Ebook Download Walt Disneys Uncle Scrooge: the Seven Cities of Gold

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download Walt Disneys Uncle Scrooge: the Seven Cities of Gold WALT DISNEYS UNCLE SCROOGE: THE SEVEN CITIES OF GOLD PDF, EPUB, EBOOK Carl Barks | 234 pages | 02 Nov 2014 | FANTAGRAPHICS BOOKS | 9781606997956 | English | United States Walt Disneys Uncle Scrooge: The Seven Cities of Gold PDF Book Fantagraphics' second release in this series focuses on Carl Barks's other protagonist and perhaps greatest creation: Scrooge McDuck. IDW's issues of Uncle Scrooge use a dual-numbering system, which count both how many issues IDW itself has published and what number issue it is in total for instance, IDW first issue's was billed as " 1 ". Next, Huey, Dewey, and Louie try to figure out how to prevent a runaway train from crashing when no one will listen! Plus: the oddball inventions of the ever-eccentric Gyro Gearloose! Carl Barks delivers another superb collection of all-around cartooning brilliance. Issue ST No image available. Tweet Clean. This book has pages of story and art, each meticulously restored and newly colored, as well as insightful story notes by an international panel of Barks experts. My new safe is locked against any form of burglary! Add to cart. Sound familiar? Naturally, Scrooge wants to claim it as his own. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. And after donning a virtual reality headset, Donald and the boys find themselves menaced by creatures on other worlds. We made holiday shopping easy: browse by interest, category, price or age in our bookseller curated gift guide. Written by Carl Barks. Yet until now, his works have only been reprinted in random comic book iterations or high-end collectors' editions. Ratings and Reviews Write a review. This issue was most recently modified by:. View: Large Edit cover. Western had held the Disney comic book license since the late s, and their withdrawal left the license, and Uncle Scrooge , in limbo for two years, until Another Rainbow Publishing , who had begun publishing hardbound compilations of Carl Barks's work in , acquired it and launched Gladstone Publishing , resuming the title where Whitman had left off. This volume also features an even 10 of Barks's dynamic "Walt Disney's Comics and Stories" pagers, including "Wintertime Wager" the first appearance of a not-yet-lucky-but-still-obnoxious Gladstone Gander ; "Spoil the Rod" in which the exquisitely named educational professor Pulpheart Clabberhead is brought in to help tame the nephews ; "Rocket Race to the Moon" a rare full-on adventure-interplanetary, no less-in the short form ; "Gladstone Returns" and "Links Highjinks" two more Gladstone yarns ; and five more stories Uncle Scrooge takes Donald and the nephews on a perilous trek in search of the fabled seven cities of gold! It makes him ill so he goes on vacation, which turns into a rescue mission for a sailor stranded on an island with some very mysterious baddies. Story of Disneyland Disneyland Inc. Save your search to a want list and we'll notify you by e-mail as soon as we locate a match. About this product. By Margaret Atwood. Tips for Successful Searching Try checking the spelling of words in your search Try to eliminate "noise" words, such as a, and, the, etc Try searching by just one parameter at a time e. Walt Disneys Uncle Scrooge: The Seven Cities of Gold Writer With this volume, "The Complete Carl Barks Disney Library" loops back to Barks's earlier days, collecting the entirety of Barks's astounding output. In "Volcano Valley" Donald and the Nephews end up stuck in Volcania, a south-of-the-border country inhabited by sombrero-wearing, siesta-addicted Volcanians. Published Feb by Fantagraphics. Barks began drawing the comic book adventures of Donald Duck in , and he continued for the next 30 years, creating some of the most memorable comics and characters ever put to page. About this product. In this collection of internationally acclaimed Donald Duck comics, Donald and the nephews are stranded in the Arctic and face peril in the jungle! Show Me History! This issue was most recently modified by:. This book has pages of story and art, each meticulously restored and newly colored, as well as insightful story notes by an international panel of Barks experts. Then Donald confronts a pair of escaped lions with a rubber sword. By Colson Whitehead. Until Scrooge notices something unusual about the local architecture in "City of Golden Roofs. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. Nothing surpasses -- only matches -- the pure imagination, humor, adventure, and heart of these Donald Duck Uncle Scrooge stories. IDW's issues of Uncle Scrooge use a dual-numbering system, which count both how many issues IDW itself has published and what number issue it is in total for instance, IDW first issue's was billed as " 1 ". This fact was made quite clear when George Lucas wrote the introduction to the 's collection of Carl Barks' comics, Walt Disney's Uncle Scrooge McDuck: His Life and Times, and spoke directly about the influence as an aside - it is quite silly that that collection is out of print. In our title story, Uncle Scrooge, Donald, and the nephews are on the trail of gold nuggets guarded by ghosts! Adding product to your cart. Superman Inside back cover. The lemming escapes onto a schooner, and the ducks follow the ship to Norway, where they find millions of lemmings marching to the sea. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Western had held the Disney comic book license since the late s, and their withdrawal left the license, and Uncle Scrooge , in limbo for two years, until Another Rainbow Publishing , who had begun publishing hardbound compilations of Carl Barks's work in , acquired it and launched Gladstone Publishing , resuming the title where Whitman had left off. Fantagraphics has been lovingly reprinting Banks' classic Uncle Scrooge comics into beautifully designed and recolored hardcover collections. Add to cart. Barks was a great story teller and artist. Subsequent issues often consisted of reprints of earlier classic Barks tales. Walt Disneys Uncle Scrooge: The Seven Cities of Gold Reviews JavaScript must be enabled to use this site. By Brian Cronin Dec 13, Worried about an earthquake that might swallow his money, Uncle Scrooge digs deep to secure his fortune and discovers an underground civilization! Story Arcs. Scrooge McDuck is now such a fixture in the Disney universe that few remember Carl Barks had been writing and drawing Donald Duck stories for half a decade before he cooked up the miserly multiplujillionaire - for what he thought would be a one-time Christmas yarn involving Donald, the nephews, Scrooge in a bearskin, and inevitably a couple of real bears. Daily: 9 AM - 4 PM. In our title story, Uncle Scrooge, Donald, and the nephews are on the trail of gold nuggets guarded by ghosts! Handsomely presented in a stunningly beautiful and colorful box set at a special price that even Uncle Scrooge would approve. The series' th issue, published by Disney's short-lived comics imprint , featured this special wrap-around cover by William Van Horn. More Options New Search. Published: University of California Press - May 26th, Availability: In Stock—Click for Locations. Pictured here is the "A" cover to issue See all 3 brand new listings. He's also a Disney Legend. New other. Teams Beagle Boys. Handsomely presented in an attractive box set at a special price that Uncle Scrooge himself would approve. View Change History. Cover by Carl Barks. Walt Disney Classics Collection Figurine Orders placed to countries outside North America will not be processed. Eric Carle Hardcovers Books. Add to Cart. Plus: the oddball inventions of the ever-eccentric Gyro Gearloose! View: Large Edit cover. Art submitted on June 24, Hardcover, 8-in. Walt Disneys Uncle Scrooge: The Seven Cities of Gold Read Online Published Apr by Fantagraphics. Try these tips with our Advanced Search. By Margaret Atwood. This issue was most recently modified by:. Also, Scrooge decides to run for Treasurer of Duckburg, but it seems the only way to get votes is to spend a lot of money. By Jane Fonda. Reader Jamie Coville of Coville's Clubhouse fame asked me about the legend recently. Over pages of stories, each meticulously restored and newly colored plus insightful story notes by an international panel of Barks experts. The full-color restoration of the artwork and the useful historical notes give Barks' consummate work the deluxe presentation it richly deserves. Pinocchio HC Disney Storybook. Art and cover by Carl Barks. Eric Carle Hardcover Signed Children. Written by Carl Barks. This page uses content from the English Wikipedia. Hardcover 2 Volumes with Slipcase , pages Total , full color. Uncle Scrooge takes Donald and the nephews on a perilous trek in search of the fabled seven cities of gold! Then, Donald hypnotizes Uncle Scrooge - or does he? But it's not as easy as it sounds, with a mysterious stowaway, intrigue, and double-crosses in this land of many secrets. Subsequent issues often consisted of reprints of earlier classic Barks tales. Then, when Donald announces that he's taking the nephews to South America, he pledges to protect them from all the dangers in "the wildest part of the jungle" - including a sheer mountain cliff, a raging river, and a swarm of crocodiles. But a mystery foe sends a crocodile stampede their way. Price 0. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable.
Recommended publications
  • Cartoon Network: Super Secret Crisis War!
    SAMURAI JACK created by GENNDY TARTAKOVSKY BEN 10 created by MAN OF ACTION STUDIOS DEXTER'S LABORATORY created by GENNDY TARTAKOVSKY THE POWERPUFF GIRLS created by CRAIG McCRACKEN ED, EDD N' EDDY created by DANNY ANTONUCCI Special thanks to Laurie Halal-Ono, Rick Blanco, Jeff Parker and Marisa Marionakis of Cartoon Network. Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves SUPER SECRET CRISIS WAR! #1. JUNE 2014. FIRST PRINTING.™ and © Cartoon Network (s14). IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 5080 Santa Fe St., San Diego, CA 92109. The IDW logo is registered in the U.S. Patent and Trademark Office. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC. Printed in Korea. IDW Publishing does not read or accept unsolicited submissions of ideas, stories, or artwork. Louise Derek Charm Simonson (artist) lives in New (writer) has edited York City, where and written comics he works as an since the dawn illustrator creating of time.
    [Show full text]
  • We Spoke Out: Comic Books and the Holocaust
    W E SPOKE OUT COMIC BOOKS W E SPOKE OUT COMIC BOOKS AND THE HOLOCAUST AND NEAL ADAMS RAFAEL MEDOFF CRAIG YOE INTRODUCTION AND THE HOLOCAUST AFTERWORD BY STAN LEE NEAL ADAMS MEDOFF RAFAEL CRAIG YOE LEE STAN “RIVETING!” —Prof. Walter Reich, Former Director, United States Holocaust Memorial Museum Long before the Holocaust was widely taught in schools or dramatized in films such asSchindler’s List, America’s youth was learning about the Nazi genocide from Batman, X-Men, and Captain America. Join iconic artist Neal Adams, the legend- ary Stan Lee, Holocaust scholar Dr. Rafael Medoff, and Eisner-winning comics historian Craig Yoe as they take you on an extraordinary journey in We Spoke Out: Comic Books and the Holocaust. We Spoke Out showcases classic comic book stories about the Holocaust and includes commentaries by some of their pres- tigious creators. Writers whose work is featured include Chris Claremont, Archie Goodwin, Al Feldstein, Robert Kanigher, Harvey Kurtzman, and Roy Thomas. Along with Neal Adams (who also drew the cover of this remarkable volume), artists in- clude Gene Colan, Jack Davis, Carmine Infantino, Gil Kane, Bernie Krigstein, Frank Miller, John Severin, and Wally Wood. In We Spoke Out, you’ll see how these amazing comics creators helped introduce an entire generation to a compelling and important subject—a topic as relevant today as ever. ® Visit ISBN: 978-1-63140-888-5 YoeBooks.com idwpublishing.com $49.99 US/ $65.99 CAN ® ACKNOWLEDGMENTS The authors are grateful to friends and colleagues who assisted with various aspects of this project: Kris Stone and Peter Stone, of Continuity Studios; Gregory Pan, of Marvel Comics; Thomas Wood, Jay Kogan, and Mandy Noack-Barr, of DC Comics; Dan Braun, of New Comic Company (Warren Publications); Corey Mifsud, Cathy Gaines-Mifsud, and Dorothy Crouch of EC Comics; Robert Carter, Jon Gotthold, Michelle Nolan, Thomas Martin, Steve Fears, Rich Arndt, Kevin Reddy, Steve Bergson, and Jeff Reid, who provided information or scans; Jon B.
    [Show full text]
  • Preview Book
    Story, Art, and Letters by Stan Sakai Colors by Tom Luth Collection Design by Shawn Lee Edited by Bobby Curnow with Philip R. Simon and Megan Walker Cover by Stan Sakai with Colors by Tom Luth TEENAGE MUTANT NINJA TURTLES/USAGI YOJIMBO. JULY 2017. FIRST PRINTING. © 2017 Viacom International Inc. All Rights Reserved. Nickelodeon, TEENAGE MUTANT NINJA TURTLES, and all related titles, logos and characters are trademarks of Viacom International Inc. © 2017 Viacom Overseas Holdings C.V. All Rights Reserved. Nickelodeon, TEENAGE MUTANT NINJA TURTLES, and all related titles, logos and characters are trademarks of Viacom Overseas Holdings C.V. Based on characters created by Peter Laird and Kevin Eastman. Usagi Yojimbo™ © 2017 Stan Sakai. Usagi Yojimbo™ and all other characters prominently featured herein are trademarks of Stan Sakai. All rights reserved. Dark Horse Comics® is a trademark of Dark Horse Comics, Inc., registered in various categories and countries. All rights reserved. © 2017 Idea and Design Works, LLC. All Rights Reserved. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. The IDW logo is registered in the U.S. Patent and Trademark Office. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC. Printed in Korea. IDW Publishing does not read or accept unsolicited submissions of ideas, stories, or artwork. .
    [Show full text]
  • 1 This Article Was Co-Authored with Maria Grun and Appeared in 2003 in Perspec- Tives: Studies in Translatology 11. 197-216
    1 Picture: please see the end of the article This article was co-authored with Maria Grun and appeared in 2003 in Perspec- tives: Studies in Translatology 11. 197-216. For copyright reasons the cartoons we discuss cannot be given. ‘LOSS’ AND ‘GAIN’ IN COMICS Maria Grun and Cay Dollerup, Copenhagen, Denmark Abstract This article discusses translations of comics, a topic rarely dealt with in Translation Studies, with specific reference to ‘loss’ and ‘gain’. It is suggested that – for the purpose of a cogent discussion – we may distinguish between ‘gain with loss’ and ‘gain without loss’. Translations of comics represent a special challenge in that, in or- der to be successful, they have to actively interplay with illustrations as well as genre elements, i.e. ‘humour’. The article discusses some of these elements and then focuses on successful renditions into Danish of the American daily strip Calvin and Hobbes and a Donald Duck ten-page comic narrative. The latter, in particular, reveals that subtle forces influence the translation of a comic. This opens for a discussion of the ways com- ics allow - or make it hard for - a translator to wend her way between ‘gain’ and ‘loss’. 2 These forces involve an interplay not only between pictures and text, but also the people who do lettering, add colours, and the like. Introduction Since a translation owes its existence to an original it is, in some sense, derivative.1 Much discussion of translation is based on elitist texts which means that originals are often prestigious and highly valued (in terms of artistic merit, political and religious authoritativeness, etc).
    [Show full text]
  • Journal of Religion & Society
    Journal of Religion & Society Volume 6 (2004) ISSN 1522-5658 David, Mickey Mouse, and the Evolution of an Icon1 Lowell K. Handy, American Theological Library Association Abstract The transformation of an entertaining roguish figure to an institutional icon is investigated with respect to the figures of Mickey Mouse and the biblical King David. Using the three-stage evolution proposed by R. Brockway, the figures of Mickey and David are shown to pass through an initial entertaining phase, a period of model behavior, and a stage as icon. The biblical context for these shifts is basically irretrievable so the extensive materials available for changes in the Mouse provide sufficient information on personnel and social forces to both illuminate our lack of understanding for changes in David while providing some comparative material for similar development. Introduction [1] One can perceive a progression in the development of the figure of David from the rather unsavory character one encounters in the Samuel narratives, through the religious, righteous king of Chronicles, to the messianic abstraction of the Jewish and Christian traditions.2 The movement is a shift from “trickster,” to “Bourgeoisie do-gooder,” to “corporate image” proposed for the evolution of Mickey Mouse by Robert Brockway.3 There are, in fact, several interesting parallels between the portrayals of Mickey Mouse and David, but simply a look at the context that produced the changes in each character may help to understand the visions of David in three surviving biblical textual traditions in light of the adaptability of the Mouse for which there is a great deal more contextual data to investigate.
    [Show full text]
  • Graphic No Vels & Comics
    GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse.
    [Show full text]
  • Faces Illustration Featuring, in No 1
    face Parigi Books is proud to present fās/ a selection of carefully chosen noun original comic art and noun: face; plural noun: faces illustration featuring, in no 1. particular order, the front part of a person's Virgil Finlay, John Romita, John Romita, Jr, Romano Scarpa, head from the forehead to the Milo Manara, Magnus, Simone chin, or the corresponding part in Bianchi, Johnny Hart, Brant an animal. Parker, Don Rosa, Jeff MacNelly, Russell Crofoot, and many others. All items subject to prior sale. Enjoy! Parigi Books www.parigibooks.com [email protected] +1.518.391.8027 29793 Bianchi, Simone Wolverine #313 Double-Page Splash (pages 14 and 15) Original Comic Art. Marvel Comics, 2012. A spectacular double-page splash from Wolverine #313 (pages 14 and 15). Ink and acrylics on Bristol board. Features Wolverine, Sabretooth, and Romulus. Measures 22 x 17". Signed by Simone Bianchi on the bottom left corner. $2,750.00 30088 Immonen, Stuart; Smith, Cam Fantastic Four Annual #1 Page 31 Original Comic Art. Marvel Comics, 1998. Original comic art for Fantastic Four Annual #1, 1998. Measures approximately 28.5 x 44 cm (11.25 x 17.25"). Pencil and ink on art board. Signed by Stuart Immonen on the upper edge. A dazzling fight scene featuring a nice large shot of Crystal, of the Inhumans, the Wakandan princess Zawadi, Johnny Storm, Blastaar, and the Hooded Haunt. Condition is fine. $275.00 29474 Crofoot, Russel Original Cover Art for Sax Rohmer's Tales of Secret Egypt. No date. Original dustjacket art for the 1st US edition of Tales of Secret Egypt by Sax Rohmer, published by Robert McBride in 1919, and later reprinted by A.
    [Show full text]
  • Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
    WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy.
    [Show full text]
  • Disney Comics from Italy♦ © Francesco Stajano 1997-1999
    Disney comics from Italy♦ © Francesco Stajano 1997-1999 http://i.am/filologo.disneyano/ A Roberto, amico e cugino So what exactly shall we look at? First of all, the Introduction fascinating “prehistory” (early Thirties) where a few pioneering publishers and creators established a Disney Most of us die-hard Disney fans are in love with those presence in Italy. Then a look at some of the authors, seen comics since our earliest childhood; indeed, many of us through their creations. Because comics are such an learnt to read from the words in Donald’s and Mickey’s obviously visual medium, the graphical artists tend to get balloons. Few of us, though, knew anything about the the lion’s share of the critics’ attention; to compensate for creators of these wonderful comics: they were all this, I have decided to concentrate on the people who calligraphically signed by that “Walt Disney” guy in the actually invent the stories, the script writers (though even first page so we confidently believed that, somewhere in thus I’ve had to miss out many good ones). This seems to America, a man by that name invented and drew each and be a more significant contribution to Disney comics every one of those different stories every week. As we studies since, after all, it will be much easier for you to grew up, the quantity (too many) and quality (too read a lot about the graphical artists somewhere else. And different) of the stories made us realise that this man of course, by discussing stories I will also necessarily could not be doing all this by himself; but still, we touch on the work of the artists anyway.
    [Show full text]
  • The Big Fat Flat Blot Plot
    eap into action with Donald Duck and Mick ey Mouse for a wild collection of modern-day L comics classics featuring the return of the diabolical Phantom Blot! When the supervillain Blot turns himself two dimen- sional, daring Mickey can only stop his crime spree by hopping dimensions! Then, unlucky Donald finally wins the lottery... and will do anything to hang on to his prize! All the stories from IDW’s Donald and Mickey #1 and 2 are here, including work by fan-favorite writer-artists William Van Horn and Andrea “Casty” Castellan! The Big Fat Flat Blot Plot From Italian Topolino #2619, 2006 Writer: Andrea “Casty” Castellan Artist: Lorenzo Pastrovicchio Colorists: Disney Italia with Digikore Studios, Erik Rosengarten, and Nicole and Travis Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Jonathan H. Gray Yard Wars From Dutch Donald Duck #27/1995 Writer: Frank Jonker Artist: Bas Heymans Colorists: Sanoma and Digikore Studios The Saucerer’s a Menace! Letterers: Nicole and Travis Seitler From Danish Anders And & Co. #13/2005 Translation and Dialogue: Maura McManus Writer: Kari Korhonen Artist: Daniel Branca Colorists: Digikore Studios and Tim Artz with Nicole and Travis Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Thad Komorowski Special thanks to Eugene Paraszczuk, Julie Dorris, Carlotta Quattricolo, Chris Troise, Roberto Santillo, Manny Mederos, Camille Vedove, Stefano Ambrosio, and Thomas Jensen. For international rights, contact [email protected] ISBN: 978-1-68405-136-6 21 20 19 18 1 2 3 4 Greg Goldstein, President & Publisher • Robbie Robbins, EVP & Sr. Art Director • Chris Ryall, Chief Creative Officer & Editor-in-Chief • Matthew Ruzicka, CPA, Chief Financial Officer • David Hedgecock, Associate Publisher • Laurie Windrow, Senior Vice President of Sales & Marketing Lorelei Bunjes, VP of Digital Services • Eric Moss, Sr.
    [Show full text]
  • Under Exclusive License to Springer Nature Switzerland AG 2021 PC
    INDEX1 A C Adaptation studies, 130, 190 Canon, 94, 146, 187, 188, 193, Adenauer, Konrad, 111, 123 194, 214 Adenauer Era, 105 Cochran, Russ, 164 Another Rainbow, 164, 176 Comics Code, 122 Comics collecting, 146, 161 Cultural diplomacy, 51, 55, 59, B 113, 116 Barks, Carl, 3, 43–44, 61, 62, 69, 185 Calgary Eye-Opener, 72, 156 D early life and career, 71 Dell Comics, 3, 5, 15, 30, 98, “The Good Duck Artist,” 67 123, 143 identifcation by fans, 99 De-Nazifcation, 6, 105 oil portraits, 72, 100, 165 Disney, Walt, 2, 38, 49, 53, 57, 59, retirement, 97 66, 69, 80, 143 Beagle Boys, 74, 135 Disney animated shorts Branding, 39, 56, 57, 66 The Band Concert, 40 Europe, 106 Commando Duck, 65, 121 Bray, J.R., 34 Der Fuehrer’s Face, 62 Col. Heeza Liar, 47 Donald and Pluto, 42 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s), under exclusive license to Springer Nature 219 Switzerland AG 2021 P. C. Bryan, Creation, Translation, and Adaptation in Donald Duck Comics, Palgrave Fan Studies, https://doi.org/10.1007/978-3-030-73636-1 220 INDEX Disney animated shorts (cont.) F Donald Gets Drafted, 61 Fan studies, 26, 160 Don Donald, 43 Fanzines, 148, 163 Education for Death, 63 Barks Collector, 149, 165, 180 Modern Inventions, 43 Der Donaldist, 157 The New Spirit, 61 Duckburg Times, 157, 158, 180 The Spirit of ‘43, 62 Female characters in Disney comics, 19 Disney Animation, 44, 47, 72 Frontier theory, 85–86, 94 Kimball, Ward, 44 Fuchs, Erika, 6, 15, 16, 105, 152, 201 World War II, 50 early life and career, 125 Disney comics, 177, 180 ”Erikativ,”
    [Show full text]
  • Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity, 2006, 306 Pages, Tom Andrae, 1578068584, 9781578068586, Univ
    Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity, 2006, 306 pages, Tom Andrae, 1578068584, 9781578068586, Univ. Press of Mississippi, 2006 DOWNLOAD http://bit.ly/1GEVT1R http://goo.gl/RCwMW http://www.powells.com/s?kw=Carl+Barks+and+the+Disney+Comic+Book%3A+Unmasking+the+Myth+of+Modernity For over twenty-five years, Disney artist Carl Barks (1901-2000) created some of the most brilliant and funny stories in comic books. Gifted and prolific, he was the author of over five hundred tales in the most popular comic books of all time. Although he was never allowed to sign his name and worked in anonymity, Barks's unique artistic style and storytelling were immediately evident to all his readers. Barks created the town of Duckburg and a cast of characters that included Donald Duck's fabulously wealthy Uncle Scrooge, the lucky loafer Gladstone Gander, the daffy inventor Gyro Gearloose, the roguish crooks the Beagle Boys, and the Italian sorceress Magica de Spell. Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity is the first critical study of Barks's work in English. From a cultural studies perspective, the author analyzes all phases of Barks's career from his work in animation to his postretirement years writing the Junior Woodchucks stories. Andrae argues that Barks's oeuvre presents a vision strikingly different from the Disney ethos. Barks's central theme is a critique of modernity. His tales offer a mordant satire of Western imperialism and America's obsession with wealth, success, consumerism, and technological mastery, offering one of the few communal, ecological visions in popular culture.
    [Show full text]