Vita Christi
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Western Illuminated Manuscripts: a Catalogue of the Collection in Cambridge University Library Paul Binski and Patrick Zutshi Frontmatter More Information
Cambridge University Press 978-0-521-84892-3 - Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library Paul Binski and Patrick Zutshi Frontmatter More information WESTERN ILLUMINATED MANUSCRIPTS Cambridge University Library’s collection of illuminated manuscripts is of international signifi cance. It originates in the medieval university and stands alongside the holdings of the Colleges and the Fitzwilliam Museum. Th e University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the fi rst complete Chaucer manuscript. Th is catalogue provides scholars and researchers easy access to the University Library’s illuminated manuscripts, evaluating the importance of many of them for the very fi rst time. It contains descriptions of famous manuscripts – for example, the Life of Edward the Confessor attributed to Matthew Paris – as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references. PAUL BINSKI is Professor of the History of Medieval Art at Cambridge University. He specializes in the art and architecture of medieval Western Europe. His previous publications include Th e Painted Chamber at Westminster (1986), Westminster Abbey and the Plantagenets (1995), which won the Longman History Today Book of the Year award, and Becket’s Crown: Art and Imagination in Gothic England, 1170–1300 (2004), winner of the 2006 Historians of British Art Prize and the Ace-Mercers 2005 International Book Prize. -
Nicholas Love’S “Mirrour of the Blessed Life of Jesu Criste”
Eötvös Loránd University Faculty of Humanities DOCTORAL DISSERTATION PÉRI-NAGY ZSUZSANNA VOX, IMAGO, LITTERA: NICHOLAS LOVE’S “MIRROUR OF THE BLESSED LIFE OF JESU CRISTE” PhD School of Literature and Literary Theory Dr. Kállay Géza CSc Medieval and Early Modern Literature Programme Dr. Kállay Géza CSc Members of the defence committee: Dr. Kállay Géza CSc, chair Dr.Karáth Tamás, PhD, opponent Dr.Velich Andrea, PhD, opponent Dr. Pődör Dóra PhD Dr. Kiricsi Ágnes PhD Dr. Pikli Natália PhD Consultant: Dr. Halácsy Katalin PhD i Table of Contents ACKNOWLEDGEMENTS .................................................................................................. IV LIST OF ABBREVIATIONS ................................................................................................ V LIST OF ILLUSTRATIONS ................................................................................................ VI INTRODUCTION .................................................................................................................................. 7 I. THE MIRROUR AND THE ORTHODOX REFORM: AIMS ................................................................ 7 II. SOURCES: THE TEXT OF THE MIRROUR AND THE TWO ILLUMINATED MANUSCRIPTS ........... 16 CHAPTER I. BACKGROUNDS: LAY DEVOTION, LOLLARDY AND THE RESPONSE TO IT 20 I. 1. LAY DEVOTION AND THE MEDITATIONES VITAE CHRISTI .................................................... 20 I. 2. LOLLARDY ........................................................................................................................ -
Saint Mary Magdalene
saint mary magdalene - relic tour Martha was the first to say, “Lord, I have believed that thou art Christ the Son of February 20 - March 22, 2013 the living God, who art come into this world” (John 11:27). Martha was witness to Jesus resurrection of her brother Lazarus (John 11:39-44). Martha’s relics are in Collégiale Sainte-Marthe in Tarascon. Early Christian Saints of God Mark Friedman and Janet Vogt A piece of the tibia of St. Mary Magdalene Saints of God, we stand be - fore you. This we ask you, pray for us. Ho - ly men and ho - ly wom - en, in your good - ness pray for us. 1. St. Ma - ry, God’s moth - er, our moth - er, 2. St. Jo-seph, St. Pe - ter, St. An - drew, 3. St. Mat - thew, St. Si - las, St. Bar - na - bas, 4. St. Mar - tha, St. Max-i-min, St. Ma-ry Sal-o-me, 1. All an - gels in heav - en, 1-4. pray for us. 2. St. Steph - en, St. Paul, 3. St. Luke, St. Ce-do-ni-us, 4. St. La - za - rus, St. Mar - tha, 1-4. pray for us. Ho - ly men and ho - ly wom - en, The Three Marys at the Empty Tomb Mary Magdalene, Mary Jacobe and Mary Salome 1. so ho - ly, 2. St. Law-rence, 3. St. Ma-ry Ja- co- be, pray for us. us. 4. St. Ma-ry Mag-da-lene. 1-4. in your good - ness, pray for us. us. 2, 4. Save us, Lord, from sin and ev - ‘ry A piece of the tibia of St. -
“This Translation—The First Into English—Of the Life of Jesus Christ By
“This translation—the first into English—of The Life of Jesus Christ by Ludolph of Saxony will be welcomed both by scholars in various fields and by practicing Christians. It is at the same time an encyclopedia of biblical, patristic, and medieval learning and a compendium of late medieval spirituality, stressing the importance of meditation in the life of individual believers. It draws on an astonishing number of sources and sheds light on many aspects of the doctrinal and institutional history of the Church down to the fourteenth century.” — Giles Constable Professor Emeritus Princeton University “Milton T. Walsh has taken on a Herculean task of translating The Life of Christ by the fourteenth-century Carthusian, Ludolph of Saxony. He has more than risen to the challenge! Ludolph’s text was one of the most widely spread and influential treatments of the theme in the later Middle Ages and has, until now, been available only in an insufficient late nineteenth-century edition (Rigollot). The manuscript tradition of The Life of Christ (Vita Christi) is extremely complex, and Walsh, while basing his translation on the edition, has gone beyond in providing critical apparatus that will be of significant use to scholars, as well as making the text available for students and all interested in the theology, spirituality, and religious life of the later Middle Ages. His introduction expertly places Ludolph’s work in the textual tradition and is itself a contribution to scholarship. Simply put, this is an amazing achievement!” — Eric Leland Saak Professor of History Indiana University “Walsh has done pioneering work unearthing the huge range of patristic, scholastic, and contemporary sources that Ludolph drew upon, enabling us to re-evaluate the Vita as an encyclopedic compilation, skillfully collating a range of interpretations of the gospel scenes to meditational ends. -
The Easter Verses of the Three Marys a Medieval Short Play for Eastertide
The Easter Verses of the Three Marys A medieval short play for Eastertide This short drama is one of the oldest and most important pieces of drama in Europe. The written version dates from the 12th Century and is recorded in a manuscript kept at Vic in Spain. The drama is an enhanced version of the encounter between Mary and the Angel at the tomb on Easter morning recorded in the gospels. This play has been performed at Eastertime for centuries and is still has great power today. By tradition, the three Marys who buy ointment and go to the tomb to anoint the body of Jesus: Mary Magdalene, Mary Jacobe (the mother of James) and Mary Salome. In this version, I imagine Mary Jacobe as the motherly, practical type; Mary Salome as younger, elegant, wanting the best; and Mary Magdalene as overwhelmed by grief and finding it almost impossible to go to the tomb but impelled to do so. In Spanish versions of the drama, Mary Magdalene carries a jar of expensive ointment, Mary Jacobe carries a broom, and Mary Salome carried an incense burner (small thurible). The merchant is an East End barrowboy, probably minding the stall while his master is away, wheeling and dealing to get a good price but also sensitive to the women’s grief. The angel is strong, straightforward, unshowy, his declaration that Christ is risen convinces and draws us in. The repeated refrain ‘How great is our grief’ needs to be carefully handled so it doesn’t become melodramatic. It needs to be heartfelt and spoken differently each time it occurs. -
«Credere Virginem in Corde Per Fidem». Images of Mary in the Libri Carolini
«CREDERE VIRGINEM IN CORDE PER FIDEM». IMAGES OF MARY IN THE LIBRI CAROLINI Diego Ianiro References to the Virgin Mary are quite rare in the writings produced at the court of Charlemagne before 794.1 With the doubtful exception of marian sermons gathered in the homiliary of Paul the Deacon, among the works released between the Admonitio generalis (789) and the Council of Frankfurt (794) it is possible to find several mentions of the Mother of God only in the Libri Carolini.2 Paul’s homiliary was in fact commissioned by Charlemagne, as it is clearly stated in its prefatory letter known as Karoli epistola generalis,3 in a period that cannot be determined with precision: in recent scolarship it ranges approximately from 786, the year before Paul’s return to Monte Cassino, to 796/799,4 the alleged date of his death. Moreover, as the homiliary still awaits a 23RD INTERNATIONAL CONGRESS OF BYZANTINE STUDIES, BELGRADE 23 AUGUST 2016. Thematic Sessions of Free Communications: New Feasts, New Sermons: The Cult of Mary on the Eve of Iconoclasm, in Byzantium and Beyond (Faculty of Philology, Room 11 - 15.30) 1 The amount of bibliography about Latin mariology in Early Middle Ages can be overwhelming; for this reason a reasoned selection of reference works could be useful here. On Carolingian mariology cf. L. SCHEFFCZYK, Das Mariengeheimnis in Frömmigkeit und Lehre der Karolingerzeit, Leipzig 1959 (Erfurter theologische Studien, 5); I. SCARAVELLI, Per una mariologia carolingia: autori, opere e linee di ricerca, in Gli studi di mariologia medievale: bilancio storiografico, Atti del I convegno mariologico della Fondazione Ezio Franceschini (Parma, 7-8 November 1997), ed. -
What Should We Say About Mary?
What Should We Say about Mary? As Protestants show new interest in the mother of Christ, they often think they need to have something to say about Mary, rather than to her. Why not begin with the first words spoken both to and about Mary from God’s own messenger, “Greetings, favored one! The Lord is with you” (Luke 1:28)? If we offer this as an address, rather than a Christian Reflection theological proposition, we might begin to understand more fully A Series in Faith and Ethics what it means to honor Mary. Prayer Scripture Reading: Luke 1:26-45 Meditation † Focus Articles: The Archangel was not foretelling the future by saying “The Lord is with thee,” but was declaring what he saw happening invisibly Mary and the Women at that time. Perceiving that divine and human gifts of grace were from Galilee to be found in Mary, and that she was adorned with all the gifts (Women and the Church, pp. of the Holy Spirit, he truly proclaimed her full of grace. He saw 50-57) that she had already received to dwell within her the One in whom are all these treasures of grace….Even if other women may What Should We Say be extolled, no other can be magnified with the surpassing glory about Mary? of the Virgin Mother of God. (Women and the Church, pp. Gregory Palamas (1296-1359) 88-93) Reflection “But when the fullness of time had come, God sent his Son, born of a woman,” the Apostle Paul wrote, “so that we might receive adoption as children” of God (Galations 4:4-5). -
''Was There a Carolingian Italy?'' Politics Institutions and Book Culture
”Was there a Carolingian Italy?” Politics institutions and book culture François Bougard To cite this version: François Bougard. ”Was there a Carolingian Italy?” Politics institutions and book culture. Clemens Gantner; Walter Pohl. After Charlemagne: Carolingian Italy and its Rulers, Cambridge University Press, pp.54-82, 2020, 9781108840774. 10.1017/9781108887762.007. halshs-03080753 HAL Id: halshs-03080753 https://halshs.archives-ouvertes.fr/halshs-03080753 Submitted on 16 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. [paru dans: After Charlemagne: Carolingian Italy and its Rulers, éd. Clemens Gantner et Walter Pohl, Cambridge Cambridge University Press, 2020, p. 54-82.] François Bougard ‘Was there a Carolingian Italy?’ Politics, institutions, and book culture* ‘The Carolingians in Italy’ is a literary myth. In order to account for the installation of the Franks on the Italian peninsula, our manuals have clung to a received vulgate. They assert that Pippin the Short and then Charlemagne allied themselves with the papacy, at the pope’s request, in order to stave off the Lombard threat against the Exarchate of Ravenna and defend the interests of the Holy See. But at the end of the tenth century, south of Rome, the story included other elements. -
Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts, DOI 10.1007/978-3-319-47476-2 BIBLIOGRAPHY
CODA PARTICIPATING IN SYMBOLS OF DEATH Like Nicholas Love’s Mirror, The Somonyng of Everyman is adapted from a Continental text, in this case from the Dutch Elckerlijc. As reading matter designed to appeal to the merchant and artisan classes in an urban setting, Everyman invokes neither pastoral nor monastic contemplation but rather invites participation through an imaginative confrontation with Death and subsequent pilgrimage leading to entry into the grave. The study of Everyman in terms of participation in the symbols of death and dying can serve as an appropriate capstone to the present volume, hence originally intended to be a final chapter. The essay can be accessed at https://works.bepress.com/clifford_davidson/265. © The Author(s) 2017 111 C. Davidson, Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts, DOI 10.1007/978-3-319-47476-2 BIBLIOGRAPHY Alexander, Jennifer. “Coventry Holy Trinity Wall Painting.” EDAM Newsletter 11 no. 2 (1989): 37. Alkerton, Richard. [Easter Week sermon, 1406.] British Library, Add. MS. 37677. Allen, Hope Emily, ed. English Writings of Richard Rolle. 1931; reprint, Oxford: Clarendon (1963). ——— and Sanford Brown Meech, eds. The Book of Margery Kempe. EETS, o.s. 212. London: Oxford University Press (1940). Anderson, M. D. The Imagery of British Churches. London: John Murray (1955). Arbismann, Rudolph. “The Concept of ‘Christus Medicus’ in St. Augustine.” Traditio 10 (1954): 1–28. Ashley, Kathleen, and Pamela Sheingorn. Interpreting Cultural Symbols: Sainte Anne in Late Medieval Society. Athens: University of Georgia Press (1990). Aston, Margaret. England’s Iconoclasts I: Laws Against Images. Oxford: Clarendon Press (1988). Augustine of Hippo, St. -
Mary and the Women from Galilee 51
50 Copyright 2009 Center for Christian Ethics at Baylor University This image is available in the print version of Christian Reflection. The presence of the three Marys surrounding the body of Jesus in Giotto’s fresco, LAMENTATION , reminds us of the importance of women in the gospel accounts of Christ’s life. Giotto di Bondone (c. 1277-1336/7), LAMENTATION (1305-1306). Fresco, 78 ¾” x 72 ⅞”. Arena Chapel, Padua. Photo: © Alinari/ Art Resource, NY. Used by permission. Mary and the Women from Galilee 51 Mary and the Women from Galilee BY HEIDI J. HORNIK iotto’s fresco Lamentation in the Arena Chapel continues a tradition of depicting the three Marys’ role in the grieving over Jesus’ body Gafter it had been taken from the cross (not visible in this painting). This scene of lamentation is an apocryphal story, yet it incorporates signifi- cant details from the biblical accounts of the women who were present at the crucifixion and burial of Jesus. The Gospel of John says that three Marys—Jesus’ mother; his mother’s sister, Mary the wife of Clopas; and Mary Magdalene—stood near the cross (John 19:25). The Synoptic Gospels report that many women who followed Jesus from Galilee observed his crucifixion “from a distance” (Matthew 27:55; Mark 15:40-41; and Luke 23:48). Mark adds that “among them were Mary Magdalene, and Mary the mother of James the younger and of Joses, and Salome” (Mark 15:40b), while Matthew specifically identifies “Mary Magdalene, Mary the mother of James and Joseph, and the mother of the sons of Zebedee” as present (Matthew 27:56). -
1 Catholic Transtemporality Through the Lens of Andrea Pozzo and The
1 Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Emily C. Thomason August 2020 © 2020 Emily C. Thomason. All Rights Reserved. 2 This thesis titled Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque by EMILY C. THOMASON has been approved for the School of Art + Design and the College of Fine Arts by Samuel Dodd Lecturer, School of Art + Design Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract THOMASON, EMILY C, M.A., August 2020, Art History Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque Director of Thesis: Samuel Dodd Andrea Pozzo was a lay brother for the Order of the Society of Jesus in the late seventeenth and early eighteenth centuries who utilized his work in painting, architecture, and writing to attempt to create an ideal expression of sacred art for the Counter- Reformation Catholic Church. The focus of this study is on Pozzo’s illusionary paintings in Chiesa di Sant’Ignazio di Loyola in Rome as they coincide with his codification of quadratura and di sotto in su, as described through perspectival etchings and commentary in Perspectiva Pictorum et Architectorum. This thesis seeks to understand the work of Pozzo in context with his Jesuit background, examining his work under the lens of Saint Ignatius of Loyola’s Spiritual Exercises, as well as the cultural, political, and religious climates of Rome during the Counter-Reformation era. -
Jesus Through the Eyes of Faith Jeremiah 31:1-6 John 20:1-18 “She Said to Them, 'They Have Taken Away My Lord, and I Do
Jesus through the Eyes of Faith Jeremiah 31:1-6 John 20:1-18 “She said to them, ‘They have taken away my Lord, and I do not know where they have laid him.’ When she had said this, she turned around and saw Jesus standing there, but she did not know that it was Jesus.” On this glad and holy morning when we greet one another with the words, “He is risen!” “He is risen indeed!” I suspect most of us in this sanctuary are saying more than we know. I think this because, on every other morning of our lives, what we know involves being able to see and hear and touch and test the object of our knowing. But when we say, “He is risen!” “He is risen indeed!” we are speaking as those who can only know and see him who was raised from the dead by faith. Now lest you think faith involves believing, with the White Queen of Alice through the Looking Glass, six impossible things before breakfast, let us agree that faith has nothing to do with believing even one impossible thing. Faith is a relationship of trust. It is the gift of a meeting,” Karl Barth says, “in which [we] are free to hear the word…God has spoken in Jesus Christ in such a way that, in spite of all that contradicts it, [we] may once for all, exclusively and entirely, hold to [God’s] promise and guidance.” To see Jesus through the eyes of faith is to put all your trust in the love that death cannot end.