Kansas City, Missouri Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
25. Leipziger 47 La Canna * I – Valsamoggia 162 ** Infostand Antiquariatsmesse Vorwort 5 25
25. Leipziger 21.-24. März 2019 Verkaufsausstellung für Bücher, Halle 3 der Leipziger Buchmesse Graphiken und Autographen Literaturmeile der Leipziger Antiquariatsmesse Leipziger der Literaturmeile Ausstellerverzeichnis 23 24 22 25 26 27 28 29 Stand Nr. Katalog Seite Stand Nr. Katalog Seite 21 Notausgang 27 Antikvaristik.sk SK – Banská Štiavnica 4 16 Lehmann Berlin 84 5 antiquariat.de ** Berlin 164 20 Lenzen Düsseldorf 86 30 Bonn Mainburg 8 Antiquarius 35 Lindner 6 90 53 52 51 50 Halle 3 50 Avion * CZ – Liberec 162 49 Lorych Berlin 94 der Leipziger 45 46 47 48 49 Buchmesse 39 Bachmann & Rybicki Dresden 12 33 Walter Markov Bonn 98 Tübingen Lüdenscheid 23 Bader 51 Melzer 18 106 19 20 32 31 Halle * Berlin 13 Bausmann 17 Mertens 20 162 37 39 Bad Nauheim Northeim 31 Bibliophiles.de 29 Nagel 22 110 36 18 * CZ – Praha Thalheim 28 Bretschneider 19 Neubert 162 112 43 44 17 Literaturmeile der Leipziger Antiquariatsmesse Literaturmeile der Leipziger St. Ingbert * Berlin 41 Büchergärtner 26 Niedersätz 24 162 34 33 38 16 35 Kiel * Kuchenheim 18 Carlsen 30 Nosbüsch 28 162 42 41 40 25 Drescher Berlin 30 1 Paulusch Berlin 120 36 Eckert Bremen 34 32 Peter Ibbetson Engelskirchen 124 NL – Den Haag Braunschweig 38 Florisatus 6 Rabenschwarz 38 128 Einlass Café – Ausschank Café – 3 Gruber * Heilbronn 162 34 Rotes Antiquariat Berlin 130 Karlsruhe * Menden 24 Haufe & Lutz 52 Salmen 42 162 1 46 Hill Wiesbaden 44 43 Solder Münster 134 2 Im Hufelandhaus Berlin 46 4 Stader Stade 136 Information Planegg Berlin 11 Husslein 40 Tode 50 140 Café 10 11 12 A – Wien Berlin 48 Jacono 37 Treptower 54 146 3 2 Garderobe 12 KaraJahn Berlin 56 7 Wagner Berlin 152 9 14 Knöll Lüneburg 66 45 Wend Leipzig 154 (Graphik) Leipzig Hannover 21 Koenitz 53 Wilder 70 156 4 (Galerie) Leipzig Bamberg 22 Koenitz 10 Zipprich 72 158 14 15 Ditzingen * Berlin 15 Krak 24 Zeisig 74 162 8 7 6 5 13 Notausgang 9 Krikl A – Wien 76 Literaturmeile der Leipziger Antiquariatsmesse Hallenplan und Standnummern 44 Krüger * Köln 162 * Der Kollege ist ohne Katalogbeitrag vertreten der 25. -
Visione Del Mondo
Weltanschauung - Visione del mondo Art Forum Würth Capena 14.09.09 – 07.08.10 Opere e testi di: Kofi Annan, Louise Bourgeois, Abdellatif Laâbi, Imre Bukta, Saul Bellow, John Nixon, Bei Dao, Xu Bing, Branko Ruzic, Richard von Weizsäcker, Anselm Kiefer, Hans-Georg Gadamer, Marcos Benjamin, Twins Seven Seven, Paavo Haavikko, Hic sunt leones, Nelson Mandela, Kyung Hwan Oh, Jean Baudrillard, Huang Yong Ping, Nagib Machfus, Inge Thiess-Böttner, Guido Ceronetti, Richard Long, Yasar Kemal, Igor Kopystiansky, Imre Kertèsz, Svetlana Kopystiansky, Kazuo Katase, Milan Kundera, Frederich William Ayer, Günter Uecker, Durs Grünbein, Mehmed Zaimovic, Enzo Cucchi, Vera Pavlova, Franz-Erhard Walther, Charles D. Simic, Horacio Sapere, Susan Sontag, Hidetoshi Nagasawa, George Steiner, Nicole Guiraud, Bernard Noël, Mattia Moreni, George Tabori, Richard Killeen, Abdourahman A. Waberi, Roser Bru, Doris Runge, Grazina Didelyte, Gérard Titus-Carmel, Edoardo Sanguineti, Mimmo Rotella, Adam Zagajewski, Piero Gilardi, Günter Grass, Anise Koltz, Moritz Ney, Lavinia Greenlaw, Xico Chaves, Liliane Welch, Fátima Martini, Dario Fo, Tom Wesselmann, Ernesto Tatafiore, Emmanuel B. Dongala, Olavi Lanu, Martin Walser, Roman Opalka, Kostas Koutsourelis, Emilio Vedova, Dalai Lama, Gino Gorza, Karlheinz Stockhausen, Robert Indiana, Nadine Gordimer, Efiaimbelo, Les Murray, Arthur Stoll, Mikhail Sergeyevich Gorbachev, Boris Orlov, Carlos Fuentes, Klaus Staeck, Alì Renani, Wolfang Leber, Alì Aramideh Ahar, Sogyal Rinpoche, Ulrike Rosembach, Andrea Zanzotto, Adriena Simotova, Jürgen -
Über Gegenwartsliteratur About Contemporary Literature
Leseprobe Über Gegenwartsliteratur Interpretationen und Interventionen Festschrift für Paul Michael Lützeler zum 65. Geburtstag von ehemaligen StudentInnen Herausgegeben von Mark W. Rectanus About Contemporary Literature Interpretations and Interventions A Festschrift for Paul Michael Lützeler on his 65th Birthday from former Students Edited by Mark W. Rectanus AISTHESIS VERLAG ––––––––––––––––––––––––––––––– Bielefeld 2008 Abbildung auf dem Umschlag: Paul Klee: Roter Ballon, 1922, 179. Ölfarbe auf Grundierung auf Nesseltuch auf Karton, 31,7 x 31,1 cm. Solomon R. Guggenheim Museum, New York. © VG BILD-KUNST, Bonn 2008 Bibliographische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. © Aisthesis Verlag Bielefeld 2008 Postfach 10 04 27, D-33504 Bielefeld Satz: Germano Wallmann, www.geisterwort.de Druck: docupoint GmbH, Magdeburg Alle Rechte vorbehalten ISBN 978-3-89528-679-7 www.aisthesis.de Inhaltsverzeichnis/Table of Contents Danksagung/Acknowledgments ............................................................ 11 Mark W. Rectanus Introduction: About Contemporary Literature ............................... 13 Leslie A. Adelson Experiment Mars: Contemporary German Literature, Imaginative Ethnoscapes, and the New Futurism .......................... 23 Gregory W. Baer Der Film zum Krug: A Filmic Adaptation of Kleist’s Der zerbrochne Krug in the GDR ......................................................... -
Ebook Download in Times of Fading Light Kindle
IN TIMES OF FADING LIGHT PDF, EPUB, EBOOK Eugen Ruge | 320 pages | 04 Jul 2013 | FABER & FABER | 9780571288571 | English | London, United Kingdom In Times of Fading Light PDF Book However, I would love to notice the same powerful historical or political background of times which I felt was somehow quite weak. Be warned, though, all characters are very pessimistic in their outlook on life, and it can feel draining at times. Community Reviews. Also, Eugen Ruge's writing style is great! Welcome back. They are not just some kind of 'sidekick', but occupy a prominent role in the novel, and have to struggle with their own tragedies. Finishing it, I was left with mixed feelings, like, less than excellent better than average, a book that pays justice to what 3 stars are described when you move the cursor on them, "I liked it" without being so excited, perhaps a 3,5 would be fairer. I felt I leaned more about East Germany in a quarter of the space from the relevant chapters in Jenny Erpenbeck's Visitation , also set in the environs of Berlin. Threads collapsed expanded unthreaded. The latest game console, that's important. About Eugen Ruge. Yet it is not quite flawless. There are a number of comical situations, and also humour in the book. Alas, family snapshots are always more interesting for family members than they are for outsiders. Indeed Ruge himself downplays the link having his character surprisingly, indeed unrealistically, unaware of what had happened "all the passengers seemed to be reading the same newspaper with a picture on the front page of an airplane flying into a skyscraper? Open Preview See a Problem? Not if you transcribe it correctly, mate: it's 'druzhba'. -
Salatgarten 2/2019 Salatgarten Hfg ■ ■ ■ ■ ■ in Diesemheftlesensieu.A
2019 Salatgarten 2 In diesem Heft lesen Sie u.a.: ■ Der eiserne Gustav spannt wieder an – anlässlich der Neuedition von Jenny Williams ■ Eine gute Geschichte leider verschenkt. Der eiserne Gustav als Fernsehserie 1979 ■ „Ich sah hoch und erkannte ihn, mein geheimes Idol“. Eine Jubiläumstagung feierte Karl May ■ Braune Hemden unter schwarzen Roben – Fallada und zwei Staranwälte der Rechtsextremen ■ Hans-Fallada-Preis der Stadt Neumünster für Saša Stanišić Salatgarten 2/2019 hfg HANS-FALLADA-GESELLSCHAFT e .V. Meine Damen sind befriedig- ter von dem Manuskript [i. e. Der eiserne Gustav] als ich, freilich rügt Frau Bakonyi leise mangeln- de vaterländische Begeisterung bei Kriegsausbruch, und Suse scheint überraschend wenig masochistische Neigungen zu haben. Ihr wird immer ungemüt- lich bei diesem Mädchen, wie sie meint. Nun, so was ist bei uns ol- len Lüstlingen natürlich anders, das werden wir ja sehen. Rudolf Ditzen an Ernst Rowohlt, 6.2.1938 hfg INTERN ■ Inhalt Halbjahresschrift der Hans-Fallada-Gesellschaft e. V., Feldberg Heft 2/2019, 28. Jahrgang 2 Editorial 29 Ulrich Fischer ■ VON UNSEREN PARTNERN Braune Hemden unter 3 Lutz Dettmann 54 Liane Römer schwarzen Roben – Fallada Kennen Sie auch Fallada bei LISTA und zwei Staranwälte dieses Gefühl … 55 Udo Haedicke der Rechtsextremen Fallada en miniature 35 Ulrich Fischer ■ 57 Christian Winterstein hfg INTERN Fallada und sein schrift- Neues zur Ausstellung 4 Patricia Fritsch-Lange stellernder Anwalt Dr. Carl Otto und Elise Hampel – Abschied vom Vorsitz Haensel – auch ein Staranwalt Karte bitte wandern lassen! 5 Edzard Gall 38 Anja Röhl Laudatio auf die Vorsitzende Hans Fallada im ■ 7 Johanna Wildenauer Hans Otto Theater DIE 29. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933
Studies in 20th & 21st Century Literature Volume 42 Issue 2 Article 28 June 2018 Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. Adam J. Sacks Brown University, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, German Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Sacks, Adam J. (2018) "Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016.," Studies in 20th & 21st Century Literature: Vol. 42: Iss. 2, Article 28. https://doi.org/10.4148/2334-4415.2017 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. Abstract Review of Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016. 225 pp. Keywords Berlin; Modernism; Poetry; Jews This book review is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol42/ iss2/28 Sacks: Review of Strangers in Berlin Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. -
Agnes C. Mueller Professor of German & Comparative Literature [email protected] (803) 414-0316
Agnes C. Mueller Professor of German & Comparative Literature [email protected] (803) 414-0316 Curriculum Vitae EMPLOYMENT University of South Carolina 2014- Professor of German & Comparative Literature 2015-2020 College of Arts & Sciences Distinguished Professor of the Humanities 2017-2021 Director, Program in Global Studies 2019- Core Faculty, Program in Jewish Studies 2001- Affiliate Faculty, Women’s and Gender Studies 2005-2013 Associate Professor 2001-2005 Assistant Professor 1998-2001 Visiting Assistant Professor University of Georgia 1997-1998 Instructor Vanderbilt University 1994-1997 Teaching Assistant EDUCATION 1997 Vanderbilt University Ph.D. in German Literature Nashville, Tennessee 1993 Ludwig-Maximilians-Universität M.A. in German and Munich, Germany Comparative Literature 1 Agnes C. Mueller ADMINISTRATIVE LEADERSHIP (selection): 2021 Chair, External Review Team (3 members), AQAD Review of Department of Languages, Literatures, and Cultures at R1 University 2017-2021 Director, Program in Global Studies. Directing a new interdisciplinary BA program with nearly 200 majors and 5 different content areas; single-handedly scheduling courses from other units across the university, meeting with students and prospective students and parents, advisement, devising new curriculum, building a core faculty group. Promoting program within university and outside, including devising MoUs with new European and global university partners. Advocating for/hiring of Associate and Assistant Directors (both in place since 2019). Grew program from 18 majors to nearly 200 majors (fall 2019) with modest budget. Directing all outreach and presenting to University Board of Visitors, to South Carolina school district representatives, to alumni, and seeking future donors in collaboration with CAS Development. Devising and scheduling monthly Global Café events (with notables from industry, state department, leaders in health and education). -
Alexander Kluge Raw Materials for the Imagination
FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide -
GESAMTARBEIT Kulturtechniken Des Kollektiven Bei Alexander Kluge
Jens Grimstein GESAMTARBEIT Kulturtechniken des Kollektiven bei Alexander Kluge Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin Gutachterinnen und Gutachter: Erstgutachterin: Frau Prof. Dr. Irene Albers Zweitgutachter: Herr PD Dr. Wolfram Ette Tag der Disputation: 03. Juli 2019 INHALTSVERZEICHNIS 1. Einleitung ............................................................................ 2 2. Begriffe (Theorie) ............................................................. 12 2.1. Kollektive................................................................................ 12 2.2. Kulturtechniken ...................................................................... 25 2.3. Arbeit ...................................................................................... 40 2.4. Gesamtarbeit ........................................................................... 47 3. Kluges Theoriearbeit (Theoros) ........................................ 57 3.1. Kluge und die Theorie ............................................................ 58 3.2. Kluge und die Kollektive ........................................................ 64 3.3. Kluge und die Kulturtechniken ............................................... 66 3.4. Die Kritische Theorie zwischen Aufklärung und Theorie der Kulturtechnik ............................................... 85 4. Medien (Textilia) .............................................................. 92 4.1. Zivilisation, Turm, Stadt -
George Tabori
George Tabori George Tabori est un artiste accompli, scénariste, romancier, nouvelliste, auteur et metteur en scène de théâtre, directeur, chef de troupe, comé- dien à ses heures, né hongrois le 24 mai 1914 à Budapest, et décédé bri- tannique le 23 juillet 2007 à Berlin, à l’âge de 93 ans. Né en Hongrie en 1914 dans une famille d’intellectuels juifs, György Tábori est envoyé par son père en apprentissage à Berlin en 1932 et 1933. Puis il émigre à Londres en 1935 pour rejoindre son frère aîné. Il adopte la nationalité britannique, devient journaliste à la BBC et traducteur ; d’abord correspondant de guerre en Bulgarie et en Turquie, il s’engage dans l’armée britannique en 1941 et est affecté au Proche-Orient, où il écrit son premier roman. En 1943, il rentre à Londres et travaille de nouveau à la BBC. Ses parents sont déportés. Seule sa mère survit. En 1945, il est invité à Hollywood, son roman ayant attiré l’attention des studios, et s’installe aux États-Unis. Il signe des scénarios de films, notamment pour Alfred Hitchcock (La Loi du silence), Anton Litvak (Le Voyage), Joseph Losey (Cérémonie secrète, seul script qu’il revendique). En dehors de son activité de scénariste qui ne le satisfait pas au point de vue littéraire, il publie des romans. Il fréquente les plus grandes stars hollywoodiennes (Charlie Chaplin, Greta Garbo…) et les intellectuels alle- mands en exil. Assistant de Charles Laughton en 1947, il fait la rencontre décisive de Bertolt Brecht qu’il traduit pour la scène américaine. -
REFORM, RESISTANCE and REVOLUTION in the OTHER GERMANY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository RETHINKING THE GDR OPPOSITION: REFORM, RESISTANCE AND REVOLUTION IN THE OTHER GERMANY by ALEXANDER D. BROWN A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History and Music University of Birmingham January 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The following thesis looks at the subject of communist-oriented opposition in the GDR. More specifically, it considers how this phenomenon has been reconstructed in the state-mandated memory landscape of the Federal Republic of Germany since unification in 1990. It does so by presenting three case studies of particular representative value. The first looks at the former member of the Politbüro Paul Merker and how his entanglement in questions surrounding antifascism and antisemitism in the 1950s has become a significant trope in narratives of national (de-)legitimisation since 1990. The second delves into the phenomenon of the dissident through the aperture of prominent singer-songwriter, Wolf Biermann, who was famously exiled in 1976.