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Game Play Mechanics in Old Monster Yarns Sugoroku
LEAPING MONSTERS AND REALMS OF PLAY: GAME PLAY MECHANICS IN OLD MONSTER YARNS SUGOROKU by FAITH KATHERINE KRESKEY A THESIS Presented to the Department of the History of Art and Architecture and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts December 2012 THESIS APPROVAL PAGE Student: Faith Katherine Kreskey Title: Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of the History of Art and Architecture by: Professor Akiko Walley Chairperson Professor Glynne Walley Member Professor Charles Lachman Member and Kimberly Andrews Espy Vice President for Research and Innovation Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2012 ii © 2012 Faith Katherine Kreskey iii THESIS ABSTRACT Faith Katherine Kreskey Master of Arts Department of the History of Art and Architecture December 2012 Title: Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku Taking Utagawa Yoshikazu’s woodblock printed game board Monster Yarns as my case study, I will analyze how existing imagery and game play work together to create an interesting and engaging game. I will analyze the visual aspect of this work in great detail, discussing how the work is created from complex and disparate parts. I will then present a mechanical analysis of game play and player interaction with the print to fully address how this work functions as a game. -
Shaping Darkness in Hyakki Yagyō Emaki
Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Mononoke, Yōkai E Donna Problematiche E Aspetti Sociali Del Giappone
Corso di Laurea in Lingue e civiltà dell'Asia e dell'Africa Mediterranea [LM20-14] Tesi di Laurea MONONOKE, YŌKAI E DONNA PROBLEMATICHE E ASPETTI SOCIALI DEL GIAPPONE Relatore Ch. Prof.ssa Maria Roberta Novielli Correlatore Ch. Prof.ssa Paola Scrolavezza Laureando Valerio Pinos Matricola 859473 Anno Accademico 2016 / 2017 INDICE INDICE .............................................................................................................................. 1 INTRODUZIONE .......................................................................................................... 3 要旨 ....................................................................................................................................... 5 MONONOKE: UN ESPERIMENTO FRA MISTERO E REALTÀ ........ 7 GLI ASPETTI STORICI E L’AUTORE 11 LO STILE D’ANIMAZIONE 15 LE QUESTIONI SOCIALI DELLA DONNA IN MONONOKE 31 YŌKAI: DEMONI DEL FOLKLORE E METAFORE SOCIALI............ 38 ZASHIKI-WARASHI: BAMBINI FANTASMA E IL DESIDERIO DI RINASCITA 41 NOPPERA-BŌ: SPIRITI SENZA VOLTO E ASSENZA DI IDENTITÀ 52 BAKENEKO: QUANDO LA VENDETTA PRENDE FORMA 64 DA MONONOKE ALLA REALTÀ: LA DONNA FRA OGGETTO, IDENTITÀ E DISCRIMINAZIONE ................................................................... 78 ABORTO E EMANCIPAZIONE DEL CORPO 80 L’IDENTITÀ DELLA DONNA NELLA FAMIGLIA 90 DISPARITÀ SUL POSTO DI LAVORO 100 CONCLUSIONI .......................................................................................................... 111 INDICE DELLE FIGURE ..................................................................................... -
Introduction 1 Character Archetypes 7 Playing a Monster 15 Skills
Introduction 1 Themes..................1 Colonialism and its Effects..........2 Being a Middle Power............2 Canadian Identities and Experiences......2 Confronting Social Issues..........3 Moral Ambiguity..............3 Principles.................3 Respect Other Cultures’ Limits........3 Show Diversity Among NPCs.........4 Present Mythological Creatures Accurately...4 Why this Setting Exists............4 How to Use This Book.............6 Character Archetypes 7 The Researcher...............7 The Cop..................8 The Hunter.................9 The Investigator............... 10 The Monster................ 11 Example Character Creation.......... 12 Playing a Monster 15 The Monstrous Stress Track.......... 15 Your Monster’s High Concept......... 16 Monstrous Stunts.............. 17 Skills and Stunts 19 Academics (Lore).............. 22 Athletics.................. 22 SampleBurglary.................. 23 file Contacts.................. 24 Deceive.................. 24 Drive................... 25 Empathy.................. 25 Fight................... 25 Investigate................. 26 Notice................... 26 Physique.................. 27 Provoke.................. 27 Rapport.................. 28 Resources................. 28 Shoot................... 28 Stealth................... 30 Tech (Crafts)................ 30 Will.................... 31 Earth’s Secret History 33 Veilfall................... 33 Supernatural Immigration........... 35 The Cerulean Amendment.......... 36 Lifting the Veil................ 36 Organizations and NPCs 39 -
Tobacco Accessories
Tobacco Accessories Japanese men in the Edo period (1615–1868) wore various accessories suspended from their kimono waist sashes, including tobacco implements. Tobacco was smoked with long pipes (kiseru), which were stored in pipe cases of various designs. The objects shown here include a tobacco pouch and pipe case set as well as individual pipe cases and lacquered tobacco containers (inro). A Japanese woodblock print depicting tobacco 長谷川一虎作 邯鄲夢に牡丹唐草文革 煙管 銘「千賀政光」 籐製網代編無双筒 昭玉作 猩々網代編籐地象牙珊瑚無双筒 accessories can be seen on the 提げ煙草入れ Pipe (kiseru) Pipe case (musozutsu type) Pipe case (musozutsu type) with the Matched tobacco set with the Approx. 1850–1900 Approx. 1800–1900 drunken sea sprite Shojo dancing other side of this placard. design of Lu Sheng’s dream and Signed Chiga Masamitsu Edo (1615–1868) or Meiji period with sake cup peony scrolls Edo (1615–1868) or Meiji period (1868–1912) Approx. 1800–1900 All objects were made in Approx. 1850–1900 (1868–1912) Rattan and copper alloy By Shogyoku (Japanese, active 19th Japan and are from The Avery By Hasegawa Ikko (Japanese, active Copper alloy with gold and silver B70M25 century) Brundage Collection. 19th century) B70M18 A musozutsu is a type of pipe case with Edo (1615–1868) or Meiji period Leather with lacquer, ivory, and bronze This lavish tobacco set comprises two cylindrical parts, one of which fits (1868–1912) with gilding a tobacco pouch, pipe case, pipe, perfectly into the other. While such cases Rattan with coral, ivory, and lacquer B70M18 netsuke toggle, and a connecting were made from a variety of materials, B70M23 chain made from segments of carved this case was fashioned from finely ivory openwork. -
Types of Japanese Folktales
Types of Japanese Folktales By K e ig o Se k i CONTENTS Preface ............................................................................ 2 Bibliography ................................... ................................ 8 I. Origin of Animals. No. 1-30 .....................................15 II. A nim al Tales. No. 31-74............................................... 24 III. Man and A n im a l............................................................ 45 A. Escape from Ogre. No. 75-88 ....................... 43 B. Stupid Animals. No. 87-118 ........................... 4& C. Grateful Animals. No. 119-132 ..................... 63 IV. Supernatural Wifes and Husbands ............................. 69 A. Supernatural Husbands. No. 133-140 .............. 69 B. Supernatural Wifes. No. 141-150 .................. 74 V. Supernatural Birth. No. 151-165 ............................. 80 VI. Man and Waterspirit. No. 166-170 ......................... 87 VII. Magic Objects. No. 171-182 ......................................... 90 V III. Tales of Fate. No. 183-188 ............................... :.… 95 IX. Human Marriage. No. 189-200 ................................. 100 X. Acquisition of Riches. No. 201-209 ........................ 105 X I. Conflicts ............................................................................I l l A. Parent and Child. No. 210-223 ..................... I l l B. Brothers (or Sisters). No. 224-233 ..............11? C. Neighbors. No. 234-253 .....................................123 X II. The Clever Man. No. 254-262 -
<全文>Japan Review : No.34
<全文>Japan review : No.34 journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 34 year 2019-12 URL http://id.nii.ac.jp/1368/00007405/ 2019 PRINT EDITION: ISSN 0915-0986 ONLINE EDITION: ISSN 2434-3129 34 NUMBER 34 2019 JAPAN REVIEWJAPAN japan review J OURNAL OF CONTENTS THE I NTERNATIONAL Gerald GROEMER A Retiree’s Chat (Shin’ya meidan): The Recollections of the.\ǀND3RHW+H]XWVX7ǀVDNX R. Keller KIMBROUGH Pushing Filial Piety: The Twenty-Four Filial ExemplarsDQGDQ2VDND3XEOLVKHU¶V³%HQH¿FLDO%RRNVIRU:RPHQ´ R. Keller KIMBROUGH Translation: The Twenty-Four Filial Exemplars R 0,85$7DNDVKL ESEARCH 7KH)LOLDO3LHW\0RXQWDLQ.DQQR+DFKLUǀDQG7KH7KUHH7HDFKLQJV Ruselle MEADE Juvenile Science and the Japanese Nation: 6KǀQHQ¶HQDQGWKH&XOWLYDWLRQRI6FLHQWL¿F6XEMHFWV C ,66(<ǀNR ENTER 5HYLVLWLQJ7VXGD6ǀNLFKLLQ3RVWZDU-DSDQ³0LVXQGHUVWDQGLQJV´DQGWKH+LVWRULFDO)DFWVRIWKH.LNL 0DWWKHZ/$5.,1* 'HDWKDQGWKH3URVSHFWVRI8QL¿FDWLRQNihonga’s3RVWZDU5DSSURFKHPHQWVZLWK<ǀJD FOR &KXQ:D&+$1 J )UDFWXULQJ5HDOLWLHV6WDJLQJ%XGGKLVW$UWLQ'RPRQ.HQ¶V3KRWRERRN0XUǀML(1954) APANESE %22.5(9,(:6 COVER IMAGE: S *RVRNXLVKLNLVKLNL]X御即位式々図. TUDIES (In *RVRNXLGDLMǀVDLWDLWHQ]XDQ7DLVKǀQREX御即位大甞祭大典図案 大正之部, E\6KLPRPXUD7DPDKLUR 下村玉廣. 8QVǀGǀ © 2019 by the International Research Center for Japanese Studies. Please note that the contents of Japan Review may not be used or reproduced without the written permis- sion of the Editor, except for short quotations in scholarly publications in which quoted material is duly attributed to the author(s) and Japan Review. Japan Review Number 34, December 2019 Published by the International Research Center for Japanese Studies 3-2 Goryo Oeyama-cho, Nishikyo-ku, Kyoto 610-1192, Japan Tel. 075-335-2210 Fax 075-335-2043 Print edition: ISSN 0915-0986 Online edition: ISSN 2434-3129 japan review Journal of the International Research Center for Japanese Studies Number 34 2019 About the Journal Japan Review is a refereed journal published annually by the International Research Center for Japanese Studies since 1990. -
Jolanta Tubielewicz Superstitions, Magic and Mantic Practices in the Heian Period - Part One
Jolanta Tubielewicz Superstitions, magic and mantic practices in the Heian period - part one Analecta Nipponica 1, 139-202 2011 REPRINTED WORKS OF POLISH JAPANOLOGISTS Jolanta Tubielewicz SUPERSTITIONS, Magic AND MANTIC Practices in the Heian PERIOD – Part One CONTENTS I. INTRODUCTION ...................................................................................... 141 1. The primary sources .............................................................................. 142 2. The scope of the work ............................................................................. 151 3. The historical background ...................................................................... 154 II. SUPERSTITIONS ........................................................................................ 159 1. Spirits of native derivation .................................................................... 159 1.1. The terminology .............................................................................. 160 1.2. Vengeful spirits (public enemies) ............................................... 161 1.3. Vengeful spirits (private enemies) .............................................. 165 1.4. Benevolent spirits .......................................................................... 169 1.5. Miscellaneous spirits ..................................................................... 170 1.6. Materialized powers of nature ..................................................... 172 2. Imported demons ................................................................................... -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
Harga Sewaktu Wak Jadi Sebelum
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Identity, Gender, and Status in Japan 00 Prelims TL:Layout 1 8/5/07 16:20 Page Ii
00 Prelims TL:Layout 1 8/5/07 16:20 Page i Identity, Gender, and Status in Japan 00 Prelims TL:Layout 1 8/5/07 16:20 Page ii Takie Lebra 00 Prelims TL:Layout 1 8/5/07 16:20 Page iii The Collected Papers of Twentieth-Century Japanese Writers on Japan VOLUME 2 Collected Papers of TAKIE LEBRA Identity, Gender, and Status in Japan GLOBAL ORIENTAL 00 Prelims TL:Layout 1 8/5/07 16:20 Page iv Series: COLLECTED PAPERS OF TWENTIETH-CENTURY JAPANESE WRITERS ON JAPAN Volume 2 Takie Lebra: Identity, Gender, and Status in Japan First published in 2007 by GLOBAL ORIENTAL LTD PO Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Takie Lebra 2007 ISBN 978-1-905246-17-5 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Plantin 10.5 on 11.5 point by Mark Heslington, Scarborough, North Yorkshire Printed and Bound in England by Antony Rowe Ltd, Chippenham, Wilts 00 Prelims TL:Layout 1 8/5/07 16:20 Page v Contents Introduction vii PART 1: SELF, IDENTITY, AND INTERACTION 1. The Logic of Salvation: The Case of a Japanese Sect in Hawaii (1969–70) 3 2.