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The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
No. 24 Mormon Pacific Historical Society
Mormon Pacific Historical Society Proceedings 24th Annual Conference October 17-18th 2003 (Held at ‘Auwaiolimu Chapel in Honolulu) ‘Auwaiolimu Chapel (circa 1890’s) Built by Elder Matthew Noall Dedicated April 29, 1888 (attended by King Kalakaua and Queen Kapi’olani) 1 Mormon Pacific Historical Society 2003 Conference Proceedings October 17-18, 2003 Auwaiolimu (Honolulu) Chapel Significant LDS Historical Sites on Windward Oahu……………………………….1 Lukewarm in Paradise: A Mormon Poi Dog Political Journalist’s Journey ……..11 into Hawaii Politics Alf Pratte Musings of an Old “Pol” ………………………………………………………………32 Cecil Heftel World War Two in Hawaii: A watershed ……………………………………………36 Mark James It all Started with Basketball ………………………………………………………….60 Adney Komatsu Mormon Influences on the Waikiki entertainment Scene …………………………..62 Ishmael Stagner My Life in Music ……………………………………………………………………….72 James “Jimmy” Mo’ikeha King’s Falls (afternoon fieldtrip) ……………………………………………………….75 LDS Historical Sites (Windward Oahu) 2 Pounders Beach, Laie (narration by Wylie Swapp) Pier Pilings at Pounders Beach (Courtesy Mark James) Aloha …… there are so many notable historians in this group, but let me tell you a bit about this area that I know about, things that I’ve heard and read about. The pilings that are out there, that you have seen every time you have come here to this beach, are left over from the original pier that was built when the plantation was organized. They were out here in this remote area and they needed to get the sugar to market, and so that was built in order to get the sugar, and whatever else they were growing, to Honolulu to the markets. These (pilings) have been here ever since. -
Honolulu Advertiser & Star-Bulletin Obituaries January 1
Honolulu Advertiser & Star-Bulletin Obituaries January 1 - December 31, 2004 K ANNIE "TAXI ANNIE" AKI KA, 78, of Kailua, Hawai'i, died Aug. 12, 2004. Born in Honaunau, Hawai'i. A professional lei maker, lei wholesaler, and professional hula dancer; member of 'Ahahui Ka'ahumanu O Kona (Ka'ahumanu Society, Kona); owner of Triple K Taxi Service; longtime Jack's Tours and Taxi Service employee; owner of a bicycle rental business, and Kona Inn Hotel bartender. Survived by sons, Joseph Sr., Harry and Jonathan; daughters, Annie Leong and Lorraine Wahinekapu; 13 grandchildren; 17 great-grandchildren; brothers, Archie, Ernest and Walter Aki; sisters, Lillian Hose, Dolly Salas and Elizabeth Aki. Visitation 8:30 to 10 a.m. Saturday at Lanakila Church, Kainaliu, Hawai'i; memorial service 10 a.m.; burial of urn to follow in church cemetery. No flowers; monetary donations accepted. Casual attire. Arrangements by Dodo Mortuary, Kona, Hawai'i. [Adv Aug 24, 2004] MYRTLE KAPEAOKAMOKU KAAA, 75, of Hilo, Hawai'i, died April 18, 2004. Born in Kapapala, Ka'u, Hawai'i. A homemaker. Survived by husband, William Jr.; sons, Kyle and Kelsey; daughter, Kawehi Walters and Kimelia Ishibashi; sister, Iris Boshard; 15 grandchildren; five great- grandchildren. Visitation 10 a.m. to noon Saturday at Haili Congregational Church; service noon; burial to follow at Hawai'i Veterans Cemetery No. 2. Aloha attire. Arrangements by Dodo Mortuary, Hilo. [Adv 27/04/2004] WILLIAM KELEKINO "JUNIOR" KAAE, 72, of Kane'ohe, died Jan. 17, 2004. Born in Honolulu. Spats nightclub employee; and a Waikiki beachboy. Survived by wife, Georgette; daughters, Danell Soares-Haae, Teresa Marshall and Kuulei; sons, Leonard, Dudley, Joe and Everett; brothers, George, Naleo and Leonard Kaae, and Nick and Sherman Tenn; sisters, Rose Gelter, Ethel Hanley and Wanda Naweli; 18 grandchildren; three great-grandchildren. -
The Art Digest 1945-10-15: Vol 20 Iss 2
THE offs (=S5 am Sentimental Awarded Moment First Prize ’ by Philip Guston - of $1,000 at | " (Oil on Canvas, 1945 Carnegie : 1943) American Show i See Article on Page §& THE NEWS MAGAZINE OF ART eS ae ee WILDENSTEIN and co... MAU SEUM INC. | OF NON-OBJECTIVE PAINTING 24 EAST 54TH STREET NEW YORK CITY EXHIBITION OF CAMILLE PISSARRO HIS PLACE IN ART ror the Beet of MATTERN THE GODDARD NEIGHBORHOOD CENTER | Ky E AY SS 2 tf £ tt October 24 to November 24 19 East 64th Street, New York City Paris London | SOLOMON R. GUGGENHEIM FOUNDATION OPEN SUNDAYS 12-6 DAILY EXCEPT MONDAYS 10-6 WO ENTRANCE FEE DUVEEN BROTHERS, Inc. MASTERPIECES — OF PAINTING SCULPTURE PORCELAIN FURNITURE TAPESTRIES GOTHIC - RENAISSANCE EIGHTEENTH CENTURY New York - 720 Fifth Avenue the Salmagundi Club at which prizes are awarded those who PEYTON BOSWELL make the best record during American Art Week. I have attended several of these dinners, and have always come away Comments: with the feeling there should be prizes for everyone who has contributed time and thought to this worthy cause. This department expresses the personal opinion of Peyton Boswell, Jr., writing as an individual. Philadelphia’s Record Any reader is invited to take issue with what Oo" OF OUR MOST HUMAN TRAITS, perhaps sired of mental he says. Controversy revitalizes the spirit of art. laziness, is the tendency to judge groups by individuals. For example, because a certain museum finds it more con- Television in Color venient to dwell in the past, some of us fall into the habit i ans New York TiMEs on the morning of October 11 of using the words museum and mausoleum interchange- termed it a radio “miracle.” It did so advisedly, for the ably. -
Statement of JOHN DE FRIES Hawai'i Tourism Authority Before the SENATE COMMITTEE on ENERGY, ECONOMIC DEVELOPMENT, and TOURISM
Statement of JOHN DE FRIES Hawai‘i Tourism Authority before the SENATE COMMITTEE ON ENERGY, ECONOMIC DEVELOPMENT, AND TOURISM Monday, February 8, 2021 3:00 PM State Capitol, Conference Room #224 In consideration of SENATE BILL NO. 916 RELATING TO TAXATION Chair Wakai, Vice Chair Misalucha, and members of the Committee on Energy, Economic Development, and Tourism: the Hawai‘i Tourism Authority (HTA) supports Senate Bill 916, which specifies that the $1,000,000 of Transient Accommodations Tax revenues currently allocated to operate a Hawaiian center and the Museum of Hawaiian Music and Dance may also be used to plan, design, and construct these facilities at an unspecified location. SB 916 is needed as we move forward to create the new Museum of Hawaiian Music and Dance. This measure will allow the funds to be utilized both for operations and development of the center. Currently, the law does not provide clear guidance as to how the funds may be utilized. The term “operations,” as found in the current statute, appears to restrict the use of the funds to the day-to- day activities of a center. Since this will be a new endeavor, we believe that allowing the funds to also be used for the planning, design, and construction will encourage more interest as we move forward in the Request for Proposal (RFP) process. It is for these reasons that HTA supports SB 916. We appreciate this opportunity to provide testimony. Managed by the Festival Companies 2201 Kalākaua Avenue, Suite A500 Honolulu, Hawaiʽi 96815 • (808) 931-3100 • RoyalHawaiianCenter.com TO: Hon. -
HE MAKANA the Gertrude Mary Joan Damon Haig Collection of Hawaiian Art, Paintings and Prints Opens First Friday, Dec. 6, 2013
December 2013 HE MAKANA DECEMBER The Gertrude Mary Joan Damon FREE EVENTS Haig Collection Of Hawaiian Art, AT HISAM The public is invited to these free Paintings and Prints Opens First events for December 2013 to be held at the Hawai‘i State Art Mu- Friday, Dec. 6, 2013 seum in the No.1 Capitol District Building at 250 South Hotel Street he Gertrude Mary Joan Damon ing lands, an interest her children in downtown Honolulu. See feature Haig Collection of Hawaiian inherited. stories and photos of these events TArt, Paintings, and Prints is a Forty-three works of art-small in this enewsletter. Not subscribed distinguished collection of traditional objects, paintings, and prints collected to eNews? Join here for monthly arts of Hawai’i, over thirty years updates. paintings of by a keen-eyed First Friday Hawai’i, and single donor He Makana exhibit opening prints of Hawai’i comprise this Friday, December 6, 2013 presented to the important exhibi- 6-9 p.m. state of Hawaii in tion that opens to Celebrate the unveiling of the honor of the life the public at the Gertrude Mary Joan Damon Haig of Gertrude Mary Hawai’i State Art Collection of Hawaiian Art, Paintings, Joan Damon Museum on First and Prints. Haig. Friday, December First Friday In the Hawai- 6, 2013 from Holiday Harp ian language, He Waimea Canyon, Kauai by D. Howard Hitchcock 6:00 to 9:00 p.m. Friday, December 6, 2013 Makana means 1909, oil on canvas Perceptive and 6-9 p.m. A Gift, referring knowledgeable, HiSAM favorite Ruth Freedman to the generous the donor focused returns to weave holiday magic with gifting of the the core of the classic Christmas tunes and harp collection to the collection on the standards. -
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R. Conklin, Ph.D. Executive Director e-mail [email protected] Unity, Equality, Aloha for all To: HOUSE COMMITTEE ON EDUCATION For hearing Thursday, March 18, 2021 Re: HCR179, HR148 URGING THE SUPERINTENDENT OF EDUCATION TO REQUEST THE BOARD OF EDUCATION TO CHANGE THE NAME OF PRESIDENT WILLIAM MCKINLEY HIGH SCHOOL BACK TO THE SCHOOL'S PREVIOUS NAME OF HONOLULU HIGH SCHOOL AND TO REMOVE THE STATUE OF PRESIDENT MCKINLEY FROM THE SCHOOL PREMISES TESTIMONY IN OPPOSITION There is only one reason why some activists want to abolish "McKinley" from the name of the school and remove his statue from the campus. The reason is, they want to rip the 50th star off the American flag and return Hawaii to its former status as an independent nation. And through this resolution they want to enlist you legislators as collaborators in their treasonous propaganda campaign. The strongest evidence that this is their motive is easy to see in the "whereas" clauses of this resolution and in documents provided by the NEA and the HSTA which are filled with historical falsehoods trashing the alleged U.S. "invasion" and "occupation" of Hawaii; alleged HCR179, HR148 Page !1 of !10 Conklin HSE EDN 031821 suppression of Hawaiian language and culture; and civics curriculum in the early Territorial period. Portraying Native Hawaiians as victims of colonial oppression and/or belligerent military occupation is designed to bolster demands to "give Hawaii back to the Hawaiians", thereby producing a race-supremacist government and turning the other 80% of Hawaii's people into second-class citizens. -
Research Resources at the Smithsonian American Art Museum Amelia A
From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874. -
Coll Dev Policy 070917
JEAN CHARLOT COLLECTION DEVELOPMENT POLICY Prepared by Bronwen Solyom, Curator Jean Charlot Collection September 2007 I. PROGRAM INFORMATION Jean Charlot (1898 Paris–1979 Honolulu) was an artist, teacher, scholar, critic, poet, playwright, and natural philosopher. His output of drawings, paintings, murals, prints, cartoons, books, articles, and other writings was prodigious. His life was full of significant connections within the intellectual and political milieu of the diverse communities where he lived in France, Mexico, New York, Colorado and Hawai‘i—with artists and writers, with educational and art institutions, with the Roman Catholic Church, with indigenous and working people. With his wife, Dorothy Zohmah Charlot (1909-2000), he nurtured students and friendships, maintained links lasting many years, and with his fine sense of history preserved many tangible records of his experience. He observed events and people precisely, and wrote frankly and succinctly, often wittily. His deep technical experience and long perspective of art ensure the currency of his art historical writing today. In accordance with his wish to make the records of his life and work available for research and education, the Jean Charlot Collection was donated by his heirs to the University of Hawai‘i in 1981 and opened in 1983. It is an outstanding collection of artist’s papers—the artworks and documentary materials that illuminate the study of an artist’s life, significant achievements and associations. Today it attracts students and researchers from all over the world. Items from the collection have been exhibited nationally and internationally. The initial substantial gift was a nucleus. With further significant donations from the estate of Zohmah Chalot, from family members, friends and Charlot scholars, as well as a small acquisition fund provided by the Library, it continues to grow. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Satoru Abe PRESENT Satoru Abe 72 Years of Creativity at Luxury Row 2100 Kalakaua Avenue Waikiki, Hawaii
FOR IMMEDIATE RELEASE Nashimoto & Associates 1833 Kalakaua Avenue, Suite 201 Honolulu, Hawaii 96815 Phone: (808) 955-9361 Fax: (808) 955-9742 Email: [email protected] Save The Date Luxury Row And Satoru Abe PRESENT Satoru Abe 72 Years of Creativity At Luxury Row 2100 Kalakaua Avenue Waikiki, Hawaii From Wednesday, July 24th, 2019, 5:00 pm opening reception through Thursday August 15th, 2019 The Exhibit Will Be Open Daily To The Public From 12:00 pm To 9:00 pm Luxury Row – “where fashion meets art” - at 2100 Kalakaua Avenue is proud to support the arts in Waikiki Waikiki, HI – The owners of Luxury Row are proud to host a lifetime retrospective exhibit for world-renowned artistic legend Satoru Abe, from July 24 to August 15, celebrating 72 Years of His Creativity, spanning from age 21 to 93. Known as “The Godfather of Honolulu’s Art Scene,” Mr. Abe will work at Luxury Row daily, giving guests the rare opportunity to witness Mr. Abe creating new works of art and to meet Mr. Abe in person, while they tour the exhibit. In 1950, at age 24, Satoru Abe held his first solo show at the historic Gima’s Art Gallery at 2141 Kalakaua Avenue, directly across from Luxury Row. Now, at age 93, his life has come full circle with his life’s retrospective exhibit back in Waikiki. Mr. Abe has also been exhibited at world-renowned museums including MoMa, the Whitney Museum, Tokyo Central Museum, Contem- porary Museum, Honolulu and Virginia Museum, Richmond, Virginia. “It seemed destined that Mr.