NOTEN Music Publications

Total Page:16

File Type:pdf, Size:1020Kb

NOTEN Music Publications Vokalmusik Vocal Music NOTEN Music Publications Ruth Schonthal Josephine Lang Élisabeth-Claude Margarete Schweikert Luise Greger Fanny Hensel Jacquet de La Guerre geb. Mendelssohn Komponistinnen * Women Composers Komponistinnen * Women Composers Furore Verlag, Naumburger Str. 40, D-34127 Kassel (Germany) tel. ..49/(0)561/50049311 · fax ..49/(0)561/50049320 web: www.furore-verlag.de, www.fannyhensel.de www.fanny-hensel.com, mail: [email protected] 1 Abkürzungen * Abbreviations Inhaltsverzeichnis/Contents A Alt/Altistin alto M-St Männerstimme male voice A-Bfl Altblockflöte alto recorder Mar Marimbaphon marimba A-Sax Altsaxophon alto saxophone MCh Männerchor men's choir Akk Akkordeon accordion Mel-Instr Melodieinstrument melody instrument Ms Mezzosopran mezzo soprano B Bass bass mSt mittlere Stimme medium voice B-Klar Bassklarinette bass clarinet B.c. Basso continuo basso continuo Ob Oboe oboe Bar Bariton baritone Orch Orchester orchestra Bar-Sax Baritonsaxophon baritone saxophone Org Orgel organ Bfl Blockflöte recorder Bsn Fagott bassoon P Partitur score Perc Schlaginstrumente percussion instruments Cemb Cembalo harpsichord Picc Piccolo piccolo CP Chorpartitur choir score Pos Posaune trombone cs Chorpartitur choir score ps Klavierauszug piano score E-Bass Elektrobass electric bass S Sopran/Sopranistin soprano E-Git Elektrogitarre electric guitar s Partitur score Engl-Hn Englischhorn english horn Sax Saxophon saxophone Ens Ensemble ensemble Schlzg Schlagzeug drums Singst Singstimme voice FCh Frauenchor women's choir Spr Sprecher/in speaker F-St Frauenstimme female voice St Stimmen parts/voice Fg Fagott bassoon st -stimmig number of part(s) Fl Querflöte (transverse) flute Str Streicher strings StrQu Streichquartett string quartet GCh gemischter Chor mixed choir Synth Synthesizer synthesizer gem gemischt(er) mixed Git Gitarre guitar T Tenor tenor Glksp Glockenspiel glockenspiel Tb Tuba tuba Timp Pauke timpani h.m. Mietmaterial hire material Trp Trompete trumpet Hn Horn, Waldhorn French horn tSt tiefe Stimme low voice Hrf Harfe harp hSt hohe Stimme high voice Vc Violoncello violoncello Vga Viola da gamba viola da gamba KA Klavierauszug piano score Vibr Vibraphon vibraphone Kb Kontrabass double bass Vl Violine violin Keyb Keyboard keyboard Va Viola viola KiCh Kinderchor children's choir kl. kleines small Klar Klarinette clarinet Klav Klavier piano Der Schwierigkeitsgrad der Komponsitionen wird wie folgt The level of difficulty is specified as follows: angegeben: (1) = very easy (1) = sehr leicht (2) = easy (2) = leicht (3) = moderately difficult (3) = mittelschwer (4) = difficult (4) = schwer (5) = very difficult (5) = sehr schwer You will find each number at the technical details of the Die jeweilige Ziffer finden Sie bei den Angaben zum Werk product. Inhaltsverzeichnis/Contents SINGSTIMME SOLO · VOICE SOLO 4 SINGSTIMME UND Klavier/B.C. · VOICE AND PIANO/B.C. 4 Sammelbände · Collections 4 Komponistinnen von A–Z · Women Composers from A to Z 5 GESANG/SPRECHER/IN MIT VERSCHIEDENEN INSTRUMENTEN · 11 VOICE/SPEAKER WITH VARIOUS INSTRUMENTS Sammelbände · Collections 11 Komponistinnen von A–Z · Women Composers from A to Z 11 DUETTE · DUETS 16 Duette ohne Begleitung · Duets unaccompanied 16 Duette mit Begleitung · Duets with accompaniment 16 TERZETTE · TRIOS 17 Terzette a cappella · Trios unaccompanied 17 Terzette mit Begleitung · Trios with accompaniment 18 QUartette · QUARTETS 18 Quartette und Ensembles a cappella · Quartets and Ensembles a cappella 18 Quartette und Ensembles mit Begleitung · Quartets and Ensembles with accompaniment 18 CHOR · CHOIR 19 Gemischter Chor a cappella · Mixed choir a cappella 19 Gemischter Chor mit Begleitung · Mixed choir with accompaniment 20 Frauenchor/Jugendchor/Kinderchor · Women’s choir/Youth choir/Children’s choir 21 Männerchor · Men’s choir 23 WERKE FÜR SOLI, CHOR & INSTRUMENTE · SOLO, CHORUS & INSTRUMENTAL WORKS 23 BÜHNENMUSIK · INCIDENTAL MUSIC 27 INDEX: KOMPONISTINNEN VON A BIS Z · WOMEN COMPOSERS FROM A TO Z 31 Furore Verlag, Naumburger Str. 40, D-34127 Kassel (Germany) tel. ..49/(0)561/50049311 · fax ..49/(0)561/50049320 web: www.furore-verlag.de, www.fannyhensel.de www.fanny-hensel.com, mail: [email protected] Singstimme solo · Voice solo Singstimme und Klavier/B.c. · Voice and Piano/B.c. Freundin, aus: Das hässliche Entlein; Ca- gefühl; Jeannette Bürde: Heidenröslein; SINGSTIMME SOLO mille van Lunen (*1957): Er liegt nur halb Fanny Hensel: Dämmrung senkte sich Voice solo anwesend da, aus: Der Felsenjunge von oben, Hausgarten, Sehnsucht, Nähe Die Auswahl qualitativ bemerkenswerter Ari- des Geliebten, Wenn ich mir in stiller en ermöglicht die Begegnung mit Kompo- Seele; Bettine von Arnim: An Luna, Ach OLIVE, VIVIENNE (*1950) nistinnen, deren Namen in den Konzert sälen neige, Du Schmerzenreiche (aus: Faust); Whispers of Heavenly Death (3’) der Welt in Vergangenheit und Gegenwart Josephine Lang: Glückliche Fahrt, Mig- für Ms oder T (3) bereits einen Klang hatten und haben. nons Klage (aus: Wilhelm Meister), Lebet fue 5380 ISMN: 979-0-50012-538-9 Only compositions with a scenic reference wohl, geliebte Bäume (aus: Claudine Nach einem Gedicht von Walt Whitman. have been included in this album of arias. In von Villa Bella); Caroline von Egloffstein: addition to operas already in print, there are Hervorragendes Konzertstück. „Eine ein- Gewohnt, getan; Johanna Kinkel: An den many buried treasures waiting to be discov- dringliche Walt Whitman Vertonung.“ Mond, Gegenwart; Clara Schumann: Das To a poem by Walt Whitman. Concert piece. “A ered in libraries and archives. The names of the women who composed them remain for Veilchen; Anna Amalia von Sachsen- haunting setting of a Walt Whitman poem”. Weimar: Sieh mich, Heil’ger, wie ich bin “A useful solo piece of moderate difficulty the most part unknown. and one could learn a lot from it.” (Singing) (aus: Erwin und Elmire); Corona Schrö- ter: Erlkönig, O Mutter, guten Rat mir Lieder um 1800/Songs around 1800 leiht (aus: Die Fischerin); Sibylle Mer- tens-Schaaffhausen: Ich gedachte in der ZOBEL, EMELY (1964–1996) für S und Hrf oder Klav (Isabel Moretón Achsel) (2/3) Nacht (aus: West-östlicher Divan); Annet- Cäcilie op. 13 (4’30) Partituren mit umfangreichem Vorwort, te von Droste-Hülshoff: Lied des Harfners für mSt bis hSt (4) Biografien und Werknotizen (aus: Wilhelm Meister); Helene Liebmann: fue 6080 ISMN: 979-0-50012-608-9 Mignon (aus: Wilhelm Meister) Dem Stück liegt der Text von Christian Mor- Band 1/Vol. 1: L‘amour et le printemps Lieder von Komponis- gensterns Gedicht „Cäcilie“ zugrunde. Es ist fue 15005 ISMN: 979-0-50182-805-0 tinnen auf Texte von ein überaus humorvolles kleines Werk für Inhalt/Contents: Harriet Abrams: Crazy Johann Wolfgang von mittlere bis hohe Stimme. Die Fähigkeit zur Jane (Matthew Gregory Lewis), Friend Goethe. Die Ausgabe spielerischen Darstellung ist ebenso gefragt dokumentiert die Prä- wie die sichere Beherrschung der Stimme. of my Soul, when far away (William Issac Roberts); Jeanne-Renée de Tra- senz, die der Dichter The piece is based on a poem by Christian für viele seiner Zeitge- Morgenstern “Cäcilie”. It is a small and hu- vanet: Le Ramier (Jean-Pierre Claris de Florian); Josephine Lorenziti: L'amour et nossinnen besaß. morous work for medium to high voice. Not Ausgewählt wurden le primtems; Zoé de la Rüe: Les regrets only vocal abilities but also a sense for playful Werke, die zu Goethes de l'absence Romance (Claude-Joseph scenic acting is asked from the performer. Lebzeiten im späten Dorat); Pauline Duchambge: Le couv- 18. und im 19. Jahrhundert entstanden. re-feu (Frédéric de Courcy); Louise de Die Verehrung, mit der ihm begegnet wur- Beaucourt: Vive le Roi quand même! de, schlägt sich auf unterschiedliche Weise (Louise de Beaucourt); Maria Malibran: Le SINGSTIMME UND KLAVIER/B.C. nieder: in Schwärmerischem bei Bettine von retour de la Tyrolienne (Julien Loraux de Arnim, künstlerisch höchst Anspruchsvollem Voice and Piano/B.c. Rosnière) bei Fanny Hensel, Clara Schumann oder Jo- sephine Lang oder spontaner Frische bei Jo- Band 2/Vol. 2: Rosa & Henry hanna Kinkel. Zum Spektrum gehören auch SAMMELBÄNDE fue 15006 ISMN: 979-0-50182-806-7 die schlichten Lieder von Louise Reichardt Inhalt/Contents: A Lady of Fashion: Rosa und Annette von Droste-Hülshoff. Aus dem Collections & Henry (Edward Morris); Harriet Abrams: Weimarer Umfeld werden Herzogin Anna The Ballad of William and Nancy (Anne Amalia von Sachsen-Weimar und Corona Hunter); Jeanne-Renée de Travanet: Schröter mit Singspiel-Kompositionen einbe- Aria. Arien aus Oper und Oratorium Louis XVI aux Français (Jeanne-Renée de zogen. Einzeltitel unbekannterer Komponis- Jubiläumsband 1/ Travanet); Sophie Gail: N’est-ce pas elle; tinnen wie Helene Liebmann und Jeannette Anniversary Edition 1 Pauline Duchambge: Le retour en Bre- Bürde runden die Sammlung ab. Die Edition für S und Klav tagne (Émilie Souvestre); Nélia Maillard: bietet eine Reihe von Erstveröffentlichungen. Partitur mit Vorwort, Auch als Unterrichtsliteratur geeignet. Anette; Maria Malibran: I saw thee weep Biografien und „Es ist ausgesprochen ärgerlich, dass prak- (Lord Byron) Werk notizen/Score tisch alle diese Komponistinnen erst jetzt so Da die Harfe zusammen mit dem Klavier so- with preface, biogra- lebendig und farbig aus dem Schatten der wohl in Frankreich als auch in England ein Männer treten. Die strahlende Sopranis- phies and notes on Teil der Erziehung der adeligen und später the work (2/3) tin Elisabeth Scholl und ihr hervorragender der großbürgerlichen Töchter war, sind sehr Begleiter Schaeffer
Recommended publications
  • Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933
    Studies in 20th & 21st Century Literature Volume 42 Issue 2 Article 28 June 2018 Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. Adam J. Sacks Brown University, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, German Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Sacks, Adam J. (2018) "Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016.," Studies in 20th & 21st Century Literature: Vol. 42: Iss. 2, Article 28. https://doi.org/10.4148/2334-4415.2017 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. Abstract Review of Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. 225 pp. Keywords Berlin; Modernism; Poetry; Jews This book review is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol42/ iss2/28 Sacks: Review of Strangers in Berlin Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933.
    [Show full text]
  • Herlich, Rafael / Kiesel, Doron
    1 Jana Mikota Jüdische Schriftstellerinnen – wieder entdeckt: „Ich bin eine Dichterin, ja, das weiß ich“: Die Lyrikerin Gertrud Kolmar (1894-1943) Die Dichterin Gertrud Kolmar gehört zu den wichtigsten Lyrikern und Lyrikerinnen des 20. Jahrhunderts. Allein der Umstand, dass bereits 1955 die erste Gesamtausgabe ihres Werkes erscheint, zeigt die Wertschätzung, die sie in literarischen Kreisen genießt. Und trotz dieser Re- zeption bleibt die Dichterin im Verborgenen, denn während ihre Lyrik veröffentlicht und gelesen wurde, ist ihr Leben lange Zeit unbekannt – erst 1995 legt Johanna Woltmann mit Gertrud Kolmar. Leben und Werk eine umfassende Biografie der Schriftstellerin vor. Gertrud Kolmar wird am 10. Dezember 1894 in Berlin geboren. Ihr Vater ist der Rechtsanwalt und spätere Justizrat Ludwig Chodziesner, ihre Mutter Elise Schoenflies. Die Eltern stammen aus Posen und aus der Neumark und gehören zum Bürgertum jüdischer Herkunft; sie sind aufgeklärte Juden, die die deutsche Kultur und Sprache lieben, ohne jedoch die jüdische Identität zu verleugnen. Insbesondere die deutsche Literatur wird prägend für das geistige Leben von Gertrud Kolmar. Die Karriere des Vaters beginnt in den 1890er Jahren, und Gertrud Kolmar wächst im Wohlstand auf und erfährt eine bürgerliche Bildung. Diese frühen Berliner Jahre werden später von ihrem Cousin Walter Benjamin in seinem Band Berliner Kindheit um 1900 literarisch verarbeitet. Nichtsdestotrotz scheint sie ihre Kindheit auch als einsam empfunden zu haben, was möglicher- weise mit der Geburt der jüngeren Schwester Hilde zusammenhängen mag. Johanna Woltmann zeichnet in ihrer Biografie nach, dass Verlassenwerden, Verlassenheit und Einsamkeit Gertrud Kolmars Kindheit bestimmen, denn sie fühlt sich „bei der Mutter nicht hinreichend geborgen.“1 Kolmar besucht die Höhere Mädchenschule Klockow, die zu den besten Privatschulen Berlins gehört.
    [Show full text]
  • 1 Silence, Self and Sacrifice in Gertrud Kolmar's Prose and Dramatic
    Silence, Self and Sacrifice in Gertrud Kolmar’s Prose and Dramatic Works Suzanne O’Connor A Thesis Presented to The National University of Ireland Maynooth. Faculty of Arts Department of German In fulfilment of the requirements for the degree of Doctor of Philosophy June 2010 Research Supervisor: Professor Florian Krobb Head of Department: Dr Arnd Witte 1 TABLE OF CONTENTS Chapter I: Introduction: Gertrud Kolmar as author and playwright ................... 1.1 Kolmar’s life and works………………………………………………………..…3 1.2 Kolmar’s works in the context of literary studies and Jewish studies…………...10 1.3 Post-colonial approaches to Jewish studies………………………..…………….15 1.4 Mimicry and ambivalence…………………………………………………….…18 1.4.1 Mimicry………………………………………………………………..………20 1.4.2 Ambivalence……………………………………………………………...……21 1.5 The stereotype in post-colonial discourse………………………………………..23 1.6 Stereotypes and inbetweenness in Kolmar’s prose works……………………….26 1.7 Sacrifice, silence and space……………………………………………………...28 Chapter II: Locating the self: The negotiation of Jewishness and modernity in Die jüdische Mutter and Susanna .................................................................................. 2.1 Die jüdische Mutter and twentieth-century German fiction……………………..33 2.2 Inbetweenness: Martha’s mimicry……………………………………………….40 2.3 The use of stereotypes in Die jüdische Mutter ......................................................53 2.4 Good mother/bad mother………………………………………………………...58 2.5 Death of the family: infanticide/euthanasia……………………………………...69 2.6 Severing
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G.
    [Show full text]
  • AN OVERVIEW of the HOLOCAUST Written and Compiled by Dr
    AN OVERVIEW OF THE HOLOCAUST Written and Compiled by Dr. Nancy E. Rupprecht* Middle Tennessee State University “You hear me speak. But do you hear me feel?” Written by German/Jewish poet Gertrud Kolmar who was murdered in Auschwitz-Birkenau in 1943 When Adolf Hitler's National Socialist Party seized power on January 30, 1933, there were approximately 525,000 people of Jewish faith living in Germany, less than one percent of the population. Hitler quickly destroyed the Weimar Republic and created a totalitarian state based on racial ideology in theory, in law and in practice. The Holocaust or Shoah,1 the genocide directed primarily against the Jews of Europe, developed gradually and inexorably with small discriminatory measures such as university quota limits for Jews and the prohibition of Jewish ownership of German land (both in 1933) and escalated with the Nuremberg Laws of 1935 that defined what it meant to be a Jew,2 deprived Jews of German citizenship and legally prohibited them from a variety of occupations and rights of citizenship. At the same time laws were passed making sexual relations between Germans and those of unacceptable race into a new crime called "Racial Pollution" (Rassenschande) that was punishable by a variety of sanctions up to and including the death penalty for both participants.3 1 Although some scholars prefer the Hebrew word Shoah (catastrophe) to the term Holocaust, this overview will use Holocaust. For many years scholarship on the Holocaust focused on the German perpetrators rather than their victims, primarily because the Germans created most of the written official records.
    [Show full text]
  • TX 201C Course Syllabus
    Spring 2012 Professor Mary-Beth O’Brien MWF TX 201C Glitter and Doom: Cultural History of Berlin, Past and Present Glitter and Doom is a two-course learning experience combining meetings and readings on campus during the Spring 2012 semester and a field trip with lectures in Berlin in May 2012. TX201C is the classroom segment of the experience. Students do not have to register for TX 202 in order to take this course. TX 201C and TX 202 are a 4-credit experience and can count toward the German major and minor and the Cultural World requirement of the IA major and minor. Course Topic: From its humble beginnings in 1237 as a sandy patch of land and trading post on the Spree River to a postmodern metropolis filled with shimmering glass and steel facades, Berlin has continually reinvented itself. In its 775-year history, Berlin has been at the center of many of Europe’s major political, social, artistic, and scientific developments. This seminar examines Berlin’s turbulent history over the last four hundred years with special attention to those moments that exemplify the glitter and doom of the German cultural heritage. We begin with eighteenth-century Enlightenment and philosopher-king Frederick the Great, who was an accomplished flautist, commissioned Europe’s first opera house outside a royal court, promoted the grand architectural vision of Karl Friedrich Schinkel, welcomed migration from Huguenots, Scots, and Jews, developed the notion of benevolent despotism, and institutionalized Prussian militarism. The nineteenth-century was engrossed in the long path to national unity in 1871.
    [Show full text]
  • Welten / Worlds
    Welten / Worlds Worlds Gertrud Kolmar translated by philip kuhn & ruth von zimmermann Shearsman Books First published in the United Kingdom in 2012 by Shearsman Books 50 Westons Hill Drive Emersons Green, Bristol BS16 7DF Shearsman Books Ltd Registered Office 30–31 St. James Place, Mangotsfield, Bristol BS16 9JB (this address not for correspondence) http://www.shearsman.com/ ISBN 978-1-84861-198-6 Original poems copyright © Suhrkamp Verlag Frankfurt am Main 1999. All rights reserved by and controlled through Suhrkamp Verlag Berlin. Translations copyright © philip kuhn and ruth von zimmermann 2012. The right of philip kuhn and ruth von zimmermann to be identified as the translators of this work has been asserted by them in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Julian Marshall for introducing us to Kolmar; Suhrkamp Verlag, Berlin, for permission to publish our translation of Welten; Wallstein Verlag for permission to use the text of Welten in Regina Nörtemann’s critical edition, Gertrud Kolmar, Das lyrische Werk, Band 2: Gedichte 1927–1937 (Göttingen, 2003); Tony Frazer for publishing earlier versions of ‘Borzoi’, ‘The Angel in the Forest’ & ‘The Urals’, in Shearsman 83 & 84 (2010); Harry Guest for his most helpful & insightful responses, & last, but not least, Regina Nörtemann for her support, and her generous reading and perceptive commenting upon these translations whilst they were still in manuscript. contents regina nörtemann Prologue 6 philip kuhn Introduction 7 Die Mergui-Inseln
    [Show full text]
  • Dimensions of Bildung in the Novels Eine Jüdische Mutter, Nach Mitternacht, and Kindheitsmuster
    DIMENSIONS OF BILDUNG IN THE NOVELS EINE JÜDISCHE MUTTER, NACH MITTERNACHT, AND KINDHEITSMUSTER by GORSHARN GLORY TOOR B.A., The University of British Columbia, 1993 M.A., Albert-Ludwigs-Universität, 2000 A THESIS SUBMITTED INPARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Gorsharn Glory Toor, 2012 Abstract In my dissertation I analyze the three novels Eine jüdische Mutter by Gertrud Kolmar, Nach Mitternacht by Irmgard Keun, and Kindheitsmuster by Christa Wolf within the paradigm of the genre of the female Bildungsroman and female anti-Bildungsroman. Ideas of belonging to an imagined community, perceived gender norms, and the power of the state play a critical role in determining the outcome of the protagonists’ Bildung, as does the status of the female protagonist. The theories of Benedict Anderson, Judith Butler and Giorigo Agamben provide a useful theoretical framework for this analysis. In Eine jüdische Mutter, set during the Weimar Republic Martha Wolg is deemed an outsider because of refusal to adhere to certain gender norms and her Jewish identity. She is unable to find a compromise with her society because she refuses to incorporate her experiences into her Bildung. In contrast, Sanna Moder does incorporate her experience in Nach Mitternacht, but goes into exile because she does not want to belong to a society in the Third Reich. In Kindheitsmuster, set in the Third Reich and the German Democratic Republic, the protagonist Nelly Jordan is an accepted member of the imagined German community, but she too faces difficulty in her Bildung.
    [Show full text]
  • Metamorfoses, Poema De Gertrud Kolmar: Uma Tradução Comentada
    METAMORFOSES, POEMA DE GERTRUD KOLMAR: UMA TRADUÇÃO COMENTADA MARCUS TULIUS FRANCO MORAIS Resumo: A partir da tradução do Abstract: Following the translation poema Verwandlungen, de Gertrud of the poem Verwandlungen, by Kolmar, “Metamorfoses”, procuro Gertrud Kolmar, “Metamorfoses”, I evidenciar algumas escolhas de tra- discuss some of my translation dução e trazer à luz uma das poeti- choices and bring to fore one of the sas de expressão alemã mais profí- most prolific female poets of Ger- cuas do século XX europeu. man expression of the 20th century. Palavras-chave: Gertrud Kolmar; Keywords: Gertrud Kolmar; Ver- Verwandlungen; Tradução de poe- wandlungen; Poetry translation. sia. ntre 2001 e 2005 morei em Paraty, Rio de Janeiro, terra natal de Jú- lia da Silva Bruhns, mãe de Heinrich e Thomas Mann. Assim que Echeguei à cidade, soube que ali vivia uma senhora idosa, editora e detentora dos direitos autorais de uma poetisa alemã. Fiquei curioso e quis me in- formar. Seu nome, Sabine Wenzel, logo me chegou aos ouvidos. Bati na porta de sua casa – o Atelier Sabine –, na Rua do Comércio, no coração da cidadezinha co- lonial, e fui atendido delicadamente pela própria senhora Wenzel. Depois de residir na Suíça, em Nova York, Londres, Paris, na Líbia, e trabalhar na Mauritânia, na Coreia do Norte e em Burundi como funcionária da ONU, escolheu ela essa peque- na enseada colorida aos pés da Mata Atlântica. Em sua presença, rapidamente fui me inteirando da história da vida de uma de suas tias, Gertrud Kolmar, que termi- Scientia Traductionis, n.13, 2013 http://dx.doi.org/10.5007/1980-4237.2013n13p384 385 METAMORFOSES, DE GERTRUD KOLMAR: UMA TRADUÇÃO COMENTADA nou seus dias em um campo de concentração na década de 1940.
    [Show full text]
  • Jewish Women in the Ghettos, Concentration Camps, and Partisans During the Holocaust Sara Vicks Union College - Schenectady, NY
    Union College Union | Digital Works Honors Theses Student Work 6-2014 Jewish Women in the Ghettos, Concentration Camps, and Partisans During the Holocaust Sara Vicks Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the European History Commons, Family, Life Course, and Society Commons, Jewish Studies Commons, and the Women's Studies Commons Recommended Citation Vicks, Sara, "Jewish Women in the Ghettos, Concentration Camps, and Partisans During the Holocaust" (2014). Honors Theses. 610. https://digitalworks.union.edu/theses/610 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. JEWISH WOMEN IN THE GHETTOS, CONCENTRATION CAMPS, AND PARTISANS DURING THE HOLOCAUST By Sara J. Vicks * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of History UNION COLLEGE June, 2014 1 ABSTRACT Vicks, Sara Jewish Women in the Ghettos, Concentration Camps, and Partisans during the Holocaust Men like, Primo Levi, Viktor Frankl, and Elie Wiesel, have provided us with valuable insight on the suffering of the Jewish people during the Holocaust. Only until recently, was there a disproportion of female memoirs of the Holocaust beyond the story Anne Frank. The purpose of this study was to research the Jewish women’s experience in the ghettos, the concentration camps, and the partisans to add to a broader understanding of the Holocaust and its female victims.
    [Show full text]
  • Wągrowieckich Żydów Długość Trasy: Ok
    Szlak turystyczny śladami wągrowieckich Żydów Długość trasy: ok. 2,5 km Czas przejścia: ok. 1,5–2 godz. Opracowanie materiałów: Uczniowie I Liceum Ogólnokształcącego im. Powstańców Wielkopolskich: Iwet Anolue, Krzysztof Biegun, Dawid Kamiński, Zuzanna Latuszek, Marcelina Lupa, Monika Pawłowska; Opiekunowie merytoryczni: Marcin Moeglich (Muzeum Regionalne), Danuta Chosińska (Gimnazjum nr 1 Gminy Wągrowiec), Sebastian Chosiński (I Liceum Ogólnokształcące) Zdjęcia: Zbiory prywatne i Muzeum Regionalnego w Wągrowcu Opracowanie graficzne: Łukasz Cieślak / Urząd Miejski w Wągrowcu Berlin Warszawa Niemcy Polska Czechy WĄGROWIEC Potrzebujesz więcej informacji? „Czas odnaleziony” Skontaktuj się z nami! Urząd Miejski w Wągrowcu Wydział Rozwoju i Promocji Miasta Szlak turystyczny śladami ul. Kościuszki 15a, 62-100 Wągrowiec Tel. +48 67 26 80 305 lub 332 wągrowieckich Żydów Fax +48 67 26 20 325 Email: [email protected] Długość trasy: ok. 2,5 km Czas przejścia: ok. 1,5–2 godz. www.wagrowiec.eu Okolice Wągrowca od najdawniejszych czasów zasiedlane były przez ludność kształtowała się w północnej Wielkopolsce sieć ośrodków miejskich. Jednym z nich obecnej ulicy Przemysłowej ojciec rodu prowadził zakład stolar- 30 października 1912 roku urodził się w Wągrowcu Martin Kochmann Salomon Rothmann). Ludwig Chodziesner (rocznik 1861) nie pochodził z różnych kręgów kulturowych. Już najwcześniejsze zapiski zawierają był Wągrowiec, miasto założone około 1381 roku przez cystersów z Łekna, któ- ski, w którym wykonywał… meble. Karpenowie wyemigrowa- – komunista, bohater antynazistowskiego ruchu oporu. Wcześnie opuścił miasto; z Wągrowca (urodził się w Obrzycku pod Poznaniem), informacje o przybyszach z obcych krain. Dobrym przykładem są zakonnicy rzy wkrótce przenieśli tutaj swoją siedzibę i zbudowali klasztor. Opaci przez stulecia li do Chicago w 1872 roku; „S.
    [Show full text]
  • Leo Baeck Institute's 60Th Anniversary by Roger Cohen
    LBI_60_catalogue_6-9.qxd:Layout 16/10/157:05AMPage2 L E O B A E C K I N S T I T U T E 6 SIXTIETH ANNIVERSARY LEO BAECK INSTITUTE o LBI_60_catalogue_6-9.qxd:Layout 1 6/10/15 7:05 AM Page 3 cover: Potsdamer Platz bei Nacht, mid 1920s Ury, Lesser (1861–1931) Oil on canvas, 79.6 x 100 cm Photo © The Israel Museum, Jerusalem by Avshalom Avital LBI_60_catalogue_6-9.qxd:Layout 1 6/10/15 7:05 AM Page 1 LEO BAECK INSTITUTE 6o 1955 – 2015 NEW YORK | BERLIN | LONDON | JERUSALEM LBI_60_catalogue_6-9.qxd:Layout 1 6/10/15 7:05 AM Page 2 2 LBI_60_catalogue_6-9.qxd:Layout 1 6/10/15 7:05 AM Page 3 The Leo Baeck Institute (LBI) is devoted to the history of German-speaking Jews. Its 80,000-volume library and extensive archival and art collections represent the most significant repository of primary source material and scholarship on the Jewish communities of Central Europe over the past five centuries. German-speaking Jews had a history marked by individual as well as collective accomplishments and played a significant role in shaping art, science, business, and political developments in the modern era, as evidenced by the continuing relevance of figures such as Albert Einstein, Sigmund Freud, and Franz Kafka. LBI is committed to preserving this legacy and has digitized over 3.5 million pages of documents from its collections—from rare renaissance books to the personal correspondence of luminaries and ordinary people alike, to community histories and official documents. LBI also promotes the study and understanding of German-Jewish history through its public programs, exhibitions, and support for research and scholars.
    [Show full text]