Modern Yokai How Japan Embraced Their Monsters
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Collecting Karamono Kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy
Transcultural Perspectives 4/2020 - 1 Gonatella Failla "ollecting karamono kod( 唐物古銅 in Mei3i Japan: Archaistic Chinese 4ronzes in the Chiossone Museum, Genoa, Ital* Introduction public in the special e>hibition 7ood for the The Museum of Oriental Art, enoa, holds the Ancestors, 7lo#ers for the ods: Transformations of !apanese and Chinese art collections #hich Edoardo Archaistic 4ronzes in China and !apan01 The e>hibits Chiossone % enoa 1833-T()*( 1898) -athered during #ere organised in 5ve main cate-ories: archaistic his t#enty-three-year sta* in !apan, from !anuary copies and imitations of archaic ritual 2ronzes; 1875 until his death in April 1898. A distinguished 4uddhist ritual altar sets in archaistic styleC )aramono professor of design and engraving techniques, )od( hanaike, i.e0 Chinese @o#er 2ronzes collected in Chiossone #as hired 2* the Meiji -overnment to !apan; Chinese 2ronzes for the scholar’s studioC install modern machinery and esta2lish industrial !apan’s reinvention of Chinese archaismB 2ronze and production procedures at the Imperial Printing iron for chanoyu %tea ceremony), for 2unjincha %tea of 4ureau, T()*(, to instruct the youn- -eneration of the literati,, and for @o#er arrangement in the formal designers and engravers, and to produce securit* rik)a style0 printed products such as 2anknotes, state 2ond 4esides documenting the a-es-old, multifaceted certificates, monopoly and posta-e stamps. He #as interest of China in its o#n antiquit* and its unceasing #ell-)no#n also as a portraitist of contemporaneous revivals, the Chiossone 2ronze collection attests to historic 5-ures, most nota2ly Philipp-7ranz von the !apanese tradition of -athering Chinese 2ronzes 9ie2old %1796-1866, and Emperor Meiji %1852-1912, r. -
Dogū: from Prehistoric Figurines to Collectible Pocket Monsters
Dogū: from prehistoric figurines to collectible pocket monsters Rodrigo B. Salvador Museum of New Zealand Te Papa Tongarewa. Wellington, New Zealand. Email: [email protected] As an avid consumer of Japanese video with large round eyes (Fig. 1). I did not know its games during my early teens, particularly of the actual name and could not find information RPG sort, I could not help but notice that some about it anywhere.1 monsters would pop up in several games and typically had a pretty standard depiction. I have always been interested in mythology and could naturally identify the usual chimeras, griffins, phoenixes, and gorgons. Figure 2. The Pokémon Baltoy (left) and its evolution Claydol (right). Official artwork from the Pokémon series (The Pokémon Company, 1996–present). Source: Figure 1. The monster called “Pocus Poppet”, from the Bulbapedia. Dragon Quest series (Square Enix, 1986–present; artwork from the game). Other versions of this enemy (you know, Then, I forgot all about this monster when I those with different colors and more Hit Points) are switched my geek focus to tabletop RPGs and called “Clay Doll / Terracotta Warrior” and “Dirty Dogu”. my gaming preferences to Western hits Source: Dragon Quest Wiki. (Bioware RPGs, Gears of War, etc.). This lasted until some years ago when I played Persona 4 However, these monsters shared their and Pokémon: Alpha Sapphire for the first time screen time with more unusual ones (or (I had skipped Pokémon’s Gen III back in the unusual to me at least) from Japanese myths day); there and then, I re-encountered that and folklore. -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
RONIN: MYTHICAL CREATURES AMANOJAKU Amanojaku Are a Smaller Type of Oni, Malicious Demons That Prey Upon Humans
RONIN: MYTHICAL CREATURES AMANOJAKU Amanojaku are a smaller type of oni, malicious demons that prey upon humans. Thanks to Alan, Bern, Josh and Rupert for their help in play-testing. Type Rank CP Initiative Fight Shoot Armour Points Oni 2 2 2 2 0 Light 16 BASIC RULES Weapons Claws and teeth, occasionally weapons (no effect on profile) Mythical creatures should only be used if both players agree. Attributes Tough, Fearless Options • None SUGGESTED BASE SIZES It is entirely up to players how they base their models, but for those who seek some direction, the following should help. All dimensions SWORDS-FOR-HIRE are for round bases, but square or rectangular are perfectly acceptable. Up to 3 Amanojaku can be hired by Peasants or Bandits. No other • Oni: 40–50mm Swords-for-Hire may be selected alongside Amanojaku. • Jorogumo: 25–40 mm • All others: 25–30mm ONI BUNTAI NEW ATTRIBUTES An Oni Buntai may contain up to 3 Oni and any number of With the exception of Formidable, these attributes should only be Amanojaku. If at least 2 Oni are selected, one may be upgraded used for mythical creatures. The points value for each Attribute is to a Greater Oni for +10 points. Greater Oni have a Rank and noted in brackets at the end of the entry. Fight of 4 and are considered to have the appropriate Weapon Bujutsu for their armament. Extra-powerful This model adds +2 to Attack Rolls. (6 points) This model moves as if it is mounted, and can make ride-by attacks. Fly It can move over intervening models. -
Translation As 'Bakemono'
International Journal of Languages, Literature and Linguistics, Vol. 3, No. 3, September 2017 Translation as ‘Bakemono’: Shapeshifters of the Meiji Era (1868-1912) Daniel J. Wyatt and is left standing dumbfounded in a cemetery on the Abstract—Bakemono ( 化け物) or obake ( お化け) are outskirts of town as the woman transforms into a fox and runs Japanese terms for a class of yōkai: preternatural creatures of off (Takeishi 2016, 136-44) [1]. indigenous folklore. In English they might be referred to as The form of the fox taken by the woman, and the form that apparitions, phantoms, goblins, monsters, or ghosts. In the bakemono assume when they are exposed is referred to as literal sense, bakemono are things that change, referring to a their ‘shōtai’ (正体) or ‘true form’; however, the true form of state of transformation or shapeshifting. Japan’s period of ‘bunmei kaika’ (civilization and enlightenment) in the Meiji era the bakemono is not always known. Another example from (1868-1912) signifies the stigmatization of supernatural the Konjaku monogatari-shū tells of an unknown assailant shapeshifters and concurrent burgeoning of bakemono of a that frequents the Jijūden Palace (仁寿殿) every night: “a literal kind: translation. Following the Meiji Restoration of certain mono (lit. ‘thing’) comes at midnight to steal oil from 1868, translation of foreign literature became tantamount to the dissemination of modern thought and propelling the new the (palace) lamps” (shinya nakagoro nani mono ka ga governments’ efforts towards the creation of a modern state. yattekite, ōmiakashi wo nusumidashite; 真夜なかごろ何もの Meiji translated literature reveals the various cultural systems かがやってきて、 御燈油をぬすみだして) (Takeishi 2016, 41) through which new knowledge was processed and transitioned during this period, resulting in translations which—like the [2]. -
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1Pm New York
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1pm New York BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 www.bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS Thursday September 6 www.bonhams.com/24862 Takako O’Grady, Front cover: Lot 1082 10am to 5pm Administrator Back cover: Lot 1005 Friday September 7 Please note that bids should be +1 (212) 461 6523 summited no later than 24hrs [email protected] 10am to 5pm REGISTRATION prior to the sale. New bidders Saturday September 8 IMPORTANT NOTICE 10am to 5pm must also provide proof of identity when submitting bids. Please note that all customers, Sunday September 9 irrespective of any previous activity 10am to 5pm Failure to do this may result in your bid not being processed. with Bonhams, are required to Monday September 10 complete the Bidder Registration 10am to 5pm Form in advance of the sale. The form LIVE ONLINE BIDDING IS Tuesday September 11 can be found at the back of every AVAILABLE FOR THIS SALE 10am to 3pm catalogue and on our website at Please email bids.us@bonhams. www.bonhams.com and should SALE NUMBER: 24862 com with “Live bidding” in the be returned by email or post to the subject line 48hrs before the specialist department or to the bids auction to register for this service. -
A Folklore Race of Aquatic Troublemakers
Kappa A Folklore Race of Aquatic Troublemakers by Michael (Gaijin Goombah) Sundman Sample file What Are Kappa? he earliest written depiction of Kappa (河童) And while the fact alone might be terrifying in it's own comes from the Wakan Sansai Zue (和漢三才 right, every kappa cousin has a set of shared super-human 図会) in 1712 by Osakan doctor Terajima feats. Kappa, despite being the size of a human pre-teen, are Ryōan (寺島良安). several times stronger than humans. Easily besting them in “About the size of a ten-year-old child, the physical competitions like their beloved sumo. They also have kawatarou stands and walks naked and speaks expedient natural healing and advanced knowledge of Tin a human voice. Its hair is short and sparse. medicine. A kappa could have its arm severed for days and The top of its head is concave and can hold a scoop of water. still be physically capable and knowledgeable about how to Kawatarou usually live in the water, but in the light of the late reattach the limb as it knits instantly. Finally, kappa are some afternoon, many emerge into the area near the river and steal of the most foul common yokai one could come across. melons, eggplants, and things from the fields. By nature the Renown for having three times human capacity for flatulence kawatarou likes sumo; when it sees a person, it will invite as well as being blatant harassers of women. him {to wrestle} … If there is water on its head, the kawatarou Thankfully as time has moved on, kappa in Japan's society has several times the strength of a warrior… The kawatarou have become much more homogeneous in their appearance has a tendency to pull cattle and horses into the water and and attitude. -
A Tanizaki Feast
A Tanizaki Feast Michigan Monograph Series in Japanese Studies Number 24 Center for Japanese Studies, The University of Michigan A Tanizaki Feast The International Symposium in Venice Edited by Adriana Boscaro and Anthony Hood Chambers Center for Japanese Studies The University of Michigan Ann Arbor, Michigan, 1998 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 1998 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan, 202 S. Thayer St., Ann Arbor, MI 48104-1608 Distributed by The University of Michigan Press, 839 Greene St. / P.O. Box 1104, Ann Arbor, MI 48106-1104 Library of Congress Cataloging in Publication Data A Tanizaki feast: the international symposium in venice / edited by Adriana Boscaro and Anthony Hood Chambers. xi, 191 p. 23.5 cm. — (Michigan monograph series in Japanese studies ; no. 24) Includes index. ISBN 0-939512-90-4 (cloth : alk. paper) 1. Tanizaki, Jun'ichir5, 1886—1965—Criticism and interpreta- tion—Congress. I. Boscaro, Adriana. II. Chambers, Anthony H. (Anthony Hood). III. Series. PL839.A7Z7964 1998 895.6'344—dc21 98-39890 CIP Jacket design: Seiko Semones This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48-1992). Published in the United States of America ISBN 978-0-939512-90-4 (hardcover) ISBN 978-0-472-03838-1 (paper) ISBN 978-0-472-12816-7 (ebook) ISBN 978-0-472-90216-3 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Preface vii The Colors of Shadows 1 Maria Teresa Orsi The West as Other 15 Paul McCarthy Prefacing "Sorrows of a Heretic" 21 Ken K. -
Folleto De La Exposición (Castellano E Inglés)
Palabras de saludo Message Dentro del marco de las importantes actividades que se desarrollan from the Organizers para conmemorar el 150 Aniversario del establecimiento de relaciones diplomáticas entre España y Japón, es para nosotros un gran honor y alegría el presentar la exposición “Yo¯kai: iconografía de lo fantástico. El Desle Nocturno de los Cien Demonios como génesis de la imagen sobrenatural en Japón”. En Japón, puede encontrarse la gura de los y o¯ k a i desde tiempos tan antiguos como el Periodo Muromachi (siglos XIV a XVI, aproximadamente), retratados en el llamado Hyakki Yagyo¯ Emaki (Rollo ilustrado del Desle Nocturno de los Cien Demonios) que se dibujó entonces, y se cree que este tipo de criaturas nacieron del temor reverencioso y la intranquilidad de ánimo que producían fenómenos incontrolables de la Naturaleza, como las catástrofes naturales, los cambios We are very pleased and honored to present one of the most important atmosféricos o las enfermedades contagiosas. Las criaturas de formas projects commemorating the 150th anniversary of diplomatic relations anómalas que aquí contemplamos continuaron siendo dibujadas tomando between Japan and Spain: the exhibition “Yokai: Iconography of the como modelo este tipo de Hyakki Yagyo¯ Emaki, dando a luz otras nuevas Fantastical. The Night Parade of One Hundred Demons as the Source of de lo más diverso y, a lo largo del Período Edo (primeros del siglo XVII Supernatural Imagery in Japan.” a mediados del XIX), cuando la impresión mediante tacos de madera estaba en su apogeo, la información sobre el particular se vuelve más Depicted as far back as the Muromachi period (fourteenth-sixteenth sistematizada, llegando a difundirse idéntico contenido entre un espectro century) when the Night Parade of One Hundred Demons picture scroll was muy amplio de población. -
Fine Japanese and Korean Art I New York I September 11, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I September 11, 2019 I New York Fine Japanese and Korean Art New York I September 11, 2019 Fine Japanese and Korean Art New York | Wednesday September 11, 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit REGISTRATION www.bonhams.com/25575 Thursday September 5 Takako O’Grady IMPORTANT NOTICE 10am to 5pm +1 (212) 461 6523 Please note that all customers, Friday September 6 Please note that bids should be [email protected] irrespective of any previous activity 10am to 5pm summited no later than 24hrs with Bonhams, are required to Saturday September 7 prior to the sale. New bidders complete the Bidder Registration 10am to 5pm must also provide proof of Form in advance of the sale. The Sunday September 8 identity when submitting bids. form can be found at the back 10am to 5pm Failure to do this may result in of every catalogue and on our Monday September 9 your bid not being processed. website at www.bonhams.com 10am to 5pm and should be returned by email or Tuesday September 10 LIVE ONLINE BIDDING IS post to the specialist department 10am to 3pm AVAILABLE FOR THIS SALE or to the bids department at Please email bids.us@bonhams. -
Which Monster Are You? by Ginger Garrett
Which MonSter Are You? by Ginger Garrett HAVE YOU EVER wondered what life would be like as a monster? Well, you may be more monstrous than you know! Take the quiz below and see what you may have in common with four legendary beasts. What is your favorite workout? Your two best friends begin arguing. How A. A quick swim would you stop them? A fast game of catch-me-if-you-can B. A. Drown and eat them A long, slow walk through the city at night C. B. Dismember and eat them Skydiving in a thunderstorm D. C. Stomp them with your giant boots D. Singe them with bolts of lightning What is your favorite movie? Jaws A. That last question made you hungry! Where B. The Twilight Saga: New Moon will you look for a snack? Bride of Frankenstein C. A. In the vegetable bin The Birds D. B. The local butcher shop (lamb chops, yum!) C. Whatever you like, master. I’ll follow your lead. D. Your backyard birdfeeder What’s your favorite color? A. Pond scum green B. Blood red If you could live anywhere in the world, which C. Clay gray country would you choose? D. White lightning A. Japan B. France C. Czech Republic D. United States Illustrated by Julie Paschkis 16 text © 2016 by Ginger Garrett, art © 2016 by Julie Paschkis S coRING KEY IF YOU SCORED mostly A you are: A KAppA Kappa are mischievous water monsters that are rumored to live in the rivers, murky ponds, and lakes of Japan.