4 Taking History to the Public Via
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Volume 25 • Number 1 Fall 2004 NATIONAL COUNCIL ON PUBLIC HISTORY News Inside This Issue 4 Taking History To The Public Via N(PH A.. rd, Coil fur Nom',"on, 1/ Rea Ii ty II Te Ie vis ion 6 by Susan Cain opportunity to do everything I loved doing- research. teaching. traveling. and meeting new 2006 Call For Papers hirty years ago. I started working as a part people. I had had some experience with film Ttime interpreter at Conner Prairie. a living production teams in my museum work. but I knew history museum north of Indianapolis. this work in Montana would be a challenge and Since we used "first person" something that would change interpretation to demonstrate With the popularity of these, the direction of my work life in 18305 central Indiana. in history. I tried to learn everything I PBS series, there have been I spent a couple of months could about how people lived. researching 1880s Montana, especially their daily chores. in many questions about whether answering questions from order to help our visitors to the production team, and better understand the period. these programs are really preparing to train the After 15 years I mm'ed to program's participants Vermont and worked at leaching history or iust whose knowledge of the Billings Farm. a combination period was limited. The of a working dairy farm and a perpetuating myths and greatest challenge for me was museum representing rural life determining how much food in late 19th century Vermont. teaching viewers more about would be required to feed thereby expanding my three different families l)f historical knowledge to our contemporary society different economic status another region and era. over the duration of the Three years ago. however. than about the past. project. (If you watched the I had the opportunity to join a program, you will know one project that sought to present family thought I had shorted Aquarterly publication history to the public in a different manner. them in sugar and fresh meat, which we knew of the National Council on "Reality TV" \vas becoming popular historically to be in short supply compared to Public History in cooperation with on commercial television and the Public modem Americans' tastes. ) Training lasted two the Department of History, Broadcasting System (PBS) wanted to capitalize weeks and consisted of milking cows, presen'ing Indiana University at Indianapolis. on that interest. A British television company. food, and cooking on outside fires and cook stoves. Wall to Wall Productions. had come up with the Days started at 5:30 a.m. and ended at 11:00 p.m. Shoron Babaian, President idea of taking people "back in time." Their first When we arrived in Montana, many nrher t;:\~k, Robert Weible, Vice-President venture was" 1900 House." which proved to be also arose, such as seasoning the iron cooking James B. Gardner, Past President a huge success in Britain and which PBS stations utensils, which took most of the twelve days I quickly picked up. One afternoon in February was in Virginia City, Montana. Harry Klinkhamer, 200 I. I received a phone call from WNET in After the five primary project consuLtants Secretory-Treasurer New York. inviting me to join the "Frontier (including myself) trained the participants to the David G. Vanderstel, House" project. My role -- instruct participants best of our abilities. we sent our new humesteaders Executive Director in the basic domestic chores of an 1883 out to spend the next five months in a beautiful Montana homestead. I was given the valley in Montana and departed for our respective > wntinued on page 2 .. Reality .. Television > continued from page 1 homes. The consultants returned to Montana at the end of cooked on wood stoves selected to be part of these programs? September to see what the Homesteaders had accomplished In choosing the participants, the programs' producers sought a over the summer and to determine whether they were prepared cross section of America. There did not seem to be the money to survive a Montana winter. With filming completed, we waited or the interest-to take a group of museum professionals or for the editing of the program and series' premiere. When the historians into the Montana wilds to see if they would do better cast and crew gathered in New York City to view than the "average American." The producers believed that the the first program, we knew that WNET and average viewing public would not find it Wall to Wall Productions had a real winner. I can only hope that this new interesting to watch and more importantly What I had not considered when I the sponsors would not want to invest in accepted this job was what might follow. history programming on such a program. While I agree to an extent, Suddenly, people were inviting me to I found the programming to be quite participate on panels, teach workshops, television will whet the educational since the voiceover narration give talks, and even sign the book based on provided solid historical information to the program. While speaking in the Chicago viewers' imagination and contrast the "unhistorical" actions of the area about my "Frontier House" experience, programs' participants. the WNET producer asked if I would be inspire people to leave their With these educational "reality TV" interested in joining their next project, programs, I question whether we have created "Colonial House." In March 2003, I began couches and visit the many more "couch potatoes," people who think working with Plimoth Plantation to assist d rf II h that by watching programs like "Colonial in setting up the "Colonial House" project. won e u iving istory sites, House" that they know our nation's history Though my responsibility was smaller than museums, and historic houses and don't need to visit historic sites. Or, is "Frontier House," it was another opportunity it possible that these "reality" series have to learn a new part of our history and to scaHered all over our country stimulated a sense of curiosity among viewers deliver that history to a larger audience. to read more about the subject and to visit My experience here has led to yet another historic sites? I don't have an answer to that project focusing on John and Abigail Adams question yet. I do know, however, that more and more of our for WGBH's "American Experience." historic sites, museums, and historical societies are having With the popularity of these PBS series, there have been financial problems at a time when history is popular. Some are many questions about whether these programs are really teaching trying to reinvent themselves. The Henry Ford Museum an4 history or just perpetuating myths and teaching viewers more Greenfield Village has become "The Henry Ford: America's about our contemporary society than about the past. I think Greatest History Attraction." Conner Prairie has expanded its there is some truth to that belief. As I watched the "Frontier 1830s site to include an 1886 village. Many states have House" and "Colonial House," I wanted the participants to try shuttered historic sites or turned the responsibility of operating harder to understand and appreciate the mindset of the people them over to local communities. Tough times in the history of the times they were representing. But, the real question is, is profession have led many museum profeSSionals into the world that what the average viewers wanted? Or, was that what those of consulting. Despite these dire times, I can only hope that this of us in the historical profession desired? Many of my friends new history programming on television will whet the viewers' who work in living history have asked why the participants imagination and inspire people to leave their couches and visit were allowed to do many of the "unhistorical things" they did. the many wonderful living history sites, museums, and historic _ First, we must remember that these programs were designed houses scattered all over our country, thus reinvigorating the to allow people to make their own choices and not to create historic sites and museums across the nation. a scripted program. This is, in many ways, the same as the first Homesteaders did in the 1880s or the early colonists in the Susan Cain is a living history consultant who has worked in the 1600s. Others have asked why the participants were not more museum field for 30 years. Cain is currently consulting on a program proficient in their appropriate skills and trades. Why weren't aboutlohn and Abigail Adams for the "American Experience" series farmers who had worked horses or oxen, or women who had on PBS. 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