"Kuriera"! (Zwykły Pdf)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy. -
Dei Fumetti Disney Di Realizzazione Statunitense (1945-1960)
FRANCESCO SESTITO DA BALATRONE A GOLASECCA: SONDAGGI SULLE MODALITÀ DI TRADUZIONE IN ITALIANO di antroponimi e toponimi ‘minori’ DEI FUMETTI DISNEY DI REALIZZAZIONE STATUNITENSE (1945-1960) Abstract: Abstract: Research concerning onomastics in Disney comics in Italian has produced important results, but, while the names of main characters and places have been thoroughly dealt with, the onomastics of the minor realities of the Dis- ney universe, which was created in the USA and reached Italy in translation, are not equally well known. In this paper I analyze several stories written in the years 1945-1960 and Italian versions from different periods. The translation techniques vary somewhat: some retain the original English forms, some Italianize the original names, some create new anthroponyms or toponyms in a fairly free way. Keywords: Disney comics, minor characters, anthroponyms, toponyms, translations Il mondo del fumetto Disney comprende una sterminata produzione di storie – stimabili a più di 35.000 – realizzate in diversi paesi dal 1930 a oggi, offrendo numerosissimi spunti sui nomi propri, dei personaggi e dei luoghi, rappresentati nelle storie stesse.1 Gli studi sull’onomastica di- sneyana sono ormai numerosi benché tutti relativamente recenti:2 basti 1 Il sito Inducks (catalogo di opere e personaggi: https://inducks.org) censisce esattamente (no- vembre 2018) 35.081 storie ufficialmente pubblicate. A questo strumento in rete, ormai impre- scindibile, così come all’enciclopedia in rete Paperpedia (http://it.paperpedia.wikia.com), -
Disney Comics Stories 02-Pr.Pdf
STORY 1 Lonesome Ghosts from Italian Topolino 2838, 2010 (First USA Publication) WRITER Stefano Ambrosio ARTIST Claudio Sciarrone COLORIST Disney Italia LETTERER Tom B. Long TRANSLATION AND DIALOGUE Erin Brady STORY 2 Donald Duck: Sports Photographer from Danish Anders And & Co 30/1984 (First USA Publication) WRITER Per Wiking and Tom Anderson ARTIST Vicar COLORIST Egmont LETTERER Tom B. Long TRANSLATION AND DIALOGUE Erin Brady COVER Paolo Campinoti COVER colors by Marco Colletti ASSISTANT EDITOR Elizabeth Brei EDITOR Chris Cerasi PUBLISHER Greg Goldstein DESIGNER Tom B. Long Special thanks to Stefano Ambrosio, Stefano Attardi, Julie Dorris, Julia Gabrick, Marco Ghiglione, Jodi Hammerwold, Manny Mederos, Eugene Paraszczuk, Carlotta Quattrocolo, Roberto Santillo, Christopher Troise, and Camilla Vedove. For international rights, contact [email protected] Greg Goldstein, President & Publisher • John Barber, Editor-in-Chief • Robbie Robbins, EVP/Sr. Art Director • Cara Morrison, Chief Financial Officer •Matthew Ruzicka, Chief Accounting Officer • Anita Frazier, SVP of Sales and Marketing • David Hedgecock, Associate Publisher • Jerry Bennington, VP of New Product Development • Lorelei Bunjes, VP of Digital Services • Justin Eisinger, Editorial Director, Graphic Novels and Collections • Eric Moss, Sr. Director, Licensing & Business Development Ted Adams, IDW Founder Facebook: facebook.com/idwpublishing • Twitter: @idwpublishing • YouTube: youtube.com/idwpublishing www.IDWPUBLISHING.com Tumblr: tumblr.idwpublishing.com • Instagram: instagram.com/idwpublishing DISNEY COMICS AND STORIES #2 (Legacy #745). NOVEMBER 2018. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2018 Disney Enterprises, Inc. All rights reserved. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. The IDW logo is registered in the U.S. -
[8RP0]⋙ Walt Disney's Uncle Scrooge: "Only a Poor Old Man" (Vol. 12
Walt Disney's Uncle Scrooge: "Only a Poor Old Man" (Vol. 12) (The Complete Carl Barks Disney Library) Carl Barks Click here if your download doesn"t start automatically Walt Disney's Uncle Scrooge: "Only a Poor Old Man" (Vol. 12) (The Complete Carl Barks Disney Library) Carl Barks Walt Disney's Uncle Scrooge: "Only a Poor Old Man" (Vol. 12) (The Complete Carl Barks Disney Library) Carl Barks Uncle Scrooge classics for all ages! Since Fantagraphics’ first release in this series focused on Donald Duck, it is only right that the second focus on Carl Barks’s other great protagonist, and his greatest creation: The miserly, excessively wealthy Scrooge McDuck, whose giant money bin, lucky dime, and constant wrangles with his nemeses the Beagle Boys are well-known to, and beloved by, young and old. This volume starts off with “Only a Poor Old Man,” the defining Scrooge yarn (in fact his first big starring story) in which Scrooge’s plan to hide his money in a lake goes terribly wrong. Two other long-form classics in this volume include “Tralla La La” (also known as “the bottlecap story,” in which Scrooge’s intrusion has terrible consequences for a money-less eden) and “Back to the Klondike” (Barks disciple Don Rosa’s favorite story, a crucial addition to Scrooge’s early history, and famous for a censored bar brawl that was restored in later editions). Each of these three stories is famous enough to have its own lengthy Wikipedia page. Also in this volume are the full-length “The Secret of Atlantis,” and over two dozen more shorter stories and one-page gags. -
Under Exclusive License to Springer Nature Switzerland AG 2021 PC
INDEX1 A C Adaptation studies, 130, 190 Canon, 94, 146, 187, 188, 193, Adenauer, Konrad, 111, 123 194, 214 Adenauer Era, 105 Cochran, Russ, 164 Another Rainbow, 164, 176 Comics Code, 122 Comics collecting, 146, 161 Cultural diplomacy, 51, 55, 59, B 113, 116 Barks, Carl, 3, 43–44, 61, 62, 69, 185 Calgary Eye-Opener, 72, 156 D early life and career, 71 Dell Comics, 3, 5, 15, 30, 98, “The Good Duck Artist,” 67 123, 143 identifcation by fans, 99 De-Nazifcation, 6, 105 oil portraits, 72, 100, 165 Disney, Walt, 2, 38, 49, 53, 57, 59, retirement, 97 66, 69, 80, 143 Beagle Boys, 74, 135 Disney animated shorts Branding, 39, 56, 57, 66 The Band Concert, 40 Europe, 106 Commando Duck, 65, 121 Bray, J.R., 34 Der Fuehrer’s Face, 62 Col. Heeza Liar, 47 Donald and Pluto, 42 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s), under exclusive license to Springer Nature 219 Switzerland AG 2021 P. C. Bryan, Creation, Translation, and Adaptation in Donald Duck Comics, Palgrave Fan Studies, https://doi.org/10.1007/978-3-030-73636-1 220 INDEX Disney animated shorts (cont.) F Donald Gets Drafted, 61 Fan studies, 26, 160 Don Donald, 43 Fanzines, 148, 163 Education for Death, 63 Barks Collector, 149, 165, 180 Modern Inventions, 43 Der Donaldist, 157 The New Spirit, 61 Duckburg Times, 157, 158, 180 The Spirit of ‘43, 62 Female characters in Disney comics, 19 Disney Animation, 44, 47, 72 Frontier theory, 85–86, 94 Kimball, Ward, 44 Fuchs, Erika, 6, 15, 16, 105, 152, 201 World War II, 50 early life and career, 125 Disney comics, 177, 180 ”Erikativ,” -
Barks's Personal Reference Library
AFTERCarl Barks painting fine-art cartoons in oils by Copyright 2010 by John Garvin www.johngarvin.com Published by Enchanted Images Inc. www.enchantedimages.com All illustrations in this book are copyrighted by their respective copy- right holders (according to the original copyright or publication date as printed in/on the original work) and are reproduced for historical reference and research purposes. Any omission or incorrect informa- tion should be transmitted to the publisher so it can be rectified in future editions of this book. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior permission in writing from the publisher. ISBN: 978-0-9785946-4-0 First “Hunger Print” Edition November 2010 Edition size: 250 Printed in the United States of America about the “hunger” print “Hunger” (01-2010), 16” x 20” oil on masonite. “Hunger” was painted in early 2010 as a tribute to the painting genre pioneered by Carl Barks and to his techniques and craft. Throughout this book, I attempt to show how creative decisions – like those Barks himself might have made – helped shape and evolve the painting as I transformed a blank sheet of masonite into a fine-art cartoon painting. Each copy of After Carl Barks: Painting Fine-Art Cartoons in Oils includes a signed print of the final painting. 5 acknowledgements I am indebted to the following, in paintings and for being an important husband’s work. As the owner of alphabetical order: part of my life. -
Carl Barks' Donald Duck & Co Om Kvalitetene, Leserappellen Og
Carl Barks’ Donald Duck & Co Om kvalitetene, leserappellen og mangelen på anerkjennelse i norske litteraturhistorier Steinar Timenes Masteroppgave i Nordisk språk og litteratur Institutt for lingvistiske, litterære og estetiske studium UNIVERSITETET I BERGEN Først og fremst rettes den største takken til min familie som ga meg det første Donald-bladet fra barnsben av – for det har resultert i denne masteroppgaven. Takk til Arild Midthun og Egmont for bidragene deres! Takk til min veileder Erik Bjerck Hagen for å ha hatt troen på at prosjektet er gjennomførbart! Videre vil jeg takke alle de andre professorene i øverste etasje i HF-bygget for tysk irettesettelse og bergensk sjarm som har gjort studietiden til et akademisk Mekka! Takk for korrekturlesningen, Joakim Tjøstheim! Takk for alle de fuktige kveldene, Vingrisen! Til slutt vil jeg takke alle de flotte menneskene jeg har møtt og vennene jeg har fått under lektorutdanningen. Det er dere som gjør det verdt å komme ut i verdens beste yrke! 2 What is the future of comic books in the modern era? I’m very much scared that comics don’t have a very good future. There will have to be a cycle which reader interest goes back to reading again. Right now, it seems as everybody’s mind is caught up on these new games that come on television and things you can get by touching a button and watching a monitor. Pretty soon the mind will tire of those things and perhaps go back to reading. The wonderful thought of being alone with your thoughts and having something in your hand that you can just read and enjoy rather than having to sit in front of a television monitor looking at somebody else’s stuff moving around on the screen; You’re just a spectator you’re not doing anything to help yourself understand what’s going on. -
Donald Duck from Wikipedia, the Free Encyclopedia Donald Duck
Donald Duck From Wikipedia, the free encyclopedia Donald Duck First appearance The Wise Little Hen (1934) Created by Walt Disney Clarence Nash (1934–1985) Voiced by Tony Anselmo (1985–present) Don Nickname(s) Uncle Donald Duck Avenger (USA) Superduck (UK) Aliases Italian: Paperinik Captain Blue Species Pekin duck Family Duck family Significant other(s) Daisy Duck (girlfriend) Ludwig Von Drake (uncle) Scrooge McDuck (uncle) Relatives Huey, Dewey, and Louie (nephews) Donald Fauntleroy Duck[1] is a cartoon character created in 1934 at Walt Disney Productions and licensed by The Walt Disney Company. Donald is an anthropomorphic white duck with a yellow-orange bill, legs, and feet. He typically wears a sailor suit with a cap and a black or red bow tie. Donald is most famous for his semi-intelligible speech and his explosive temper. Along with his friend Mickey Mouse, Donald is one of the most popular Disney characters and was included in TV Guide's list of the 50 greatest cartoon characters of all time in 2002.[2] He has appeared in more films than any other Disney character[3] and is the fifth most published comic book character in the world after Batman, Superman, Spider-Man, and Wolverine.[4] Donald Duck rose to fame with his comedic roles in animated cartoons. He first appeared in The Wise Little Hen (1934), but it was his second appearance in Orphan's Benefit which introduced him as a temperamental comic foil to Mickey Mouse. Throughout the 1930s, '40s and '50s he appeared in over 150 theatrical films, several of which were recognized at the Academy Awards. -
Subastas 30062016 Bd.Pdf
VENTE JUIN Jeudi 30 juin 2016 19:00 Arts des XIX-Xxème siècles Exposition: 18-30 Juin 2016 Horaire: Du lundi au vendredi: De 10 à 14 h. et de 16:30 à 20:00 h. Samedis: De 10 à 14 h. et de 17 à 20:00 h. Les frais acheteur sont du 24,20 % (TTC) sur le prix de marteau. Les enchères par téléphone et les ordres d’achat sont bien acceptées. Les clients intéressés à recevoir un condition report d’un lot, devront contacter avec la salle des ventes. Contact: La Suite Subastas Conde de Salvatierra, 8 08006 Barcelona España Tel. + 34 93 300 14 77 Fax. + 34 93 300 27 60 www.suitesubastas.com mail: [email protected] www.facebook.com/LaSuiteSubastas Twitter : @suitesubastas 109 Vicar, pseudonym of Victor José Arriagada Ríos (Santiago de Chile, 1934 - 2012) "Xmas" Eight original ink, pencil and felt tip pen drawings on paper which correspond to the story Xmas, from the DuckTales series for Disney. Four of them are signed. Origin: Directly from the artist´s family. One of the most important Chilean illustrators of the 20th century. In the 70s his permanent collaboration with Disney began, and he is considered worldwide to be the main artist of the Donald Duck series. Carl Barks (1901-2000), the creator of Duckburg, said on meeting Vicar, "What a pleasure to meet the artist who draws Donald better than I do." Among many collaborations, in 2007 he participated in a book in homage to Uderzo, the creator of Asterix, on his 80th birthday. -
Donald Duck Comics and U.S. Global Hegemony
Modern American History (2020), 1–26 doi:10.1017/mah.2020.4 ARTICLE Ten-Cent Ideology: Donald Duck Comic Books and the U.S. Challenge to Modernization Daniel Immerwahr The comic-book artist Carl Barks was one of the most-read writers during the years after the Second World War. Millions of children took in his tales of the Disney characters Donald Duck and Uncle Scrooge. Often set in the Global South, Barks’s stories offered pointed reflections on foreign relations. Surprisingly, Barks presented a thoroughgoing critique of the main thrust of U.S. foreign policy making: the notion that the United States should intervene to improve “traditional” societies. In Barks’s stories, the best that the inhabitants of rich societies can do is to leave poorer peoples alone. But Barks was not just popular; his work was also influential. High-profile baby boomers such as Steven Spielberg and George Lucas imbibed his comics as children. When they later pro- duced their own creative works in the 1970s and 1980s, they drew from Barks’s language as they too attacked the ideology of modernization. In the 1950s, the U.S. public began to hear a lot about Asia. The continent had “exploded into the center of American life,” wrote novelist James Michener in 1951.1 He was right. The follow- ing years brought popular novels, plays, musicals, and films about the continent. Tom Dooley’s Deliver Us from Evil (1956) and William Lederer and Eugene Burdick’s The Ugly American (1958) shot up the bestsellers’ lists. The novel Teahouse of the August Moon (1951), set in Okinawa, became a Pulitzer- and Tony-winning play (1953) and then a movie starring Marlon Brando (1956). -
Scrooge Mcduck and His Creator by Phillip Salin
Liberty, Art, & Culture Vol. 29, No. 2 Winter 2011 Appreciation: Scrooge McDuck and his Creator By Phillip Salin “Who is Carl Barks?” In the future that question may seem just as the world’s greatest inventor. It was Barks, not Disney, who silly as ‘”Who is Aesop?” invented these and other Duckburg characters and plot devices Phil Salin brings us up to date on the importance of the man who used without attribution by the Disney organization ever since, created Uncle Scrooge... both in print and on the TV screen: Scrooge’s Money Bin, the Junior Woodchucks and their all-encompassing Manual, Once upon a time there was a wonderfully inventive story- Gladstone Gander, Magica DeSpell, Flintheart Glomgold, teller and artist whose works were loved by millions, yet whose and the Beagle Boys. It was Barks, not Disney, who wrote and name was known by no one. Roughly twice a month, for over drew those marvelous, memorable stories, month after month, twenty years, the unknown storyteller wrote and illustrated a year after year, and gave them substance. brand new humorous tale or action adventure for millions of loyal readers, who lived in many countries and spoke many A Taste for Feathers different languages. I started reading Barks’ stories as a kid in the mid-1950s. As The settings of the stories were as wide as the world, indeed I got older, one by one, I gave away or sold most of my other wider: stories were set in mythological and historic places, in comics; but not the Donald Ducks. Somehow they seemed to addition to the most exotic of foreign locales. -
Unca Don and Unca Scrooge's Guide to History
UNIVERSITY OF TURKU Unca Don and Unca Scrooge’s Guide to History Representations of the Past in the Disney Comics of Don Rosa School of History, Culture and Arts Studies European Heritage, Digital Media and the Information Society Master’s Thesis Petra Kotro April 2011 UNIVERSITY OF TURKU Faculty of Humanities School of History, Culture and Arts Studies KOTRO, PETRA: Unca Don and Unca Scrooge’s Guide to History . Representations of the Past in the Disney Comics of Don Rosa. Master’s Thesis, 124 pages. European Heritage, Digital Media and the Information Society April 2011 This thesis studies the various forms and layers of representations of the past that can be found in the Disney comics of Don Rosa. To stay true to the legacy of renowned comic book artist Carl Barks, Rosa has stopped time in the duck universe to the 1950’s: the decade when Barks created his most noted stories. There is a special feel of historicalness in Rosa’s duck stories, as his characters recall events that occurred in both Rosa’s own stories as well as Barks’. Rosa has shed new light to the past of the characters by writing and illustrating the history of Scrooge McDuck, one of the most beloved Disney characters. Rosa is also adamant that the historical facts used in his stories are always correct and based on thorough research. The methodological tools used in the analysis of the comics come from the fields of comic book studies, film theory, and history culture. Film and comics are recognized by many scholars as very similar media, which share elements that make them comparable in many ways.