DOCSLIB.ORG

The Different Regions Within Gifu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Different Regions Within Gifu The Different Regions Within Gifu SHIRAKAWA-GO 白川郷 ▶P32 Located precisely in the center of the country, Gifu Prefecture has long been an important crossroads HIDA of east and west Japan. The culture of Gifu has therefore been heavily influenced by both, resulting in a 飛騨 ▶P28 great diversity of traditions nurtured here. Gifu is also a land of varied terrain, from the majestic moun- tains of Hida to the north - which stretch to heights of up to 3,000 meters above sea level - to the fertile, expansive plains and riverlands of Mino to the south - which are located right at sea level. Gifu Prefec- ture is broadly divided into these two regions, which used to exist independently - as Hida Province and Mino Province - before Japan’s adoption of the prefectural system. The Mino region - a term often used A UNESCO World Heritage Site deep in to refer to the entire southern half of Gifu Prefecture, corresponding to the territory of Mino Province - is the mountains that boasts an idyllic village today further divided into four sub-regions: the western region of Seino, the eastern region of Tono, the of gassho-zukuri thatched roof houses. central region of Chuno, and the Gifu region that encompasses the capital of Gifu City. Take particular A city with distinctly Japanese town- care not to confuse the Hida region and the Mino region with Hida City and Mino City! scapes, particularly in the white-walled storehouse district of Furukawa. Towards Toyama GUJO ▶ MINOKAMO ▶ OKUHIDA HOT SPRING 郡上 P56 美濃加茂 P70 VILLAGES 奥飛騨温泉郷 World WorldHeritage Heritage Site Site Shirakawa-goShirakawa-go ▶P24 The site of one of Japan’s most A place where Edo period ShinhotakaShinhotaka Ropeway Ropeway Five onsen districts nestled in nature famous summer dance festivals, townscapes remain preserved. that, together, boast the most open-air the Gujo Odori. hot spring baths of any region in Japan. Hida-FurukawaHida-Furukawa SEKI MINO TAKAYAMA 関 ▶P66 美濃 ▶P62 高山 ▶P14 TakayamaTakayamaJR Takayama Main Line JR Takayama Main Line HIDA The blade capital of Japan and Home of Mino Washi , one of REGION Internationally famous for its pictur- its historical center of sword the most celebrated types of esque old quarter and home to one production. traditional Japanese paper. of Japan’s most beautiful festivals. GIFU Ski ResortSki Areas Resort Areas OsakaOsaka Falls Falls GERO ▶ in Gujo in GujoNagaragawa Nagaragawa ▶ 岐阜 P48 Railway Railway 下呂 P40 Gujo Odori Gujo Odori DanceDance Festival Festival Gero Gero Gujo- Gujo- Gero HotGero Spring Hot Spring HachimanHachiman Home to the spectacle of cormorant An onsen paradise which has fishing, a tradition that has continued historically been counted among on the Nagara River for 1,300 years. GIFU Japan’s Three Great Hot Springs. REGION Towards Nagano OGAKI・SEKIGAHARA・YORO Tarumi Tarumi Mino-shiMino-shi NAKATSUGAWA 大垣 関ヶ原 養老 中津川 ▶P76 Tarumi Railway Tarumi Railway CHUNO Seki Seki REGION Ibi Ibi Yoro Railway Yoro Railway NakatsugawaNakatsugawa MagomeMagome- - ▶ CormorantCormorant Fishing Fishing Mino-OtaMino-Ota Ena ValleyEna Valley juku juku P84 on the Nagaraon the RiverNagara River The “water capital” of the region, the site of Famous for the old post town of Ena Ena Japan’s most famous battle, and a place of Kyoto Towards GifuGifu Mitake Mitake Magome and its superb wagashi rejuvenating natural beauty, respectively. SekigaharaSekigaharaOgaki Ogaki Japanese sweets. JR Taita LineJR Taita Line JR Tokaido Main Line MeitetsuJR Tokaido Main Line Meitetsu TAJIMI・TOKI・MIZUNAMI Yoro Yoro MizunamiMizunamiAkechi RailwayAkechi Railway ENA Meitetsu Meitetsu ▶ 多治見 土岐 瑞浪 Yoro Yoro Gifu- Gifu- Tokishi Tokishi 恵那 P80 WaterfallWaterfall Tajimi Tajimi HashimaHashimaTokaido ShinkansenTokaido Shinkansen Akechi Akechi Yoro Railway Yoro Railway SEINO JR Chuo MainJR Chuo Line Main Line TONO ▶P74 REGION REGION The production centers and home NagoyaNagoya Home of Ena Valley, a site of of Mino Yaki , the dominant type of great natural beauty through all pottery in Japan. four seasons. 4 Towards Tokyo 5.
Load more

Recommended publications
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
    [Show full text]
  • Illustration and the Visual Imagination in Modern Japanese Literature By
    Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work.
    [Show full text]
  • Vegetable Production and the Diet in Rural Villages by Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University)
    Vegetables and the Diet of the Edo Period, Part 2 Vegetable Production and the Diet in Rural Villages By Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University) Introduction compiled by Tomita Iyahiko and completed in 1873, describes the geography and culture of Hida During the Edo period (1603–1868), the number of province. It contains records from 415 villages in villages in Japan remained fairly constant with three Hida counties, including information on land roughly 63,200 villages in 1697 and 63,500 140 years value, number of households, population and prod- later in 1834. According to one source, the land ucts, which give us an idea of the lifestyle of these value of an average 18th and 19th century village, with villagers at the end of the Edo period. The first print- a population of around 400, was as much as 400 to ed edition of Hidago Fudoki was published in 1930 500 koku1, though the scale and character of each vil- (by Yuzankaku, Inc.), and was based primarily on the lage varied with some showing marked individuality. twenty-volume manuscript held by the National In one book, the author raised objections to the gen- Archives of Japan. This edition exhibits some minor eral belief that farmers accounted for nearly eighty discrepancies from the manuscript, but is generally percent of the Japanese population before and during identical. This article refers primarily to the printed the Edo period. Taking this into consideration, a gen- edition, with the manuscript used as supplementary eral or brief discussion of the diet in rural mountain reference.
    [Show full text]
  • Walking with Rugby Gifu Prefecture Seki City RUGBY×SE K I Contents
    Walking With Rugby Gifu Prefecture Seki City RUGBY×SE K I Contents Walking With Rugby Gifu Prefecture Seki City Contents Contents ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.1 The Mayor’s Greetings ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.2 For the Promotion and Development of Rugby ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.3 Seki City Information Map・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.4 Seki City’s Connection with Rugby・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.5-6 Detailed Facility Information ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.7-8 Accommodation Information ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.9 Seki City Amenities Map ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.10 Citizens’ Voices ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.11-12 The Goromaru Floats ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.13 Seki City Tourism ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ p.14 1 RUGBY × The Mayor’s Greetings SEKI Greetings Seki City Mayor, Ozeki Kenji Located close to the center of Japan Seki City was born of plentiful mountains and crystal clear rivers. It is a town where culture and commerce thrive and where there remains the aroma of history. On the beautiful Nagara River the National Important Intangible Folk Cultural Treasure of Ukai Cormorant fishing is performed.
    [Show full text]
  • Encyclopedia of Japanese History
    An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135
    [Show full text]
  • Development and Dispersal Process of Ancient Japanese Clan
    Development and Dispersal Process of Ancient Japanese Clan Development and Dispersal Process of Ancient Japanese Clan Masanobu SUZUKI Abstract In ancient Japan, how did the Yamato Kingdom (大和政権) form? In order to research this question, I studied the Ōmiwa clan (大神氏). This clan served the Yamato Kingdom and took charge of religious services in ancient times. The clan was one of the most powerful ancient Japanese clans. Therefore, knowledge of how the imperial family and the Ōmiwa clan are related is indispensable for understanding the nature of the politics of the Yamato Kingdom. Furthermore, it is indispensable for understanding the process of forming the Japanese nation in ancient times. In this paper, I extracted place names, Shinto shrine names, and clan names related to the “Miwa” (神, 三輪) or “Ōmiwa” (大神, 大三輪) from ancient historical documents. I found that they were distributed throughout almost all of the islands in ancient Japan, and some of the clans overlapped geographically. If we now find a related place name or Shinto shrine name, it is likely that related people who the Ōmiwa clan controlled lived there in ancient times. The Yamato Kingdom sent troops to or advanced into western and eastern Japan or foreign countries, so ancient people learned about the Ōmiwa god (大三輪神). They then established shrines for worship- ing that god as a war god, and the Miwa clan (神氏), the Miwahito clan (神人氏), the Miwahitobe clan (神人部 氏), and the Miwabe clan (神部氏) were established in various places in Japan to worship the god according to the local ruling systems of the Yamato Kingdom, including the Hito system (人制), the Bemin system (部民制), and the Kokuzō system (国造制).
    [Show full text]
  • Global Network
    Global Network EUROPE NORTH AMERICA ASIA ⅲ 1 IBIDEN Hungary Kft. （SiC-DPF, Substrate Holding Mat） ⅱ IBIDEN Graphite Korea Co., Ltd. ⅳ ⅰ 4 2 （Graphite Specialty） 3 1 ⅱ 2 ⅰ 8 7 6 3 1 ⅲ 2 ⅴ 5 IBIDEN U.S.A. Corp. 4 IBIDEN Electronics （Beijing） Co., Ltd. IBIDEN Porzellanfabrik ⅰ 9 Frauenthal GmbH （Printed Wiring Board） （NOx reduction catalyst） 10 IBIDEN DPF France S.A.S. （SiC-DPF） 3 4 IBIDEN Philippines, Inc. （IC Package） IBIDEN Mexico, S.A. de C.V. IBIDEN Electronics Malaysia （SiC-DPF） Sdn. Bhd. （Printed Wiring Board） ● Electronic Production Base ● Ceramic Production Base ● Sales Companies and Branches EUROPE ASIA NORTH AMERICA 1 IBIDEN Europe B.V. 1 IBIDEN Electronics（Beijing） Co., Ltd. 5 IBIDEN Taiwan Co., Ltd. 1 IBIDEN U.S.A. Corp. 1 Amsterdam（Head office / Branch） ⅱ Stuttgart Branch 2 IBIDEN Electronics（Shanghai） Co., Ltd. 6 IBIDEN Graphite Korea Co., Ltd. 1 Santa Clara ⅱ Detroit Branch ⅳ Portland Branch ⅰ Paris Branch ⅲ London Branch 3 IBIDEN Asia Holdings Pte., Ltd. 7 IBIDEN Korea Co., Ltd. （Head office） ⅲ Phoenix Branch ⅴ Austin Branch 4 IBIDEN Singapore Pte., Ltd. 8 IBIDEN CERAM Frauenthal Korea Co., Ltd. ⅰ Boston Branch 2 IBIDEN Hungary Kft. ⅰ India Branch 9 IBIDEN Philippines, Inc. 3 IBIDEN DPF France S.A.S. 2 Micro Mech, Inc. 10 IBIDEN Electronics Malaysia Sdn. Bhd. 4 IBIDEN Porzellanfabrik Frauenthal GmbH 3 IBIDEN CERAM Environmental Inc. 4 IBIDEN Mexico, S.A. de C.V. 13 IBIDEN Corporate Profile 2017 14 Domestic Network Training Center & Head Office Ogaki Plant Ogaki Central Plant 2-1, Kanda-cho, Ogaki, Gifu 905, Kido-cho, Ogaki,
    [Show full text]
  • The Japanese Sword and Its Fittings, from the Collections of the Members
    ^' iii^^y i ^ > 'W^ s -«i£i:/ > '-gr- 5 > ^-^^^ 2 LI B R AR I ES SMITHS0N1AN_INSTITUTI0N N0linillSNrNVIN0SHIIWs"'S3 ]U\ LliSNI^NVIN0SHilWs'^S3 I a vd a n_ I dVaa 11 LIB RAR I ES SMITHSONIAN^INSTIT iR I ES SMITHS0NIAN_INSTITUTI0N_N0liniliSNI_NVIN0SHillWS_S3 LIISNI NVINOSHiltNS S3IHVaan LIBRARIES SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3ia\ CO •, w z . z «2 ^ ^ z » M z '^N0liniliSNI_NVIN0SHllWs'^S3 I d VM 8 n_Li B RAR I ES SMITHSONIAN_INSTiT iR 1 ES"'SMITHS0N1AN^INSTITUT10N iliSNI~'NVIN0SHill^S^S3iavaan~'LIBRARIES SMITHSONIAN INSTITUTION NOIiniliSNI~'NVINOSHliWS S3ia r- r- z r- ~ ^ ^^ ^ ^ > jn \ Z £/> — \RIES SMITHSONIAN~INSTITUTION NOIiniliSNI NVIIMOSHilWS S3iaVdan LIBRARIES SMITHSONIAN INSTI' LI B RAR I Es'^SMITHSONIAN INSTITUTION N0liniliSNrNVIN0SHillMs"'s3 1 d iliSNI^NVIN0SHilWs'^S3 I dVd a M^ '" — (rt = w 5 ^, ^ ^ ^ ~ i dVd 8 LI B RAR I ES'"SMITHSONIAN~INSTr OkR I ES'^SMITHS0NIAN"'lNSTITUTI0N~N0lini!iSNI~NVIN0SHilWS"~S3 M ~ y r- Z r-,Z_r- Z _ _ to _ lliSNI NVINOSHimS S3iaVaan_LIBRARI ES_SMITHSONIAN INSTlTUTION^NOIiniliSNI _NVIN0SHillMS^^S3 I d ^-^^^-^ M f W -^' Z ^ ••- 2 CO Z ARIES SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3ldVdan LIBRARIES SMITHSONIAN INSTl I h a RAR l ES SMITHS0NIAN_INSTITUTI0N_N0IiniliSNI_NVIN0SHilWS_S3 liliSNl~'NVIN0SHimS^S3 I a Va a n~'LI — ^^'r: BRAR I Es'^SMITHSONIAN_ INSTITUTION N0linillSNI_NVIN0SHillNs'^S3 lavyan^LIBRARI Es'^SMITHSONIAN^JNJ DlinillSNCNVINOSHlIWS ~S3 I y Vd a IT LIB RAR I ES~SMlTHSONIAN~INSTITUT!ON~NOIiniliSNI~'NVINOSHillMS S3 BRARIES SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS
    [Show full text]
  • Hakuin's Precious Mirror Cave
    HAKUIN’S PRECIOUS MIRROR CAVE Copyright © 2009 by Norman Waddell. All rights reserved under International and Pan- American Copyright Conventions. Library of Congress Cataloging-in-Publication Data Hakuin, 1686–1769. [Selections. English. 2009] Hakuin’s Precious mirror cave : a Zen miscellany / edited and translated by Norman Waddell. p. cm. 1. Rinzai (Sect)—Doctrines—Early works to 1800. 2. Hakuin, 1686–1769. I. Waddell, Norman. II. Title. BQ9399.E593E5 2009 294.3’927—dc22 2008051631 ISBN 978-1-58243-497-1 eISBN 978-1-58243-934-1 Cover and interior design by Gopa & Ted2, Inc. Printed in the United States of America COUNTERPOINT 2560 Ninth Street Suite 318, Berkeley, CA 94710. www.counterpointpress.com Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 Dedicated to Nishitani Keiji (1900–1990), with grateful memories, DEVIL Even if you enter the gate of nonduality, if you lack the Bodhi-mind, you will sink into the ways of the devil. If you want to bring your quest for the great Dharma to completion, you must spur forward the wheel of the Four Great Vows. This fine example of Hakuin’s calligraphy, dominated by the single large character Ma (Mara, the Devil or Destroyer; the enemy of Buddhist practice), can be said to express in a nutshell the essence of his teaching. : Contents : General Introduction 1: The Tale of My Childhood 2: The Tale of Yūkichi of Takayama 3: Idle Talk on a Night Boat 4: Old Granny’s Tea-Grinding Songs 5: An Account of the Precious Mirror Cave 6: The Chronological Biography of Zen Master Hakuin by Tōrei Enji Notes Glossary Selected Bibliography : General Introduction : RECIOUS MIRROR CAVE is made up of two parts.1 The first is a collection of five works by Zen Master Hakuin (1685–1768) spanningP a wide range of subjects and themes, including some that until now have been unknown in the West.
    [Show full text]
  • The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-Sworded Men from the Fifteenth to the Twenty-First Centuries
    The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-sworded Men from the Fifteenth to the Twenty-first Centuries. Anatoliy Anshin Ph.D. Dissertation UNSW@ADFA 2009 ACKNOWLEDGEMENTS This thesis would not have seen the light without the help of more people than I can name individually. I am particularly grateful to Professor Stewart Lone, UNSW@ADFA, and Professor Sandra Wilson, Murdoch University, for their guidance and support while supervising my Ph.D. project. All of their comments and remarks helped enormously in making this a better thesis. A number of people in Japan contributed significantly to producing this work. I am indebted to Ōtake Risuke, master teacher of Tenshinshō-den Katori Shintō-ryū, and Kondō Katsuyuki, director of the Main Line Daitō-ryū Aikijūjutsu, for granting interviews and sharing a wealth of valuable material during my research. I thank Professor Shima Yoshitaka, Waseda University, for his generous help and advice. I would like to express my infinite thankfulness to my wife, Yoo Sun Young, for her devotion and patience during the years it took to complete this work. As for the contribution of my mother, Margarita Anshina, no words shall convey the depth of my gratitude to her. 1 CONTENTS Acknowledgements…………..…………………………………………………….……1 Contents…………………………..……………………………………………………...2 List of Illustrations……………………………………………………………………….5 Conventions……………………………………………………………………………...6 List of Author’s Publications…………………………………………………………….8 INTRODUCTION……………………………………………………………………….9
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature Permalink https://escholarship.org/uc/item/0777d5sv Author Bassoe, Pedro Thiago Ramos Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition.
    [Show full text]
  • Title POPULATION PROBLEMS in the TOKUGAWA ERA Author(S)
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Kyoto University Research Information Repository Title POPULATION PROBLEMS IN THE TOKUGAWA ERA Author(s) Honjo, Eijiro Citation Kyoto University Economic Review (1927), 2(2): 42-63 Issue Date 1927-12 URL http://hdl.handle.net/2433/125164 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University #fum;;;;::;;; M Kyoto University Eco'nomic Review MEMOIRS OF THE DEPARTMENT OF ECONOMICS IN THE IMPERIAL UNIVERSITV OF KVOTO VOLUME II 1927 PUBLISHED BY THE DEPARTMENT OF ECONOMICS IN TIlE IMPERIAL UNn'ERSITY OF KyOTO POPULATION PROBLEMS IN THE TOKUGAWA ERA 1. INCREASE OF THE POPULATION') In Japan, even in ancient times, there was an institu· tion for registering the names of members of families (Kosekt). In the Taiho·Ryo (i. e. the code amended during the year of Taiho-702 A.D.) that institution was placed under more exact regulations. Nevertheless, we cannot learn precisely the exact number of people at that time. In modern times, viz., the Tokugawa age, the number of people before the Kyoho period likewise remains unascertained. The order to reckon up the population was given by Yoshimune, the 8th Shogun of the Tokugawa dynasty. The two edicts, which were issued in the 6th year (1721) and in the 2nd month of the 11th year of Kyoho (1726), are of the utmost importance with reference to the problem. In the earlier decree, there was no order to examine the population and to report the number obtained from this examination. The number reported was only the registered number, which was already known to the officers at that time.
    [Show full text]