO/ANGOLA NA REGIÃO DO BAIXO SUL Tese apresentada ao Programa de Pós-Graduação em Educação e Contemporaneidade/PPGEduc- UNEB, no âmbito da Linha de Pesquisa I - Processos Civilizatórios: Educação, Memória e Pluralidade Cultural, como requisito para a obtenção do Título de Doutora em Educação e Contemporaneidade. Orientadora: Profa. Dra. Jaci Maria Ferraz de Menezes Co-orientador: Prof. Dr. Abreu Castelo Vieira dos Paxe Salvador 2020 3 4 5 Disêsa Ngana! (Licença Senhores/as!) Às pessoas mais velhas e às crianças, peço Nsuá (Licença). À minha Avó Mariazinha, à Minha Mãe e Madrinha Valdice Herculana (Mamãe Didi) e à minha Mãe biológica Maria José (Mamãe Zezé), as primeiras mulheres com quem aprendi a reverenciar os antepassados, a benzer com as folhas e a encantar o alimento. À Angola por ter sido acalento e cura para minh’alma. Aos Reis, Rainhas, Jindembo, Osoma, N’gola e Sekulos, por terem reconhecido minha origem angolana, pelo doce acolhimento, por me (re)ensinar a importância da nossa ancestralidade e por verem em mim ‘Makyesi’ (Felicidade). 6 AGRADECIMENTOS Agradecer às pessoas que trilharam conosco os caminhos mais difíceis e, muitas vezes, até improváveis, é uma singela forma de tentar retribuir, recompensar em palavras e gestos, mas é também tentar tornar-se digna de tanta generosidade encontrada nesta intensa e maravilhosa travessia.
    [Show full text]
  • Mbele a Lulendo
    ø Mbele a lulendo: a study of the provenance and context of the swords found at Kindoki cemetery, Mbanza Nsundi, Bas-Congo Master dissertation by Amanda Sengeløv Key words: power symbol, iron, bakongo, burial rites During the summer excavations carried out by the Kongoking project in the lower-Congo area, five swords where found in the tombs at the Kindoki cemetery. The study of these swords aims to understand the meaning of the deposition of these elite objects in a grave context and trace their provenance. The results of the analysis of these case-studies suggested sixteenth century European hilt types unified with indigenous produced blades. Swords were perceived as power symbols because of the embedded local mentality towards iron, which had a prominent role in the foundation myth of the kingdom. Also the form of the imported sixteenth century swords recalled these local ideas of religion and ideology. The swords had two different meanings; mainly they were used as investiture and where conceived as status symbols, only occasionally they were used as true mbele a lulendo. Mbele a lulendo-swords had a metaphysical connotation and were used during several rites, like executions. Some scholars presume that they used two kinds of swords for these different purposes; the European swords only as status symbols and the native swords as mbele a lulendo. I argue in this dissortation that the European swords where a status symbol as well as true mbele a lulendo. There is not a difference in meaning, but rather a difference in chronology. The European swords were gradually replaced by indigenous fabricated swords, which were inspired by the sixteenth century European examples.
    [Show full text]
  • Trade and the Merchant Community of the Loango Coast in The
    Trade and the Merchant Community of the Loango Coast in the Eighteenth Century Thesis submitted for the Degree of Doctor of Philosophy University of Hull by Stacey Jean Muriel Sommerdyk Honors BA (University of Western Ontario) MA (York University) May 2012 ii Synopsis This thesis explores the political, economic and cultural transformation of the Loango Coast during the era of the transatlantic slave trade from the point of contact with Europeans in the sixteenth century until the end of the eighteenth century, with particular focus on the eighteenth century. While a number of previous studies of the West Central African slave trade have focused principally on the role of the Portuguese on the Angola Coast, this thesis makes a new contribution by evaluating the balance of power between Dutch and Loango Coast merchant communities. In doing so, this thesis concludes that well into the eighteenth century, local African religious and political traditions remained relatively unchanged on the Loango Coast, especially in comparison to their southern neighbours in Angola. Drawing upon detailed records compiled by the Middelburgse Commercie Compangie (MCC), the thesis builds upon an original database which accounts for approximately 10,000 slaves sold by 640 identified African merchants to the Dutch Middelburg Company over the course of 5,000 transactions. Expanding upon the work of Phyllis Martin and other scholars, this thesis highlights a distinction between the Loango and the Angola coasts based on models of engagement with European traders; furthermore, it draws attention to the absence of European credit data in the MCC slave purchasing balance sheets; and, finally, it explores the difficulties involved in procuring slaves via long distance trade.
    [Show full text]
  • Bundu Dia Kongo
    P a g e | I BUNDU DIA KONGO, UNE RESURGENCE DES MESSIANISMES ET DE L’ALLIANCE DES BAKONGO ? Godefroid Muzalia Kihangu --- Thèse présentée en vue de l’obtention du grade de Docteur en Sciences Politiques --- Promoteur: Prof. Dr. Koen Vlassenroot Composition du Jury Prof. Dr. Arnaut Karel Prof. Dr. Jean Omasombo Tchonda Prof. Dr. Koen Vlassenroot Prof. Dr. Filip De Boeck Prof. Dr. Ruddy Doom Prof.Dr. Sami Zemni Année Universitaire 2010 – 2011, Universiteit Gent, België P a g e | II A ma compagne Aimée Mapendo, A Immaculée-Keren, Augustin et Bénédicte. P a g e | III REMERCIEMENTS Je voudrais, avant toute chose, exprimer ma profonde gratitude à tous ceux qui ont contribué à l’aboutissement heureux de ce projet de recherche. Mes remerciements s’adressent à la Coopération Technique Belge qui a financé ma formation depuis l’année universitaire 2003 - 2004. Ma profonde gratitude s’adresse également à l’Université de Gand, et plus particulièrement au Conflit Research Group et au Third World Studies Center qui, en plus du cadre scientifique qu’ils m’ont offert, ont financé les trois derniers mois de ma formation doctorale. Mention spéciale au Professeur Docteur Koen Vlassenroot, promoteur de cette thèse. C’était pour moi un très grand plaisir de travailler sous sa supervision. Ses remarques pertinentes et ses encouragements répétés m’ont permis de franchir une étape importante dans l’analyse des données de terrain. A travers lui, je tiens à remercier tous ceux qui ont lu l’un ou l’autre chapitre de mon manuscrit. Je pense aux professeurs Timothy Raeymaekers, Barnabé Mulyumba Wa Mamba, Germain Mulowayi Kayemba et Stanislas Bucyalimwe Mararo.
    [Show full text]
  • The Kongolese Atlantic: Central African Slavery & Culture From
    The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 i v ABSTRACT The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 Copyright by Christina Frances Mobley 2015 Abstract In my dissertation, “The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti,” I investigate the cultural history of West Central African slavery at the height of the trans-Atlantic slave trade, the late eighteenth century. My research focuses on the Loango Coast, a region that has received
    [Show full text]
  • The Kingdom of Kongo and Palo Mayombe: Reflections on an African-American Religion
    Slavery & Abolition A Journal of Slave and Post-Slave Studies ISSN: 0144-039X (Print) 1743-9523 (Online) Journal homepage: http://www.tandfonline.com/loi/fsla20 The Kingdom of Kongo and Palo Mayombe: Reflections on an African-American Religion John Thornton To cite this article: John Thornton (2016) The Kingdom of Kongo and Palo Mayombe: Reflections on an African-American Religion, Slavery & Abolition, 37:1, 1-22, DOI: 10.1080/0144039X.2015.1103524 To link to this article: http://dx.doi.org/10.1080/0144039X.2015.1103524 Published online: 29 Oct 2015. Submit your article to this journal Article views: 159 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fsla20 Download by: [Pontificia Universidad Catolica de Chile] Date: 12 November 2016, At: 11:24 Slavery & Abolition, 2016 Vol. 37, No. 1, 1–22, http://dx.doi.org/10.1080/0144039X.2015.1103524 The Kingdom of Kongo and Palo Mayombe: Reflections on an African- American Religion John Thornton Historical scholarship on Afro-Cuban religions has long recognized that one of its salient characteristics is the union of African (Yoruba) gods with Catholic Saints. But in so doing, it has usually considered the Cuban Catholic church as the source of the saints and the syncretism to be the result of the worshippers hiding worship of the gods behind the saints. This article argues that the source of the saints was more likely to be from Catholics from the Kingdom of Kongo which had been Catholic for 300 years and had made its own form of Christianity in the interim.
    [Show full text]
  • African Diaspora Collective Action: Rituals, Runaways, and the Haitian Revolution
    AFRICAN DIASPORA COLLECTIVE ACTION: RITUALS, RUNAWAYS, AND THE HAITIAN REVOLUTION By Crystal Nicole Eddins A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American & African Studies – Doctor of Philosophy Sociology – Doctor of Philosophy 2017 ABSTRACT AFRICAN DIASPORA COLLECTIVE ACTION: RITUALS, RUNAWAYS, AND THE HAITIAN REVOLUTION By Crystal Nicole Eddins The project is an interdisciplinary case study that couples an African Diaspora theoretical paradigm with concepts from social movements scholarship to explain the influence of Africa- inspired sacred rituals on oppositional consciousness and patterns of escape from enslavement – mawonaj – leading up to the Revolution. My data emerges from archival and secondary source research in France, the United States, and Haiti. I bring focus to the study of collective consciousness in two fields, African American & African Studies and Sociology, with attention to how consciousness was shaped by material conditions, was reinforced in spheres of interaction, and guided social action among early modern members of the African Diaspora in colonial Haiti (Saint Domingue). The first paper hypothesizes that in addition to being sacred events, ritual gatherings were simultaneously free spaces wherein rebels enhanced oppositional consciousness and solidarity by campaigning for liberation and seeking new mobilization recruits. Findings suggested that during African-Saint Dominguans’ gatherings at burial sites, in churches, and at nighttime calenda assemblies, they re-produced aspects of their religious cultures away from the observation of whites. Ritual free spaces allowed participants to reclaim personal and collective power by using sacred material artifacts; and to communicate seditious speech concerning freedom, independence, and the injustice of slavery.
    [Show full text]
  • Teke-Loango Contactsin the XVII - Xixth Century
    IOSR Journal of Humanities And Social Science (IOSR-JHSS) Volume 25, Issue 12, Series 9 (December. 2020) 42-49 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Teke-Loango contactsin the XVII - XIXth century ZephirinSah MarienNgouabi University, Teacher Training College, Brazzaville, Congo Abstract The history of contacts between the Loango kingdom and the T eke kingdom dates back to very ancient times. Early on, the two kingdom’s Congolese space come into contact to develop a trading system based on interior products and products from the coast. From these contacts, many routes will emerge which should connect the populations of the kingdom of Makoko inland to those of King Maloango on the coast. This shows that before the contact with the West, the people of the Congo had come into with each other and with others. These contacts, which can be remembered as contacts of civilizations, have been beneficial for each other in building peoples and commercial centers at the level of the sub-region. They also highlight the diversity of products resulting from the economic activities of these peoples, but also the different ecosystems from which this production is derived. This study traces the milestones of cooperation between the two States from the XVIIthto the XIX th century, showing how the Congolese trade will mix the slave trade gradually introduced by Europeans on the Congolese coast. Keywords:Loango Kingdom, Teke Kingdom, Contacts, Peoples, Congo ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 07-12-2020 Date of Acceptance: 22-12-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION The organization and functioning of societies shows that it is difficult if not impossible for a people to develop or have a normal daily life without coming into contact with other peoples or civilizations.
    [Show full text]
  • A Level History a African Kingdoms Ebook
    Qualification Accredited A LEVEL EBook HISTORY A H105/H505 African Kingdoms: A Guide to the Kingdoms of Songhay, Kongo, Benin, Oyo and Dahomey c.1400 – c.1800 By Dr. Toby Green Version 1 A LEVEL HISTORY A AFRICAN KINGDOMS EBOOK CONTENTS Introduction: Precolonial West African 3 Kingdoms in context Chapter One: The Songhay Empire 8 Chapter Two: The Kingdom of the Kongo, 18 c.1400–c.1709 Chapter Three: The Kingdoms and empires 27 of Oyo and Dahomey, c.1608–c.1800 Chapter Four: The Kingdom of Benin 37 c.1500–c.1750 Conclusion 46 2 A LEVEL HISTORY A AFRICAN KINGDOMS EBOOK Introduction: Precolonial West African Kingdoms in context This course book introduces A level students to the However, as this is the first time that students pursuing richness and depth of several of the kingdoms of West A level History have had the chance to study African Africa which flourished in the centuries prior to the onset histories in depth, it’s important to set out both what of European colonisation. For hundreds of years, the is distinctive about African history and the themes and kingdoms of Benin, Dahomey, Kongo, Oyo and Songhay methods which are appropriate to its study. It’s worth produced exquisite works of art – illustrated manuscripts, beginning by setting out the extent of the historical sculptures and statuary – developed complex state knowledge which has developed over the last fifty years mechanisms, and built diplomatic links to Europe, on precolonial West Africa. Work by archaeologists, North Africa and the Americas. These kingdoms rose anthropologists, art historians, geographers and historians and fell over time, in common with kingdoms around has revealed societies of great complexity and global the world, along with patterns of global trade and local interaction in West Africa from a very early time.
    [Show full text]
  • O Comércio De Marfim No Congo E Loango, Séculos XV – XVII1
    http://dx.doi.org/10.1590/1982-02672017v25n0103 "Por conto e peso": o comércio de marfim no Congo e Loango, séculos XV – XVII1 Mariza de Carvalho Soares2 1. Este texto integra a pes- quisa do meu projeto de produtividade do CNPq (2014-2017) e dialoga com grupo de pesquisa sobre RESUMO: O artigo descreve a implantação do comércio de marfim na costa centro-ocidental marfins africanos, em que africana entre 1490 e 1620. Essa região tem sido estudada do ponto de vista do comércio se integra, reunido no pro- jeto “Marfins Africanos no atlântico de escravos, mas não existem estudos dedicados ao marfim. O comércio do marfim Mundo Atlântico: uma rea- bruto aparece na historiografia como referência passageira. Já a circulação do marfim lavrado valiação dos marfins luso- -africanos”, financiado atra- tem sido estudada a partir de objetos encontrados nos museus europeus, ponto final de uma vés da FCT – Fundação para longa cadeia diplomática e comercial. Tomando como referência o comércio de marfim nos a Ciência e a Tecnologia, portos da costa do Congo e Loango, o texto estabelece o contexto africano de acesso ao PTDC/EPHPAT/1810/2014, coordenado pelos professo- marfim antes do crescimento do comércio de escravos na região, destacando sua importância res José da Silva Horta (Uni- no conjunto das atividades econômicas da época. versidade de Lisboa), Peter Mark (Wesleyan University) e Vanicleia Silva Santos PALAVRAS-CHAVE: Marfim. Loango. Comércio. Congo. África centro-ocidental. (UFMG). Agradeço aos pa- receristas da revista e a Joseph Miller pela leitura ABSTRACT: This article describes the organization of the ivory trade in West Central Africa do texto, correções e suges- between 1490 and 1620.
    [Show full text]
  • Tee External Trade of the Lomgo Coast and Its Effects
    TEE EXTERNAL TRADE OF THE LOMGO COAST AND ITS EFFECTS ON THE V IL I» 1576-1870 b y P h y llis M. M a rtin Thesis submitted fo r the Degree of Doctor of Philosophy at the University of London 1 9 7 '0 londin. vUIVV- > ProQuest N um ber: 11010283 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010283 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 I ABSTRACT The Loango Coast is a useful term to describe the West African Coast which lie s between Cape Lopez in the north and the Congo River in the south. In the sixteenth century, the region was divided in to three kingdoms, Loango, Kakongo and Ngoyo. This study discusses two interrelated themes. The firs t concerns the changing patterns of external trade; here, four main phases may be differentiated. The firs t was a pre-slave trade period, from about 1576 to 1630 when indigenous African commercial a c tiv itie s eaqpanded under the impetus of European contact; between I 63O and I 67O the products of legitim ate trade decreased in im portance and th e tra d e in s la v e s gained momentum; the years from 1670 to 1793 have been called the Slave Trade Era; from about 1793 to 1870, the slave traders faced mounting prob­ lems u n til their a ctivitie s were fin a lly ended and a legitimate trade was reestablished.
    [Show full text]
  • There Are Many Kongo Worlds: Particularities of Magico-Religious
    There Are Many Kongo Worlds: Particularities of Magico-Religious Beliefs among the Vili and Yombe of Congo-Brazzaville Author(s): Dunja Hersak Source: Africa: Journal of the International African Institute, Vol. 71, No. 4 (2001), pp. 614- 640 Published by: Edinburgh University Press Stable URL: http://www.jstor.org/stable/1161582 Accessed: 03/11/2010 13:53 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=eup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Edinburgh University Press is collaborating with JSTOR to digitize, preserve and extend access to Africa: Journal of the International African Institute.
    [Show full text]