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FICTION MATTERS No 21 — February 2015
THE NEWSLETTER OF THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD FICTION MATTERS No 21 — February 2015 INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 2015 COMPLETE LIST OF ELIGIBLE TITLES Shortlist Announcement 15th April 2015 Winner Announcement 17th June 2015 www.impacdublinaward.ie The Sound of Things Falling by Juan Gabriel Vásquez, translated from Spanish by Anne McLean, is the Winner of the 2014 Award Photo: Jason Clarke Photography Jason Photo: (L-R) Margaret Hayes, Dublin City Librarian; Lord Mayor of Dublin and Patron of the Award, Christy Burke; Juan Gabriel Vásquez, winner of the 2014 award; Anne McLean, translator; Owen Keegan, Chief Executive, Dublin City Council. Photo: Jason Clarke Photography Jason Photo: Clarke Photography Jason Photo: Bill Swainson (right), Bloomsbury Publishing, publishers of The Sound of Jane Alger, Director Dublin UNESCO City of Literature and Things Falling, is presented with a Dublin Crystal bowl by Owen Keegan, the winner, Juan Gabriel Vásquez, pictured here with members of Dublin Chief Executive, Dublin City Council. Fire Brigade holding the City of Dublin Sword and Mace. The 2014 Winner Announcement took place in the Round Room of the Mansion House, Dublin, 12th June 2014 Photo: Jason Clarke Photography Jason Photo: Clarke Photography Jason Photo: Giles Foden, judge 2014 award, is presented with a scroll by the Lord Mayor, Dawn Beaumont (left), Library of Birmingham, UK, is presented with a Christy Burke. The judging panel also included Tash Aw, Catherine Dunne, scroll by Margaret Hayes, Dublin City Librarian, in recognition of library Maya Jaggi, Maciej Świerkocki and Judge Eugene Sullivan (non-voting participation worldwide. chair). Photo: Jason Clarke Photography Jason Photo: Congratulations to Biblioteca Daniel Cosío Villegas, El Colegio de México, nominators of The Sound of Things Falling. -
Social & Behavioural Sciences 9Th ICEEPSY 2018 International
The European Proceedings of Social & Behavioural Sciences EpSBS Future Academy ISSN: 2357-1330 https://dx.doi.org/10.15405/epsbs.2019.01.41 9th ICEEPSY 2018 International Conference on Education & Educational Psychology LEARNING HISTORY THROUGH STORIES ABOUT EAST GERMANY Nadezda Heinrichova (a)* *Corresponding author (a) University of Hradec Kralove, Faculty of Education, Rokitanskeho 62, 50003 Hradec Kralove, Czech Republic, [email protected] Abstract The article presents the results in which university students – majoring in teaching German as FL – expressed their ability, viewpoint and experience with using contemporary German literature to understand the life in East Germany as a part of history of the 20st century. The research was carried out in the winter term 2016 and 2017 on the basis of the following books, all awarded / nominated for the German Book Prize: Eugen Ruge’s (2011) In Zeiten des abnehmenden Lichts (In Times of Fading Light); Lutz Seiler’s (2014) Kruso; Uwe Tellkamp’s (2008) Der Turm (The Tower) and Angelika Klüssendorf’s (2011) Das Mädchen (The Girl). The aim of my literary course was, firstly, to provide the skills to read literature as a resource for understanding life and historical change, how other people experience emotional issues, and secondly, to give students an outline of the life in East Germany, to see the parallels with other countries in the Eastern Bloc and to stimulate students’ interest in the history of other countries in the Eastern Bloc. Thirdly, the aim was to use the texts as a stimulus to practice writing and speaking in discussions. Last but not least, to present how a teacher can enrich the foreign language lessons with literary text because the future teachers should not neglect the possibility of using literature in FLT. -
Transnational Travel in Post-1989 German Literature
MEMORY ON THE MOVE: TRANSNATIONAL TRAVEL IN POST-1989 GERMAN LITERATURE BY LAUREN MICHELLE HANSEN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy in German in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Anke Pinkert, Chair Associate Professor Yasemin Yildiz Professor Michael Rothberg Professor Harriet Murav Associate Professor George Gasyna ii Abstract Contemporary German literature after 1989 has become increasingly transnational and transcultural, given its numerous portrayals of travel, particularly in exploring traumatic family pasts. The transitional years of 1989/90, known as the Wende , have arguably resulted in greater mobility and Germans’ turn to the future as a unified country. However, authors of the second generation, or those born at the end of or just after WWII, are going back in historical time, as they revisit the war and post-war periods via modes of travel in their post-1989 literary works. The sweeping changes across Germany and Europe after 1989, the public debates about how to remember WWII and the more recent divided German past, and the gradual passing away of the first generation who survived WWII explain the surfeit of memory literature and novels that examine family memory. Using Marianne Hirsch’s notion of postmemory, I argue in this dissertation that second-generation authors employ modes of travel in their post-1989 works in order to negotiate critical empathy to parents’ traumatic pasts and revisit intergenerational conflicts of the Cold War period. Critical empathy here means emotional proximity and an attempt to understand parents’ traumatic wartime experiences while maintaining critical distance in order to avoid over-identification or an overly emotionalized investigation of the family past. -
Kansas City, Missouri Program
GERMAN STUDIES ASSOCIATION Thirty-Eighth Annual Conference September 18–21, 2014 Kansas City, Missouri Program of the Thirty-Eighth Annual Conference German Studies Association September 18–21, 2014 Kansas City, Missouri Westin Kansas City at Crown Center German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 267-7585 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] Technical Support: [email protected] President Suzanne Marchand (2013–2014) Louisiana State University Vice President Irene Kacandes (2013–2014) Dartmouth College Secretary-Treasurer Gerald A. Fetz University of Montana Executive Director David E. Barclay Kalamazoo College GSA Board: Elizabeth Ametsbichler, University of Montana (2015) Joy H. Calico, Vanderbilt University (2016) Alice H. Cooper, University of Mississippi (2015) Geoff Eley, University of Michigan, Ann Arbor (2014) Randall Halle, University of Pittsburgh (2016) Leslie Morris, University of Minnesota, Twin Cities (2014) Janet A. Ward, University of Oklahoma (2015) Dorothee Wierling, Forschungsstelle für Zeitgeschichte, Universität Hamburg (2014) S. Jonathan Wiesen, Southern Illinois University, Carbondale (2016) Stephen Brockmann, Carnegie Mellon University, ex officio non-voting (2014) Sabine Hake, University of Texas at Austin, ex officio non-voting © Copyright 2014 by German Studies Association Institutional Members American Friends of the Alexander Leo Baeck Institute, New York von Humboldt Foundation McGill University American Friends of the Max -
In Times of Fading Light
BRUNO SYLVESTER ALEXANDER HILDEGARD NATALIA EVGENIA GANZ GROTH FEHLING SCHMAHL BELITSKI DODINA IN TIMES OF FADING LIGHT IN TIMES OF FADING LIGHT A FILM BY MATTI GESCHONNECK SCREENPLAY BY WOLFGANG KOHLHAASE BETA CINEMA PRESENTS AN OLIVER BERBEN PRODUCTION BY MOOVIE IN CO-PRODUCTION WITH ZDF AND CONSTANTIN FILM PRODUKTION IN ASSOCIATION WITH BETA CINEMA SUPPORTED BY BUNDESBEAUFTRAGTE FÜR KULTUR UND MEDIEN DEUTSCHER FILMFÖRDERFONDS MEDIENBOARD BERLIN-BRANDENBURG FFF BAYERN BRUNO GANZ HILDEGARD SCHMAHL SYLVESTER GROTH EVGENIA DODINA ALEXANDER FEHLING NATALIA BELITSKI GABRIELA MARIA SCHMEIDE ANGELA WINKLER THORSTEN MERTEN INKA FRIEDRICH CASTING SIMONE BÄR MAKE UP GRIT KOSSE UTA SPIKERMANN COSTUME DESIGN SABINE GREUNIG ORIGINAL SOUND RAINER PLABST SOUND DESIGN LINUS NICKL RE-RECORDING MIXER MATHIAS MEYDL EDITING DIRK GRAU PRODUCTION DESIGN BERND LEPEL DIRECTOR OF PHOTOGRAPHY HANNES HUBACH PRODUCTION MANAGER UTE SCHNELTING LINE PRODUCER DIETER SALZMANN CO-PRODUCED BY REINHOLD ELSCHOT STEFANIE VON HEYDWOLFF PRODUCED BY OLIVER BERBEN SARAH KIRKEGAARD SCREENPLAY BY WOLFGANG KOHLHAASE BASED ON THE SAME-TITLED NOVEL BY EUGEN RUGE DIRECTED BY MATTI GESCHONNECK IN TIMES OF FADING LIGHT HISTORICAL DRAMA / GERMANY / 2016 / RUNNING TIME 100 MIN / SCREENING FORMAT DCP / ORIGINAL TITLE: IN ZEITEN DES ABNEHMENDEN LICHTS CAST Wilhelm Powileit Bruno Ganz (DOWNFALL) Charlotte Powileit Hildegard Schmahl (THE TASTE OF APPLE SEEDS) Kurt Umnitzer Sylvester Groth (INGLOURIOUS BASTERDS) Irina Umnitzer Evgenia Dodina (THE ATTACK) Melitta Natalia Belitski (JOY OF FATHERHOOD) -
Introduction Growing Together? Processes and Problems of German Unifi Cation
Introduction Growing Together? Processes and Problems of German Unifi cation Konrad H. Jarausch n contrast to the accolades given to the “peaceful revolution” in 2009, Ithe subsequent cele brations of the twentieth anniversary of German unifi cation remained curiously muted. No doubt the political class was pleased with its achievement of reuniting the two hostile parts of the country in a peaceful fashion: “Never in its history has Germany been so democratic, law-abiding and social.”1 But in private conversations an introspective mood prevailed. Especially in the new-old capital of Berlin, colleagues were telling each other their complicated life stories in order to illustrate the gains or losses of the transformation a er 1990. At the same time, political leaders pleaded for “sober patriotism” to be com bined with tolerance, modesty, and solidarity. Rather than being obsessed with mea- suring the slow progress toward “inner unity,” most public commentary treated unifi cation as the new normalcy and mused about how to live with its consequences in the future.2 A er four decades of Germany’s division into ideologically opposed camps, it should not have been surprising that the process of coming to- gether would be complicated. The accession of bankrupt postcommunist states to a successful Western-style country created additional diffi culties. Since many Easterners were overwhelmed by the imposition of Western pa erns, intellectuals like Hans-Joachim Maaz grumbled that their eff orts to adapt were insuffi ciently appreciated. At the same time Western colum- nists like Arnulf Baring pointed to the ingratitude of former GDR citizens for the massive fi nancial transfers, articulating a widespread resentment Notes for this chapter begin on page 19. -
Fifty Books That Travel
the frankfurt magazine 1 BEST OF FRANKFURT 2019 EDITORIAL 1 Dear readers, The title of our cover illustration – created by the Stories Between East and West’ explores books on artist Christoph Niemann – is ‘Premiere’. It shows the fall of the Berlin Wall, written 30 years or so people watching a blank screen, while at the same after that event – in a political climate marked by Cicek © FBM/Nurettin time turning us all into onlookers. The blank screen the rise of a new and frightening rightwing party fittingly serves as the title box of this magazine – in Germany. Bärbel Becker putting our themes under the spotlight. Luchterhand Verlag is the home of some of the has been at the Frank It is also in keeping with our piece on film adap most striking new literary voices from Germany. furter Buchmesse tation ‘A Book is a Film is a Game – German In conversation with publisher Regina Kammerer, for many years and is Stories on Screen’ – and the fact that books are Frankfurter Buchmesse director Juergen Boos the director of the increasingly forming the basis for films, scripts, TV talks about finding and nurturing talent. International Projects productions and series, or indeed games. Asked what she has always wanted to say about department. Looking at the cover illustration from a different Germany, Georgianborn author Nino Haratisch point of view, I find myself wondering: are we wili tells of the seventeen years she has spent in 2 merely onlookers? Are we passively waiting for the country, becoming both more Georgian and 3 4 something to happen in these times of enormous more German year by year. -
After the Stasi
After the Stasi 9781472567604_txt_print.indd 1 22/07/2015 15:31 Also available from Bloomsbury Beyond Discontent: ‘Sublimation’ from Goethe to Lacan, Eckart Goebel From Kafka to Sebald, Sabine Wilke German Unification: The Unexpected Challenge, Dieter Grosser 9781472567604_txt_print.indd 2 22/07/2015 15:31 After the Stasi: Collaboration and the Struggle for Sovereign Subjectivity in the Writing of German Unification Annie Ring Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 9781472567604_txt_print.indd 3 22/07/2015 15:31 Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Annie Ring, 2015 Annie Ring has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-6760-4 ePDF: 978-1-4725-6762-8 ePub: 978-1-4725-6761-1 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. -
Project Syndicate 12/27/19, 4:40 PM
PS Commentators' Best Reads in 2019 by PS editors - Project Syndicate 12/27/19, 4:40 PM Global Bookmark PS Commentators' Best Reads in 2019 Dec 27, 2019 | PS EDITORS With a new year – and a new decade – approaching, Project Syndicate commentators list some of the books that had a lasting impact on their thinking in 2019. From engaging perspectives on economics and political science to groundbreaking novels and old tales of exploration, readers of all tastes should find something of interest in this year’s selections. Yuen Yuen Ang Siddhartha Mukherjee, The Emperor of All Maladies: A Biography of Cancer, Scribner, 2010. It is hard to imagine that cancer could have anything to do with marketing, and yet Siddhartha Mukherjee of Columbia University shows us how it does. In one chapter, “A Moon Shot for Cancer,” he reveals how a few individuals successfully whipped up a national campaign to eradicate the disease, even though there were in fact no sure cures. For anyone seeking to understand public opinion and communications in American politics (and in democracies more broadly), this book is an essential – and fascinating – read. https://www.project-syndicate.org/onpoint/ps-commentators-best-reads-in-2019-by-ps-editors-2019-12 Page 1 of 20 PS Commentators' Best Reads in 2019 by PS editors - Project Syndicate 12/27/19, 4:40 PM Richard Stengel, Nelson Mandela: Portrait of an Extraordinary Man, Virgin Publishing, 2012. In troubled times, it is reassuring to take lessons in life and leadership from the late South African political prisoner and president. The most powerful line in this book is: “The liberation struggle was not so much about liberating blacks from bondage; it was about liberating white people from fear.” Graham Allison, Destined for War: Can America and China Escape Thucydides’s Trap?, Houghton Mifflin Harcourt, 2017.