Snowday Edition : a Winter Shortlist

Total Page:16

File Type:pdf, Size:1020Kb

Snowday Edition : a Winter Shortlist SNOWDAY EDITION : A WINTER SHORTLIST 20 selections fro m th e ABAA Virtua l Showcase f or B ibliography Week 2021 20 items, including books, serials, ephemera Presented on the occasion of the N.Y.C. blizzard of ’21 and the recent ABAA Virtual Showcase for Bibliography Week CATALOG NOTES A varie d assortme nt of top ics and form ats, mo stly from the 2 0th cent ury, includ ing som e notab le ar tis ts’ bo oks, item s of in ter est for subject speciali sts in La tin American and Af ric an A merican cultur e and h istory, a very rare ma gazine p ublished by W orld War II era German Jewish refugees in Shangh ai, and a presenta tion of photog raphs of bookmobiles. Cover illustration: front cover board of the rare monograph on African- American artist Howard Smith Illustrations on this page and the following: B ook of Sp irits by Naomi Yang , the abov e showin g th e form o f a HUMOTS , a spir it tha t "can transpo rt all ma nn er of b ook s fo r thy pleas ure." TERMS OF SALE & SHIPPING Offers subject to prior sale. Please notify us if you wish to return an item for any reason within ten days of receipt of the original purchase. Payments is accepted in U.S. dollars via bank transfer, credit card (PayPal, Square), or domestic check. Shipment at cost by USPS and commercial couriers, or we can arrange for local delivery free of charge, curbside, in New York City. Please note that posters may be shipped rolled or flat (large format items may incur substantial shipping costs.) https://www.arthurfournier.com ; [email protected] ; t. (917) 749-9431 2 CONTENTS I. African American History & Culture p.5 II. Latin American History & Culture p.8 III. Judaica p.15 IV. Artists’ Books p.21 V. Western Travelers in the Middle East p.24 VI. Rare Annuals and Serials p.26 VII. Going Places p.23 I. African American History & Culture 1. Suomala, Jussi. Howard Smith. Helsinki: Like, 2008. First Edition. 231 pp. text in a two-column Finnish-English bilingual translation concerning the African American artist based in Helsinki, lavishly illustrated throughout. Includes an index, timeline, and annotated bibliography. 4to. As new. Illus. boards, gilt cloth spine. [1142] $300 An important work on a major Black artist who has spent the last forty years of his life and career working in Finland. The book includes beautiful reproductions of Smith's work across a variety of media including painting, drawing, paper cuts, textiles, ceramics, metalwork and sculpture. Candid images from the artist's personal life are also included. Per an online biography, Smith (New Jersey, 1928) attended the Pennsylvania Academy of Fine Arts, and become a fellow there in 1962 after having earned a commission in the U.S. Army. He made his first trip to Finland that same year as a member of the Academy of Fine Arts' "Young America Presents" touring exhibition and decided to remain there. Supporting himself as an interior designer, Smith mounted his first solo exhibition at Gallerie Pinx (Helsinki) in 1963. He has since exhibited internationally, including in the U.S., but remains largely overlooked in recent accounts of major African American artists and designers of the 20th century. The present title (now more than ten years out of print and poor distributed outside of Finland) is the most comprehensive monograph on his life and work. As of January 2021 we are only able to locate holdings at six institutions in the U.S. 5 6 2. [African Am erican W omen’s F ashion] N AFAD. T he San Franci sco Chap ter Prese nts T he Los Ange les Chapter of National A ssociation of Fashion and Accessory Designers Inc. in their Designers' Showcase 1963. San Francis co: NAFA D, 19 63. 20 pp . souvenir p rog ram for the African A merican fashion designer's showcase and dinner. 8vo. Very good, unevenly toned at the center spread. S addle st apled. On hold Att r a ctive cop y of a W est C oast s howcase for S an Francis co an d L os Angel es chapte rs of t he National Ass oc iation of Black Fash ion and Acc essories Designers (NA FAD), an h istorically important collective of Black wome n in th e f ashion in dustr y who b anded together to combat rampant racism and exclusion in American beauty culture. At its peak, NAFAD had chapters throughout the country, and served as an importan t social netw ork fo r black women entrepreneurs during the civil rights er a. W e ca n fin d n o oth er exampl es of th e prese nt brochu re in institution al libra ry collections in North America. 3. Sew-on Patches. Black is Beautiful : Color Fast. Laundry Proof. Sew Them On: Shirts, Pants, Jackets, Hats. New York, NY: Best Emblem Insignia, n.d. [196?]. Embroidered cloth patch in red, green, and black, housed in the original sales packaging. 12mo. Interior contents presumed near fine ; packaging is very good with original printed price "59 [cents]" marked down to "25 [cents]" in black marker. [1115] $125 An textile iconic patch giving voice to the "Black is Beautiful" movement's statement of affirmation for a positive perception of African-American bodies in a cultural space the privileges white and light-skinned beauty. While its exact point of origin remains obscure, the slogan first rose to prominence during the early 1960s as part of the wider cultural flowering of Black pride during the struggle for civil rights and social justice for African Americans. Some cultural historians have associated the slogan with a televised fashion show entitled 7 "Naturally ’62," hosted by photographer by Kwame Brathwaite, which sought to celebrate Afrocentric ideals of natural beauty. Others have pointed to efforts of black-women entrepreneurs in African-American beauty salons and local pageant businesses of the era. Rare in such good condition especially in the original packaging. II. Latin American History & Culture 4. [ Architecture] Villanueva, Carlos Raúl. L a Viviend a Pop ular en Ven ezuela, 1928-1952. C aracas: B anco Ob rero, n.d. [ca. 195 2]. F irst Edit ion. [Prepara d a y dirig ida por Car los R aúl Villanueva y Carlos Celis Cepero] 140 pp. texts in Spanish and English, illu strated thro ugho ut with reprod uc tions of land scapes, plans, eleva tion s and po rtr aits of workers. S quare 8v o. Very good, with sl ight rippl e to glo ssy pa pe r of the f ront wrap per, inte rior text block near fine. P lastic c omb b ound defo rm ed at hea d bu t fully intact. [1135] Sold P repared b y t he a uthors "c on c olaboraron los estudiant es de Aruitectu ra: José Manuel Mijares, Ana Teresa Caraballo G., Mercedes Fernández, Gladys de la Cova, Maria Fedacka, y los dibujantes Francisco Oliva y Victor Gil," for presentation at the Eight Pan-A merican C on gress of A rchitects, this attract ive stu dy of popu lar dwellin gs in Venezuela during the middle part of the 20th c. considers the potentials of modernist cooperatives and planned communities a s a solutio n to th e soci al problems inherent to destitute worker communes in Caracas and throughout the countryside. An elegant and beautiful ly illustrated work. Ra re i n the trade and institutio nally uncommon. 5. [Mexico] Cronista de México, El : Semanario Ilustrado Independiente. Vol. I, no. 7 (Oct 1879) through Vol. III, no. 100 (Dec. 1881) (99 of ca. 122 issues printed during the serial's first three years). México: Dublan y Compañia. Imprenta del Comercio, Cordobanes., 1879-1881. First Edition. Impressive bound collection of the illustrated newspaper edited by Ignacio Herrera de Leon and José E. Hernández as a weekly gathering of political, economic, scientific, literary, and cultural events in Mexico and around the world. Issues present include Tomo I : nos. 7 (Sabado 18 de Octubre de 1879) - 20, 22 8 9 (Sabado 31 de Enero de 1880) ; Tomo II : nos. 1 (7 de Febrero de 1880) - 3, 5 - 13,15 - 26, 28 - 40, 42, 43, 46, 47 (Sabado 25 de D iciembr e d e 1 880) ; Tom o III: n o. 48 (1 º d e en e ro de 1881) - 5 4, 5 8 (12 d e Mar zo de 1 881). Th e se con d co ntains Tomo III : n os. 6 6 (7 de M ayo de 18 8 1) - no . 1 00 ( 31 de Dic iembre d e 1881 ) . Fol io. V ery good ove rall. Sc atte red prof essional paper rep a irs a nd o ccasi onal s tain s and inclu sion s thr ou ghout, mino r l osses a t the m argi ns. Vo l. 1: 3/4 le ather ; Vol . 2: 1/2 leath er. Mo dern, th ough b oth spine s appe ar t o be retai ned from old er bin dings . [ 111 2] on hold Ra re s urvival o f an im port ant Porfi riato new spaper, p ublishe d durin g th e era when Genera l Porfi rio Díaz ruled M exico ( 1 876-1911 ) , limitin g p oli tical libertie s and curtailing the op eration o f a free pr ess, ye t em bra cing f oreign tr ade and cultu ral co nnectio ns with Europe and the U.S.
Recommended publications
  • Rose Schneiderman and the Labor Movement American Jewish History Through Objects
    Why Do People Unite? Discovering Rose Schneiderman and the Labor Movement American Jewish History Through Objects 01 MISHNAH PIRKEI AVOT STREET MEETINGS 09 If there is no flour, there is no Torah; What do the people do when the courts are reluctant to intervene and the other branches of government if there is no Torah, there is no flour. have failed them for so long? A political or social movement can oftentimes accomplish more than Mishnah, Pirkei Avot 3:21 any lawsuit, and it can certainly do so more quickly. Joshua Weishart, “The Ripple Effect of the West Virginia Teachers’ Victory,” 2018 02 BREAD AND ROSES ADMISSION FREE 08 What the woman who of “bread” and of “roses”? of “bread” is the significance What labors wants is the right The teachers’ unions also to live, not simply exist…. assume that a union con- tract is a benefit for every- The worker must have one, and that certainly is bread, but she must not the case. Unions collect have roses, too. dues from these folks even Rose Schneiderman, 1912 though the contract may be a detriment to their person- 03 INDUSTRIAL POINT al interests. OF VIEW Mike Antonucci, “Five Common Teachers Union Arguments That Rely The machines are so wildly noisy on Half-Truths,” 2017 in the shop / That I often forget who I am. / I get lost in the fright- ful tumult — / My self is de- AUDITORIUM 07 stroyed, I become a machine. / I work and work and work end- If you worry about lessly — / I create and create and create / Why? For whom? I crime, you can either don’t know and I don’t ask.
    [Show full text]
  • Anarchist Modernism and Yiddish Literature
    i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term.
    [Show full text]
  • American Jewish History and Culture
    Fall 2017 American Jewish History Exile or Promised Land? Difference or Synthesis? (DRAFT, subject to change) History 512:231:01/Jewish Studies 563:231:01 Professor Nancy Sinkoff Miller Hall, Room 115 Office Hours, Tuesdays, 4:30-5:30 T/TR, 5th period (2:50-4:10 p.m.) 14 College Avenue, room 103 [email protected] This course will examine the history of American Jews through the lenses of the questions: is America the land of exile or the land of promise? How have American Jews synthesized their Jewishness (inclusive of religion) with American values and how have they distinguished their Jewishness from American values? Where have the points of conflict between these two sets of values resided? How have American Jews created Jewish communal forms in the United States and how has American individualism militated against those forms’ cohesion and longevity? What American Jewish thinkers have addressed these issues? How have Jews interpreted their Jewish and American identities culturally? Topics to be covered include: migration, communal and religious innovation, acculturation, ethnicity, and politics. The course will also explore the ways in which Jews have been represented by popular American cultural forms, including fiction and films. Students are required to read the materials in advance of our sessions. We will pay careful attention to the primary sources—all of which are available on Sakai—in class. Hasia Diner, The History of the Jews in the United States, 1954-2004, is the “textbook” for the course. Additional readings, in the form of articles and book chapters, have been uploaded on Sakai.
    [Show full text]
  • Organizing the Unorganizable: Three Jewish Women and Their Union
    This article was downloaded by: [University of Minnesota Libraries, Twin Cities] On: 29 July 2011, At: 20:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Labor History Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/clah20 Organizing the Unorganizable: Three Jewish women and their union a Alice Kessler‐Harris a Director of the Women's Studies Program, Sarah Lawrence College Available online: 03 Jul 2008 To cite this article: Alice Kessler‐Harris (1976): Organizing the Unorganizable: Three Jewish women and their union, Labor History, 17:1, 5-23 To link to this article: http://dx.doi.org/10.1080/00236567608584366 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/ terms-and-conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Downloaded by [University of Minnesota Libraries, Twin Cities] at 20:47 29 July 2011 ORGANIZING THE UNORGANIZABLE: THREE JEWISH WOMEN AND THEIR UNION * by ALICE KESSLER-HARRIS Women who were actively engaged in the labor struggles of the first part of this century faced a continual dilemma.
    [Show full text]
  • Walt Whitman Quarterly Review
    Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr Walt Whitman in Yiddish Leonard Prager Volume 1, Number 3 ( 1983) pps. 22-35 Stable URL: http://ir.uiowa.edu/wwqr/vol1/iss3/3 ISSN 0737-0679 Copyright c 1983 by The University of Iowa. Walt Whitman in Yiddish Leonard Prager Abstract Acknowledges that although Jews most frequently appear in Whitman’s writing as merely “biblical, mythical, symbolic or at least idealized figures,” Jews themselves have responded to Whitman quite vigorously in their poetry; discusses and examines the ”scores of Yiddish poets who have been inspired by Whitman,” including Joseph Bovshover, Morris Rosenfeld, A. Eysen, Uri-Tsvi Grinberg, B. Alkvit-Blum, and others. WALT WHITMAN IN YIDDISH LEONARD PRAGER "WALT WHITMAN'S voracious curiosity about the inhabitants of the city of New York," we read in the Encyclopaedia Judaica, "led him to consider the Jews. Long before the appearance of Leaves of Grass, he had published two sizable articles in a newspaper he was editing at the time, recording his im­ pressions of the customs of the Sabbath service that he had witnessed at the Crosby Street Synagogue."l Judging, however, by his published works, es­ pecially Leaves of Grass, Whitman's curiosity about Jews was easily satisfied. 2 In "With Antecedents," he could write, "I respect Assyria, China, Teu­ tonia, and the Hebrews," and with equal impartiality he caRed on the ancient muses to migrate: "Placard 'Removed' and 'To Let' on the rocks of your snowy Parnassus, I Repeat at Jerusalem, place the notice high on Jaffa's gate and on Mount Moriah" ("Song of the Exposition").
    [Show full text]
  • The Jews: Their Origins, in America, in Connecticut. a Curriculum Guide
    DOCUMENT RESUME ED 217 108 UD 022 286 AUTHOR Klitz, Sally Innis TITLE The Jews: Their Origins, in America, in Connecticut. A Curriculum Guide. The Peoples of Connecticut Multicultural Ethnic Heritage Series No. 3. Second Edition. INSTITUTION Connecticut Univ., Storrs. Thut (I.N.) World Education Center. SPONS AGENCY Aetna Life and Casualty, Hartford, Conn.; Office of Education (DREW), Washington, D.C. REPORT NO ISBN-0-918158-08 PUB DATE 80 NOTE 153p.; Original publication costs supported in part by the Hartford Jewish Federation and the Connecticut State Department of Education. Not available in paper copy due to institution's restrictions. For a related document, see ED 160 487._ AVAILABLE FRO), 'lliversity of Connecticut, The I.N. Thut World Education Center, Box U-32, Storrs, CT 06268 ($4.00 plus $0.80 postage). EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Acculturation; *Cultural Background; European History; Immigrants; Instructional Materials; *Jews; *Judaism; *Political Influences; *Religious Cultural Groups; Secondary Education; *Sociocultural Patterns; United States History IDENTIFIERS Connecticut ABSTRACT This curriculum guide explores the Jewish ethnic and religious community in the United States generally, and specifically in Connecticut. Intended as a resource tool for studying the Jewish cultural heritage and traditions, the material may be used among Jews and non-Jews. The guide is divided into three parts. Part one is a detailed account of Jewish religious and political history. Part two contains information on the history of Jewish immigration to the United States; the assimilation of Jews into American society; the impact of Jewish culture and religion in American history; and the development of the Jewish cultural community within a pluralistic society.
    [Show full text]
  • East European Jews in the German-Jewish Imagination from the Ludwig Rosenberger Library of Judaica
    East European Jews in the German-Jewish Imagination From the Ludwig Rosenberger Library of Judaica The symbol of East European Jewry was an important tool of German-Jewish self- definition. Were these so-called Ostjuden foreign or family? Did they represent a tradition from which German Jews would have to dissociate in order to secure their civic equality as Germans, or were they fellow members of a single Jewish nation? The stereotypes that German Jews attached to East European Jews reflect their own evolving self-perception and conflicting national aspirations. The long and difficult path toward emancipation during the nineteenth century led German Jews to reject traditional notions of Jewish nationhood and to refashion themselves as “German citizens of the Mosaic faith.” In their efforts to assimilate, they deliberately adopted German middle-class gentility, politeness, and aesthetic refinement, and contrasted these traits with a crude stereotype of East European Jewish life. They created a caricature of the ghetto, which signified not only a confined space but also a self-segregating worldview. German Kultur was viewed as the path out of the ghetto of traditional society into the modern nation-state. Around the turn of the century, many German Jews shifted their focus from assimilation to self-determination, and from German fatherland to Jewish homeland. The image of the Ostjuden was likewise transformed. Distant strangers became long-lost brothers. Archaic tradition became a source of cultural authenticity. The nobility of life in the shtetl (Jewish town), the beauty of traditional religious observance and the perceived cohesion of Jewish national identity in the East were held up as ideals against the tendencies toward intermarriage, apostasy and even self-hatred associated with post- assimilation German-Jewish life.
    [Show full text]
  • GENDERED LABOR “A Hero . . . for the Weak”: Work, Consumption, and the Enfeebled Jewish Worker, 1881–1924
    GENDERED LABOR “A Hero . for the Weak”: Work, Consumption, and the Enfeebled Jewish Worker, 1881–1924 Daniel Bender New York University Then I throw myself into the fire, become a hero and struggle like a lion for the weak; and if the bullet strike me,—I fall dead on the field, then I, too, can perish laughing. Morris Rosenfeld, “What Is the World?”1 The view of New York Harbor was a welcome sight for Samuel Siegal, one of nearly two million Eastern European Jewish immigrants who arrived in the United States between 1881 and 1922.2 For Siegal and his shipmates it was the end of an enfeebling boat journey as well as their first glimpse of the goldene medinah (golden land) they had heard and talked about so much in the Pale of Settlement (the region of Czarist Russia open to Jews). Like the overwhelming majority of his coreligionist immigrants, Siegal had traveled to the United States in steerage. There, he ate nearly inedible food—and then only when he was not too nauseated to swallow. After the experience of steerage, Siegal was physically ill-prepared for the medical examination that awaited him at Ellis Island that morning in 1904.3 When Siegal entered the crowded hall at Ellis Island he was seized, stripped, poked, inspected, and fumigated by a host of doctors, nurses, and customs offi- cials. Luckily for Siegal he was not (yet) infected with any of the diseases and handicaps considered rife among Jewish immigrants.4 Although he makes no mention of it in his memoirs, many of his shipmates were certainly either quar- antined at Castle Garden or returned immediately to the alte haym (the “old home” meaning the Pale of Settlement).5 Siegal finally made the trip to Manhattan.
    [Show full text]
  • 52 American Jewish Year Book
    52 AMERICAN JEWISH YEAR BOOK BIOGRAPHICAL SKETCHES OF JEWS PROMINENT IN THE PROFESSIONS, ETC., IN THE UNITED STATES The Biographical Sketches which follow are a second in- stalment of the series begun in the AMERICAN JEWISH YEAE BOOK for 5664. The Sketches there published were of Rabbis and Cantors officially connected with congregations in the United States. On pp. 214-225, will be found additions to the list of last year, designed to keep it up to date. It is intended to complete the series of Biographical Sketches in the AMERICAN JEWISH YEAR BOOK for 5666, in which an attempt will be made to present the biographical data of the men and women who are doing the communal work for the Jews of the United States. The present instalment does not deal with so unified a set of personages as the first dealt with and as the third is de- signed to deal with. It aims to bring together the names and biographical data of the Jews in the United States who have won a place in the professions, in the arts, the sciences, in journalism, in business, in public life. Only one class of pro- fessional men and women have been excluded from the present instalment, namely, those who have trained themselves to preside over Jewish charitable institutions; the superin- tendents and directors of the charities, the superintendents of orphan asylums and kindred institutions, the probation officers, the social settlement workers, etc. Their vocation is so closely allied to the activities that will constitute the ground for inclusion in the next instalment of sketchea BIOGRAPHICAL SKETCHES 53 that it seemed proper to associate them with the communal workers whose leaders and guides they are.
    [Show full text]
  • Imagination Inspiration Innovation
    FOR IMMEDIATE RELEASE Contact: Motl Didner [email protected] Phone: (212) 213 – 2120 x211 December 8, 2014 National Yiddish Theatre Folksbiene presents From Rosenfeld to Robeson Starring Elmore James and Zalmen Mlotek Thursday March 19, 2015 at 7:30 PM Temple Beth El, 350 Roxbury Rd, Stamford, CT This concert is presented free of charge to the community by the Holocaust Memorial Committee and the UJF Levy Romanowitz fund, as a tribute to Hesh Romanowitz z''l. ADL, Chavurat Aytz Chayim, Congregation Agudath Sholom, Jewish Historical Society, Selah, Temple Beth El, Temple Sinai, UJA/ JCC Greenwich,UJF, Union Baptist Church and Young Israel are co-sponsors. (New York, NY)— Now in its 100th Season, National Yiddish Theatre Folksbiene [NYTF] brings a dynamic new concert to Temple Beth El of Stamford, CT. From Rosenfeld to Robeson debuted this summer at the Singer festival in Warsaw, Poland. Broadway and international opera star, Elmore James and Zalmen Mlotek, Artistic Director of the National Yiddish Theatre Folksbiene take you on a musical journey through the repertoire of both Morris Rosenfeld, the famous Yiddish poet of the Lower East Side sweatshops, and Paul Robeson, the great African American singer, actor and civil rights activist. Together, they explore the pathos inherent in love ballads, songs of the sweatshop and slavery, melodies of spirituality, protest and hope. This new concert breathes fresh life into its interpretations of classics Yiddish songs, songs of revolutionary poets, Holocaust era partisans and Broadway favorites. IMAGINATION ● INSPIRATION ● INNOVATION 90 John Street ● Suite 410 ● New York, NY 10038 Phone 212-213-2120 ● Fax 212-213-2186 ● www.nationalyiddishtheatre.org ELMORE JAMES - is a veteran of five Broadway Shows.
    [Show full text]
  • The Jewish Unions in America Pages of History and Memories
    BERNARD WEINSTEIN The Jewish Unions in America Pages of History and Memories TRANSLATED AND ANNOTATED BY MAURICE WOLFTHAL To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/612 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. The Jewish Unions in America Pages of History and Memories by Bernard Weinstein, translated and annotated, with an introduction by Maurice Wolfthal https://www.openbookpublishers.com © 2018 Maurice Wolfthal This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Maurice Wolfthal, The Jewish Unions in America: Pages of History and Memories. Cambridge, UK: Open Book Publishers, 2018, http://dx.doi.org/10.11647/OBP.0118 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/612#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.
    [Show full text]
  • Download Download
    Judaica Librarianship Volume 16/17 1-53 12-31-2011 IsraPulp: The sI raeli Popular Literature Collection at Arizona State University Rachel Leket-Mor Arizona State University, [email protected] Follow this and additional works at: http://ajlpublishing.org/jl Part of the Bilingual, Multilingual, and Multicultural Education Commons, Comparative Literature Commons, Critical and Cultural Studies Commons, Information Literacy Commons, International and Intercultural Communication Commons, Jewish Studies Commons, Modern Languages Commons, Near Eastern Languages and Societies Commons, and the Reading and Language Commons Recommended Citation Leket-Mor, Rachel. 2011. "IsraPulp: The sI raeli Popular Literature Collection at Arizona State University." Judaica Librarianship 16: 1-53. doi:10.14263/2330-2976.1003. J U D A I C A L I B R A R I A N S H I P V O L S . 16/17 2011 OUR COLLECTIONS IsraPulp: The Israeli Popular Literature Collection at Arizona State University RACHEL LEKET-MOR ABSTRACT Based on research literature, the article reviews the history of Hebrew non-canonized literature since the 1930s, its contacts with Yiddish shund literature and its effects on the development of Modern Hebrew literature and Israeli identity, especially in light of the New Hebrew ethos. The article features the research collection of Hebrew pulps at Arizona State University, demonstrates the significance of collecting popular materials in research libraries, and suggests possi- ble new directions for research. An appendix lists some of the materi- als available at the IsraPulp Collection. INTRODUCTION It is easy, when telling the story of a young national literature such as the revived Modern Hebrew literature, to ignore the position held by texts created exclusively for secular leisure reading.
    [Show full text]