DOCSLIB.ORG

Tennis Shobs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tennis Shobs 'I If yoa want o The Itunnnan Star JB day's Kcwb, todny U the-- paper that 'ifl yon can find it In Roos Into, tho best THE 8TAK THE HAWAIIAN STAR. homes or llonolnln c?. vol. vnr. HONOLULU, H. I., TUESDAY, IvfAY 21, 1901. No. 2865 3 NEARLY 10 01 IS Ulilll Mil IY SOI PETITION 10 OUST M IE I PRICE OF UT ID ES fill fll II I. j GEN- $30,000 THE LATEST THING - COURT ON i NARROW ESCAPE OF IISTEAMER ATTITUDE OP ATTORNEY THE LEGISLATURE'S ABOUT IN HOME WHY BUTCHERS ARE ASKING- SUPREME. IMPORTANT MAUI LAST NIGHT. ERAL APPROVED. SPENT. RULE SCHEMES. MORE. LAND CASE. Struck a Rock Near Molokal Light- Judge Humphreys Dismisses Order In Members Lost No Time, But DreW Waiting for News of the Resolutions Claim That They Have Been Selling In) Chrlstley vs. Magoon Plaintiff Gets ' -- it house and Had to Return to Hono- Bribery Matter as to Him Cooper, Before Notice of Signing the Appro- Beckley Took Proposed Canvass of At a Loss to Themselves The Two All he asked for Lessees of Property lulu for Repairs. McCandless and Thurston. priation Act Was Read. The Islands for Signatures. Markets. In Agreement Are Protected.. About 10:30 o'clock last night tho Acting Governor Cooper, Attorney-Gener- al About $3,000 are left of the $30,000 A petition to remove Governor Dole Some days ago, the" rumor was rife In the case of Chrlstley vs. Magoon. ("Wilder company's steamer Maul, Cap- E. P. Dole, former Superinten- appropriated for the expenses of tho Is one of the latest Ideas among the upon the streets that the meat markets the Supreme Court this morning hand- tain Sachs, struck on a rock oil tho dent of Public Works, McCandless and extra session of the legislature'. No Home Rulers who think they can in- had combined and an advance In the ed down a decision In which the conten- Molokal Lighthouse and sprung a leak. L. A. Thurston appeared in the Circuit time was lost, In getting the cash, mem- fluence the president to take such a price of fresh meats had been ma'de tions of the plaintiff are entirely sus- morning to cause why step. They are waiting to see what tained. The following Is the substance, , After ascertaining tliat the damage Court this show bers not even waiting till the houses ' by the Honolulu Market Company an1 was not so great as to render It unsate they should not testify before the grand had been formally given the official no- becornes of Representative Beckley the Metropolitan Meat Company. Ac- it the court's ruling; to travel any distance with the boat, Jury in regard to the now noted bribery tice that the bill had been signed. In when., he gets to San Francisco with the cording to the rumors, prices were to "Deed held to have been procured Cptaln Sachs decided to return to Ho- cases. Returns to the order were filed House and Senate the letter announ- Home Rule resolutions, for which the be advanced apyHvhee from 10 to 25 through undue Influence. ns shown by nolulu. He came along at a slow rate by each of the gentlemen named. The cing that Acting Governor Cooper had national executive is expected .to reach per cent all along the line. the existence of the confidential' rela- Attorney-Gener- al as or tionships, ol speed with two pumps Working all return of Dole was signed .the net was read yesterday. It soon as ne learns tneir existence. The price of certain cuts of meat has of attorney and client nnd accepted as sufficient, and the rule us to was news, If advices from the coast and Wash- been advanced prices asked prlnclpol and agent between the parties, the time keeping the vessel afloat and a bit of stale for about halt ington seem to but are i him was dlsmussed. the money on indicate that tho Presi- so high as Is generally supposed, the mentnl weaknesses .of the plaintiff reached here early this morning and had been drawn Satur was enough not Inadequacy docked at the old Flshmarket wharf. When the court opened the room was day. dent not impressed with say those who have the Interests of the und the of the consider- i, petition The exact extent of tho damage can Jammed with people "and dozens crowd-- On Friday last, the act to appropri the resolutions, the plain will two companies In charge. Manaecr ation. ,i,.n.mi,.n,i imtn tho pn ed about the doors. Most of the mem- - ate money the purpose of defray next have attention. Those who favor Waller of the Metropolitan said this "Acts held not to shqw acquiescence voni for up or In- ves- - Ser5t!.he,,b?5w!!:Lpr.e!.ent- - ju A ing the expenses of session the scheme think they can get a morning: "The price of prime beef has ratification when done while the on the marine railway. That the the extra monster petition by canvassing Isl- fluence of the defendants over Bel did not go to the bottom was sin appeared A. Thurs- and the unpaid bills of the regular the, been raised, because the two companies the thought ton; E. P. Dole for himself and Acting session of Legislature Ter ands, and they also think that It would felt they could no longer sell at plaintiff continued though after the ter- gulariy fortunate for It Is by Cooper; the of the be a heavy weight "knock" Wash- that it mination of the relationships of attor- her captain that she struck on a pinna- Governor Hatch and Judge ritory of Hawaii," was signed by Acting at the ligures which have prevailed here ney Whiting for J, A. McCandless. Henry Cooper. ington. Home Rule voters would sign some time. Heretofore, and client and principal and agent. cle rock. Governor E. In great numbers, It is for it has been "Failure of the grantor to Attorney-Gener- al Dole opened by claimed. possible to buy piece prime tender to The Maul left here yesterday after- A large portion of the appropriation "How could McKlnloy Ignore a great a of beef the grantee before suit what the noon at 6 o'clock for Paauhau, Ookala, stating that he Wished to file returns was for paying the salaries of the Sen- for the same price It could be taken grantee paid or on to to cause In ators Und petition, signed by a big majority of the off in addi- had to account of the Kukatau, Laupahoehoe and Papaaloa the order show the cases the Representatives. There of the block San Francisco. In grantor under the agreement, cannot be cargo 13 negroes who of Henry E. Cooper, J. A. McQandless has been $18,177.36 drawn from the fund. natives Hawaii?" said a Home tion to this, we have to pay heavily for with a big and (1 Em-melu- th relied on question . i r r . '1 n htmaAlP.... r,Trif' II .rnn panil flrat Ruler,, who has been burning with Is when the was not were going 10 one oi me nawuimii f i.. " " " Of this sum $9,000 is for salaries of the transportation. All we ask a living raised in the lower court and Acting o $600 zeal. "He would have to take profit. prices govern- when the plantations. In spite o the fact that It the Governor stated that Senators and Representatives: notice ' of Our here will be grantor alleged In his bill he had he had not knowledge In regard to brl- - is for mileage, making of $9,600 the document with its vast ed entirely by the prices In California, that there were Beveral wenches aboard tho a total number of signatures. If we can't ac- requested an accounting which had bery except statements made to him as nas gone pockets frpm whence we draw the greater por- - i good luck which Is said to follow a tnat into the of the complish our object In .way, we been refused, had prayed for an ao- Territory and in con- - $8,577.36 one can of our supply." of to cope with creiary 4the lawmakers. The remaining tion counting grantee , U lady color was unable fldence, understanding try a more effective plan." and the had received the dread number 13. The vessel was the that the represents salaries of the officers In the The plan Is to Home1 Mr. Davis of the Honolulu Market, rents and profits and It did not appear vtwo- have Rule men Bpoke in a similar ques- making full speed when she struck tKe ln.matin houses; bills for printing, station In every district of the Islands circulate strain. When how much the grantee ljad paid for or rock. Fortunately It was a glancing sllu,dnnotAZfi,,!,',?,?,8 ery and other Incidentals. There re- copies tioned regarding the relations of the on account of the grantor and the "Hi?,1 "'""T of the petition and get signa- two corporations on subject ot sell- blow as was shown by the fact that "Autch mains at the, demand of the Legisla tures. When this work was finished, the grantor had offered at the hearing in - evidence toZZm Mr. Is verv ereak The tors ii,S2Z.4. According to. present another member ot party ing meats, he replied: "There no the lower court to pay whatever the estimates, when all debts are paid, the could take contract between this and the other grantee paid on JoVscVhVe PP" WS?S" afthlf a trip ,4o Washlngtop and present the company had his account.
Load more

Recommended publications
  • Research Resources at the Smithsonian American Art Museum Amelia A
    From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Theodore Wores Papers, 1880-1999
    http://oac.cdlib.org/findaid/ark:/13030/tf7d5nb2f8 No online items Guide to the Theodore Wores Papers, 1880-1999 Processed by Phyllis Dorset; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2001 The Board of Trustees of Stanford University. All rights reserved. Guide to the Theodore Wores Special Collections M0816 1 Papers, 1880-1999 Guide to the Theodore Wores Papers, 1880-1999 Collection number: M0816 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Phyllis Dorset Date Completed: 1999 Sept. Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Theodore Wores Papers, Date (inclusive): 1880-1999 Collection number: Special Collections M0816 Creator: Wores, Theodore, 1859-1939. Extent: 8 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Gift of Dr. A. Jess Shenson, 1996. Preferred Citation: [Identification of item], Theodore Wores Papers, M0816, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.
    [Show full text]
  • John Edward Walker
    654 He was listed by the New York Times in 1914 as one of the dozen “notable” artists of Carmel.4 That fall his work was included in the Exhibition of Carmel and Southern California Artists at the Rabjohn & Morcom Gallery in San Francisco.5 A year later the Carmel Pine Cone reported that his paintings were selling well in that city.6 During the summer of 1916 he advertised his studio “by appointment only” at the “Schlingman Cottage” on Casanova Street between Seventh and Eighth Avenues.7 He taught art to select students in Carmel, but there is no evidence that he was an instructor at the Arts and Crafts Club Summer School. In 1913 he contributed the painting Coast View to the Seventh Annual Exhibition of that Club.8 As a Carmel resident his canvas was allowed into the award competition for that year. For the Club’s Tenth Annual in 1916 he submitted four pieces: Glow at Evening, Oaks in Spring, Happy Valley and Sand Dune-Carmel. Of these Blanche Marie d’Harcourt, art critic for The Wasp of San Francisco, declared that he “interprets Nature in her most poetical moods.”9 That December she reported that this “modest young Englishman” was hard at work “painting many scenes up the Carmel Valley.”10 In May of 1917 Walker assembled fifteen of his “small and modest” Carmel seascapes for exhibition at the Kanst Gallery in Los Angeles.11 The art critic for the Los Angeles Times, Antony Anderson, found the painter to be “a trifle over-conscientious” in depicting detail, too wordy in his titles and lacking in California’s bright colors, but he praised his drawing skills and genuine emotion.12 In a similar assessment of his “oil sketches” that June at the Schussler Brothers Gallery of San Francisco Anna Cora Winchell, the art critic of the San Francisco Chronicle, observed that the British painter depicted:13 .
    [Show full text]
  • Two Hawaiian Careers in Grand Opera
    DALE E. HALL Two Hawaiian Careers in Grand Opera WHEN WE THINK of Hawaiians and music, the sounds of steel gui- tars and 'ukulele are more apt to come to mind than opera or sym- phony. Native Hawaiian culture, of course, has its own musical tradition, mainly vocal, dating from ancient times; chant or mele continues to exist today side by side with other kinds of Hawaiian styles influenced by both classical and popular Western music. Hawaiians are also well-known as composers and performers of Western-influenced Hawaiian popular music, but their contribu- tions to Western classical music are less well-known. Among Native Hawaiians born in the 19th century, very few became prominent as composers or performers in the Western art tradition, a circumstance which is hardly surprising since the total Hawaiian population, then, as now, is quite small as compared with the total population on which Western music draws. Queen Lili'uokalani was among those who learned enough about West- ern music to write down her own songs. Her Aloha c0e, for example, was influenced by the style of 19th-century himeni or Protestant hymns with texts translated into Hawaiian.1 The part- Hawaiian Charles E. King (1874-1950) composed the operetta, Prince of Hawaii, called a "Hawaiian opera" when it was per- formed in Honolulu in 1925.2 Part-Hawaiians and ali'i (aristo- crats, nobility) closely affiliated with the royal court attended con- Dale E. Hall, Associate Professor of Musicology, University of Hawai'i, is a widely published author on music and is currently writing a history of the Honolulu Symphony.
    [Show full text]
  • Ka Wai Ola O
    Get Your Child Off To A Good Start Children begin learning at birth. That's why Kamehameha chools offers Hawaiian families a variety of early education services. The Parent-Infant Program shows new Center-Based Preschools prepare parents ways to he their baby's first and children for kindergarten and future best teacher. school success. The Traveling Preschool Program gives For information on how to enro ll in these toddlers formal learning experiences twice weekly at neighhorhood sites. At the programs at a site near you, please call same time, th ir caregivers learn Kame/tameha IS Early Education Division teaching methods to use at home. at 832-3025 or 832-3026. KAMEHAMEHA SCHOOLS/BERNICE PAUAHI BISHOP E TATE • Ka Wai Ola 0 OHA OFFICE OF HAWAIIAN AFFAIRS BULK RATE 711 Kapiolani Blvd., Suite 500 US POSTAGE PAID Honolulu, Hawaii 96813 Honolulu. HawaII Perm,t No 298 ... - -- F OFFICE OF HAWAHAN AFFAIRS DIaD OJjf\ ..1_ ..... 1992 Advisory committee says Native Hawaiian civil rights violated by Ann L. Moore In "A Broken Trust" the Hawai'i Advisory sovereign nation recognized by the United States The Hawai'i Advisory Committee to the Committee has addressed the possible violation and many other nations. As a result thay have United States Commission on Civil Rights has of the civil rights of Native Hawaiians. That not been able to secure control of lands, enjoy released" A Broken Trust, The Hawaiian Native Hawaiians have been "effectively denied self-governance or eligibility for federal pro- Homelands Program: Seventy Years of Failure the right of judicial redress" or the right to sue in grams for Native Americans.
    [Show full text]
  • Drsbenandajess00shenrich.Pdf
    University of California Berkeley Regional Oral History Office California Historical Society The Bancroft Library San Francisco, California University of California Berkeley, California California Historical Society Oral History Series A. Jess Shenson, M.D. DRS. BEN AND A. JESS SHENSON: OVER ONE HUNDRED YEARS OF SERVICE TO SAN FRANCISCO IN MEDICINE, MUSIC, AND ART With Introductions by Eugene A. Bauer, M.D. Michael McCone Nancy Bechtle Reid Dennis Interviews Conducted by Caroline Crawford in 1997 Copyright 1998 by the California Historical Society and The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between the California Historical Society, The Regents of the University of California, and Dr.
    [Show full text]
  • Honolulu Academy of Arts 1986 HONOLULU ACADEMY of ARTS Henry B
    900 South Beretania Street, Honolulu, Hawaii 96814 NON-PROFIT ORGANIZATION U.S. POST AGE PAID Honolulu, Hawaii, Permit No. 119 ~aen ~-ar ews © Honolulu Academy of Arts 1986 HONOLULU ACADEMY OF ARTS Henry B. Clark, Jr., President, Board of Trustees· George R~ Ellis, Director December 1986 A Registered National Historic Place • Accredited by the American Association of Museums GALLERY HOURS: Tuesday through Saturday 10:00 a.m.-4:30 p.m. Sunday 1 :00-5:00 p.m. Closed Monday, New Year's Day, 4th of July, Labor Day, Thanksgiving and Christmas Day. GENERAL INFORMATION Telephone: 538-1006 (information only); 538-3693 (administrative and other business) Admission: Free Garden Cafe: Luncheon, Tuesday-Friday at 11 :30 a.m. and 1 :00 p.m. Thursday supper at 6:30 p.m. For reservations call 531-8865 (Monday 9:00 a.m.-noon, Tuesday-Friday 9:00 a.m.-2:00 p.m.). Garden Cafe closed June-August. Academy Shop: Open during regular museum hours, except closes Tuesday through Saturday at 4:00 p.m. Library: Tues~:fay-Friday 10:00 a.m.-noon and 1 :00-4:00 p.m. Saturday 10:00 a.m.­ noon and 1 :00-3:00 p.m. Closed Sunda) and Monday. Tours: Guided tours of the collection are offered Tuesday, Wednesday, Friday, and Saturday at 11 :00 a.m.; Thursday at 2:00 p.m. and Sunday at 1 :00 p.m. Special and group tours are available, and tours for hearing-impaired persons can be arranged; call 538-3693, ext. 255. Access for the physically handicapped is available through the Ward Avenue Happy Holidays! This spectacular infra-red photograph of the museum is by entrance.
    [Show full text]
  • Framed Items from the Collections of the Bancroft Library
    http://oac.cdlib.org/findaid/ark:/13030/kt4c6003v2 Online items available Guide to the Framed items from the collections of The Bancroft Library Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2003 The Regents of the University of California. All rights reserved. Guide to the Framed items from Various 1 the collections of The Bancroft Library Guide to the Framed items from the collections of The Bancroft Library Collection number: Various The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: January 2003 Encoded by: Michael Conkin Updated by: Xiuzhi Zhou © 2003 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Framed items from the collections of The Bancroft Library Collection Number: Various Creator: Various Extent: 310 items (framed); various361 digital objects Repository: The Bancroft Library. Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: 310 framed items from the collections of The Bancroft Library. Includes paintings, drawings, prints and photographs dating from the late 1600s to the mid-1970s. Subject matter is chiefly California scenes, events, towns and landmarks, as well as numerous portraits of prominent Californians.
    [Show full text]
  • Curriculum Vitae
    JOHN CHARLOT, Dr.Theol. September 1, 2009 Professor of Polynesian Religions Department of Religion College of Arts and Humanities University of Hawai`i at Mānoa Sakamaki Hall A-307 2530 Dole Street Honolulu, Hawai`i 96822 Home Page: www2.hawaii.edu/~charlot University 1957–1958 Chaminade College of Honolulu, Honolulu, Hawai`i. 1958–1961 Harvard College, Cambridge, Massachusetts. 1961–1962 University of Louvain, Louvain, Belgium. 1962–1968 University of Munich, Munich, Germany. Degrees Baccalauréat unique en philosophie, University of Louvain, 1962. Dr.Theol., University of Munich, 1968. BIBLIOGRAPHY Books New Testament Disunity: Its Significance for Christianity Today, E. P. Dutton, N. Y., 1970. The Construction of the Formula in 1 Corinthians 15, 3–5, Difo Druck, Bamberg, l968 (private printing). Chanting the Universe: Hawaiian Religious Culture, Emphasis International, Honolulu and Hong Kong, 1983. The Hawaiian Poetry of Religion and Politics: Some Religio-Political Concepts in Postcontact Literature, Monograph Series, Number 5, The Institute for Polynesian Studies, Polynesian Cultural Center, Brigham Young University—Hawai`i Campus, Lā`ie, Hawai`i, 1985. The Kamapua`a Literature: The Classical Traditions of the Hawaiian Pig God as a Body of Literature, Monograph Series, Number 6, The Institute for Polynesian Studies, Polynesian Cultural Center, Brigham Young University -- Hawai`i Campus, Lā`ie, Hawai`i, 1987. Classical Hawaiian Education: Generations of Hawaiian Culture; Moses Kuaea Nākuina: Hawaiian Novelist; and Approaches to the Academic Study of Hawaiian Literature and Culture. The Pacific Institute, Brigham Young University−Hawai`i Campus, Lā`ie, Hawai`i, 2005. CD-ROM. 1/11 Jean Charlot: Life and Work, Volume 1: The French Period, 1898–1921, draft posting, the Web site of the Jean Charlot Foundation, www.hawaii.edu/jcf, 2006.
    [Show full text]
  • Clan Destiny
    Number 31 Spring 2008 Message from the Chair Dr. Stacy Schaefer with Annie the Llama from CritterVille. Raised by human foster parents, Annie thinks she is a Homo sapien. !!!!!! Photograph by Jim Bauml. O IENCES Greetings! C It is a pleasure to present you with the latest issue of Clan Destiny. As I write this at my computer in the department office in Butte Hall, I’d really rather be outside sitting by the creek with a laptop, taking in the fresh LOGY colors, the soothing sounds of the creek, and the brisk air, allergens and all. O But that is not to be, so I find inspiration from the serene view I have from my window down through the lush vegetation to the creek. If I look just right, SITY, CHIC I can catch a sparkly light show from the sun-mirrored water of the creek as it flows in ever-moving new illuminated patterns. And yes, I think the same analogy can be applied to all that has happened this year in the department. IVER Welcome to our New Faculty and Staff N New life has been infused into the department. We have two new cultural faculty members, Jesse Dizard and Brian Brazeal. Jesse comes to us from his previous post in Juneau, Alaska, and brings expertise in applied and economic anthropology, tourism in Morocco, and water and fishing issues impacting Native Americans in Alaska, Oregon, and Northern California. IORAL AND SOCIAL S Brian recently received his Ph.D. from the University of Chicago. His special STATE U V areas of research include religion, visual anthropology, economics, and Afro-Brazilian cultures with an emphasis on Candomblé religious practitioners in Brazil.
    [Show full text]
  • The Yates Family Settled in California, the Discovery of Gold in January 1848 Had Led to a Large Number of People Settling in the Area
    The Yates Family In this book I have had access to the letters and journals of Fred, Emily and Mary Yates. They make fascinating reading, not only for their illumination of some lesser known pat- terns in the art of their day, but also as a window - especially in the case of Mary’s writings, into a unique vision and life, centered in the English Lake District in the early years of the last Century. These extracts are from their own writings, and other sources. They are arranged as far as possible, in order to let them tell the story in their own words. John Hodkinson, Hart Head Cottage, Easter 2002. Page I Fred Yates Apart from a few short biographical entries and citations, little yet has been published about Fred Yates. The simple chronology known is as follows: He was born in 1854, in Southampton and lived for a while in Liverpool. Around 1881, he went with his parents to America, becoming a professional artist shortly afterwards. He had two periods of study in Paris, with Leon Joseph Florentin Bonatt, 1833 – 1922, a well known portrait and historical painter. Also, with Adolph William Bouguereau, 1825 – 1905, a painter with a similarity of spirit to the Pre- Raphaelite Brotherhood, and known for pictures on themes from classical mythology, the Bible, and contemporary life. Returning to the USA, he married on the last day of 1887, Emily Powers Chapman, a pianist and teacher whom he met whilst teaching in San Raphael, California. From 1890, they made their home in England, and their daughter Mary was born in 1891 in Chislehurst.
    [Show full text]