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John Lawrence Leconte
MEMOIR JOHN LAWRENCE LECONTE. 1825-1883. SAMUEL H. SCUDDER. HEAD HEFORK THE NATIONAL ACADEMY, APRIL 17, 1884. 261 BIOGRAPHICAL MEMOIR OF JOHN LAWRENCE LECONTE. The revocation of the edict of Nantes, with its attendant persecu- tions and other horrors, was incidentally of advantage to science; for of the tens of thousands who expatriated themselves from a community given over to tyranny and fanaticism, not a few carried with them and transmitted to their offspring, born in the land of refuge, a spirit of scientific investigation, which was doubtless quick- ened by the intense life of the time; and in after years, when the hereditary trait again appeared, it may often have found its healthy growth re-enforced by the admixture of the new element afforded by residence in a foreign country. At all events other countries owe much of their scientific fame to the men of Huguenot ancestry, who fled from the intolerance of Louis XIV, and whose influence outside of France would but for this have certainly been lessened for lack of direct contact; for among the Huguenots, or their de- scendants, as has frequently been pointed out, was an unusual pro- portion of men devoted to science, literature, and the arts. Thus, to mention but a few names, Switzerland owes to this movement her DeCandolles, and Saussures, with Plantamour and a host of lesser lights; Germany and Holland, Charpentier and Lyonet; and our own country, Bowdoin, of Cambridge, an early president of the American Academy; John Jay, of New York, and the LeContes, living and dead. The name of LeConte, or LeComte, as it was indifferently spelled, was a frequent one in France in the fifteenth and sixteenth centuries, and particularly in Normandy. -
University of California General Catalog 1937-38
VERSITY OF CALIFORNIA BULLETIN PUBLISHED AT BERKELEY , CALIFORNIA Volume XXXI . - September 20, 1937 - Number 9 GENERAL CATALOGUE • 1937-36 UNIVERSITY OF CALIFORNIA AT LOS ANGELES For sale by the STUDENTS' COOPERATIVEBOOS STORE LOS ANGELES Price, Twenty-five cents RSITY OF CAL-IFORNIA BULLETIN PUBLISHED AT BERKELEY , CALIFORNIA Volume XXXI November 1, 1937 Number 11 Circular of INFORMATION 19373a UNIVERSITY OF CALIFORNIA AT LOS ANGELES 405 HILGARD AVENUE LOS ANGELES Administrative Bulletins of the University of California 1937-38 The administrative bulletins of the University of California present infor. mation concerning the colleges, schools , and departments of the University. For copies of the bulletins or other information concerning instruction at Los Angeles , address the Registrar of the University of California at Los Angeles; for other bulletins , and for information concerning the departments at Berke- ley, address the Registrar of the University of California , Berkeley ; bulletins of the schools and colleges in San Francisco may be had by addressing the deans in charge . The publications are sent free except those for which a price (which includes postage ) is given. Bulletins Referring Primarily to the University of California at Los Angeles The General Catalogue of the University of California at Los Angeles: con- taining general information about the University , requirements for admis- sion, for the bachelor 's degree in the College of Letters and Science, in the College of Business Administration , in the Teachers College , and in the Branch of the College of Agriculture in Southern California ; for the mas- ter's and the doctor 's degrees , and for teaching credentials; students' fees and expenses ; and announcements of courses of instruction in the Univer- sity of California at Los Angeles . -
University of California Bulletin 1930-31
university of California. .i3i letin THIRD SERIES, Vol. XXIV, No. 4 CIRCULAR OF INFORMATION UNIVERSITYOF CALIFORNIA AT LOSANGELES SEPTEMBER, 1930 UNIVERSITYOF CALIFORNIAPRESS BERKELEY, CALIFORNIA For Sale by the Associated Students' Store; Los Angeles Price, Five Cents Ad>l3inistrativeBulletins of the IIYliversity, of Oaliforniaj 1930-31. No. 7 The bulletins concerning the colleges , schools , and departments of the University are listed below . For copies of these circulars , and for further information , address the University of California Press , Berkeley, except in those cases where Los Angeles and San Francisco are indicated. The circulars are sent free except those for which a price (which includes postage) is given. The Circular of Information , with reference primarily to the Under- graduate Division at Berkeley : containing general information about the University , its organization , requirements for admission to under- graduate status, and for the bachelor 's degree in the colleges of Letters and Science , Agriculture , Commerce , and Engineering ; students' fees and expenses . Sent free by mail by the University Press on request. A charge of 5. cents is made for copies distributed on the University Campus. ' The Annual Announcement of Courses of Instruction in the Departments at Berkeley. Price , 30 cents. The Circular of Information of the University of California at Los Angeles: containing general information about the University, requirements for admissionto undergraduatestatus, and for the bachelor's degree in the College of Letters and Science and in the Teachers College; students ' fees and expenses. Sent free by mail by the University Press on request . A charge of 5 cents is made for copies distributed on the University Campus. -
Research Resources at the Smithsonian American Art Museum Amelia A
From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Western Legal History
WESTERN LEGAL HISTORY THE JOURNAL OF THE NINTH JUDICIAL CIRCUIT HISTORICAL SOCIETY VOLUME 28, NUMBER I 2015 Western Legal History is published semiannually, in spring and fall, by the Ninth Judicial Circuit Historical Society, 125 S. Grand Avenue, Pasadena, California 91105, (626) 795-0266/fax (626) 229-7476. The journal explores, analyzes, and presents the history of law, the legal profession, and the courts- particularly the federal courts-in Alaska, Arizona, California, Hawai'i, Idaho, Montana, Nevada, Oregon, Washington, Guam, and the Northern Mariana Islands. Western Legal History is sent to members of the NJCHS as well as members of affiliated legal historical societies in the Ninth Circuit. Membership is open to all. Membership dues (individuals and institutions): Patron, $1,000 or more; Steward, $750-$999; Sponsor, $500-$749; Grantor, $250-$499; Sustaining, $100-$249; Advocate, $50-$99; Subscribing (nonmembers of the bench and bar, lawyers in practice fewer than five years, libraries, and academic institutions), $25-$49. Membership dues (law firms and corporations): Founder, $3,000 or more; Patron, $1,000-$2,999; Steward, $750-$999; Sponsor, $500-$749; Grantor, $250-$499. For information regarding membership, back issues of Western Legal History, and other society publications and programs, please write or telephone the editor. POSTMASTER: Please send change of address to: Editor Western Legal History 125 S. Grand Avenue Pasadena, California 91105 Western Legal History disclaims responsibility for statements made by authors and for accuracy of endnotes. Copyright @2015, Ninth Judicial Circuit Historical Society ISSN 0896-2189 The Editorial Board welcomes unsolicited manuscripts, books for review, and recommendations for the journal. -
Theodore Wores Papers, 1880-1999
http://oac.cdlib.org/findaid/ark:/13030/tf7d5nb2f8 No online items Guide to the Theodore Wores Papers, 1880-1999 Processed by Phyllis Dorset; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2001 The Board of Trustees of Stanford University. All rights reserved. Guide to the Theodore Wores Special Collections M0816 1 Papers, 1880-1999 Guide to the Theodore Wores Papers, 1880-1999 Collection number: M0816 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Phyllis Dorset Date Completed: 1999 Sept. Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Theodore Wores Papers, Date (inclusive): 1880-1999 Collection number: Special Collections M0816 Creator: Wores, Theodore, 1859-1939. Extent: 8 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Gift of Dr. A. Jess Shenson, 1996. Preferred Citation: [Identification of item], Theodore Wores Papers, M0816, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. -
John Edward Walker
654 He was listed by the New York Times in 1914 as one of the dozen “notable” artists of Carmel.4 That fall his work was included in the Exhibition of Carmel and Southern California Artists at the Rabjohn & Morcom Gallery in San Francisco.5 A year later the Carmel Pine Cone reported that his paintings were selling well in that city.6 During the summer of 1916 he advertised his studio “by appointment only” at the “Schlingman Cottage” on Casanova Street between Seventh and Eighth Avenues.7 He taught art to select students in Carmel, but there is no evidence that he was an instructor at the Arts and Crafts Club Summer School. In 1913 he contributed the painting Coast View to the Seventh Annual Exhibition of that Club.8 As a Carmel resident his canvas was allowed into the award competition for that year. For the Club’s Tenth Annual in 1916 he submitted four pieces: Glow at Evening, Oaks in Spring, Happy Valley and Sand Dune-Carmel. Of these Blanche Marie d’Harcourt, art critic for The Wasp of San Francisco, declared that he “interprets Nature in her most poetical moods.”9 That December she reported that this “modest young Englishman” was hard at work “painting many scenes up the Carmel Valley.”10 In May of 1917 Walker assembled fifteen of his “small and modest” Carmel seascapes for exhibition at the Kanst Gallery in Los Angeles.11 The art critic for the Los Angeles Times, Antony Anderson, found the painter to be “a trifle over-conscientious” in depicting detail, too wordy in his titles and lacking in California’s bright colors, but he praised his drawing skills and genuine emotion.12 In a similar assessment of his “oil sketches” that June at the Schussler Brothers Gallery of San Francisco Anna Cora Winchell, the art critic of the San Francisco Chronicle, observed that the British painter depicted:13 . -
University of California Bulletin Announcement Southern Branch
University of California Bulletin THIRD SERIES. Vol. XX, No. 4 ANNOUNCEMENT OF THE UNIVERSITY OF CALIFORNIA SOUTHERN BRANCH FOR THE ACADEMIC YEAR, 1926-27 OCTOBER, 1926 UNIVERSITY OF CALIFORNIAPRESS BERKELEY, CALIFORNIA For Sale by the Associated Students' Store Los Angeles PRICE , 20 CENTS Administrative Bulletins of the University of California 1856-27. No. 6 CIRCULARS OF INFORMATION For copies of this Announcement address the Recorder , University of California, Southern Branch, Los Angeles. Price, 20 cents; postpaid, 25 cents (listed as No . 3, below). For the Catalogue of Officers and Students , Section II, Southern Branch, published in October of each year , address the Beeorder , University of Cast. forma, Southern Branch, Los Angeles. Price, 15 cents; postpaid , 20 cents (No. 19, below). For the Announcement of the University of California Summer Session in Los Angeles apply to the Summer Session Office, 815 Hillstreet Build- ing, Los Angeles (No. 25, below). The circulars of information concerning the colleges , schools, and departments of the University are as follows. Letters of inquiry should be addressed as indicated below. The circulars are sent free except those for which a price (which includes postage ) is given. 1. The Circular of Information , Academic Departments (Colleges of Letters and Science, Agriculture , Commerce , and Engineering, and the first two years of Medicine), containing general information about the University , its organization , requirements for admission to undergraduate status, requirements for degrees , and expenses. Sent free by mail by the University Press on request . A charge. of 5 cents is made for copies distributed on the University Campus. 2. The Annual Announcement of Courses of Instruction in the Depart- ments at Berkeley . -
The Flowering of Natural History Institutions in California
The Flowering of Natural History Institutions in California Barbara Ertter Reprinted from Proceedings of the California Academy of Sciences Volume 55, Supplement I, Article 4, pp. 58-87 Copyright © 2004 by the California Academy of Sciences Reprinted from PCAS 55(Suppl. I:No. 4):58-87. 18 Oct. 2004. PROCEEDINGS OF THE CALIFORNIA ACADEMY OF SCIENCES Volume 55, Supplement I, No. 4, pp. 58–87, 23 figs. October 18, 2004 The Flowering of Natural History Institutions in California Barbara Ertter University and Jepson Herbaria, University of California Berkeley, California 94720-2465; Email: [email protected] The genesis and early years of a diversity of natural history institutions in California are presented as a single intertwined narrative, focusing on interactions among a selection of key individuals (mostly botanists) who played multiple roles. The California Academy of Sciences was founded in 1853 by a group of gentleman schol- ars, represented by Albert Kellogg. Hans Hermann Behr provided an input of pro- fessional training the following year. The establishment of the California Geological Survey in 1860 provided a further shot in the arm, with Josiah Dwight Whitney, William Henry Brewer, and Henry Nicholas Bolander having active roles in both the Survey and the Academy. When the Survey foundered, Whitney diverted his efforts towards ensuring a place for the Survey collections within the fledgling University of California. The collections became the responsibility of Joseph LeConte, one of the newly recruited faculty. LeConte developed a shared passion for Yosemite Valley with John Muir, who he met through Ezra and Jeanne Carr. Muir also developed a friendship with Kellogg, who became estranged from the Academy following the contentious election of 1887, which was purportedly instigated by Mary Katherine Curran. -
Higher Education in Brazil: the Expansion of Public 3-Year
Research & Occasional Paper Series: CSHE.4.15 UNIVERSITY OF CALIFORNIA, BERKELEY http://cshe.berkeley.edu/ HOW AND WHY THE UNIVERSITY OF CALIFORNIA GOT ITS AUTONOMY April 2015 John Aubrey Douglass∗ UC Berkeley Copyright 2015 John Aubrey Douglass, all rights reserved. ABSTRACT The University of California became a “public trust” in 1879 as part of a larger revision of California’s Constitution approved by California voters. The University henceforth gained the exclusive power to operate, control, and administer the University of California, becoming virtually a fourth branch of state government, a "constitutional corporation . equal and coordinate with the legislature, the judiciary and the executive. It was a watershed moment in the history of California’s land-grant public university, fundamentally shaping the state’s subsequent development of the nations, and the world’s, first coherent approach to building a mass higher education system. Status as a public trust set UC on a spectacular course, helping it to create an internal academic culture and drive to meet the socioeconomic needs of the state relatively free of the often contentious political interventions found in many other states. UC emerged as one of the most productive and prestigious university systems in the world. Yet over the past six or so decades, the unusual status of the university’s governing board has been on occasions a source of frustration for lawmakers who have wanted to be more directly involved in controlling and formulating university policy, from admissions practices and tuition, to how funds are raised and spent, what academic programs UC should or should not provide, and proposals to revise the membership and authority of the Regents. -
Two Hawaiian Careers in Grand Opera
DALE E. HALL Two Hawaiian Careers in Grand Opera WHEN WE THINK of Hawaiians and music, the sounds of steel gui- tars and 'ukulele are more apt to come to mind than opera or sym- phony. Native Hawaiian culture, of course, has its own musical tradition, mainly vocal, dating from ancient times; chant or mele continues to exist today side by side with other kinds of Hawaiian styles influenced by both classical and popular Western music. Hawaiians are also well-known as composers and performers of Western-influenced Hawaiian popular music, but their contribu- tions to Western classical music are less well-known. Among Native Hawaiians born in the 19th century, very few became prominent as composers or performers in the Western art tradition, a circumstance which is hardly surprising since the total Hawaiian population, then, as now, is quite small as compared with the total population on which Western music draws. Queen Lili'uokalani was among those who learned enough about West- ern music to write down her own songs. Her Aloha c0e, for example, was influenced by the style of 19th-century himeni or Protestant hymns with texts translated into Hawaiian.1 The part- Hawaiian Charles E. King (1874-1950) composed the operetta, Prince of Hawaii, called a "Hawaiian opera" when it was per- formed in Honolulu in 1925.2 Part-Hawaiians and ali'i (aristo- crats, nobility) closely affiliated with the royal court attended con- Dale E. Hall, Associate Professor of Musicology, University of Hawai'i, is a widely published author on music and is currently writing a history of the Honolulu Symphony.