Honolulu Academy of Arts 1986 HONOLULU ACADEMY of ARTS Henry B

Total Page:16

File Type:pdf, Size:1020Kb

Honolulu Academy of Arts 1986 HONOLULU ACADEMY of ARTS Henry B 900 South Beretania Street, Honolulu, Hawaii 96814 NON-PROFIT ORGANIZATION U.S. POST AGE PAID Honolulu, Hawaii, Permit No. 119 ~aen ~-ar ews © Honolulu Academy of Arts 1986 HONOLULU ACADEMY OF ARTS Henry B. Clark, Jr., President, Board of Trustees· George R~ Ellis, Director December 1986 A Registered National Historic Place • Accredited by the American Association of Museums GALLERY HOURS: Tuesday through Saturday 10:00 a.m.-4:30 p.m. Sunday 1 :00-5:00 p.m. Closed Monday, New Year's Day, 4th of July, Labor Day, Thanksgiving and Christmas Day. GENERAL INFORMATION Telephone: 538-1006 (information only); 538-3693 (administrative and other business) Admission: Free Garden Cafe: Luncheon, Tuesday-Friday at 11 :30 a.m. and 1 :00 p.m. Thursday supper at 6:30 p.m. For reservations call 531-8865 (Monday 9:00 a.m.-noon, Tuesday-Friday 9:00 a.m.-2:00 p.m.). Garden Cafe closed June-August. Academy Shop: Open during regular museum hours, except closes Tuesday through Saturday at 4:00 p.m. Library: Tues~:fay-Friday 10:00 a.m.-noon and 1 :00-4:00 p.m. Saturday 10:00 a.m.­ noon and 1 :00-3:00 p.m. Closed Sunda) and Monday. Tours: Guided tours of the collection are offered Tuesday, Wednesday, Friday, and Saturday at 11 :00 a.m.; Thursday at 2:00 p.m. and Sunday at 1 :00 p.m. Special and group tours are available, and tours for hearing-impaired persons can be arranged; call 538-3693, ext. 255. Access for the physically handicapped is available through the Ward Avenue Happy Holidays! This spectacular infra-red photograph of the museum is by entrance. Free parking spaces for the Raymond Sato. In 1986 the Honolulu Academy of Arts was named Hawaii's handicapped are available in the parking "best building" by members of the Hawaii Society/ American Institute of lot on the Ward Avenue side of Architects. Award-winning designs of the Society's annual competition are on the museum. view in Central Court through December 28. Calendar Exhibitions December 1986 1-7 Monday-Sunday Artists of Hawaii 1986 Bumpei Akaji has created many well­ Hawaii International Film festival films. Second Floor Galleries known public sculptures, including a Please consult newspapers and festival through December 28, 1986 large bronze work Pu'uwai (Heart) at brochure for more information. the lmin Center of the East-West Academy Theatre (free) The Academy's 36th annual juried and invitational exhibition presents works Center; Eternal Flame, a copper work 2-7 Tuesday-Sunday in various media by artists from at the Hawaii State Capitol; Na Manu Folk Art Bazaar continues in Lecture throughout the state of Hawaii. Serving Oli (Birds of Glad Tidings), Mau Loa Gallery. Tuesday-Saturday: 10 a.m. to Ka Ohana (Eternal is the Family), and 4 p.m. Sunday: 1-5 p.m. Parking at as juror this year was Lee Mullican Ulu Laau Ua (Rain Forest) at the Bishop 1035 Kinau Street on space-available basis. artist and professor of art at the Uni­ versity of California at Los Angeles. Trust Building; as well as sculptures at 4 Thursday Three hundred and fifteen Hawaij the Neal Blaisdell Concert Hall, Ala Exhibition opens: Paintings on Paper by Moana Shopping Center, and Mauna Lei-Sanne Doo and Dreamscapes by artists submitted 777 works, including Kea Beach Hotel. Akaji developed an George Binns. Graphic Arts Gallery 20 artists from the island of Hawaii, through January 11, 1987. 33 from Maui, 11 from Kauai and interest in art as a teenager on Kauai, along with other prominent artists Members' tours: Artists of Hawaii 1986 at 251 from Oahu. lsami Doi and Reuben Tam. During 9 a.m. Please register in advance by The invitational section of the exhibi­ World War II, Akaji served with the calling 538-3693, ext. 255. tion honors six Hawaii artists who have 442nd Regimental Combat Team in 8-10 Monday-Wednesday 7:30 p.m. made significant contributions in the Italy where he remained after the war Masters of Japanese Cinema: "A.K.," visual arts: Bumpei Akaji, sculpture; 1985, documentary on Akira Kurosawa. to study art. Later he returned to Kenneth Bushnell, painting; Helen Hawaii and received a master's degree English and Japanese dialogue with Gilbert, painting; Brone Jameikis, subtitles. Invited Artist of Hawaii 1986 Bumpei Akaji, in art at the University of Hawaii. His stained glass; Mamoru Sato, sculpture; sculpture Academy Theatre (admission) free-standing forms, relief panels, and and Harry Tsuchidana, painting. 11-12 Thursday-Friday monumental works are powerful state­ Masters of Japanese Cinema: "Sound of The Artists of Hawaii 1986 exhibition ments of Akaji's unique vision the Mountain," 1954, directed by Mikio is sponsored by AT&T and supported and energies. Naruse is based on the novel by Yasunari in part by a grant from the State Kenneth Bushnell is professor of art Kawabata. Thursday at 1 and 7:30 p.m. Foundation on Culture and the Arts. at the University of Hawaii at Manoa. Friday at 7:30 p.m. Since 1963 his paintings have been Academy Theatre (admission) shown in numerous solo exhibitions in 13 Saturday 8 p.m. Honolulu, New York, Philadelphia, Honolulu Brass Annual Christmas·concert Los Angeles, Hamburg, Barcelona and Central Court (admission) Amsterdam, in group exhibitions 14 Sunday nationally and internationally, and in Members' tour: Artists of Hawaii 1986 environmental and expo~ition installa­ at 9 a.m. Please register in advance by tions. In 1986 a retrospective of his calling 538-3693, ext. 255. work was held at the Contemporary 15-16 Monday-Tuesday 7:30 p.m. Arts Center and the Artloft in foreign Film: "The Smile of the Lamb," Honolulu and included works from his 1985, Israel. Diamond series (1967-68), Kite series Academy Theatre (admission) (1972-74), Lintel and Couplet series 17 Wednesday 7:30 p.m. (1975-81 and 1982-84), and culminating film: "Naked Spaces: Living is Round," in the Euclidean Dream Cycle (1983--). 1986, directed by,rinh ,. Minh-Ha, In addition to painting, Bushnell is filmed in rural areas of five West African Invited Artist of Hawaii 1986 Kenneth Bushnell, involved in filmmaking, printmaking, countries. painting and theater design for dance. Academy Theatre (admission) 18-19 Thursday-Friday Painter Helen Gilbert, professor of art Masters of Japanese Cinema: "High and at the University of Hawaii at Manoa, Low," 1963, directed by Akira Kurosawa. is a native of California and attended Thursday at 1 and 7:30 p.m., Friday at Mills College, San Francisco Art Insti­ 7:30 p.m. tute, Central School of Art in London, 20 Saturday 2-4 p.m. Friedlander Atelier in Paris, and the Young People's Art Exhibition opens. University of California at Berkeley. Free reception in Art Center galleries and She received her M.F.A. from the Uni­ Fountain Court. Exhibition continues versity of Hawaii where she has taught through January 4, 1987. since 1965. Her works have been 27-30 Saturday-Tuesday exhibited in solo exhibitions in Phila­ Film: "My American Cousin," 1986, award­ delphia, New York, Dusseldorf, winning Canadian film. Saturday, Monday, Hamburg, Barcelona, and Honolulu Tuesday at 7:30 p.m.; Sunday at 4 p.m. and in numerous group exhibitions in Academy Theatre (admission) Europe and throughout the United 28 Sunday States. She is well known for her Final day: Artists of Hawaii 1986 exhibition kinetic light pieces, prints, paintings, 30 Tuesday and media works which reflect her Exhibition opens: Works by William interest in geometric abstraction and Wegman the contructivist tradition. FOCUS Gallery through February 1, 1987 Invited Artist of Hawaii 1986 Helen Gilbert, painting Lithuanian-born artist Brone Jameikis came to the United States in 1949, began studying at the Art Institute of Chicago and working at the Valeska Church Art Studios in 1952, receiving a B.F.A. and M.F.A. from the Art Institute of Chicago by 1958. During this period she studied the art of stained glass, winning an award at an exhibition of religious art in Chicago. Later, in Hawaii, Miss Jameikis received an M.A. in Far Eastern Art from the University of Hawaii. She joined the staff of the Honolulu Academy of Arts in 1971, where she served as keeper of the audiovisual center until her retirement in 1981. Texas-born sculptor Mamoru Sato was trained in art at the University of Colorado where he received a B.A. in fine arts and an M.F.A. in sculpture. Invited Artist of Hawaii 1986 Brone Jameikis, He has been professor of art at the stained glass University of Hawaii since 1965. His works have been widely exhibited including recent solo exhibitions at the ArtLoft, Dqwntown Gallery and Central Pacific Bank in Honolulu, in Oklahoma City, Muncie and San Diego, and an invitational exh ibition in Kagoshima, Japan. Among his numerous commis­ sions are a 24-foot terrazzo sculpture for the Honolulu International Airport, a 24- x 28-foot aluminum ceiling for the Hayashida Onsen Hotel (Kago­ shima), a 32-foot brass and mahogany sculpture for the Hilton Hawaiian Village Hotel, Honolulu, and three ) exterior sculptures for Hilo Hospital. Sato's works are in many collections . including the State of Hawaii, Honolulu Academy of Arts, University of Hawaii, University of Colorado, and the James A. Michener Collection. Harry Tsuchidana was born in Waipahu Invited Artist of Hawaii 1986 Mamoru Sato sculpture ' and received his first formal art train­ ing at the Honolulu Academy of Arts The Imperative of the Cold Triangle from when he was 16 years old. After serving Dreamscapes by George Binns, December 4- January 11, 1987 in the U.S.
Recommended publications
  • Research Resources at the Smithsonian American Art Museum Amelia A
    From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Theodore Wores Papers, 1880-1999
    http://oac.cdlib.org/findaid/ark:/13030/tf7d5nb2f8 No online items Guide to the Theodore Wores Papers, 1880-1999 Processed by Phyllis Dorset; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2001 The Board of Trustees of Stanford University. All rights reserved. Guide to the Theodore Wores Special Collections M0816 1 Papers, 1880-1999 Guide to the Theodore Wores Papers, 1880-1999 Collection number: M0816 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Phyllis Dorset Date Completed: 1999 Sept. Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Theodore Wores Papers, Date (inclusive): 1880-1999 Collection number: Special Collections M0816 Creator: Wores, Theodore, 1859-1939. Extent: 8 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Gift of Dr. A. Jess Shenson, 1996. Preferred Citation: [Identification of item], Theodore Wores Papers, M0816, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.
    [Show full text]
  • John Edward Walker
    654 He was listed by the New York Times in 1914 as one of the dozen “notable” artists of Carmel.4 That fall his work was included in the Exhibition of Carmel and Southern California Artists at the Rabjohn & Morcom Gallery in San Francisco.5 A year later the Carmel Pine Cone reported that his paintings were selling well in that city.6 During the summer of 1916 he advertised his studio “by appointment only” at the “Schlingman Cottage” on Casanova Street between Seventh and Eighth Avenues.7 He taught art to select students in Carmel, but there is no evidence that he was an instructor at the Arts and Crafts Club Summer School. In 1913 he contributed the painting Coast View to the Seventh Annual Exhibition of that Club.8 As a Carmel resident his canvas was allowed into the award competition for that year. For the Club’s Tenth Annual in 1916 he submitted four pieces: Glow at Evening, Oaks in Spring, Happy Valley and Sand Dune-Carmel. Of these Blanche Marie d’Harcourt, art critic for The Wasp of San Francisco, declared that he “interprets Nature in her most poetical moods.”9 That December she reported that this “modest young Englishman” was hard at work “painting many scenes up the Carmel Valley.”10 In May of 1917 Walker assembled fifteen of his “small and modest” Carmel seascapes for exhibition at the Kanst Gallery in Los Angeles.11 The art critic for the Los Angeles Times, Antony Anderson, found the painter to be “a trifle over-conscientious” in depicting detail, too wordy in his titles and lacking in California’s bright colors, but he praised his drawing skills and genuine emotion.12 In a similar assessment of his “oil sketches” that June at the Schussler Brothers Gallery of San Francisco Anna Cora Winchell, the art critic of the San Francisco Chronicle, observed that the British painter depicted:13 .
    [Show full text]
  • Two Hawaiian Careers in Grand Opera
    DALE E. HALL Two Hawaiian Careers in Grand Opera WHEN WE THINK of Hawaiians and music, the sounds of steel gui- tars and 'ukulele are more apt to come to mind than opera or sym- phony. Native Hawaiian culture, of course, has its own musical tradition, mainly vocal, dating from ancient times; chant or mele continues to exist today side by side with other kinds of Hawaiian styles influenced by both classical and popular Western music. Hawaiians are also well-known as composers and performers of Western-influenced Hawaiian popular music, but their contribu- tions to Western classical music are less well-known. Among Native Hawaiians born in the 19th century, very few became prominent as composers or performers in the Western art tradition, a circumstance which is hardly surprising since the total Hawaiian population, then, as now, is quite small as compared with the total population on which Western music draws. Queen Lili'uokalani was among those who learned enough about West- ern music to write down her own songs. Her Aloha c0e, for example, was influenced by the style of 19th-century himeni or Protestant hymns with texts translated into Hawaiian.1 The part- Hawaiian Charles E. King (1874-1950) composed the operetta, Prince of Hawaii, called a "Hawaiian opera" when it was per- formed in Honolulu in 1925.2 Part-Hawaiians and ali'i (aristo- crats, nobility) closely affiliated with the royal court attended con- Dale E. Hall, Associate Professor of Musicology, University of Hawai'i, is a widely published author on music and is currently writing a history of the Honolulu Symphony.
    [Show full text]
  • Tennis Shobs
    'I If yoa want o The Itunnnan Star JB day's Kcwb, todny U the-- paper that 'ifl yon can find it In Roos Into, tho best THE 8TAK THE HAWAIIAN STAR. homes or llonolnln c?. vol. vnr. HONOLULU, H. I., TUESDAY, IvfAY 21, 1901. No. 2865 3 NEARLY 10 01 IS Ulilll Mil IY SOI PETITION 10 OUST M IE I PRICE OF UT ID ES fill fll II I. j GEN- $30,000 THE LATEST THING - COURT ON i NARROW ESCAPE OF IISTEAMER ATTITUDE OP ATTORNEY THE LEGISLATURE'S ABOUT IN HOME WHY BUTCHERS ARE ASKING- SUPREME. IMPORTANT MAUI LAST NIGHT. ERAL APPROVED. SPENT. RULE SCHEMES. MORE. LAND CASE. Struck a Rock Near Molokal Light- Judge Humphreys Dismisses Order In Members Lost No Time, But DreW Waiting for News of the Resolutions Claim That They Have Been Selling In) Chrlstley vs. Magoon Plaintiff Gets ' -- it house and Had to Return to Hono- Bribery Matter as to Him Cooper, Before Notice of Signing the Appro- Beckley Took Proposed Canvass of At a Loss to Themselves The Two All he asked for Lessees of Property lulu for Repairs. McCandless and Thurston. priation Act Was Read. The Islands for Signatures. Markets. In Agreement Are Protected.. About 10:30 o'clock last night tho Acting Governor Cooper, Attorney-Gener- al About $3,000 are left of the $30,000 A petition to remove Governor Dole Some days ago, the" rumor was rife In the case of Chrlstley vs. Magoon. ("Wilder company's steamer Maul, Cap- E. P. Dole, former Superinten- appropriated for the expenses of tho Is one of the latest Ideas among the upon the streets that the meat markets the Supreme Court this morning hand- tain Sachs, struck on a rock oil tho dent of Public Works, McCandless and extra session of the legislature'.
    [Show full text]
  • Ka Wai Ola O
    Get Your Child Off To A Good Start Children begin learning at birth. That's why Kamehameha chools offers Hawaiian families a variety of early education services. The Parent-Infant Program shows new Center-Based Preschools prepare parents ways to he their baby's first and children for kindergarten and future best teacher. school success. The Traveling Preschool Program gives For information on how to enro ll in these toddlers formal learning experiences twice weekly at neighhorhood sites. At the programs at a site near you, please call same time, th ir caregivers learn Kame/tameha IS Early Education Division teaching methods to use at home. at 832-3025 or 832-3026. KAMEHAMEHA SCHOOLS/BERNICE PAUAHI BISHOP E TATE • Ka Wai Ola 0 OHA OFFICE OF HAWAIIAN AFFAIRS BULK RATE 711 Kapiolani Blvd., Suite 500 US POSTAGE PAID Honolulu, Hawaii 96813 Honolulu. HawaII Perm,t No 298 ... - -- F OFFICE OF HAWAHAN AFFAIRS DIaD OJjf\ ..1_ ..... 1992 Advisory committee says Native Hawaiian civil rights violated by Ann L. Moore In "A Broken Trust" the Hawai'i Advisory sovereign nation recognized by the United States The Hawai'i Advisory Committee to the Committee has addressed the possible violation and many other nations. As a result thay have United States Commission on Civil Rights has of the civil rights of Native Hawaiians. That not been able to secure control of lands, enjoy released" A Broken Trust, The Hawaiian Native Hawaiians have been "effectively denied self-governance or eligibility for federal pro- Homelands Program: Seventy Years of Failure the right of judicial redress" or the right to sue in grams for Native Americans.
    [Show full text]
  • Drsbenandajess00shenrich.Pdf
    University of California Berkeley Regional Oral History Office California Historical Society The Bancroft Library San Francisco, California University of California Berkeley, California California Historical Society Oral History Series A. Jess Shenson, M.D. DRS. BEN AND A. JESS SHENSON: OVER ONE HUNDRED YEARS OF SERVICE TO SAN FRANCISCO IN MEDICINE, MUSIC, AND ART With Introductions by Eugene A. Bauer, M.D. Michael McCone Nancy Bechtle Reid Dennis Interviews Conducted by Caroline Crawford in 1997 Copyright 1998 by the California Historical Society and The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between the California Historical Society, The Regents of the University of California, and Dr.
    [Show full text]
  • Framed Items from the Collections of the Bancroft Library
    http://oac.cdlib.org/findaid/ark:/13030/kt4c6003v2 Online items available Guide to the Framed items from the collections of The Bancroft Library Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2003 The Regents of the University of California. All rights reserved. Guide to the Framed items from Various 1 the collections of The Bancroft Library Guide to the Framed items from the collections of The Bancroft Library Collection number: Various The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: January 2003 Encoded by: Michael Conkin Updated by: Xiuzhi Zhou © 2003 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Framed items from the collections of The Bancroft Library Collection Number: Various Creator: Various Extent: 310 items (framed); various361 digital objects Repository: The Bancroft Library. Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: 310 framed items from the collections of The Bancroft Library. Includes paintings, drawings, prints and photographs dating from the late 1600s to the mid-1970s. Subject matter is chiefly California scenes, events, towns and landmarks, as well as numerous portraits of prominent Californians.
    [Show full text]
  • Curriculum Vitae
    JOHN CHARLOT, Dr.Theol. September 1, 2009 Professor of Polynesian Religions Department of Religion College of Arts and Humanities University of Hawai`i at Mānoa Sakamaki Hall A-307 2530 Dole Street Honolulu, Hawai`i 96822 Home Page: www2.hawaii.edu/~charlot University 1957–1958 Chaminade College of Honolulu, Honolulu, Hawai`i. 1958–1961 Harvard College, Cambridge, Massachusetts. 1961–1962 University of Louvain, Louvain, Belgium. 1962–1968 University of Munich, Munich, Germany. Degrees Baccalauréat unique en philosophie, University of Louvain, 1962. Dr.Theol., University of Munich, 1968. BIBLIOGRAPHY Books New Testament Disunity: Its Significance for Christianity Today, E. P. Dutton, N. Y., 1970. The Construction of the Formula in 1 Corinthians 15, 3–5, Difo Druck, Bamberg, l968 (private printing). Chanting the Universe: Hawaiian Religious Culture, Emphasis International, Honolulu and Hong Kong, 1983. The Hawaiian Poetry of Religion and Politics: Some Religio-Political Concepts in Postcontact Literature, Monograph Series, Number 5, The Institute for Polynesian Studies, Polynesian Cultural Center, Brigham Young University—Hawai`i Campus, Lā`ie, Hawai`i, 1985. The Kamapua`a Literature: The Classical Traditions of the Hawaiian Pig God as a Body of Literature, Monograph Series, Number 6, The Institute for Polynesian Studies, Polynesian Cultural Center, Brigham Young University -- Hawai`i Campus, Lā`ie, Hawai`i, 1987. Classical Hawaiian Education: Generations of Hawaiian Culture; Moses Kuaea Nākuina: Hawaiian Novelist; and Approaches to the Academic Study of Hawaiian Literature and Culture. The Pacific Institute, Brigham Young University−Hawai`i Campus, Lā`ie, Hawai`i, 2005. CD-ROM. 1/11 Jean Charlot: Life and Work, Volume 1: The French Period, 1898–1921, draft posting, the Web site of the Jean Charlot Foundation, www.hawaii.edu/jcf, 2006.
    [Show full text]
  • Clan Destiny
    Number 31 Spring 2008 Message from the Chair Dr. Stacy Schaefer with Annie the Llama from CritterVille. Raised by human foster parents, Annie thinks she is a Homo sapien. !!!!!! Photograph by Jim Bauml. O IENCES Greetings! C It is a pleasure to present you with the latest issue of Clan Destiny. As I write this at my computer in the department office in Butte Hall, I’d really rather be outside sitting by the creek with a laptop, taking in the fresh LOGY colors, the soothing sounds of the creek, and the brisk air, allergens and all. O But that is not to be, so I find inspiration from the serene view I have from my window down through the lush vegetation to the creek. If I look just right, SITY, CHIC I can catch a sparkly light show from the sun-mirrored water of the creek as it flows in ever-moving new illuminated patterns. And yes, I think the same analogy can be applied to all that has happened this year in the department. IVER Welcome to our New Faculty and Staff N New life has been infused into the department. We have two new cultural faculty members, Jesse Dizard and Brian Brazeal. Jesse comes to us from his previous post in Juneau, Alaska, and brings expertise in applied and economic anthropology, tourism in Morocco, and water and fishing issues impacting Native Americans in Alaska, Oregon, and Northern California. IORAL AND SOCIAL S Brian recently received his Ph.D. from the University of Chicago. His special STATE U V areas of research include religion, visual anthropology, economics, and Afro-Brazilian cultures with an emphasis on Candomblé religious practitioners in Brazil.
    [Show full text]
  • The Yates Family Settled in California, the Discovery of Gold in January 1848 Had Led to a Large Number of People Settling in the Area
    The Yates Family In this book I have had access to the letters and journals of Fred, Emily and Mary Yates. They make fascinating reading, not only for their illumination of some lesser known pat- terns in the art of their day, but also as a window - especially in the case of Mary’s writings, into a unique vision and life, centered in the English Lake District in the early years of the last Century. These extracts are from their own writings, and other sources. They are arranged as far as possible, in order to let them tell the story in their own words. John Hodkinson, Hart Head Cottage, Easter 2002. Page I Fred Yates Apart from a few short biographical entries and citations, little yet has been published about Fred Yates. The simple chronology known is as follows: He was born in 1854, in Southampton and lived for a while in Liverpool. Around 1881, he went with his parents to America, becoming a professional artist shortly afterwards. He had two periods of study in Paris, with Leon Joseph Florentin Bonatt, 1833 – 1922, a well known portrait and historical painter. Also, with Adolph William Bouguereau, 1825 – 1905, a painter with a similarity of spirit to the Pre- Raphaelite Brotherhood, and known for pictures on themes from classical mythology, the Bible, and contemporary life. Returning to the USA, he married on the last day of 1887, Emily Powers Chapman, a pianist and teacher whom he met whilst teaching in San Raphael, California. From 1890, they made their home in England, and their daughter Mary was born in 1891 in Chislehurst.
    [Show full text]