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Carl Barks' Donald Duck & Co Om Kvalitetene, Leserappellen Og Carl Barks’ Donald Duck & Co Om kvalitetene, leserappellen og mangelen på anerkjennelse i norske litteraturhistorier Steinar Timenes Masteroppgave i Nordisk språk og litteratur Institutt for lingvistiske, litterære og estetiske studium UNIVERSITETET I BERGEN Først og fremst rettes den største takken til min familie som ga meg det første Donald-bladet fra barnsben av – for det har resultert i denne masteroppgaven. Takk til Arild Midthun og Egmont for bidragene deres! Takk til min veileder Erik Bjerck Hagen for å ha hatt troen på at prosjektet er gjennomførbart! Videre vil jeg takke alle de andre professorene i øverste etasje i HF-bygget for tysk irettesettelse og bergensk sjarm som har gjort studietiden til et akademisk Mekka! Takk for korrekturlesningen, Joakim Tjøstheim! Takk for alle de fuktige kveldene, Vingrisen! Til slutt vil jeg takke alle de flotte menneskene jeg har møtt og vennene jeg har fått under lektorutdanningen. Det er dere som gjør det verdt å komme ut i verdens beste yrke! 2 What is the future of comic books in the modern era? I’m very much scared that comics don’t have a very good future. There will have to be a cycle which reader interest goes back to reading again. Right now, it seems as everybody’s mind is caught up on these new games that come on television and things you can get by touching a button and watching a monitor. Pretty soon the mind will tire of those things and perhaps go back to reading. The wonderful thought of being alone with your thoughts and having something in your hand that you can just read and enjoy rather than having to sit in front of a television monitor looking at somebody else’s stuff moving around on the screen; You’re just a spectator you’re not doing anything to help yourself understand what’s going on. (“The Duck Maestro” 1994 Carl Barks) 3 Innholdsfortegnelse 1. Innledning .................................................................................................................................................... 6 1.1. Forutsetninger for denne oppgaven ..................................................................................................... 6 1.2. Populærlitteraturens forkjempere ........................................................................................................ 7 1.3. Problemstilling og fremgangsmåte i oppgaven .................................................................................... 9 1.4. The Duck Man .................................................................................................................................... 10 2. Populærlitteratur i sin helhet ................................................................................................................... 15 2.1. Oppbyggingen mot populærlitteraturens løft og ettermæle ............................................................... 15 2.1.1. Tegneserier i skuddlinje ................................................................................................................ 16 2.2. Moderne beskrivelser ......................................................................................................................... 18 2.2.1. Per Thomas Andersen ................................................................................................................... 19 2.2.2. Norsk litteratur i tusen år (1996) .................................................................................................. 20 2.2.3. Dahls litteraturhistoriske fremstilling ............................................................................................ 22 2.2.4. Øystein Rottem .............................................................................................................................. 26 2.2.5. Det skjedde i Norge (1978) ........................................................................................................... 27 2.2.6. Barnelitteraturhistoriene ................................................................................................................ 28 2.2.7. Ettermælene av populærlitteratur i moderne litteraturhistorie ....................................................... 29 2.3. Hvilken definisjon sitter vi igjen med? ............................................................................................... 30 3. Parafrasere og analysere Donald Duck ................................................................................................... 34 3.1. Finnes det én måte å lese Donald på? ............................................................................................... 34 3.2. Hva er parafrase? .............................................................................................................................. 35 3.3. Brannmannen ..................................................................................................................................... 36 3.3.1. Symbolikk fra første stund ............................................................................................................ 36 3.4. Donald Duck og gullhjelmen ............................................................................................................. 37 3.4.1. En plass i Danmarks kulturkanon .................................................................................................. 38 3.5. I det gamle California ........................................................................................................................ 41 3.5.1. Drømmetydning ............................................................................................................................ 44 3.6. Knask eller knep ................................................................................................................................. 47 3.6.1. Overtro, nyord og sensur ............................................................................................................... 48 3.7. Eggemysteriet ..................................................................................................................................... 50 3.7.1. Et rystet nynorskmiljø ................................................................................................................... 55 3.8. Pengeregn .......................................................................................................................................... 57 3.8.1. Nyliberalisme, bokbrenning og inflasjon ...................................................................................... 58 4 3.9. Jul i Pengelens ................................................................................................................................... 60 3.9.1. Fattigdom og rettferdighet ............................................................................................................. 62 3.10. Omelett ............................................................................................................................................... 63 3.10.1. Analepsen om sitt eget liv ........................................................................................................ 64 4. Fra amerikansk litteratur til nordisk litteratur ...................................................................................... 66 4.1. Animasjon først, tegneserier etterpå .................................................................................................. 66 4.1.1. Tegneseriens historie ..................................................................................................................... 67 4.1.2. Lærerinnenes tekstorienterte jernhånd .......................................................................................... 70 4.1.3. Fortellerstil og den første norske ................................................................................................... 71 4.2. Kulturell foran(d)kring ...................................................................................................................... 74 5. En opprydning i splittede meninger ......................................................................................................... 76 5.1. Hvor finner vi populærkulturens løft? ................................................................................................ 76 5.1.1. Verdens litteraturhistorie ............................................................................................................... 77 5.1.2. Post-Donaldismen ......................................................................................................................... 79 5.1.3. Funksjon ........................................................................................................................................ 81 5.1.4. Donalds høydare på 60-tallet ......................................................................................................... 82 5.2. 90-tallets nedtegnelser av tegneseriebladet ....................................................................................... 83 6. Konklusjon ................................................................................................................................................. 88 6.1. Litteraturens brobygger ..................................................................................................................... 88 6.2. Paradokset ......................................................................................................................................... 90 6.3. Det jeg sitter igjen med .....................................................................................................................
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