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Collecting Karamono Kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy
Transcultural Perspectives 4/2020 - 1 Gonatella Failla "ollecting karamono kod( 唐物古銅 in Mei3i Japan: Archaistic Chinese 4ronzes in the Chiossone Museum, Genoa, Ital* Introduction public in the special e>hibition 7ood for the The Museum of Oriental Art, enoa, holds the Ancestors, 7lo#ers for the ods: Transformations of !apanese and Chinese art collections #hich Edoardo Archaistic 4ronzes in China and !apan01 The e>hibits Chiossone % enoa 1833-T()*( 1898) -athered during #ere organised in 5ve main cate-ories: archaistic his t#enty-three-year sta* in !apan, from !anuary copies and imitations of archaic ritual 2ronzes; 1875 until his death in April 1898. A distinguished 4uddhist ritual altar sets in archaistic styleC )aramono professor of design and engraving techniques, )od( hanaike, i.e0 Chinese @o#er 2ronzes collected in Chiossone #as hired 2* the Meiji -overnment to !apan; Chinese 2ronzes for the scholar’s studioC install modern machinery and esta2lish industrial !apan’s reinvention of Chinese archaismB 2ronze and production procedures at the Imperial Printing iron for chanoyu %tea ceremony), for 2unjincha %tea of 4ureau, T()*(, to instruct the youn- -eneration of the literati,, and for @o#er arrangement in the formal designers and engravers, and to produce securit* rik)a style0 printed products such as 2anknotes, state 2ond 4esides documenting the a-es-old, multifaceted certificates, monopoly and posta-e stamps. He #as interest of China in its o#n antiquit* and its unceasing #ell-)no#n also as a portraitist of contemporaneous revivals, the Chiossone 2ronze collection attests to historic 5-ures, most nota2ly Philipp-7ranz von the !apanese tradition of -athering Chinese 2ronzes 9ie2old %1796-1866, and Emperor Meiji %1852-1912, r. -
Modern Yokai How Japan Embraced Their Monsters
Modern Yokai How Japan embraced their monsters. What are Yokai? The kanji used for Yokai doesn’t have a simple/exact English translation. Yokai are a class of supernatural entities and spirits in Japanese folklore. They range from dangerous and aggressive to helpful and fortuitous. Some are as strong as gods, others are spirits of nature, and others are just lil’guys…who want to give you tofu on a dark road at night. Forewarning: I am NOT a yokai expert. I have tried to stay as close to the official historical information on these guys as possible, but some less accurate things may pop up. Please don’t come at me. I’m very weak and insecure. ALSO there are some adult themes throughout. Kitsune (lit. fox/ fox spirit) Two major variations. *Zenko Holy foxes are servants of the Shinto deity Inari, shrines decorated with statues and images of foxes. These holy foxes act as messengers of the gods and mediums between the celestial and human worlds, protect humans or places, provide good luck, and ward evil spirits away. We are not talking about those ones. More common are the *Yako wild foxes which delight in mischief, pranks, or evil, wild foxes trick or even possess humans, and make them behave strangely. Kitsune are often associated with fire, “kitsunebi” or Fox-fire, similar in a way to “wil-o-wisps”, created by kitsune breathing fire into lanternlight orbs to light paths for other yokai or to trick humans. Kitsune are extremely intelligent and powerful shape-shifters. They frequently harass humans by transforming into fearsome monsters *giants, trains, oni etc. -
Game Play Mechanics in Old Monster Yarns Sugoroku
LEAPING MONSTERS AND REALMS OF PLAY: GAME PLAY MECHANICS IN OLD MONSTER YARNS SUGOROKU by FAITH KATHERINE KRESKEY A THESIS Presented to the Department of the History of Art and Architecture and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts December 2012 THESIS APPROVAL PAGE Student: Faith Katherine Kreskey Title: Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of the History of Art and Architecture by: Professor Akiko Walley Chairperson Professor Glynne Walley Member Professor Charles Lachman Member and Kimberly Andrews Espy Vice President for Research and Innovation Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2012 ii © 2012 Faith Katherine Kreskey iii THESIS ABSTRACT Faith Katherine Kreskey Master of Arts Department of the History of Art and Architecture December 2012 Title: Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku Taking Utagawa Yoshikazu’s woodblock printed game board Monster Yarns as my case study, I will analyze how existing imagery and game play work together to create an interesting and engaging game. I will analyze the visual aspect of this work in great detail, discussing how the work is created from complex and disparate parts. I will then present a mechanical analysis of game play and player interaction with the print to fully address how this work functions as a game. -
Modelo Para Trabalhos Acadêmicos
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS ORIENTAIS PROGRAMA DE PÓS-GRADUAÇÃO EM LÍNGUA, LITERATURA E CULTURA JAPONESA MARIA IVETTE JOB O tempo dos fantasmas de As 53 Estações da Yōkaidō: Mizuki Shigeru e Aby Warburg versão corrigida Vol. I São Paulo 2021 MARIA IVETTE JOB O tempo dos fantasmas de As 53 Estações da Yōkaidō: Mizuki Shigeru e Aby Warburg versão corrigida Dissertação apresentada ao Programa de Pós- Graduação em Filosofia do Departamento de Filosofia da Faculdade de Filosofia, Letras e Ciências Humanas, da Universidade de São Paulo, como parte dos requisitos para obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Michiko Okano Ishiki São Paulo 2021 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo Job, Maria Ivette J62t O tempo dos fantasmas de As 53 Estações da Yôkaidô: Mizuki Shigeru e Aby Warburg / Maria Ivette Job; orientadora Michiko Okano Ishiki - São Paulo, 2021. 178 f. Dissertação (Mestrado)- Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo. Departamento de Letras Orientais. Área de concentração: Língua, Literatura e Cultura Japonesa. 1. Cultura Oriental - Japão. 2. Iconologia. 3. Mizuki, Shigeru, 1922-2015.. 4. Warburg, Aby M., 1866-1929.. I. Ishiki, Michiko Okano, orient. II. Título. UNIVERSIDADE DE SÃO PAULO FACULDADE DE F FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS ENTREGA DO EXEMPLAR CORRIGIDO DA DISSERTAÇÃO/TESE Termo de Ciência e Concordância do (a) orientador (a) Nome do (a) aluno (a): Maria Ivette Job Data da defesa: 10/06/2021 Nome do Prof. -
Shaping Darkness in Hyakki Yagyō Emaki
Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon. -
Spirits, Monsters, Ghosts, Oh My!: Texts to Understand the Supernatural Japan
Spirits, Monsters, Ghosts, Oh My!: Texts to Understand the Supernatural Japan Possible Partnerships: Department of East Asian Languages & Literature, University of Pittsburgh Department of Religious Studies, The Japan-America Society of Pennsylvania Grades: 7-12 Resources: Resources are cited below in MLA format Proposal: This proposal/lesson part of the NCTA Integrative Initiative works a little differently than all the other ones. All of the other proposals dealt with rather concrete aspects of culture or learning that can be quantified or experienced in real-time. Whether it be reading literature, learning about kendo, or taking part in learning and making art as an educator, most of the ideas that have heretofore been mentioned are mostly tactile to an extent. Not so with this proposal. The subject matter presented here deals far more with understanding, explaining, and comprehending the importance of certain cultural ideas. Japan’s sense of the religious, spiritual, and supernatural can be different from the way Westerners understand these concepts. As such, the Japanese views, history, and traditions related to these concepts are not as well known as other aspects of Japanese history and culture such as samurai, noh and kabuki, and anime. In this regard, an educator who is teaching or discussing Japan with their students should do their best to give their students the resources and experiences necessary to fully integrate these ideas into the overall picture of Japan they may develop during their time in the classroom. As such, the teacher can use textual resources to supplement any textbook material they may be using in their classrooms, or for the sake of teaching a unique lesson altogether. -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
Mononoke, Yōkai E Donna Problematiche E Aspetti Sociali Del Giappone
Corso di Laurea in Lingue e civiltà dell'Asia e dell'Africa Mediterranea [LM20-14] Tesi di Laurea MONONOKE, YŌKAI E DONNA PROBLEMATICHE E ASPETTI SOCIALI DEL GIAPPONE Relatore Ch. Prof.ssa Maria Roberta Novielli Correlatore Ch. Prof.ssa Paola Scrolavezza Laureando Valerio Pinos Matricola 859473 Anno Accademico 2016 / 2017 INDICE INDICE .............................................................................................................................. 1 INTRODUZIONE .......................................................................................................... 3 要旨 ....................................................................................................................................... 5 MONONOKE: UN ESPERIMENTO FRA MISTERO E REALTÀ ........ 7 GLI ASPETTI STORICI E L’AUTORE 11 LO STILE D’ANIMAZIONE 15 LE QUESTIONI SOCIALI DELLA DONNA IN MONONOKE 31 YŌKAI: DEMONI DEL FOLKLORE E METAFORE SOCIALI............ 38 ZASHIKI-WARASHI: BAMBINI FANTASMA E IL DESIDERIO DI RINASCITA 41 NOPPERA-BŌ: SPIRITI SENZA VOLTO E ASSENZA DI IDENTITÀ 52 BAKENEKO: QUANDO LA VENDETTA PRENDE FORMA 64 DA MONONOKE ALLA REALTÀ: LA DONNA FRA OGGETTO, IDENTITÀ E DISCRIMINAZIONE ................................................................... 78 ABORTO E EMANCIPAZIONE DEL CORPO 80 L’IDENTITÀ DELLA DONNA NELLA FAMIGLIA 90 DISPARITÀ SUL POSTO DI LAVORO 100 CONCLUSIONI .......................................................................................................... 111 INDICE DELLE FIGURE ..................................................................................... -
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies James Luke Hadley Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Language and Communication Studies April 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” 1 ABSTRACT This thesis attempts to offer a reconceptualization of translation analysis. It argues that there is a growing interest in examining translations produced outside the discipline‟s historical field of focus. However, the tools of analysis employed may not have sufficient flexibility to examine translation if it is conceived more broadly. Advocating the use of abductive logic, the thesis infers translators‟ probable understandings of their own actions, and compares these with the reasoning provided by contemporary theories. It finds that it may not be possible to rely on common theories to analyse the work of translators who conceptualize their actions in radically different ways from that traditionally found in translation literature. The thesis exemplifies this issue through the dual examination of Geoffrey Chaucer‟s use of translation in the Canterbury Tales and that of Japanese storytellers in classical Kamigata rakugo. It compares the findings of the discipline‟s most pervasive theories with those gained through an abductive analysis of the same texts, finding that the results produced by the theories are invariably problematic. -
Yōkai Als Helden Der Populärkultur Am Beispiel Der Manga, 1978-2012“
MASTERARBEIT Titel der Masterarbeit „Yōkai als Helden der Populärkultur am Beispiel der Manga, 1978-2012“ Verfasser Stefan Fiala, Bakk. phil. angestrebter akademischer Grad Master of Arts (MA) Wien, 2013 Studienkennzahl lt. Studienblatt: A 066 843 Studienrichtung lt. Studienblatt: Masterstudium Japanologie UG2002 Betreuer: Mag. Dr. Bernhard Scheid 3 Inhaltsverzeichnis 1 Einleitung................................................................................................................................. 5 1.1 Forschungsstand ............................................................................................................... 6 1.2 Forschungsfrage und Hypothese ...................................................................................... 8 1.3 Definition und Methode ................................................................................................. 10 1.3.1 Analyse ................................................................................................................... 14 1.4 Auswahl der Manga ....................................................................................................... 16 2 Eine kurze Geschichte der yōkai ........................................................................................... 18 2.1 Die Definition von yōkai ................................................................................................ 18 2.2 Die ersten yōkai-Sammlungen ....................................................................................... 21 2.3 Toriyama Sekien -
Tải Truyện Tiếng Hát Nơi Biển Cả
Trang đọc truyện online truyenhayhoan.com Tiếng hát nơi biển cả Chương 74 : Chương 74 Chương 73 Có vẻ như không cần nói gì nhiều thì ai cũng biết tình hình chiến trận đang diễn biến ra sao. Với thanh Katana ngang nhiên, can đảm pha lẫn chút liều mình khi dám chĩa thẳng mũi nhọn về vị thần của đại dương và bão tố… À không. Đó không hẳn chỉ là vị thần của thiên nhiên, mà còn chính là vị thần tượng trưng cho sự phẫn nộ, đau đớn, hối hận về những tội lỗi mà Tsubaki đã trải qua trong ba năm dài dằng dặc. Đối mặt với thần, đồng nghĩa với việc Tsubaki phải đối mặt với chính mình của quá khứ… Đối măt với sự thật rằng mình không có quyền được nhận sự tha thứ, nhưng mình vẫn phải dành lấy chiến thắng, dành lấy niềm tin lẫn sự hy vọng. _ Tsubaki Minamiya… cận vệ của cháu gái ta đấy sao? Lâu rồi không gặp nhỉ, nhãi ranh! _ Đúng là một cuộc gặp gỡ chẳng ra làm sao, xin lỗi vì đã bỏ trốn trong khoảng thời gian lâu như thế. Ba năm trôi qua ngươi cũng biết cách trang điểm quá chứ nhỉ. Biến hình thành bộ dạng của ta chắc thú vị lắm ha! Susanoo… Tố Trản Ô Tôn Susanoo no Mikoto, hiện diện trước Tsubaki bằng chính bộ dạng, gương mặt của hắn. Nói một cách chính xác thì ngài sử dụng dung mạo Tsubaki của ba năm trước… thời kỳ hoàng kim của một Đệ Nhất Kiếm Vũ Sư khi còn khoác trên người chiếc áo độc nhất, minh chứng cho người đủ thực lực trở thành hộ vệ cho cháu gái thần biển. -
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1Pm New York
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1pm New York BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 www.bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS Thursday September 6 www.bonhams.com/24862 Takako O’Grady, Front cover: Lot 1082 10am to 5pm Administrator Back cover: Lot 1005 Friday September 7 Please note that bids should be +1 (212) 461 6523 summited no later than 24hrs [email protected] 10am to 5pm REGISTRATION prior to the sale. New bidders Saturday September 8 IMPORTANT NOTICE 10am to 5pm must also provide proof of identity when submitting bids. Please note that all customers, Sunday September 9 irrespective of any previous activity 10am to 5pm Failure to do this may result in your bid not being processed. with Bonhams, are required to Monday September 10 complete the Bidder Registration 10am to 5pm Form in advance of the sale. The form LIVE ONLINE BIDDING IS Tuesday September 11 can be found at the back of every AVAILABLE FOR THIS SALE 10am to 3pm catalogue and on our website at Please email bids.us@bonhams. www.bonhams.com and should SALE NUMBER: 24862 com with “Live bidding” in the be returned by email or post to the subject line 48hrs before the specialist department or to the bids auction to register for this service.